L’Odyssée du Rock

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Les Défricheurs
#TitleArtistRatingLength
1Only the Lonely
recorded in:
Nashville, Tennessee, United States (on 1960-03-26)
producer:
Fred Foster
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1960-03-26)
drums (drum set) [drums]:
Buddy Harman (Session drummer and songwriter) (on 1960-03-26)
guitar:
Hank Garland (on 1960-03-26) and Harold Bradley (on 1960-03-26)
piano:
Floyd Cramer (on 1960-03-26)
background vocals:
Joe Melson (on 1960-03-26) and The Anita Kerr Singers (mixed vocal group) (on 1960-03-26)
vocals:
Roy Orbison (on 1960-03-26)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 2) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Only the Lonely (Know the Way I Feel) (on 1960-03-26)
writer:
Joe Melson and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK) and Acuff-Rose Publications, Inc. (BMI) (on 1960-05-04)
was commissioned by:
Rondor Music (London) Ltd.
Roy Orbison4.72:28
2Rock Around the Clock
recording of:
Rock Around the Clock (Bill Haley’s version)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets2:14
3That’ll Be the Day
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly2:17
4La Bamba
recording engineer:
Larry Levine and Stan Ross (recording engineer, mixer & producer)
producer:
Bob Keane
phonographic copyright (℗) by:
Del-Fi Records Inc. (in 1958)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 142) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 346)
recording of:
La bamba (additional lyrics by Ritchie Valens) (on 1958-11-17)
additional lyricist:
Ritchie Valens
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music and M.P.A. (M.P.A.)
version of:
La bamba
Ritchie Valens4.752:08
5Say Man
recording of:
Say Man
writer:
Bo Diddley (American singer, guitarist, songwriter and music producer)
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Bo Diddley3:15
6The House of the Rising Sun
producer:
Mickie Most (English record producer)
bass guitar:
Chas Chandler
drums (drum set):
John Steel (English musician)
electric guitar:
Hilton Valentine
organ:
Alan Price
lead vocals:
Eric Burdon
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 122), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. and Universal/MCA Music Ltd. (not for release label use!)
arrangement of:
House of the Rising Sun
The Animals4.254:31
7Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.253:05
8The Letter
producer:
Dan Penn (songwriter, soul singer)
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) and Atoll Music (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 364)
recording of:
The Letter (in 1967)
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.151:55
9Hush
recording of:
Hush (South, Royal, Deep Purple)
lyricist and composer:
Joe South (until 1967)
publisher:
BMG Music Publishing Ltd., BMG Ufa (not for release label use! this is a music publisher), Lowery-Chappell Music and Sony/ATV Music Publishing Australia Pty Ltd.
Billy Joe Royal2:30
10Alone Again Or
engineer:
Bruce Botnick
producer:
Bruce Botnick and Arthur Lee
acoustic guitar and lead vocals:
Bryan MacLean (on 1967-09-10)
drums (drum set):
Michael Stuart-Ware (US drummer for Love) (on 1967-09-10)
electric bass guitar:
Ken Forssi (on 1967-09-10)
additional lead vocals:
Arthur Lee (in 1967-09)
horn arranger and strings arranger:
David Angel (composer and arranger) (on 1967-09-10)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1967-09-10)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 436)
recording of:
Alone Again Or (on 1967-09-10)
lyricist and composer:
Bryan MacLean
Love4.23:18
11She’s Not There
producer:
Tom Coster and Carlos Santana
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1977), RCA/Jive Label Group (holding company, not a release label) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
cover recording of:
She’s Not There
lyricist and composer:
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA and Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Santana44:10
12Electricite
engineer:
Hank Cicalo and Gary Marker (engineer)
producer:
Bob Krasnow (producer) and Richard Perry (producer)
bass guitar:
Jerry Handley (in 1967-04)
drums (drum set):
John “Drumbo” French (musician (drums/vocal), songwriter, music director) (in 1967-04)
guitar:
Ry Cooder (in 1967-04) and Alexis St. Claire Snouffer (in 1967-04)
harmonica and marimba:
Captain Beefheart (in 1967-04)
theremin:
Sam Hoffman (in 1967-04)
vocals:
Captain Beefheart (in 1967-04)
arranger:
Don van Vliet
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (in 1967-04)
recording of:
Electricity (Captain Beefheart) (in 1967-04)
lyricist:
Herb Bermann
writer:
Herb Bermann and Don van Vliet
publisher:
EMI United Partnership Ltd. and Kama Sutra Music Inc. (USA branch)
Captain Beefheart & His Magic Band53:08
13Roadrunner
producer:
John Cale (The Velvet Underground founder)
bass:
Ernie Brooks
drums (drum set):
David Robinson (US rock drummer)
guitar and lead vocals:
Jonathan Richman
organ and piano:
Jerry Harrison (Talking Heads & producer)
background vocals:
Ernie Brooks, Jerry Harrison (Talking Heads & producer) and David Robinson (US rock drummer)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 77) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 269)
recording of:
Roadrunner
lyricist and composer:
Jonathan Richman
The Modern Lovers44:07
14Paranoid
engineer:
Tom Allom and Brian Humphries
producer:
Rodger Bain (from 1970-06 until 1970-07)
drums (drum set) and percussion:
Bill Ward (from 1970-06-16 until 1970-06-21)
electric bass guitar:
Geezer Butler (from 1970-06-16 until 1970-06-21)
electric guitar:
Tony Iommi (from 1970-06-16 until 1970-06-21)
lead vocals:
Ozzy Osbourne (in 1970)
phonographic copyright (℗) by:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (in 1970), Interworld Communications (in 1970), Sanctuary Copyrights Ltd. (in 1970) and Icarus Music (Argentinian metal label and distributor) (in 2006)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970) and Regent Sound Studios in London (Greater London), England, United Kingdom (from 1970-06-16 until 1970-06-21)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 13), TV Cream: Real 100 Best Singles Ever (number: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 250) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 338)
recording of:
Paranoid (from 1970-06-16 until 1970-07-08)
lyricist:
Geezer Butler
composer:
Geezer Butler, Tony Iommi, Ozzy Osbourne and Bill Ward
publisher:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. and Westminster Music Ltd. (in 1970)
Black Sabbath4.552:51
15Loaded
engineer:
Brian O'Shaughnessy
producer:
Andrew Weatherall
bass guitar:
Henry Olsen
drums (drum set) and percussion:
Toby Tomanov (Drummer)
guitar:
Andrew Innes and Robert Young (British guitarist, of Primal Scream)
keyboard and piano:
Martin Duffy
lead vocals:
Bobby Gillespie
remixer:
Andrew Weatherall
recording of:
Loaded (Primal Scream)
writer:
Bobby Gillespie, Andrew Innes and Robert Young (British guitarist, of Primal Scream)
publisher:
Complete Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream3.557:03
16Venus
assistant engineer:
Jim Boyer (producer/engineer)
engineer and mixer:
Andy Johns
producer:
Andy Johns and Tom Verlaine
assistant mixer:
Jimmy Douglass (engineer) and Randy Mason
bass guitar:
Fred Smith (bassist)
drums (drum set):
Billy Ficca
electric guitar:
Richard Lloyd (American guitarist and singer, Television)
solo electric guitar and lead vocals:
Tom Verlaine
background vocals:
Richard Lloyd (American guitarist and singer, Television) and Fred Smith (bassist)
vocals:
Richard Lloyd (American guitarist and singer, Television) and Fred Smith (bassist)
recorded at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Venus
lyricist and composer:
Tom Verlaine
Television53:54
17What You Do to Me
producer:
Paul Chisholm, Don Fleming and Teenage Fanclub
recording of:
What You Do to Me
lyricist and composer:
Norman Blake (Scottish writer/performer with Teenage Fanclub)
Teenage Fanclub4.352:00
18Love Goes On!
producer:
Mark Wallis
mixer:
Tony Visconti
phonographic copyright (℗) by:
Beggars Banquet
recording of:
Love Goes On!
writer:
Robert Forster (Australian singer-songwriter & guitarist) and Grant McLennan
publisher:
Complete Music Ltd. and Incomplete Music Inc.
The Go‐Betweens3:20
19It’s the End of the World as We Know It (and I Feel Fine)
additional recording engineer:
Gary Laney
engineer:
Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
additional mixer:
Steve Catania
bass guitar:
Mike Mills (R.E.M. bass player)
drums (drum set):
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
lead vocals:
Michael Stipe
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States
mixed at:
Master Control in Burbank, California, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 69) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 69)
recording of:
It’s the End of the World as We Know It (and I Feel Fine)
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.4.24:04
2▼CD: Les Extravagants
#TitleArtistRatingLength
1Back in the U.S.A.
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Fred Below (on 1959-02-17)
guitar and lead vocals:
Chuck Berry (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
background vocals:
Etta James (on 1959-02-17) and The Marquees (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
recording of:
Back in the U.S.A. (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry2:29
2Donna the Prima Donna
recording of:
Donna the Prima Donna
writer:
Dion DiMucci (US singer-songerwriter, blends doo-wop, pop rock & R&B) and Ernie Maresca
Dion2:55
3Who Loves the Sun
engineer:
Adrian Barber (producer/engineer) and Geoffrey Haslam
producer:
Geoffrey Haslam and Shel Kagan
bass guitar and lead vocals:
Doug Yule
drums (drum set):
Adrian Barber (producer/engineer)
electric guitar:
Sterling Morrison
electric guitar [rhythm guitar]:
Lou Reed
phonographic copyright (℗) by:
Warner Special Products
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1970-04 until 1970-08)
recording of:
Who Loves the Sun
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground42:48
4Rock ’n’ Roll Suicide
sound engineer:
Dennis MacKay (70s–present UK producer/engineer)
producer:
David Bowie (English singer‐songwriter) and Ken Scott (UK record producer & engineer)
acoustic guitar, electric guitar and background vocals:
Mick Ronson (British guitarist) (on 1972-02-04)
bass guitar:
Trevor Bolder (British bassist) (on 1972-02-04)
drums (drum set):
Mick Woodmansey (British drummer) (on 1972-02-04)
lead vocals:
David Bowie (English singer‐songwriter) (on 1972-02-04)
arranger:
David Bowie (English singer‐songwriter) and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (on 1972-02-04)
recording of:
Rock ’n’ Roll Suicide (on 1972-02-04)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Chrysalis Music Group Inc., Chrysalis Songs, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
David Bowie43:00
5I Put a Spell on You
vocals:
Screamin’ Jay Hawkins
part of:
Pitchfork: The Story of Goth in 33 Songs, Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 299) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 313)
recording of:
I Put a Spell on You (on 1956-09-12)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
Screamin’ Jay Hawkins3.92:28
6Right Place, Wrong Time
recording engineer:
Karl Richardson
producer:
Allen Toussaint
mixer:
Jimmy Douglass (engineer) and Arif Mardin
acoustic guitar, congas, electric piano, piano and tambourine:
Allen Toussaint
bass guitar:
George Porter, Jr.
drums (drum set):
Joseph Modeliste
guitar:
Leo Nocentelli
organ:
Art Neville
saxophone:
Gary Brown (US saxophonist from Louisiana)
solo guitar:
David Spinozza
background vocals:
Jessie Mae Smith (US R&B vocalist Jessica Mae Smith, 1941–2021), Robbie Montgomery and Allen Toussaint
lead vocals:
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
conductor:
Allen Toussaint
performer:
The Bonaroo horn section and The Meters
arranger and vocals arranger:
Allen Toussaint
recording of:
Right Place Wrong Time
lyricist and composer:
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
publisher:
Mystical Light Music and Walden Music, Inc.
Dr. John3.652:55
7Money
Little Richard2:02
8Love Have Mercy
Flamin’ Groovies54:30
9Personality Crisis
producer:
Todd Rundgren
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 267) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 387)
recording of:
Personality Crisis
writer:
David Johansen and Johnny Thunders (US punk guitarist & singer)
New York Dolls3.53:42
10Cum On Feel the Noize
producer:
Bryan “Chas” Chandler
part of:
Q50 – December 2005 (number: 34)
recording of:
Cum On Feel the Noize
writer:
Noddy Holder and Jim Lea
publisher:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Slade4.154:30
11Hot Love
producer:
Tony Visconti
vocals:
Marc Bolan
recording of:
Hot Love
lyricist and composer:
Marc Bolan
publisher:
Essex Music International Ltd., Onward Music Ltd. and Westminster Music Ltd.
T. Rex4.34:56
12Make Me Smile (Come Up and See Me)
producer:
Steve Harley and Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel44:01
13All the Young Dudes
producer:
David Bowie (English singer‐songwriter)
lead vocals:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie (English singer‐songwriter)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1976)
part of:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 166) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 253)
recording of:
All the Young Dudes
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Mott the Hoople4.23:36
14Omaha
recording of:
Omaha
lyricist and composer:
Alexander “Skip” Spence
Moby Grape2:45
15Debaser
assistant engineer:
Dave Snider
engineer:
Matt Lane (engineer) and Gil Norton (British record producer)
producer:
Gil Norton (British record producer)
mixer:
Steve Haigler
drums (drum set):
Dave Lovering
electric bass guitar:
Kim Deal
electric guitar:
Black Francis (US singer, songwriter & guitarist)
electric guitar [lead guitar] and background vocals:
Joey Santiago
vocals:
Black Francis (US singer, songwriter & guitarist) and Kim Deal
phonographic copyright (℗) by:
4AD Ltd (in 1989)
recorded at:
Downtown Recorders in Boston, Massachusetts, United States
mixed at:
Carriage House Studios in Stamford, Connecticut, United States
music videos:
Debaser (official video) by Pixies
part of:
Indie 88: Top 500 Indie Rock Songs (number: 286)
recording of:
Debaser
lyricist and composer:
Black Francis (US singer, songwriter & guitarist)
Pixies4.22:54
16School’s Out
engineer:
Roy Cicala and Shelly Yakus
producer:
Bob Ezrin
drums (drum set):
Neil Smith (former Alice Cooper drummer)
electric bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
electric guitar:
Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist)
guitar and background vocals:
Reggie Vincent
keyboard:
Michael Bruce (of Alice Cooper) and Bob Ezrin
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated and Nimbus 9 Productions
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 319)
recording of:
School’s Out
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.23:30
17Damaged Goods
recording of:
Damaged Goods
writer:
Dave Allen (UK bassist for Gang of Four/Shriekback/Low Pop Suicide), Hugo Burnham (drummer), Andy Gill (guitarist and record producer) and Jon King (vocalist in Gang of Four)
publisher:
Bug Music (music publishing) and EMI Music Publishing Ltd. (PRS‐affiliated)
Gang of Four43:29
18Stand and Deliver
producer:
Chris Hughes (producer, aka “Merrick”)
bass guitar:
Adam Ant (English new wave singer and actor) and Gary Tibbs
drums (drum set):
Merrick (ex Adam & The Ants) and Terry Lee Miall
guitar:
Marco Pirroni (British musician and producer)
harmonica and lead vocals:
Adam Ant (English new wave singer and actor)
music videos:
Stand and Deliver by Adam and the Ants (English new wave band)
part of:
TV Cream: Real 100 Best Singles Ever (number: 10)
recording of:
Stand and Deliver
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants53:36
19Always the Sun
engineer:
Owen Morris
producer:
Mike Kemp (UK recording engineer) and The Stranglers
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986)
music videos:
Always the Sun by The Stranglers
recording of:
Always the Sun
writer:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
CBS Songs Ltd., Complete Music Ltd., EMI April Music Inc., EMI Music Ltd., EMI Music Publishing Limited (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers3.754:06
3▼CD: Les Orfèvres
#TitleArtistRatingLength
1Girl From the North Country
recorded in:
Nashville, Tennessee, United States (on 1969-02-18)
producer:
Bob Johnston (US record producer and early rockebilly singer)
guitar:
Bob Dylan (on 1969-02-18)
guest vocals:
Johnny Cash (country music legend) (on 1969-02-18)
vocals:
Bob Dylan (on 1969-02-18)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
cover recording of:
Girl From the North Country (on 1969-02-18)
lyricist and composer:
Bob Dylan (in 1963-01)
publisher:
Sony/ATV Music Publishing (UK) Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991) and Special Rider Music (from 1991 to present)
Bob Dylan & Johnny Cash3.93:43
2All the Luck in the World
Neal Casal4:08
3Hey, That’s No Way to Say Goodbye
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
lead vocals:
Leonard Cohen (Canadian singer‐songwriter and poet)
conductor:
John Simon (US producer, arranger, composer, songwriter and musician)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
Hey, That’s No Way to Say Goodbye (in 1967)
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, MAM Music (publisher), Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Stranger and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Leonard Cohen4.82:56
4Cripple Creek
Alexander “Skip” Spence2:14
5Thirteen
bass guitar:
Andy Hummel (US bassist from the Big Star) (in 1972)
drums (drum set):
Jody Stephens (in 1972)
guest electric piano and guest background vocals:
Terry Manning (US recording engineer) (in 1972)
guitar:
Chris Bell (singer/songwriter/guitarist of Big Star) (in 1972) and Alex Chilton (in 1972)
vocals:
Chris Bell (singer/songwriter/guitarist of Big Star) (in 1972), Alex Chilton (in 1972) and Andy Hummel (US bassist from the Big Star) (in 1972)
recorded at:
Ardent Studios in Memphis, Tennessee, United States (in 1972)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 396)
recording of:
Thirteen (Big Star) (in 1972)
composer:
Chris Bell (singer/songwriter/guitarist of Big Star) and Alex Chilton
publisher:
Ardent/Koala Music, Birdees Music Corp. and Koala Music, Inc.
part of:
Thumbsucker (2005)
Big Star4.052:37
6Everybody’s Talkin’
phonographic copyright (℗) by:
BMG Music (in 1967)
earliest release:
Everybody’s Talkin’ by Nilsson (US singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
Harry Nilsson3.92:44
7Hallelujah
engineer, producer and mixer:
Andy Wallace (engineer)
guitar and lead vocals:
Jeff Buckley (American singer, guitarist and songwriter)
part of:
AUX: 10 Cover Songs Better Than The Orignials, New York Post: 100 Greatest Covers (2007) (number: 40), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 259) and Indie 88: Top 500 Indie Rock Songs (number: 380)
cover recording of:
Hallelujah
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Jeff Buckley3.856:54
8Gold in Them Hills
recording of:
Gold in Them Hills
lyricist and composer:
Ron Sexsmith
Ron Sexsmith & Chris Martin3:39
9Pissing in the Wind
assistant engineer and assistant co-producer:
Barney Herbert
co-producer:
Gary Wilkinson
producer:
Badly Drawn Boy
acoustic guitar, harmonica and tambourine:
Badly Drawn Boy
additional keyboard:
Gary Wilkinson
bass:
Jimi Goodwin
drums (drum set):
Andy Williams (of Doves)
electric guitar and slide guitar:
Jez Williams
keyboard:
Martin Rebelski
vocals:
Badly Drawn Boy
recording of:
Pissing in the Wind
lyricist and composer:
Damon Gough
Badly Drawn Boy3.54:21
10Caroline Goodbye
Colin Blunstone2:56
11Morning Glory
engineer:
Bruce Botnick
producer:
Jerry Yester
bass:
Jimmy Bond (in 1967-05)
flute and strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
guitar and lead vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1967-05)
membranophone:
John Clauder (in 1967-05)
piano:
Don Randi (in 1967-05)
background vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1967-05) and Jerry Yester (in 1967-05)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1967-05)
recording of:
Morning Glory
lyricist and composer:
Larry Beckett and Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
publisher:
Third Story Music, Inc.
Tim Buckley32:51
12If I Knew
Tim Hardin3:52
13O Caroline
recording of:
O Caroline
lyricist and composer:
David Sinclair (UK folk/rock keyboardist) and Robert Wyatt (Canterbury scene)
Matching Mole45:08
14Alison
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
drums (drum set):
Mickey Shine (Clover drummer) (in 1976)
electric bass guitar [bass]:
Johnny Ciambotti (in 1976)
guitar:
Elvis Costello (in 1976) and John McFee (singer, songwriter, guitarist for The Doobie Brothers) (in 1976)
organ and piano:
Sean Hopper (US Keyboardist for Huey Lewis & the News) (in 1976)
background vocals:
Sean Hopper (US Keyboardist for Huey Lewis & the News) (in 1976), Johnny Ciambotti (in 1976) and Nick Lowe (UK singer/songwriter/instrumentalist/producer) (in 1976)
vocals:
Elvis Costello (in 1976)
recorded at:
Pathway Studios in Islington, London (Greater London), England, United Kingdom (in 1976)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 318) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 396)
recording of:
Alison (in 1976)
lyricist and composer:
Elvis Costello
publisher:
Universal Music Publishing International MGB Ltd.
Elvis Costello3.853:24
15Hurdy Gurdy Man
recorded in:
London (Greater London), England, United Kingdom (in 1968)
producer:
Mickie Most (English record producer)
acoustic guitar and tambura:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968)
bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1968)
drums (drum set):
Clem Cattini (in 1968)
electric guitar:
Allan Holdsworth (in 1968) and Jimmy Page (in 1968)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968)
arranger:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Hurdy Gurdy Man (in 1968)
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd.
Donovan53:16
16God Only Knows
engineer:
Chuck Britz (on 1966-03-10) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson (Beach Boys co‐founder)
accordion:
Carl Fortina (on 1966-03-10) and Frank Marocco (on 1966-03-10)
bass clarinet:
Leonard Hartman (on 1966-03-10)
bell and drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-03-10)
cello:
Jesse Erlich (on 1966-03-10)
clarinet:
Leonard Hartman (on 1966-03-10) and Jay Migliori (on 1966-03-10)
double bass:
Lyle Ritz (on 1966-03-10)
electric bass guitar:
Ray Pohlman (on 1966-03-10)
flute:
Bill Green (woodwind) (on 1966-03-10) and Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-03-10)
French horn:
Alan Robinson (on 1966-03-10)
guitar:
Carol Kaye (on 1966-03-10)
harpsichord:
Larry Knechtel (on 1966-03-10)
percussion:
Jim Gordon (US drummer with Derek and the Dominos) (on 1966-03-10)
tack piano:
Don Randi (on 1966-03-10)
tambourine:
Terry Melcher (on 1966-03-10)
viola:
Darrel Terwilliger (on 1966-03-10)
violin:
Leonard Malarsky (on 1966-03-10) and Sid Sharp (on 1966-03-10)
lead vocals:
Carl Wilson (Beach Boys) (from 1966-03 until 1966-04)
vocals:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (from 1966-03 until 1966-04) and Brian Wilson (Beach Boys co‐founder) (from 1966-03 until 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-03-10) and Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 11), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 130)
recording of:
God Only Knows (from 1966-03 until 1966-04)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
The Beach Boys4.152:51
17My World Fell Down
recording of:
My World Fell Down
writer:
John Shakespeare (songwriter) and Geoff Stephens
Sagittarius3:47
18The Dark Is Rising
Mercury Rev4:52
19The Night They Drove Old Dixie Down
engineer:
Tony May (engineer), Robbie Robertson, John Simon (US producer, arranger, composer, songwriter and musician) and Joe Zagarino
co-producer:
John Simon (US producer, arranger, composer, songwriter and musician)
producer:
The Band (Canadian-American rock band)
mixer:
Tony May (engineer) and Joe Zagarino
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1969)
recording of:
The Night They Drove Old Dixie Down
lyricist and composer:
Robbie Robertson
publisher:
Canaan Music Inc, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
The Band4.43:33
20I’ll Feel a Whole Lot Better
producer:
Terry Melcher
12 string guitar:
Jim McGuinn (on 1965-04-14)
bass:
Chris Hillman (on 1965-04-14)
drums (drum set):
Michael Clarke (drummer for the 1960s rock group The Byrds) (on 1965-04-14)
guitar:
David Crosby (on 1965-04-14)
vocals:
David Crosby (on 1965-04-14), Chris Hillman (on 1965-04-14) and Jim McGuinn (on 1965-04-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 234)
recording of:
I’ll Feel a Whole Lot Better (on 1965-04-14)
lyricist and composer:
Gene Clark (US singer-songwriter; founder of The Byrds)
publisher:
Gene Clark Music, Sixteen Stars Music (BMI-affiliated) and Tickson Music Co.
The Byrds42:32
4▼CD: Les Rebelles
#TitleArtistRatingLength
1Rumble
Link Wray & His Raymen2:17
2Summertime Blues
drums (drum set):
Earl Palmer (on 1958-03-28)
electric bass guitar:
Connie “Guybo” Smith (bass player) (on 1958-03-28)
guitar:
Eddie Cochran (US rock and roll musician active in 1950s) (on 1958-03-28)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (on 1958-03-28)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1958)
recorded at:
Goldstar Studio in Hollywood, Los Angeles, California, United States (on 1958-03-28)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 11), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 73) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 432)
recording of:
Summertime Blues (in 1958-05)
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran3.752:01
3Brand New Cadilac
recording of:
Brand New Cadillac (in 1959)
lyricist and composer:
Vince Taylor (rock and roll singer; The Playboys)
publisher:
Carlin Music Corporation
sub-publisher:
ワーナー・チャペル音楽出版 (Warner/Chappell Music Japan), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Vince Taylor2:37
4Say You’re Sorry
Barry & the Remains2:25
5The Guns of Brixton
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
The Guns of Brixton (from 1979-01 until 1979-03)
lyricist and composer:
Paul Simonon
publisher:
Nineden Ltd.
is based on:
Paul’s Tune
The Clash3.753:13
6That’s Entertainment
engineer:
George Chambers (engineer a/k/a George “Chappie” Chambers) and Alan Douglas (Scottish born engineer)
producer:
Vic Coppersmith‐Heaven and The Jam (late 70s/early 80s UK punk/mod revival band)
acoustic guitar, electric guitar [backwards] and lead vocals:
Paul Weller (English singer‐songwriter and musician) (on 1980-10-22)
bass guitar:
Bruce Foxton (on 1980-10-22)
snare drum and tambourine:
Rick Buckler (on 1980-10-22)
vocals:
Bruce Foxton (on 1980-10-22)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1980-10-22)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 306)
recording of:
That’s Entertainment (on 1980-10-22)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
And Son Music Ltd. (, from 1980 to present), BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Stylist Music Ltd.
The Jam3.453:36
7Another Girl, Another Planet
assistant engineer:
Kevin Dallimore (engineering) and Andy Lyden
engineer:
Robert Ash (sound engineer)
assistant producer:
Robert Ash (sound engineer)
producer:
The Only Ones
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1978)
recording of:
Another Girl, Another Planet
lyricist and composer:
Peter Perrett
publisher:
Domino Publishing Co. Ltd.
The Only Ones4.353:03
8Baby Baby
The Vibrators3:39
9Me & Bobby McGee
engineer:
Phil Macy (50s-70s engineer)
producer:
Paul Rothchild
acoustic guitar and lead vocals:
Janis Joplin (on 1970-09-25)
bass guitar:
Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-09-25)
drums (drum set):
Clark Pierson (on 1970-09-25)
guest bongos and guest congas:
Bobbye Hall
guest bongos and congas:
Bobbye Hall (on 1970-09-25)
guest tambourine:
Sandra Crouch (on 1970-09-25)
guitar:
John Till (rock guitarist) (on 1970-09-25)
organ:
Ken Pearson (on 1970-09-25)
piano:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-09-25)
background vocals:
Phil Badella (on 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-09-25), John Cooke (on 1970-09-25), Janis Joplin (on 1970-09-25), Vince Mitchell (on 1970-09-25), Ken Pearson (on 1970-09-25), Clark Pierson (on 1970-09-25) and John Till (rock guitarist) (on 1970-09-25)
performer:
Full Tilt Boogie (on 1970-09-25)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1970-09-25)
part of:
New York Post: 100 Greatest Covers (2007) (number: 31) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 148)
cover recording of:
Me and Bobby McGee (on 1970-09-25)
lyricist and composer:
Fred Foster and Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:33
10Born to Be Wild
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 129)
recording of:
Born to Be Wild
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.353:33
11Rock ’n’ Roll Star
engineer:
Mark Coyle, Anjali Dutt, Dave Scott (UK sound mixer & engineer) and Roy Spong
additional producer:
Owen Morris
producer:
Mark Coyle and Oasis (Noel & Liam Gallagher)
mixer:
Owen Morris
bass guitar:
Paul McGuigan (Oasis)
drums (drum set):
Tony McCarroll
guitar:
Paul Arthurs ("Bonehead", Oasis) and Noel Gallagher
background vocals:
Noel Gallagher
vocals:
Liam Gallagher (English musician, lead singer of Oasis)
music videos:
Rock ’n’ Roll Star by Oasis (Noel & Liam Gallagher)
recording of:
Rock ’n’ Roll Star
lyricist and composer:
Noel Gallagher
Oasis3.95:25
12Wild Thing
producer:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
drums (drum set):
Ronnie Bond (The Troggs) (in 1966)
electric guitar:
Chris Britton (The Troggs) (in 1966)
ocarina and lead vocals:
Reg Presley (in 1966)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 257)
cover recording of:
Wild Thing (in 1966)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH and April Music (in 1981)
The Troggs4.42:36
13Kick Out the Jams
recording of:
Kick Out the Jams
writer:
Michael Davis (MC5 bassist), Wayne Kramer (former MC5 guitarist), Fred “Sonic” Smith, Dennis Thompson (drummer for MC5, New Race and The New Order) and Rob Tyner
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Ltd. (1996–2019)
MC52:54
14Search and Destroy
producer:
Iggy Pop
bass guitar:
Ron Asheton
drums (drum set):
Scott Asheton
electric guitar:
James Williamson (Iggy and The Stooges guitarist)
lead vocals:
Iggy Pop
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 49), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 468)
recording of:
Search and Destroy
writer and composer:
Iggy Pop and James Williamson (Iggy and The Stooges guitarist)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner Chappell Music Ltd. (no slash; used 1988–1996), Bug Music (music publishing) (until 2011) and BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) (from 2011 to present)
Iggy & The Stooges4.153:29
15Blitzkrieg Bop
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer)
associate producer:
Thomas Erdelyi (Tommy Ramone)
producer:
Craig Leon (musician, arranger, composer and producer)
bass guitar:
Dee Dee Ramone
drums (drum set):
Tommy Ramone
guitar:
Johnny Ramone
lead vocals:
Joey Ramone
recorded at:
Plaza Sound Studios in New York, New York, United States
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 25), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 64), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 92) and Indie 88: Top 500 Indie Rock Songs (number: 93)
recording of:
Blitzkrieg Bop (in 1976-01)
writer:
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman and John Cummings
publisher:
Bleu Disque Music Co., Inc. (publisher) and Taco Tunes Inc.
Ramones4.652:15
16Ring of Fire
recording engineer, producer and mixer:
Dave Jerden
bass guitar and background vocals:
John Maurer (US punk rock bassist)
drums (drum set):
Christopher Reece (US drummer for Social Distortion/The Lewd)
guitar:
Dennis Danell and Mike Ness
lead vocals:
Mike Ness
recorded at:
Track Record Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Ring of Fire
writer:
June Carter Cash (American Country singer and songwriter) and Merle Kilgore
publisher:
Painted Desert Music Corporation
Social Distortion4.653:54
17I Am Damo Suzuki
producer:
Simon Rogers and Mark E. Smith (late lead singer of British post‐punk band The Fall)
recording of:
I Am Damo Suzuki
writer:
Karl Burns, Brix Smith and Mark E. Smith (late lead singer of British post‐punk band The Fall)
named after artist:
Damo Suzuki
The Fall45:43
18Dress
engineer:
Head (mixing engineer Howard Bullivant)
producer:
Rob Ellis (British producer, known for work with PJ Harvey), PJ Harvey, Head (mixing engineer Howard Bullivant) and Mark Vernon (Firebrand Management)
double bass:
Ben Groenevelt
electric bass guitar:
Ian Olliver
recording of:
Dress
lyricist and composer:
PJ Harvey
PJ Harvey4.753:17