Kaffee-Kantate

~ Release by Johann Sebastian Bach; Amsterdam Baroque Orchestra & Choir, Ton Koopman (see all versions of this release, 1 available)

Tracklist

1▼CD
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1Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenore) "Schweigt stille, plaudert nicht"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:40
2Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Basso) "Hat man nicht mit seinen Kindern"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach2:37
3Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Basso, Soprano) "Du böses Kind, du loses Mädchen"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:41
4Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Soprano) "Ei, wie schmeckt der Coffee süße"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Anne Grimm (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:38
5Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Basso, Soprano) "Wenn du mir nicht den Coffee läßt"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
soprano vocals:
Anne Grimm (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach1:21
6Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Basso) "Mädchen, die von harten Sinnen"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach2:34
7Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Basso, Soprano) "Nun folge, was dein Vater spricht"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
soprano vocals:
Anne Grimm (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:57
8Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Soprano) "Heute noch, lieber Vater, tut est doch"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Anne Grimm (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach6:20
9Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenore) "Nun geht und sucht der alte Schlendrian"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:54
10Kaffeekantate, BWV 211 "Schweigt stille, plaudert nicht": X. Coro (Terzetto) "Die Katze läßt das Mausen nicht"
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1996-01)
soprano vocals:
Anne Grimm (in 1996-01)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1996-01)
orchestra:
Amsterdam Baroque Orchestra (in 1996-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1996-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1996-01)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (in 1996-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:02
11Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": I. Sinfonia
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:10
12Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Soprano, Basso) "Mer hahn en neue Oberkeet"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:30
13Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Soprano, Basso) "Nu, Mieke, gib dein Guschel immer her"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:51
14Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Soprano) "Ach, es schmeckt doch gar zu gut"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:49
15Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Basso) "Der Herr ist gut: Allein der Schösser"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:23
16Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Basso) "Ach, Herr Schösser, geht nicht gar zu schlimm"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:21
17Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Soprano) "Es bleibt dabei, daß unser Herr der beste sei"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:22
18Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Soprano) "Unser trefflicher, lieber Kammerherr"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:41
19Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Basso, Soprano) "Er hilft uns allen, alt und jung"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:34
20Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Soprano) "Das ist galant"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:59
21Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Basso) "Und unsre gnädge Frau"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:43
22Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Basso) "Fünfzig Taler bares Geld"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:54
23Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Soprano) "Im Ernst ein Wort!"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:27
24Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Soprano) "Klein-Zschocher müsse so zart und süsse"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach5:50
25Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Basso) "Das ist zu klug vor dich"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:19
26Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Basso) "Es nehme zehntausend Dukaten"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:41
27Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Soprano) "Das klingt zu liederlich"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
28Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Soprano) "Gib, Schöne, viel Söhne"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:36
29Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Basso) "Du hast wohl recht"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:16
30Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Basso) "Dein Wachstum sei feste"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach5:11
31Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Soprano, Basso) "Und damit sei es auch genug"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:22
32Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Soprano) "Und daß ihr's alle wißt"
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:38
33Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Basso, Soprano) "Mein Schatz, erraten!"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:30
34Bauernkantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Duetto "Wir gehn nun, wo der Dudelsack"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:05
35Kantate, BWV 203 "Amore traditore": I. Aria (Basso) "Amore traditore"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 203 "Amore traditore": I. Aria (Bass) "Amore traditore" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 203 "Amore traditore"
Johann Sebastian Bach6:07
36Kantate, BWV 203 "Amore traditore": II. Recitativo (Basso) "Voglio provar"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 203 "Amore traditore": II. Recitativo (Bass) "Voglio provar" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 203 "Amore traditore"
Johann Sebastian Bach0:42
37Kantate, BWV 203 "Amore traditore": III. Aria (Basso) "Chi in amore ha nemica la sorte"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 203 "Amore traditore": III. Aria (Bass) "Chi in amore ha nemica la sorte" (in 1995-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 203 "Amore traditore"
Johann Sebastian Bach6:24

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ASIN:UK: B000HWY4OO [info]