The Ultimate Gold Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Fool (If You Think It’s Over)
engineer:
Justin Shirley‐Smith
producer:
Jon Kelly (engineer at Air London Studios) and Chris Rea
phonographic copyright (℗) by:
Magnet Records Ltd. (in 1988)
recorded at:
Sol Mill Studios (The Sol) in Windsor and Maidenhead, England, United Kingdom (in 2007)
recording of:
Fool (If You Think It’s Over) (in 2007)
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea54:05
2Don’t Stop
recording of:
Don’t Stop
lyricist and composer:
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) and Gentoo Music, Inc. (in 1977)
Fleetwood Mac3:11
3Baker Street
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
drums (drum set):
Henry Spinetti (in 1977)
guitar [lead guitar]:
Hugh Burns (in 1977)
guitar [rhythm guitar]:
Nigel Jenkins (in 1977)
keyboard:
Tommy Eyre (in 1977)
percussion:
Glen LeFleur (in 1977)
saxophone:
Raphael Ravenscroft (in 1977)
lead vocals:
Gerry Rafferty (in 1977)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
edit of:
Baker Street by Gerry Rafferty
recording of:
Baker Street (in 1977)
lyricist and composer:
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) and Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:07
4The Guitar Man
engineer:
Armin Steiner
associate producer:
James Griffin (soft rock singer/songwriter/guitarist)
producer:
David Gates (singer/songwriter, lead singer of Bread)
bass guitar:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set) and percussion:
Michael Botts
guitar:
David Gates (singer/songwriter, lead singer of Bread) and James Griffin (soft rock singer/songwriter/guitarist)
piano:
James Griffin (soft rock singer/songwriter/guitarist)
arranger:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1972), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) and Warner Music International (trademark of Warner Music International the company) (in 1973)
recorded at:
Elektra Sound Recorders in Los Angeles, California, United States
recording of:
The Guitar Man
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music Publishing (do not use as a release label!) and Screen Gems–Columbia Music, Inc.
Bread43:44
5All by Myself
assistant engineer:
Joey Barbaria
engineer:
Jack Sherdel
producer:
Jimmy Ienner (producer)
lead vocals:
Eric Carmen (from 1975-08 until 1975-09)
arranger:
Eric Carmen
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) and Arista Records, LLC (holding company - file NO releases here!) (in 1975)
produced for:
CAM Productions (US)
recorded at:
O.D.O. Sound Studios in New York, New York, United States (from 1975-08 until 1975-09)
recording of:
All by Myself (from 1975-08 until 1975-09)
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen4.254:55
6Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California, United States (on 1965-01-20)
producer:
Terry Melcher
12 string guitar:
Jim McGuinn (on 1965-01-20)
bass guitar:
Chris Hillman (on 1965-01-20)
drums (drum set):
Michael Clarke (drummer for the 1960s rock group The Byrds) (on 1965-01-20)
guitar:
David Crosby (on 1965-01-20)
tambourine:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20), David Crosby (on 1965-01-20), Chris Hillman (on 1965-01-20) and Jim McGuinn (on 1965-01-20)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 79) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 230)
cover recording of:
Mr. Tambourine Man (on 1965-01-20)
lyricist and composer:
Bob Dylan (from 1964-02 until 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
The Byrds4.152:17
7Arms of Mary
producer:
Howard Albert and Ron Albert
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1975)
recording of:
Arms of Mary (in 1976)
lyricist and composer:
Iain Sutherland (Sutherland Brothers)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Island Music Ltd., Skerry Rock Ltd. and Smash Brothers Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sutherland Brothers & Quiver52:36
8Hold the Line
engineer and mixer:
Tom Knox
producer:
Toto (US rock group)
bass guitar:
David Hungate (in 1978-08)
drums (drum set):
Jeffrey Porcaro (in 1978-08)
electric guitar:
Steve Lukather (in 1978-08)
keyboard:
David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
percussion:
Lenny Castro (in 1978-08)
piano:
David Paich (in 1978-08)
background vocals:
Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
lead vocals:
Bobby Kimball (in 1978-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Studio 55 in Los Angeles, California, United States (in 1978-08)
part of:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. and Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.23:57
9Peaches
recording of:
Peaches
writer:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Albion Music Ltd., April Music Ltd., Complete Music, Complete Music Ltd., Musik-Edition Discoton and Universal Music Publishing MGB Ltd.
The Stranglers4:05
10Summer Breeze
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) and T-Neck Records, Inc. (for copyrights use only; for release labels, use “T-Neck”) (in 1973)
edit of:
Summer Breeze by The Isley Brothers
cover recording of:
Summer Breeze
lyricist:
James Seals
composer:
Dash Crofts and James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Isley Brothers43:07
11Wishing Well
guest congas:
Rebop Kwaku Baah
recording of:
Wishing Well (Free song)
writer:
John “Rabbit” Bundrick, Simon Kirke, Paul Kossoff, Paul Rodgers and Tetsu Yamauchi
publisher:
Cayman Music Inc, Keepers Cottage Music Ltd. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
sub-publisher:
Universal Music Publishing France (not for release label use!)
Free43:39
12Love Hurts
Jim Capaldi3:30
13Groovin’
recording of:
Groovin’
writer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
The Young Rascals2:30
14When the Morning Comes
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
acoustic guitar:
John Oates (in 1973)
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar:
Hugh McCracken (in 1973)
mandolin and lead vocals:
Daryl Hall (in 1973)
mellotron:
Chris Bond (producer, active circa 1970s) (in 1973)
oboe:
Joe Farrell (in 1973)
percussion:
Ralph MacDonald (in 1973)
recording of:
When the Morning Comes (in 1973)
lyricist and composer:
Daryl Hall
Hall & Oates2.53:10
15Keep On Running
The Spencer Davis Group2:45
16Every Kinda People
recording of:
Every Kinda People
lyricist and composer:
Andy Fraser (English bassist, member of Free)
publisher:
Island Music (Island Music Ltd.)
Robert Palmer3:15
17Morning Has Broken
producer:
Paul Samwell-Smith
bass and congas:
Larry Steele (British bassist, percussionist, guitarist & vocalist) (in 1971-03)
bouzouki:
Angelos Hatzipavli (in 1971-03) and Ανδρέας Τουμαζής (Andreas Toumazis) (in 1971-03)
drums (drum set):
Harvey Burns (in 1971-03) and Gerry Conway (in 1971-03)
guitar:
Alun Davies (in 1971-03) and Cat Stevens (now known as Yusuf Islam) (in 1971-03)
keyboard and lead vocals:
Cat Stevens (now known as Yusuf Islam) (in 1971-03)
piano:
Rick Wakeman (in 1971-03)
strings:
Del Newman (British conductor, orchestrator, arranger) (in 1971-03)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970) and Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1971)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-03)
recording of:
Morning Has Broken (in 1971-03)
lyricist:
Eleanor Farjeon
composer:
[traditional] (special purpose artist)
publisher:
Cat Music Ltd., EMI Music (do not use as release label! this is a music publisher), Freshwater Music Ltd., Irving Music, Inc., Island Music Ltd. and Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG)
is based on:
Bunessan (Scottish hymn tune)
cover recording of:
Morning Has Broken
lyricist:
Eleanor Farjeon
composer:
[traditional] (special purpose artist)
publisher:
Cat Music Ltd., EMI Music (do not use as release label! this is a music publisher), Freshwater Music Ltd., Irving Music, Inc., Island Music Ltd. and Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG)
is based on:
Bunessan (Scottish hymn tune)
recording of:
Morning Has Broken (Cat Stevens arrangement)
lyricist:
Eleanor Farjeon
composer:
[traditional] (special purpose artist)
arranger:
Cat Stevens (now known as Yusuf Islam)
arrangement of:
Morning Has Broken
Cat Stevens4.253:18
18Every Day Hurts
recording of:
Every Day Hurts
writer:
Vic Emerson (English keyboardist, synthesizer, arranger and songwriter), John Stimpson and Paul Young (Sad Café, Mike + The Mechanics)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and St. Anne’s Music Ltd.
Sad Café3:58
19I Can See Clearly Now
Johnny Nash2:56
20Dancing in the City
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (in 1978)
recording of:
Dancing in the City (in 1978)
writer:
Kit Hain and Julian Marshall
publisher:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) and Rondor Music (London) Ltd.
Marshall Hain3:46
2CD
#TitleArtistRatingLength
1Feel Like Makin’ Love
recording engineer:
Ron Nevison (in 1974-09)
producer:
Bad Company (British blues-rock supergroup)
mixer:
Ron Nevison
drums (drum set):
Simon Kirke (in 1974-09)
electric bass guitar:
Boz Burrell (English musician) (in 1974-09)
guitar:
Mick Ralphs (in 1974-09) and Paul Rodgers (in 1974-09)
keyboard:
Mick Ralphs (in 1974-09)
piano and lead vocals:
Paul Rodgers (in 1974-09)
phonographic copyright (℗) by:
Swan Song Inc. (in 1975)
recorded at:
Clearwell Castle in Gloucestershire, England, United Kingdom (in 1974-09)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 78)
recording of:
Feel Like Makin’ Love (in 1974-09)
writer:
Mick Ralphs and Paul Rodgers
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Badco Music, Inc. (from 1974 to present)
Bad Company4.255:12
2Sunny Afternoon
recording of:
Sunny Afternoon
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Carlin Music Corporation, Davray Music Ltd., Carlin (in 1984) and Davray (publisher) (in 1984)
The Kinks3:35
3Daydream
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) and Kama Sutra (in 1966)
recording of:
Daydream (in 1966-02)
lyricist and composer:
John B. Sebastian
publisher:
Robbins Music Corp. Ltd.
The Lovin’ Spoonful3.752:20
4You Don’t Have to Say You Love Me
producer:
John Franz
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 491)
recording of:
You Don’t Have to Say You Love Me
lyricist:
Simon Napier-Bell, Vito Pallavicini (Lyricist) and Vicki Wickham
composer:
Pino Donaggio (Italian singer‐songwriter and score composer)
publisher:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. and Miller Music Corp.
translated version of:
Io che non vivo (senza te)
Dusty Springfield3.72:49
5Mighty Quinn
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1967)
cover recording of:
Quinn the Eskimo (The Mighty Quinn) (in 1967)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Holding and Dwarf Music (in 1968)
Manfred Mann4.52:50
6The Sun Ain’t Gonna Shine Anymore
phonographic copyright (℗) by:
Phonogram Ltd. (not for release label use!) (in 1966) and PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1966)
cover recording of:
The Sun Ain’t Gonna Shine (Anymore) (in 1966)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), Seasons Four Music and Warner Chappell Music (publisher as Warner/Chappell Music)
The Walker Brothers3.53:02
7Woodstock
cover recording of:
Woodstock
lyricist and composer:
Joni Mitchell
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
Matthews’ Southern Comfort3.64:27
8Baby, Now That I’ve Found You
recording of:
Baby Now That I’ve Found You (in 1967)
lyricist and composer:
Tony Macaulay and John MacLeod (producer & songwriter, partner of Tony Macaulay)
publisher:
ATV Music Ltd., Belmont (publisher), BMG Music Pub. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Music Pub. Ltd.
The Foundations42:37
9In the Summertime
producer:
Barry Murray (producer, associated with Mungo Jerry)
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1970)
earliest release:
In the Summertime by Mungo Jerry
music videos:
In the Summertime by Mungo Jerry
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 40) and Billboard Year-End Hot 100 singles of 1970 (number: 53)
recording of:
In the Summertime
lyricist and composer:
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.653:31
10Back Stabbers
recording engineer:
Joe Tarsia (engineer) (in 1972)
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
performer:
MFSB (Mother Father Sister Brother) (in 1972)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Back Stabbers (in 1972)
writer:
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden and John Whitehead
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:03
11Young Girl
recording of:
Young Girl
lyricist and composer:
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited)
Gary Puckett & the Union Gap3:12
12In the Year 2525 (Exordium & Terminus)
producer:
Zager & Evans
recording of:
In the Year 2525 (Exordium and Terminus) (in 1968)
lyricist and composer:
Rick Evans (US singer, songwriter and guitarist)
publisher:
ATV Music, Chelsea Music Publishing, Zelad Music and Zerlad Music Enterprises Ltd.
Zager & Evans43:15
13Rock the Boat
recording of:
Rock the Boat
lyricist and composer:
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation3:08
14Fire
recording of:
Fire
writer:
Arthur Brown, Vincent Crane, Mike Finesilver and Peter Ker (producer and songwriter)
publisher:
Gowmonk, Inc. and Onward Music Ltd.
The Crazy World of Arthur Brown2:57
15That’s Why I Love You
recording engineer:
Michael Boshears
assistant engineer:
Jeff Hawks
engineer:
Val Garay
producer:
Charles Plotkin
bass, drums (drum set), electric piano, guitar and percussion:
Andrew Gold (in 1975)
background vocals:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (in 1975), Don Francisco (vocalist, drummer and percussion) (in 1975) and Gene Garfin (in 1975)
vocals:
Andrew Gold (in 1975)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (in 1975)
recording of:
That’s Why I Love You (in 1975)
writer:
Gene Garfin and Andrew Gold
publisher:
Luckyu Music
Andrew Gold53:08
16I Got You Babe
vocals:
Sonny Bono (in 1965) and Cher (in 1965)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 331) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 444)
recording of:
I Got You Babe (in 1965)
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) and Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:06
17Pick Up the Pieces
producer:
Arif Mardin
horn arranger:
Roger Ball
arranger:
AWB
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974, in 1975)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Pick Up the Pieces
writer:
Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh (Scottish drummer for Average White Band), Onnie McIntyre (Scottish guitarist and vocalist) and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
publisher:
Average Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Fairwood Music (USA) Inc. (affiliated to ASCAP), Fairwood Music Ltd. and Joe’s Songs Inc. (publisher, ASCAP‐affiliated)
Average White Band4.053:59
18And the Band Played On (Down Among the Dead Men)
recording of:
Down Among the Dead Men
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
Flash and the Pan3:30
19Journey
Duncan Browne3:17
20Driver’s Seat
acoustic guitar:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
bass guitar:
Chris Birkin
drums (drum set):
Luigi Salvoni
guitar:
Mick Dyche and Loz Netto
vocals:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1978)
recording of:
Driver’s Seat (Sniff ’n’ the Tears song)
composer:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
Sniff ’n’ the Tears43:58