| # | Title | Artist | Rating | Length |
|---|
| 1 | Here I Go Again 87- producer:
- Kevin Elson, Keith Olsen and Mike Stone
- mixer:
- Keith Olsen
- drums (drum set) and percussion:
- Aynsley Dunbar
- electric bass guitar:
- Neil Murray
- electric guitar and background vocals:
- John Sykes
- guest keyboard and keyboard:
- Don Airey and Bill Cuomo
- solo electric guitar:
- Adrian Vandenberg
- lead vocals:
- David Coverdale
- phonographic copyright (℗) by:
- Geffen Records (in 1987) and Whitesnake Productions (Overseas) Ltd. (in 1987)
- mixed at:
- Goodnight LA Studios in Van Nuys, California, United States
- music videos:
- Here I Go Again ’87 by Whitesnake
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 17)
- recording of:
- Here I Go Again
- writer:
- David Coverdale and Bernie Marsden
- publisher:
- Warner Chappell Music Ltd. (ended), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- 渡辺音楽出版 , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Whitesnake | 4.05 | 4:35 |
| 2 | Girls on Film | Duran Duran | 3.7 | 3:33 |
| 3 | Dancing With Myself (single version) | The Donnas | | 3:28 |
| 4 | I Love Rock ’n’ Roll | The Arrows | | 3:03 |
| 5 | La da Dee | Cody Simpson | 3.5 | 3:17 |
| 6 | 2‐4‐6‐8 Motorway | Tom Robinson Band | 4 | 3:17 |
| 7 | Lady Marmalade (remix)- cover recording of:
- Lady Marmalade
- writer:
- Bob Crewe and Kenny Nolan
- publisher:
- Ardmore and Beechwood Ltd., EMI , EMI April Music Inc., EMI Blackwood Music Inc., EMI Music , EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation and TannyBoy Music
| All Saints | | 3:47 |
| 8 | Gimme All Your Lovin’ | ZZ Top | 4.05 | 3:58 |
| 9 | Blitzkrieg Bop | Ramones | 5 | 2:05 |
| 10 | A Glass of Champagne | Sailor | 5 | 2:40 |
| 11 | The Locomotion | Little Eva | 2 | 2:19 |
| 12 | Light My Fire | The Doors | | 2:56 |
| 13 | Gold | Spandau Ballet | 3.5 | 3:51 |
| 14 | We’re Not Gonna Take It (single version)- recording engineer and mixer:
- Geoff Workman
- assistant engineer:
- Gary McGachan
- engineer:
- John Agnello , Greg Laney and Geoff Workman
- producer:
- Tom Werman
- bass guitar:
- Mark Mendoza
- drums (drum set):
- A.J. Pero
- electric guitar:
- Jay Jay French and Eddie Ojeda
- background vocals:
- Jay Jay French, Mark Mendoza , Eddie Ojeda, A.J. Pero and Dee Snider
- lead vocals:
- Dee Snider
- arranger:
- Twisted Sister and Tom Werman
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio in Los Angeles, California, United States (from 1984-02 until 1984-03)
- mixed at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 21), VH1: 100 Greatest Songs of the 80’s (number: 47) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 81)
- recording of:
- We’re Not Gonna Take It
- lyricist and composer:
- Dee Snider
- publisher:
- Copyright Control and Universal Tunes
- part of:
- “The Filthy Fifteen” (number: 7)
| Twisted Sister | 4.35 | 3:37 |
| 15 | That’s the Way (I Like It) | KC and the Sunshine Band | 4.3 | 3:05 |
| 16 | Long Train Runnin’- engineer:
- Donn Landee
- producer:
- Ted Templeman
- congas, cymbal and timbales:
- Michael Hossack
- guest synthesizer:
- Malcolm Cecil and Robert Margouleff
- guitar:
- Jeff “Skunk” Baxter, Tom Johnston and Patrick Simmons
- harmonica:
- Tom Johnston
- keyboard, organ and piano:
- Bill Payne
- membranophone:
- John Hartman and Michael Hossack
- percussion:
- John Hartman and Ted Templeman
- steel guitar:
- Jeff “Skunk” Baxter
- synthesizer:
- Tom Johnston and Patrick Simmons
- vocals:
- John Hartman , Tom Johnston , Tiran Porter and Patrick Simmons
- bass arranger:
- Tiran Porter
- strings arranger:
- Nick de Caro
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (, in 1973) and WEA International Inc. (in 1973)
- recorded at:
- Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
- recording of:
- Long Train Runnin’
- lyricist and composer:
- Tom Johnston
- publisher:
- Warner–Tamerlane Publishing Corp. , Warner Bros. Music (in 1982) and Warner Chappell Music (in 1991)
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| The Doobie Brothers | 4 | 3:27 |
| 17 | Black Velvet | Alannah Myles | 4.5 | 4:47 |
| 18 | See My Baby Jive | Wizzard | 5 | 5:02 |
| 19 | Chicken Fried | Zac Brown Band | 4 | 3:57 |
| 20 | Walking in Memphis | Marc Cohn | 4 | 4:16 |
| 21 | We Built This City- assistant engineer:
- Paul Ericksen
- engineer:
- Jeremy Smith
- producer:
- Jeremy Smith and Peter Wolf
- mixer:
- Bill Bottrell
- other vocals [DJ voice]:
- Les Garland (in 1985)
- arranger:
- Peter Wolf
- phonographic copyright (℗) by:
- BMG Music (in 1985) and RCA Records (in 1985)
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- remixed at:
- The Soundcastle in Silver Lake, Los Angeles, California, United States
- recording of:
- We Built This City (in 1985)
- writer:
- Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf
- publisher:
- BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control , Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. , Universal Music–MGB Songs, Warner/Chappell Music Ltd. , Zomba Enterprises and Zomba Enterprises, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Starship | 3.9 | 4:56 |
| 22 | Groove Is in the Heart | Deee‐Lite | 4.1 | 3:52 |
| 23 | All Summer Long | Kid Rock | 3.3 | 4:58 |
| 24 | Respect | Aretha Franklin | | 2:27 |
| 25 | Sailing | Rod Stewart | | 4:38 |
| 26 | Move on Up | Curtis Mayfield | 4 | 2:46 |
| 27 | Owner of a Lonely Heart- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Chris Squire (in 1983)
- drums (drum set):
- Alan White (in 1983)
- guitar:
- Trevor Rabin (in 1983)
- keyboard:
- Tony Kaye (in 1983)
- lead vocals:
- Jon Anderson (in 1983)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1983, in 2003) and WEA International Inc. (in 1983, in 2003)
- recorded at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom (in 1983)
- recording of:
- Owner of a Lonely Heart (in 1983)
- writer:
- Jon Anderson , Trevor Horn, Trevor Rabin and Chris Squire
- publisher:
- Affirmative Music , BMG Chrysalis Scandinavia AB , BMG Rights Management (UK) Ltd. , Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC , Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. , Tremander Songs, Unforgettable Songs , Unforgettable Songs Ltd., Warner Bros. Music , Warner Bros. Music Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. , Warner/Chappell and Warner/Chappell North America Limited
- sub-publisher:
- エイベックス・ミュージック・パブリッシング 第7出版事業部 , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Yes | 3.95 | 4:29 |
| 28 | Never Ending Story | Limahl | 3.35 | 3:30 |
| 29 | Epic | Faith No More | 4.25 | 4:54 |
| 30 | Mistadobalina | Del the Funky Homosapien | | 4:17 |
| 31 | Magic | Pilot | 4.75 | 3:07 |
| 32 | Take on Me | a‐ha | 4.5 | 3:45 |
| 33 | The Best (edit) | Tina Turner | 3.9 | 4:10 |
| 34 | I Love You Always Forever | Donna Lewis | 3.8 | 4:00 |
| 35 | Follow Me | Uncle Kracker | 3.55 | 3:38 |
| 36 | Good Vibrations | Todd Rundgren | 4 | 3:44 |
| 37 | Kids in America | Strawberry Slaughterhouse | | 3:31 |
| 38 | Only Wanna Be With You- assistant engineer:
- Wade Norton
- engineer, producer and mixer:
- Don Gehman
- assistant mixer:
- Liz Sroka
- acoustic guitar and percussion:
- Mark Bryan and Darius Rucker
- bass guitar, clavinet and piano:
- Dean Felber
- drums (drum set) [drums]:
- Jim “Soni” Sonefeld
- electric guitar and mandolin:
- Mark Bryan
- vocals:
- Mark Bryan, Dean Felber and Jim “Soni” Sonefeld
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1994) and WEA International Inc. (in 1994)
- recorded at:
- N.R.G. Recording Services in North Hollywood, Los Angeles, California, United States
- mixed at:
- Scream Studios in Studio City, Los Angeles, California, United States
- music video for:
- Only Wanna Be With You by Hootie & the Blowfish
- recording of:
- Only Wanna Be With You
- writer:
- Mark Bryan, Dean Felber, Darius Rucker and Jim Sonefeld
| Hootie & the Blowfish | 4 | 3:50 |
| 39 | Euphoria (single version) | Loreen | 4.35 | 3:02 |
| 40 | Am I Wrong | Nico & Vinz | 3.4 | 4:06 |
| 41 | Replay- part of:
- Billboard Year-End Hot 100 singles of 2010 (number: 25), Billboard Year-End Hot 100 singles of 2009 (number: 83) and BILLIONS CLUB
- recording of:
- Replay
- writer:
- Jason Desrouleaux, Jonathan Rotem, Keidran Jones, Kisean Anderson , Thomas Theron and Timothy Theron
- publisher:
- Art in the Fodder Music, Beluga Heights Music, Eyes above Water Music, Irving Music, Inc., Jason Derulo Publishing, Jonathan Rotem Music, Sony/ATV Songs LLC, TNT Explosive Publishing, Universal Music Corp. and Yaggamentz Music
| Iyaz | 3.8 | 3:02 |
| 42 | Sunshine Reggae | Laid Back | 3 | 6:31 |
| 43 | Set Me Free | Jaki Graham | 3 | 3:36 |
| 44 | Werewolves of London | Warren Zevon | 4.9 | 3:29 |
| 45 | Self Control | Laura Branigan | 4.55 | 4:07 |
| 46 | La Bamba | Los Lobos | 4.15 | 2:54 |
| 47 | Good Tradition | Tanita Tikaram | | 2:51 |
| 48 | Trouble | Shampoo | 2.5 | 3:13 |
| 49 | Laugh ’n’ A 1/2 | D‐A‐D | | 3:32 |
| 50 | Free Your Mind | En Vogue | 4.75 | 4:53 |
| 51 | I Want to Know What Love Is- additional engineer:
- Josh Abbey, Larry Alexander , Jason Corsaro , Joe Ferla and Howie Lindeman
- assistant engineer:
- Bobby Cohen , Tim Crich and Scott “Abada” Mabuchi
- engineer:
- Frank Filipetti
- producer:
- Mick Jones and Alex Sadkin
- additional keyboard:
- Tom Bailey
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar:
- Mick Jones
- additional vocals:
- Jennifer Holliday
- background vocals:
- Donnie Harper, Mick Jones and Rick Wills
- choir vocals:
- The New Jersey Mass Choir
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1984), Warner Music International (in 1984), WEA International Inc. (in 1984, in 2018) and Rhino Entertainment Company (in 2009)
- additionally recorded at:
- Right Track Recording in Manhattan, New York, New York, United States
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States
- mixed at:
- Right Track Recording in Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 65), Billboard: The 500 Best Pop Songs (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (number: 476)
- recording of:
- I Want to Know What Love Is
- lyricist and composer:
- Mick Jones
- publisher:
- Evansongs Ltd. , Somerset Songs Publishing Inc., Warner Brothers Music Ltd. , Warner Chappell Music , Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 3.95 | 5:05 |
| 52 | You Sexy Thing | Hot Chocolate | 3.85 | 4:05 |
| 53 | You Ain’t Seen Nothing Yet (re‐recorded version) | Bachman–Turner Overdrive | | 3:56 |
| 54 | School’s Out- engineer:
- Roy Cicala and Shelly Yakus
- producer:
- Bob Ezrin
- drums (drum set):
- Neil Smith
- electric bass guitar:
- Dennis Dunaway
- electric guitar:
- Michael Bruce and Glen Buxton
- guitar and background vocals:
- Reggie Vincent
- keyboard:
- Michael Bruce and Bob Ezrin
- lead vocals:
- Alice Cooper
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1972, in 1974) and WEA International Inc. (in 1972)
- produced for:
- Alive Enterprises Incorporated and Nimbus 9 Productions
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone: 500 Greatest Songs of All Time (number: 319)
- recording of:
- School’s Out
- writer:
- Michael Bruce , Glen Buxton , Alice Cooper , Dennis Dunaway and Neal Smith
- publisher:
- Bizarre Music Co. , BMG Platinum Songs US, Carlin Music Corporation, Copyright Control , Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music and Warner–Tamerlane Publishing Corp.
- sub-publisher:
- フジパシフィックミュージック and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4.2 | 3:30 |
| 55 | Disco Inferno | The Trammps | 5 | 3:34 |
| 56 | STARSTRUKK | 3OH!3 | 3.65 | 3:06 |
| 57 | Just the Way It Is, Baby | The Rembrandts | 3.5 | 4:04 |
| 58 | Your Song- assistant engineer:
- Don Henderson and Linda Tyler
- producer:
- Tommy LiPuma and Al Schmitt
- bass guitar:
- Willie Weeks (from 1976-02 until 1976-05)
- drums (drum set):
- Joe Correro (from 1976-02 until 1976-05)
- electric piano:
- Tom Canning (from 1976-02 until 1976-05)
- guitar:
- Larry Carlton (from 1976-02 until 1976-05)
- piano [acoustic piano]:
- Joe Sample (from 1976-02 until 1976-05)
- conductor:
- Dale Oehler (from 1976-02 until 1976-05)
- strings arranger and synthesizer arranger:
- Dale Oehler
- phonographic copyright (℗) by:
- WEA International Inc. (in 1976)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05) and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (from 1976-02 until 1976-05)
- mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (in 1976-05)
- cover recording of:
- Your Song (from 1976-02 until 1976-05)
- lyricist:
- Bernie Taupin
- composer:
- Elton John
- publisher:
- Dick James Music Ltd. (ended), Universal Music Publishing , Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. , シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Al Jarreau | | 5:37 |
| 59 | You’ve Got a Friend | James Taylor | 4.4 | 4:29 |
| 60 | The Power of Love | Gabrielle Aplin | 3.5 | 4:05 |
| 61 | Cool Kids | Echosmith | 4.25 | 3:58 |
| 62 | St. Elmo’s Fire (Man in Motion) | John Parr | 3.8 | 4:12 |
| 63 | Been Caught Stealing | Jane’s Addiction | 4.35 | 3:35 |
| 64 | Dancing in the Street | Matt Bianco | | 3:55 |
| 65 | Some Girls | Racey | 3.5 | 3:27 |
| 66 | Baby, I Love Your Way | Big Mountain | 3 | 4:10 |
| 67 | Love Shack- assistant engineer:
- Martin Kunitz
- engineer:
- Dave Cook
- producer:
- Don Was
- mixer:
- Tom Durack
- guest bass guitar:
- Sara Lee
- guest drums (drum set):
- Charley Drayton
- guest horn:
- Uptown Horns
- guitar:
- Keith Strickland
- keyboard:
- Kate Pierson
- vocals:
- Kate Pierson, Fred Schneider and Cindy Wilson
- phonographic copyright (℗) by:
- Reprise Records (in 1989)
- recorded at:
- Dreamland Studios in Hurley, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- additionally produced at:
- Bearsville Studios in Bearsville, New York, United States
- music videos:
- Love Shack by The B‐52’s
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 40), Billboard: The 500 Best Pop Songs (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (number: 243)
- recording of:
- Love Shack
- writer:
- Kate Pierson, Fred Schneider , Keith Strickland and Cindy Wilson
- publisher:
- Man-Woman Together, Now!
| The B‐52s | 4.2 | 5:21 |
| 68 | I’m Gonna Be (500 Miles) | The Proclaimers | 4 | 3:39 |
| 69 | Kiss Me Honey Honey (Kiss Me) | Shirley Bassey | | 1:59 |
| 70 | Spaceman | Babylon Zoo | 3.5 | 4:02 |
| 71 | Everybody Salsa | Modern Romance | | 3:22 |
| 72 | Mony Mony | Amazulu | | 4:04 |
| 73 | Dyna‐mite | Mud | 5 | 2:59 |
| 74 | For What It’s Worth | Buffalo Springfield | 4.25 | 2:34 |
| 75 | For America | Red Box | 5 | 3:45 |
| 76 | You Might Need Somebody | Shola Ama | 3.65 | 4:50 |
| 77 | Sleeping Satellite | Tasmin Archer | 4 | 4:19 |
| 78 | Too Shy | Kajagoogoo | 3.55 | 3:42 |
| 79 | Almaz | Randy Crawford | | 4:31 |
| 80 | (Sittin’ on) The Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- WEA International Inc. and Atlantic Recording Corporation (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner Chappell Music , Warner/Chappell Music Japan, Synch division , Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
- recording of:
- (Sittin’ on) The Dock of the Bay
- composer:
- Steve Cropper and Otis Redding
- arranger:
- Oliver Lake
- arrangement of:
- (Sittin’ on) the Dock of the Bay
| Otis Redding | 4.45 | 2:44 |
| 81 | Semi‐charmed Life | Third Eye Blind | 4.25 | 4:29 |
| 82 | What a Wonderful World | Etta Cameron | | 3:24 |
| 83 | Glory of Love- engineer and mixer:
- Terry Christian and John Guess
- producer:
- Michael Omartian
- guest background vocals:
- Kenny Cetera
- lead vocals:
- Peter Cetera
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1986) and Warner Music International (in 1986)
- recorded at and mixed at:
- Lion Share Studios in Los Angeles, California, United States
- recording of:
- Glory of Love
- writer:
- Peter Cetera, David Foster and Diane Nini
- publisher:
- EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. , シンコーミュージック・エンタテイメント , ピアーミュージック , ユニバーサル・ミュージック・パブリッシング Synch事業部 , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (in 1986), ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 59th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1986 nominee)
| Peter Cetera | 4.2 | 4:18 |
| 84 | That’s Livin’ Alright | Joe Fagin | | 2:58 |
| 85 | Cccan’t You See (7’’ version) | Vicious Pink | | 4:09 |
| 86 | The Boy Is Mine (radio edit)- producer:
- Dallas Austin, Brandy and Rodney Jerkins
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1998) and WEA International, Inc. (in 1998)
- produced for:
- Brand Nu, Inc., Darkchild Entertainment, Inc. and Darp, Inc.
- edit of:
- The Boy Is Mine by Brandy & Monica
- recording of:
- The Boy Is Mine
- writer:
- Brandy Norwood , LaShawn Daniels , Fred Jerkins, Rodney Jerkins and Japhe Tejeda
- publisher:
- Bran-Bran Music, EMI April Music Inc., EMI Blackwood Music Inc., Ensign Music Publishing, Famous Music Publishing, Fred Jerkins Publishing, Henchi Music and Sony/ATV Melody
- is based on:
- The Girl Is Mine
| Brandy & Monica | 4 | 4:00 |
| 87 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd. , WEA International Inc. (in 1960, in 1961) and Atlantic Recording Corporation (in 1986)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt , Melodie der Welt GmbH & Co. KG , Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music , Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
| Ben E. King | 4.65 | 2:58 |
| 88 | Hooked on a Feeling | Tiggy | | 3:10 |
| 89 | Forget You | CeeLo Green | 3.35 | 3:43 |
| 90 | Le Freak | Chic | 4.45 | 3:30 |
| 91 | Give It Up | Cut ’n’ Move | 5 | 4:25 |
| 92 | Bad Day | Daniel Powter | 3.3 | 3:55 |
| 93 | I’m a Believer | The Monkees | | 2:47 |
| 94 | You Oughta Know | Alanis Morissette | 4 | 4:09 |
| 95 | I Swear | All‐4‐One | 4 | 4:20 |
| 96 | One Week | Barenaked Ladies | 4.1 | 2:50 |
| 97 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London , England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. , Universal Music Publishing, Inc., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 4 | 3:54 |
| 98 | Show Me Love | Robin S. | 4 | 4:12 |
| 99 | I’m Every Woman | Chaka Khan | | 4:04 |
| 100 | Monkey Business- assistant engineer:
- Riley J. Connell , Craig Doubet and Jim Thomas
- producer and mixer:
- Michael Wagener
- bass guitar:
- Rachel Bolan
- drums (drum set):
- Rob Affuso
- guitar:
- Scotti Hill and Dave “The Snake” Sabo
- background vocals:
- Rachel Bolan, Scotti Hill and Dave “The Snake” Sabo
- lead vocals:
- Sebastian Bach
- phonographic copyright (℗) by:
- Atlantic Recording Corp. (in 1991)
- recorded at:
- New River Studios in Fort Lauderdale, Florida, United States and Scream Studios in Studio City, Los Angeles, California, United States
- mixed at:
- Scream Studios in Studio City, Los Angeles, California, United States
- recording of:
- Monkey Business
- writer:
- Rachel Bolan and Dave “The Snake” Sabo
| Skid Row | 3.4 | 4:18 |
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