The Complete '60s Albums Collection, Vol. 2: 1966-1969

~ Release by Elvis Presley (see all versions of this release, 1 available)

Tracklist

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1▼Digital Media: Frankie and Johnny (original Soundtrack)
#TitleRatingLength
1Frankie and Johnny
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
phonographic copyright (℗) by:
BMG Music
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Frankie and Johnny (Elvis arrangement) (from 1965-05-12 until 1965-05-14)
arranger:
Alex Gottlieb, Fred Karger (Frederick Maxwell Karger, Jr) and Ben Weisman
publisher:
Carlin Music Corporation and Gladys Music
arrangement of:
Frankie and Johnny (traditional song, version of “Frankie and Albert”)
recording of:
Frankie and Johnny (Elvis arrangement) (on 1965-05-13)
arranger:
Alex Gottlieb, Fred Karger (Frederick Maxwell Karger, Jr) and Ben Weisman
publisher:
Carlin Music Corporation and Gladys Music
arrangement of:
Frankie and Johnny (traditional song, version of “Frankie and Albert”)
42:35
2Come Along
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Come Along (from 1965-05-12 until 1965-05-14)
composer:
David Hess (actor/songwriter)
31:53
3Petunia, the Gardener’s Daughter
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Petunia the Gardener's Daughter (from 1965-05-12 until 1965-05-14)
composer:
Roy C. Bennett (US songwriter) and Sid Tepper
33:01
4Chesay
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Chesay (from 1965-05-12 until 1965-05-14)
composer:
Fred Karger (Frederick Maxwell Karger, Jr), Sid Wayne and Ben Weisman
41:40
5What Every Woman Lives For
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
What Every Woman Lives For (from 1965-05-12 until 1965-05-14)
composer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
3.852:28
6Look Out, Broadway
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Look Out Broadway (from 1965-05-12 until 1965-05-14)
composer:
Randy Starr and Fred Wise
31:41
7Beginner’s Luck
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Beginner’s Luck (from 1965-05-12 until 1965-05-14)
composer:
Roy C. Bennett (US songwriter) and Sid Tepper
42:28
8Down by the Riverside / When the Saints Go Marching In
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
medley including a cover recording of:
Down by the Riverside (from 1965-05-12 until 1965-05-14)
lyricist and composer:
[traditional] (special purpose artist)
medley including a recording of:
When the Saints Go Marching In (from 1965-05-12 until 1965-05-14)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13983)
version of:
When the Saints Go Marching In
31:59
9Shout It Out
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Shout It Out (from 1965-05-12 until 1965-05-14)
composer:
Bernie Baum, Bill Grant (US songwriter, worked with Elvis) and Florence Kaye
42:20
10Hard Luck
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Hard Luck (from 1965-05-12 until 1965-05-14)
composer:
Sid Wayne and Ben Weisman
42:54
11Please Don’t Stop Loving Me
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Please Don’t Stop Loving Me (from 1965-05-12 until 1965-05-14)
lyricist and composer:
Joy Byers
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
42:05
12Everybody Come Aboard
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Everybody Come Aboard (from 1965-05-12 until 1965-05-14)
composer:
Bernie Baum, Bill Grant (US songwriter, worked with Elvis) and Florence Kaye
41:50
2▼Digital Media: Paradise, Hawaiian Style (original Soundtrack)
#TitleRatingLength
1Paradise, Hawaiian Style
bass:
Keith Mitchell (jazz double-bassist, composer and lyricist) (from 1965-07-26 until 1965-07-27) and Ray Siegel (from 1965-07-26 until 1965-07-27)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1965-07-26 until 1965-07-27), Victor Feldman (jazz musician) (from 1965-07-26 until 1965-07-27), D.J. Fontana (from 1965-07-26 until 1965-07-27) and Milton Holland (from 1965-07-26 until 1965-07-27)
guitar:
Barney Kessel (from 1965-07-26 until 1965-07-27) and Scotty Moore (American guitarist and recording engineer) (from 1965-07-26 until 1965-07-27)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-07-26 until 1965-07-27)
vocals:
The Jordanaires (southern gospel group) (from 1965-07-26 until 1965-07-27), The Mello Men (American singing quartet) (from 1965-07-26 until 1965-07-27) and Elvis Presley (“The King of Rock and Roll”) (from 1965-08-02 until 1965-08-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-07-26 until 1965-07-27, from 1965-08-02 until 1965-08-04)
cover recording of:
Paradise, Hawaiian Style (from 1965-07-26 until 1965-08-04)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
2:42
2Queenie Wahine’s Papaya
bass:
Keith Mitchell (jazz double-bassist, composer and lyricist) (from 1965-07-26 until 1965-07-27) and Ray Siegel (from 1965-07-26 until 1965-07-27)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1965-07-26 until 1965-07-27), Victor Feldman (jazz musician) (from 1965-07-26 until 1965-07-27), D.J. Fontana (from 1965-07-26 until 1965-07-27) and Milton Holland (from 1965-07-26 until 1965-07-27)
guitar:
Barney Kessel (from 1965-07-26 until 1965-07-27) and Scotty Moore (American guitarist and recording engineer) (from 1965-07-26 until 1965-07-27)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-07-26 until 1965-07-27)
vocals:
The Jordanaires (southern gospel group) (from 1965-07-26 until 1965-07-27), The Mello Men (American singing quartet) (from 1965-07-26 until 1965-07-27) and Elvis Presley (“The King of Rock and Roll”) (from 1965-08-02 until 1965-08-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-07-26 until 1965-07-27, from 1965-08-02 until 1965-08-04)
recording of:
Queenie Wahine’s Papaya (from 1965-07-26 until 1965-08-04)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
1:35
3Scratch My Back
bass:
Keith Mitchell (jazz double-bassist, composer and lyricist) (from 1965-07-26 until 1965-07-27) and Ray Siegel (from 1965-07-26 until 1965-07-27)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1965-07-26 until 1965-07-27), Victor Feldman (jazz musician) (from 1965-07-26 until 1965-07-27), D.J. Fontana (from 1965-07-26 until 1965-07-27) and Milton Holland (from 1965-07-26 until 1965-07-27)
guitar:
Barney Kessel (from 1965-07-26 until 1965-07-27) and Scotty Moore (American guitarist and recording engineer) (from 1965-07-26 until 1965-07-27)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-07-26 until 1965-07-27)
vocals:
The Jordanaires (southern gospel group) (from 1965-07-26 until 1965-07-27), The Mello Men (American singing quartet) (from 1965-07-26 until 1965-07-27) and Elvis Presley (“The King of Rock and Roll”) (from 1965-08-02 until 1965-08-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-07-26 until 1965-07-27, from 1965-08-02 until 1965-08-04)
recording of:
Scratch My Back (Then I’ll Scratch Yours) (from 1965-07-26 until 1965-08-04)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
2:16
4Drums of the Islands
bass:
Keith Mitchell (jazz double-bassist, composer and lyricist) (from 1965-07-26 until 1965-07-27) and Ray Siegel (from 1965-07-26 until 1965-07-27)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1965-07-26 until 1965-07-27), Victor Feldman (jazz musician) (from 1965-07-26 until 1965-07-27), D.J. Fontana (from 1965-07-26 until 1965-07-27) and Milton Holland (from 1965-07-26 until 1965-07-27)
guitar:
Barney Kessel (from 1965-07-26 until 1965-07-27) and Scotty Moore (American guitarist and recording engineer) (from 1965-07-26 until 1965-07-27)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-07-26 until 1965-07-27)
vocals:
The Jordanaires (southern gospel group) (from 1965-07-26 until 1965-07-27), The Mello Men (American singing quartet) (from 1965-07-26 until 1965-07-27) and Elvis Presley (“The King of Rock and Roll”) (from 1965-08-02 until 1965-08-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-07-26 until 1965-07-27, from 1965-08-02 until 1965-08-04)
cover recording of:
Drums of the Islands (from 1965-07-26 until 1965-08-04)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
2:36
5Datin’
bass:
Keith Mitchell (jazz double-bassist, composer and lyricist) (from 1965-07-26 until 1965-07-27) and Ray Siegel (from 1965-07-26 until 1965-07-27)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1965-07-26 until 1965-07-27), Victor Feldman (jazz musician) (from 1965-07-26 until 1965-07-27), D.J. Fontana (from 1965-07-26 until 1965-07-27) and Milton Holland (from 1965-07-26 until 1965-07-27)
guitar:
Barney Kessel (from 1965-07-26 until 1965-07-27) and Scotty Moore (American guitarist and recording engineer) (from 1965-07-26 until 1965-07-27)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-07-26 until 1965-07-27)
vocals:
The Jordanaires (southern gospel group) (from 1965-07-26 until 1965-07-27), The Mello Men (American singing quartet) (from 1965-07-26 until 1965-07-27) and Elvis Presley (“The King of Rock and Roll”) (from 1965-08-02 until 1965-08-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-07-26 until 1965-07-27, from 1965-08-02 until 1965-08-04)
recording of:
Datin’ (from 1965-07-26 until 1965-08-04)
writer:
Randy Starr and Fred Wise
1:25
6A Dog’s Life
bass:
Keith Mitchell (jazz double-bassist, composer and lyricist) (from 1965-07-26 until 1965-07-27) and Ray Siegel (from 1965-07-26 until 1965-07-27)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1965-07-26 until 1965-07-27), Victor Feldman (jazz musician) (from 1965-07-26 until 1965-07-27), D.J. Fontana (from 1965-07-26 until 1965-07-27) and Milton Holland (from 1965-07-26 until 1965-07-27)
guitar:
Barney Kessel (from 1965-07-26 until 1965-07-27) and Scotty Moore (American guitarist and recording engineer) (from 1965-07-26 until 1965-07-27)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-07-26 until 1965-07-27)
vocals:
The Jordanaires (southern gospel group) (from 1965-07-26 until 1965-07-27), The Mello Men (American singing quartet) (from 1965-07-26 until 1965-07-27) and Elvis Presley (“The King of Rock and Roll”) (from 1965-08-02 until 1965-08-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-07-26 until 1965-07-27, from 1965-08-02 until 1965-08-04)
recording of:
A Dog’s Life (from 1965-07-26 until 1965-08-04)
writer:
Sid Wayne and Ben Weisman
2:00
7House of Sand
bass:
Keith Mitchell (jazz double-bassist, composer and lyricist) (from 1965-07-26 until 1965-07-27) and Ray Siegel (from 1965-07-26 until 1965-07-27)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1965-07-26 until 1965-07-27), Victor Feldman (jazz musician) (from 1965-07-26 until 1965-07-27), D.J. Fontana (from 1965-07-26 until 1965-07-27) and Milton Holland (from 1965-07-26 until 1965-07-27)
guitar:
Barney Kessel (from 1965-07-26 until 1965-07-27) and Scotty Moore (American guitarist and recording engineer) (from 1965-07-26 until 1965-07-27)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-07-26 until 1965-07-27)
vocals:
The Jordanaires (southern gospel group) (from 1965-07-26 until 1965-07-27), The Mello Men (American singing quartet) (from 1965-07-26 until 1965-07-27) and Elvis Presley (“The King of Rock and Roll”) (from 1965-08-02 until 1965-08-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-07-26 until 1965-07-27, from 1965-08-02 until 1965-08-04)
cover recording of:
House of Sand (from 1965-07-26 until 1965-08-04)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
3.752:06
8Stop Where You Are
bass:
Keith Mitchell (jazz double-bassist, composer and lyricist) (from 1965-07-26 until 1965-07-27) and Ray Siegel (from 1965-07-26 until 1965-07-27)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1965-07-26 until 1965-07-27), Victor Feldman (jazz musician) (from 1965-07-26 until 1965-07-27), D.J. Fontana (from 1965-07-26 until 1965-07-27) and Milton Holland (from 1965-07-26 until 1965-07-27)
guitar:
Barney Kessel (from 1965-07-26 until 1965-07-27) and Scotty Moore (American guitarist and recording engineer) (from 1965-07-26 until 1965-07-27)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-07-26 until 1965-07-27)
vocals:
The Jordanaires (southern gospel group) (from 1965-07-26 until 1965-07-27), The Mello Men (American singing quartet) (from 1965-07-26 until 1965-07-27) and Elvis Presley (“The King of Rock and Roll”) (from 1965-08-02 until 1965-08-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-07-26 until 1965-07-27, from 1965-08-02 until 1965-08-04)
recording of:
Stop Where You Are (from 1965-07-26 until 1965-08-04)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
2:07
9This Is My Heaven
bass:
Keith Mitchell (jazz double-bassist, composer and lyricist) (from 1965-07-26 until 1965-07-27) and Ray Siegel (from 1965-07-26 until 1965-07-27)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1965-07-26 until 1965-07-27), Victor Feldman (jazz musician) (from 1965-07-26 until 1965-07-27), D.J. Fontana (from 1965-07-26 until 1965-07-27) and Milton Holland (from 1965-07-26 until 1965-07-27)
guitar:
Barney Kessel (from 1965-07-26 until 1965-07-27) and Scotty Moore (American guitarist and recording engineer) (from 1965-07-26 until 1965-07-27)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-07-26 until 1965-07-27)
vocals:
The Jordanaires (southern gospel group) (from 1965-07-26 until 1965-07-27), The Mello Men (American singing quartet) (from 1965-07-26 until 1965-07-27) and Elvis Presley (“The King of Rock and Roll”) (from 1965-08-02 until 1965-08-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-07-26 until 1965-07-27, from 1965-08-02 until 1965-08-04)
recording of:
This Is My Heaven (from 1965-07-26 until 1965-08-04)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
2:36
10Sand Castles
bass:
Keith Mitchell (jazz double-bassist, composer and lyricist) (from 1965-07-26 until 1965-08-02) and Ray Siegel (from 1965-07-26 until 1965-08-02)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1965-07-26 until 1965-08-02), Victor Feldman (jazz musician) (from 1965-07-26 until 1965-08-02), D.J. Fontana (from 1965-07-26 until 1965-08-02) and Milton Holland (from 1965-07-26 until 1965-08-02)
guitar:
Alton Hendrickson (Session Musician (Guitar)) (from 1965-07-26 until 1965-08-02), Barney Kessel (from 1965-07-26 until 1965-08-02), Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-07-26 until 1965-08-02), Scotty Moore (American guitarist and recording engineer) (from 1965-07-26 until 1965-08-02) and Howard Roberts (jazz guitarist, educator, session musician and producer) (from 1965-07-26 until 1965-08-02)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-07-26 until 1965-08-02)
vocals:
The Jordanaires (southern gospel group) (from 1965-07-26 until 1965-08-02) and The Mello Men (American singing quartet) (from 1965-07-26 until 1965-08-02)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1965-07-26 until 1965-07-27, on 1965-08-02)
recording of:
Sand Castles (from 1965-07-26 until 1965-08-02)
writer:
Herb Goldberg and David Hess (actor/songwriter)
2:58
3▼Digital Media: Spinout (original Soundtrack)
#TitleArtistRatingLength
1Stop, Look and Listen
cover recording of:
Stop, Look and Listen
lyricist and composer:
Joy Byers
Elvis Presley & The Jordanaires1:31
2Adam and Evil
recording of:
Adam and Evil
writer:
Randy Starr and Fred Wise
Elvis Presley & The Jordanaires1:55
3All That I Am
phonographic copyright (℗) by:
BMG Music
recording of:
All That I Am
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Carlin Music Corporation and Williamson Music Company
Elvis Presley & The Jordanaires2:18
4Never Say Yes
recording of:
Never Say Yes
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Pomus Songs Inc.
Elvis Presley & The Jordanaires1:54
5Am I Ready
recording of:
Am I Ready
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
Elvis Presley & The Jordanaires2:27
6Beach Shack
recording of:
Beach Shack
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
Elvis Presley & The Jordanaires1:49
7Spinout
recording of:
Spinout
writer:
Dee Fuller, Sid Wayne and Ben Weisman
Elvis Presley & The Jordanaires2:35
8Smorgasbord
recording of:
Smorgasbord
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
Elvis Presley & The Jordanaires2:00
9I’ll Be Back
recording of:
I’ll Be Back
writer:
Sid Wayne and Ben Weisman
Elvis Presley & The Jordanaires2:04
10Tomorrow Is a Long Time
cover recording of:
Tomorrow Is a Long Time
lyricist and composer:
Bob Dylan (in 1962)
publisher:
M. Witmark & Sons, Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991) and Special Rider Music (from 1991 to present)
Elvis Presley5:24
11Down in the Alley
cover recording of:
Down in the Alley
lyricist and composer:
Jesse Stone
publisher:
Unichappell Music, Inc.
Elvis Presley2:52
12I’ll Remember You
cover recording of:
I’ll Remember You
lyricist and composer:
Kui Lee (Hawaii, 1932–1966)
publisher:
Herb Montei Music
Elvis Presley2:44
4▼Digital Media: How Great Thou Art
#TitleRatingLength
1How Great Thou Art
cover recording of:
How Great Thou Art (Hine’s version)
additional lyricist:
Stuart K. Hine (from 1931 until 1949)
lyricist:
Carl Gustav Boberg
composer:
Stuart K. Hine (from 1931 until 1949)
translator:
Stuart K. Hine (from 1931 until 1949, in 1949)
publisher:
Thankyou Music Ltd.
translated version of:
O store Gud
43:02
2In the Garden
cover recording of:
In the Garden
lyricist and composer:
Charles Austin Miles (in 1912)
43:12
3Somebody Bigger Than You and I
cover recording of:
Somebody Bigger Than You and I
writer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader), Hy Heath and Johnny Lange
publisher:
Bulls-Eye Music, Inc. and Campbell Connelly & Co. Ltd.
32:28
4Farther Along
cover recording of:
Farther Along
lyricist:
Rev. W.A. Fletcher (in 1911)
writer:
[traditional] (special purpose artist)
composer:
J.R. Baxter and W.B. Stevens
publisher:
Carlin Music Corporation
44:06
5Stand by Me
cover recording of:
Stand by Me
writer:
Charles Albert Tindley
42:29
6Without Him
cover recording of:
Without Him
writer:
Mylon LeFevre
publisher:
Integrated Copyright Group, Inc. and Angel Band Music (from 1963 to present)
42:31
7So High
recording of:
So High
writer:
[traditional] (special purpose artist)
31:59
8Where Could I Go but to the Lord
cover recording of:
Where Could I Go but to the Lord
lyricist and composer:
James B. Coats
publisher:
Carlin Music Corporation and Stamps Baxter Music & Printing Co.
43:39
9By and By
cover recording of:
By and By
writer:
[traditional] (special purpose artist)
publisher:
Carlin Music Corporation
41:52
10If the Lord Wasn’t Walking by My Side
recording of:
If the Lord Wasn't Walking by My Side
writer:
Henry Slaughter
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
41:39
11Run On
recording of:
God’s Gonna Cut You Down
writer:
[traditional] (special purpose artist)
32:24
12Where No One Stands Alone
cover recording of:
Where No One Stands Alone
lyricist:
Mosie Lister (Gospel song writer)
composer:
Mosie Lister (Gospel song writer) (in 1955)
42:44
13Crying in the Chapel
producer:
Steve Sholes
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-10-30)
double bass:
Bob Moore (U.S. bassist and bandleader)
drums (drum set):
D.J. Fontana (on 1960-10-30) and Buddy Harman (Session drummer and songwriter) (on 1960-10-30)
guitar:
Hank Garland (on 1960-10-30) and Scotty Moore (American guitarist and recording engineer) (on 1960-10-30)
instruments:
Elvis Presley (“The King of Rock and Roll”) (on 1960-10-30)
piano:
Floyd Cramer (on 1960-10-30)
saxophone:
Boots Randolph (on 1960-10-30)
background vocals:
The Jordanaires (southern gospel group)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-10-31)
vocals:
Charlie Hodge (on 1960-10-30), The Jordanaires (southern gospel group) (on 1960-10-30) and Millie Kirkham (on 1960-10-30)
additional performer:
The Jordanaires (southern gospel group) (on 1960-10-31)
phonographic copyright (℗) by:
BMG Music (in 1965), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1965) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-10-30)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 26)
cover recording of:
Crying in the Chapel (from 1960-10-30 until 1960-10-31)
lyricist and composer:
Artie Glenn (in 1953)
publisher:
Chappell & Co., Inc. (USA), Chappell Morris Ltd., Hill & Range Songs, Inc. (publisher) and Mijac Music
2.752:25
5▼Digital Media: Double Trouble (original Soundtrack)
#TitleArtistRatingLength
1Double Trouble
recording of:
Double Trouble
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
Elvis Presley1:42
2Baby, If You’ll Give Me All of Your Love
cover recording of:
Baby, If You’ll Give Me All of Your Love
writer:
Joy Byers
Elvis Presley1:51
3Could I Fall in Love
cover recording of:
Could I Fall in Love
writer:
Randy Starr
Elvis Presley1:46
4Long Legged Girl (With the Short Dress On)
cover recording of:
Long Legged Girl (With the Short Dress On)
writer:
J. Leslie McFarland (composer) and Winfield Scott
publisher:
Cherry River Music and Chrysalis Music (music publisher, ASCAP-affiliated)
Elvis Presley1:30
5City by Night
cover recording of:
City by Night
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
Elvis Presley3:07
6Old Macdonald
cover recording of:
Old MacDonald Had a Farm
writer:
Thomas D’Urfey
Elvis Presley2:09
7I Love Only One Girl
recording of:
I Love Only One Girl
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
Elvis Presley1:56
8There Is So Much World to See
cover recording of:
There Is So Much World to See
writer:
Randy Starr
Elvis Presley1:58
9It Won’t Be Long
recording of:
It Won’t Be Long
writer:
Sid Wayne and Ben Weisman
Elvis Presley1:48
10Never Ending
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1963-05-26)
cover recording of:
Never Ending (on 1963-05-26)
writer:
Buddy Kaye and Philip Springer
publisher:
Gladys Music Elvis Presley Enterprises LLC
Elvis Presley & The Jordanaires2:02
11Blue River
recording of:
Blue River
writer:
Paul Evans (50s US rock n roll singer/songwriter) and Fred Tobias (Broadway lyricist)
Elvis Presley & The Jordanaires2:13
12What Now, What Next, Where To
bass:
Bob Moore (U.S. bassist and bandleader) (from 1963-05-26 until 1963-05-27)
drums (drum set):
D.J. Fontana (from 1963-05-26 until 1963-05-27) and Buddy Harman (Session drummer and songwriter) (from 1963-05-26 until 1963-05-27)
guitar:
Harold Bradley (from 1963-05-26 until 1963-05-27), Jerry Kennedy (from 1963-05-26 until 1963-05-27), Grady Martin (country/rockabilly guitarist) (from 1963-05-26 until 1963-05-27) and Scotty Moore (American guitarist and recording engineer) (from 1963-05-26 until 1963-05-27)
piano:
Floyd Cramer (from 1963-05-26 until 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (from 1963-05-26 until 1963-05-27)
vocals:
The Jordanaires (southern gospel group) (from 1963-05-26 until 1963-05-27) and Millie Kirkham (from 1963-05-26 until 1963-05-27)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (from 1963-05-26 until 1963-05-27)
recording of:
What Now, What Next, Where To (from 1963-05-26 until 1963-05-27)
writer:
Hal Blair and Don Robertson (“Happy Whistler” songwriter)
publisher:
Gladys Music Elvis Presley Enterprises LLC
Elvis Presley1:56
6▼Digital Media: Clambake (original Soundtrack)
#TitleRatingLength
1Guitar Man
cover recording of:
Guitar Man
lyricist and composer:
Jerry Reed
publisher:
Sixteen Stars Music (BMI-affiliated) and The International Music Network
32:21
2Clambake
cover recording of:
Clambake
writer:
Sid Wayne and Ben Weisman
2:39
3Who Needs Money?
bass:
Bob Moore (U.S. bassist and bandleader) (from 1967-02-21 until 1967-02-23)
drums (drum set):
D.J. Fontana (from 1967-02-21 until 1967-02-23) and Buddy Harman (Session drummer and songwriter) (from 1967-02-21 until 1967-02-23)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1967-02-21 until 1967-02-23), Scotty Moore (American guitarist and recording engineer) (from 1967-02-21 until 1967-02-23) and Chip Young (American session guitarist, bassist, producer in the genre of country) (from 1967-02-21 until 1967-02-23)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1967-02-21 until 1967-02-23)
piano:
Floyd Cramer (from 1967-02-21 until 1967-02-23) and Hoyt Hawkins (from 1967-02-21 until 1967-02-23)
saxophone:
Norm Ray (from 1967-02-21 until 1967-02-23)
steel guitar:
Pete Drake (steel guitar player) (from 1967-02-21 until 1967-02-23)
vocals:
Dolores Edgin (from 1967-02-21 until 1967-02-23), Priscilla Hubbard (from 1967-02-21 until 1967-02-23), The Jordanaires (southern gospel group) (from 1967-02-21 until 1967-02-23), Millie Kirkham (from 1967-02-21 until 1967-02-23), June Page (from 1967-02-21 until 1967-02-23), Ray Walker (US bass singer, Jordanaires member) (from 1967-02-21 until 1967-02-23) and Elvis Presley (“The King of Rock and Roll”) (on 1967-03-06)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (from 1967-02-21 until 1967-02-23)
recording of:
Who Needs Money (from 1967-02-21 until 1967-03-06)
writer:
Randy Starr
33:19
4A House That Has Everything
recording of:
A House That Has Everything
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
2:16
5Confidence
recording of:
Confidence
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
32:35
6Hey, Hey, Hey
recording of:
Hey, Hey, Hey
writer:
Joy Byers
2:32
7You Don’t Know Me
cover recording of:
You Don’t Know Me
writer:
Eddy Arnold and Cindy Walker (US songwriter, singer and dancer)
publisher:
J. Albert & Son, Unichappell Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), Unichappell Music, Inc. (in 1955), Hill and Range Songs, Inc. (publisher) (on 1955-08-19) and Mijac Music (in 2006)
sub-publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 2006)
52:31
8The Girl I Never Loved
recording of:
The Girl I Never Loved
writer:
Randy Starr
1:55
9How Can You Lose What You Never Had
recording of:
How Can You Lose What You Never Had
writer:
Sid Wayne and Ben Weisman
2:29
10Big Boss Man
cover recording of:
Big Boss Man
writer:
Luther Dixon and Al Smith (US blues artist)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Conrad Music (publisher; do NOT use as release label), Conrad Publishing Co. Inc., EMI Unart Catalog Inc., EMI United Partnership Ltd., Mijac Music, Sony/ATV Music Publishing (UK), Sony/ATV Songs LLC, Tristan Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
2:54
11Singing Tree
recording of:
Singing Tree
writer:
A.L. Owens (American country music singer-songwriter) and A.C. Solberg
publisher:
Chrysalis Songs
2:20
12Just Call Me Lonesome
cover recording of:
Just Call Me Lonesome
lyricist and composer:
Rex Griffin (American country musician and songwriter)
publisher:
Forrest Music Corp. (on 1953-10-23)
2:07
7▼Digital Media: Elvis’ Gold Records, Vol. 4
#TitleRatingLength
1Love Letters
cover recording of:
Love Letters
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and Warner/Chappell Music Ltd. (1996–2019)
part of:
The 18th Academy Award for Best Original Song (number: 2)
2:52
2Witchcraft
cover recording of:
Witchcraft
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
2:23
3It Hurts Me
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1964-01-12)
recording of:
It Hurts Me (on 1964-01-12)
writer:
Joy Byers and Charles Daniels (tenor)
publisher:
Elvis Presley Music Inc.
2:30
4What’d I Say
cover recording of:
What’d I Say
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:05
5Please Don’t Drag That String Around
choir vocals:
The Jordanaires (southern gospel group)
phonographic copyright (℗) by:
BMG Music (in 1963)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States
cover recording of:
Please Don’t Drag That String Around
writer:
Otis Blackwell (American pianist, singer and songwriter) and Winfield Scott
1:55
6Indescribably Blue
cover recording of:
Indescribably Blue
lyricist and composer:
Darrell Glenn
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music Inc., Prestige Music Co. (US, affiliated with BMI) and R&H Music
2:50
7(You’re the) Devil in Disguise
bass:
Bob Moore (U.S. bassist and bandleader) (from 1963-05-26 until 1963-05-27)
drums (drum set):
D.J. Fontana (from 1963-05-26 until 1963-05-27) and Buddy Harman (Session drummer and songwriter) (from 1963-05-26 until 1963-05-27)
guitar:
Harold Bradley (from 1963-05-26 until 1963-05-27), Jerry Kennedy (from 1963-05-26 until 1963-05-27), Grady Martin (country/rockabilly guitarist) (from 1963-05-26 until 1963-05-27) and Scotty Moore (American guitarist and recording engineer) (from 1963-05-26 until 1963-05-27)
piano:
Floyd Cramer (from 1963-05-26 until 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (from 1963-05-26 until 1963-05-27)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1963-05-26)
vocals:
The Jordanaires (southern gospel group) (from 1963-05-26 until 1963-05-27) and Millie Kirkham (from 1963-05-26 until 1963-05-27)
phonographic copyright (℗) by:
BMG Entertainment (in 1963), BMG Music (in 1963) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (from 1963-05-26 until 1963-05-27)
cover recording of:
(You’re the) Devil in Disguise (from 1963-05-26 until 1963-05-27)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
publisher:
Carlin Music Corporation and R&H Music
2.652:22
8Lonely Man
cover recording of:
Lonely Man
writer:
Bennie Benjamin and Sol Marcus
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Warner Bros. Music Corp. and WB Music Corp. (1929–2019)
2:47
9A Mess of Blues
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-03-20)
drums (drum set):
D.J. Fontana (on 1960-03-20) and Buddy Harman (Session drummer and songwriter) (on 1960-03-20)
electric bass guitar:
Hank Garland (on 1960-03-20)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1960-03-20) and Elvis Presley (“The King of Rock and Roll”) (on 1960-03-20)
piano:
Floyd Cramer (on 1960-03-20)
choir vocals and additional performer:
The Jordanaires (southern gospel group) (on 1960-03-20)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-03-20)
vocals:
The Jordanaires (southern gospel group) (on 1960-03-20)
phonographic copyright (℗) by:
BMG Music (in 1960) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-03-20)
cover recording of:
A Mess of Blues (on 1960-03-20)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Cherry River Music, Chrysalis Songs, Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
2:42
10Ask Me
choir vocals:
The Jordanaires (southern gospel group)
phonographic copyright (℗) by:
BMG Music (in 1964)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States
recording of:
Ask Me
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman), Florence Kaye and Franco Migliacci
composer:
Domenico Modugno
publisher:
Elvis Presley Music Inc.
2:08
11Ain’t That Loving You Baby
cover recording of:
Ain’t That Loving You Baby (on 1958-06-10)
writer:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist) and Clyde Otis (American songwriter and record producer)
publisher:
Carlin Music Corporation and Elvis Presley Music Inc.
42:24
12Just Tell Her Jim Said Hello
recording of:
Just Tell Her Jim Said Hello
writer:
Jerry Leiber and Mike Stoller
publisher:
Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
1:53
8▼Digital Media: Speedway (original Soundtrack)
#TitleArtistRatingLength
1Speedway
cover recording of:
Speedway
writer:
Melvin Glazer and Stephen Schlaks (pianist, composer, producer)
Elvis Presley2:13
2There Ain’t Nothing Like a Song
recording of:
There Ain’t Nothing Like a Song
writer:
Joy Byers and Bob Johnston (US record producer and early rockebilly singer)
Elvis Presley2:12
3Your Time Hasn’t Come Yet, Baby
bass:
Bob Moore (U.S. bassist and bandleader) (from 1967-06-20 until 1967-06-21)
drums (drum set):
D.J. Fontana (from 1967-06-20 until 1967-06-21) and Buddy Harman (Session drummer and songwriter) (from 1967-06-20 until 1967-06-21)
guitar:
Tommy Tedesco (guitar) (from 1967-06-20 until 1967-06-21), Tiny Timbrell (from 1967-06-20 until 1967-06-21) and Chip Young (American session guitarist, bassist, producer in the genre of country) (from 1967-06-20 until 1967-06-21)
piano:
Charlie Hodge (from 1967-06-20 until 1967-06-21) and Larry Muhoberac (American musician, producer, and composer) (from 1967-06-20 until 1967-06-21)
saxophone:
Boots Randolph (from 1967-06-20 until 1967-06-21)
steel guitar:
Pete Drake (steel guitar player) (from 1967-06-20 until 1967-06-21)
trumpet:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1967-06-20 until 1967-06-21)
vocals:
The Jordanaires (southern gospel group) (from 1967-06-20 until 1967-06-21)
recorded at:
MGM Music Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States (from 1967-06-20 until 1967-06-21)
recording of:
Your Time Hasn’t Come Yet, Baby (from 1967-06-20 until 1967-06-21)
writer:
Joel Hirschhorn (songwriter) and Al Kasha (composer, songwriter and arranger)
cover recording of:
Your Time Hasn’t Come Yet, Baby
writer:
Joel Hirschhorn (songwriter) and Al Kasha (composer, songwriter and arranger)
Elvis Presley1:53
4Who Are You? (Who Am I?)
recording of:
Who Are You (Who Am I?)
lyricist and composer:
Sid Wayne and Ben Weisman
Elvis Presley2:35
5He’s Your Uncle Not Your Dad
recording of:
He's Your Uncle, Not Your Dad
writer:
Sid Wayne and Ben Weisman
Elvis Presley2:31
6Let Yourself Go
cover recording of:
Let Yourself Go
lyricist and composer:
Joy Byers
Elvis Presley3:01
7Your Groovy Self
producer:
Lee Hazlewood
conductor:
Billy Strange
arranger:
Billy Strange
recording of:
Your Groovy Self
lyricist and composer:
Lee Hazlewood
Elvis Presley with Nancy Sinatra2:57
8Five Sleepy Heads
recording of:
Five Sleepy Heads
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
Elvis Presley1:33
9Western Union
cover recording of:
Western Union
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Gladys Music Elvis Presley Enterprises LLC
Elvis Presley2:13
10Mine
cover recording of:
Mine
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Chrysalis Songs and Gladys Music Elvis Presley Enterprises LLC
Elvis Presley2:39
11Goin’ Home
recording of:
Goin’ Home
writer:
Joy Byers
Elvis Presley2:24
12Suppose
cover recording of:
Suppose
writer:
Sylvia Dee (American lyricist) and George Goehring
Elvis Presley2:03
9▶Digital Media: NBC‐TV Special (’68 Comeback Special) [live]
10▶Digital Media: Elvis Sings Flaming Star
11▶Digital Media: From Elvis in Memphis
12▶Digital Media: From Memphis to Vegas / From Vegas to Memphis

Credits