L'opéra pour les nuls

~ Release by Various Artists (see all versions of this release, 4 available)

Tracklist

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1▼CD: L'aube de l'opéra - L'opéra italien
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1Orfeo: Toccata
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
L'Orfeo: Atto secondo. Sinfonia / Ecco pur ch'a voi ritorno (Orfeo)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto secondo
recording of:
L’Orfeo: Toccata
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo, SV 318
Claudio Monteverdi1:40
2L'Incoronazione di Poppea, SV 308, Act 3: "Pur ti miro"
mezzo-soprano vocals:
Della Jones (mezzo-soprano) (in 1988-07)
soprano vocals:
Arleen Augér (soprano) (in 1988-07)
orchestra:
City of London Baroque Sinfonia (chamber orchestra) (in 1988-07)
conductor:
Richard Hickox (conductor) (in 1988-07)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1990)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1988-07)
recording of:
L’incoronazione di Poppea: Atto III. “Pur ti miro” (Poppea, Nerone) (in 1988-07)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L'Incoronazione di Poppea: Atto III.
Claudio Monteverdi5:41
3Dido and Aeneas, Act 3: "When I am laid in earth" (Dido)
mezzo-soprano vocals [Dido]:
Susan Graham (mezzo-soprano) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (from 2003-03-14 until 2003-03-16)
edit of:
Dido & Aeneas: When I Am Laid in Earth by Susan Graham (mezzo-soprano), Le Concert d'Astrée (ensemble founded in 2000 by Emmanuelle Haïm), Emmanuelle Haïm (conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:55
4Bajazet, Act 2, Scene 7: Aira: Sposa, son disprezzata (Irene)
sound engineer:
Frédéric Briant
assistant engineer:
Louis-Philippe Fourrez
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Simon Fox-Gál
mezzo-soprano vocals [Irene]:
Vivica Genaux (mezzo-soprano) (from 2004-04-10 until 2004-04-15)
orchestra:
Europa Galante (Italian Baroque orchestra) (from 2004-04-10 until 2004-04-15)
conductor:
Fabio Biondi (conductor/violinist) (from 2004-04-10 until 2004-04-15)
balance engineer:
服部光一郎 (engineer)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (from 2004-04-10 until 2004-04-15)
recording of:
Il Bajazet, Atto II, Scena 7: Aria. «Sposa, son disprezzata» (Irene) (from 2004-04-10 until 2004-04-15)
composer:
Geminiano Giacomelli and Antonio Vivaldi (Italian baroque composer and violinist)
librettist:
Apostolo Zeno
previously attributed to:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Merope: Atto III. “Sposa, non mi conosci” (Epitide)
quotes lyrics from:
Merope: Atto III. “Sposa, non mi conosci” (Epitide)
part of:
Bajazet, RV 703: Act II
Antonio Vivaldi6:29
5Giustino, RV 717: "Vedro con mio diletto" (Anastasio)
producer:
Étienne Collard
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2006-07-03 until 2006-07-10)
orchestra:
Ensemble Matheus (from 2006-07-03 until 2006-07-10)
conductor:
Jean‐Christophe Spinosi (from 2006-07-03 until 2006-07-10)
balance engineer:
Michel Pierre (audio engineer)
recording of:
Giustino: Vedro con mio diletto (Anastasio) (from 2006-07-03 until 2006-07-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Giustino, RV 717: Act I
Antonio Vivaldi5:11
6Rinaldo, HWV 7b, Act 2: "Lascia ch'io pianga" (Almirena)
soprano vocals [Almirena]:
Jane Gilchrist
orchestra:
Slovak Radio Orchestra (Slovak Radio Symphony Orchestra)
conductor:
Kirk Trevor (cellist/conductor)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel4:22
7Serse, HWV 40, Act 1: "Ombra mai fu" (Serse)
instruments:
Il Seminario Musicale (French baroque music ensemble)
alto vocals and countertenor vocals:
Gérard Lesne (countertenor)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
George Frideric Handel2:42
8Alcina - Opera in three acts HWV34 (libretto after an episode from 'Orlando furioso' by Ludovico Ariosto) (performing edition by Clifford Bartlett), Act II, Scene 13: Aria: Ombre pallide, lo so, mi udite (Alcina)
soprano vocals [Alcina]:
Arleen Augér (soprano)
orchestra:
City of London Baroque Sinfonia (chamber orchestra)
conductor:
Richard Hickox (conductor)
recording of:
Alcina, HWV 34: Atto II, Scena XIII, XXIII. Aria “Ombre pallide, lo so, mi udite” (Alcina)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Alcina, HWV 34: Atto II
George Frideric Handel6:37
9La Gazza ladra: Overture
partial recording of:
La gazza ladra: Ouverture (The Thieving Magpie: Overture)
composer:
Gioachino Rossini (composer) (in 1817)
librettist:
Giovanni Gherardini
part of:
La gazza ladra
part of:
The Thieving Magpie (English version by Sams)
Gioachino Rossini4:58
10Il Barbiere di Siviglia, Act I, Scene Two: Una voce poco fa (Rosina)
producer:
Walter Legge (British classical producer)
soprano vocals [Rosina]:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1957-02-07 until 1957-02-14) and Douglas Larter (from 1957-02-07 until 1957-02-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:19
11Il Barbiere di Siviglia, ATTO PRIMO: Cavatina: La ran le lerea ... Largo al factotum (Figaro)
baritone vocals [Figaro]:
Thomas Hampson (baritone) (in 1992)
orchestra:
Orchestra della Toscana (in 1992)
conductor:
Gianluigi Gelmetti (Italian conductor and composer) (in 1992)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (in 1992)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:20
12La Cenerentola: Non più mesta accanto al fueco
recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini3:07
13L'Elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino)
recording engineer:
Wilfried Hauer (recording engineer) (from 2003-07-05 until 2003-07-09)
executive producer:
Alain Lanceron (from 2003-07-05 until 2003-07-09)
producer:
Wilhelm Meister (Tonmeister / recording producer) (from 2003-07-05 until 2003-07-09)
editor:
Elisabeth Panzer (engineer) (from 2003-07-05 until 2003-07-09)
tenor vocals:
Rolando Villazón (tenor) (from 2003-07-05 until 2003-07-09)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra) (from 2003-07-05 until 2003-07-09)
conductor:
Marcello Viotti (conductor) (from 2003-07-05 until 2003-07-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Bavarian Radio: Studio 1 in München (Munich), Bayern (Bavaria), Germany (from 2003-07-05 until 2003-07-09)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (from 2003-07-05 until 2003-07-09)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:29
14Lucia di Lammermoor, Act I, Scena seconda: Quando, rapito in estasi (Lucia)
soprano vocals [Lucia]:
Edita Gruberová (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Nicola Rescigno (conductor)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti5:24
15Don Pasquale, Act III Sesta Scena: Com' è gentil la notte a mezzo (Ernesto/Coro)
recording of:
Don Pasquale: Atto III. Serenata “Com’è gentil la notte a mezzo april!” (Ernesto, Coro)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
Gaetano Donizetti2:06
16Norma, Act 1: "Casta Diva" (Norma)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
editor:
Jennifer Howells
choir vocals:
Coro del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12)
soprano vocals [Norma]:
Maria Callas (soprano) (from 1960-09-05 until 1960-09-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1960-09-05 until 1960-09-12)
conductor:
Tullio Serafin (conductor) (from 1960-09-05 until 1960-09-12)
chorus master:
Norberto Mola (chorus master) (from 1960-09-05 until 1960-09-12)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1960-09-05 until 1960-09-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (from 1960-09-05 until 1960-09-12)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini5:35
17Les Puritains, Acte I - Polacca d'Elvira : Son vergin vezzosa (Elvira)
soprano vocals and soprano vocals [Elvira]:
June Anderson (soprano)
orchestra:
Monte-Carlo Philharmonic Orchestra
conductor:
Nicola Rescigno (conductor)
recording of:
I Puritani: Atto I. N°9a. Finale I. Polacca “Son vergin vezzosa” (Elvira, Arturo, Enrichetta, Giorgio)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto I
Vincenzo Bellini4:16
2▼CD: L'opéra italien
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1La Traviata, Act 1: "Libiamo ne' lieti calici"
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1980-07-05 until 1980-07-15)
soprano vocals [Violetta]:
Renata Scotto (operatic soprano) (from 1980-07-05 until 1980-07-15)
tenor vocals [Alfredo]:
Alfredo Kraus (tenor) (from 1980-07-05 until 1980-07-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1980-07-05 until 1980-07-15)
conductor:
Riccardo Muti (conductor) (from 1980-07-05 until 1980-07-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1980-07-05 until 1980-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-07-05 until 1980-07-15)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (from 1980-07-05 until 1980-07-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:53
2La traviata, Act II, Scene 2, Finale II: Noi siamo zingarelle
bass vocals [Marchese d'Obigny]:
Richard van Allan (operatic bass-baritone) (from 1980-07-05 until 1980-07-15)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1980-07-05 until 1980-07-15)
mezzo-soprano vocals [Flora]:
Sarah Walker (British mezzosoprano) (from 1980-07-05 until 1980-07-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1980-07-05 until 1980-07-15)
conductor:
Riccardo Muti (conductor) (from 1980-07-05 until 1980-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-07-05 until 1980-07-15)
recording of:
La traviata: Atto II, scena 2. “Noi siamo zingarelle” (Zingare, Flora, Marchese, Coro) (from 1980-07-05 until 1980-07-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:57
3Il Trovatore, Act II Scene One: Coro delle incudini: Vedi le fosche notturne (Coro)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:00
4Rigoletto, Act 1, Scene 2: Gualtier Maldè ...Caro nome
baritone vocals:
Sherrill Milnes (baritone)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Julius Rudel (conductor)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
Giuseppe Verdi6:41
5Rigoletto, Act 3: "La donna è mobile" (Duca)
tenor vocals [Duca]:
Alfredo Kraus (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Julius Rudel (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:17
6Nabucco, Act III (Chorus of Hebrew Slaves): Va, pensiero, sull'ali dorate.. (Coro)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:14
7Otello: Ave Maria, piena di grazia (Desdemona)
soprano vocals [Desdemona]:
Maria Callas (soprano)
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Nicola Rescigno (conductor)
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi4:37
8Don Carlo: Ella giammai m'amò!
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
partial recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi7:32
9Marcia trionfale
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi1:31
10Gianni Schicchi: "O mio babbino caro"
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Lauretta]:
Montserrat Caballé (soprano) (from 1970-03-31 until 1970-04-10)
orchestra:
London Symphony Orchestra (from 1970-03-31 until 1970-04-10)
conductor:
Charles Mackerras (Australian conductor) (from 1970-03-31 until 1970-04-10)
balance engineer:
Neville Boyling (engineer) (from 1970-03-31 until 1970-04-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-03-31 until 1970-04-10)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1970-03-31 until 1970-04-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:43
11Manon Lescaut, Act I: Donna non vidi mai (Des Grieux)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
tenor vocals:
Plácido Domingo (tenor) (in 1972)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Bruno Bartoletti (conductor) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (in 1972)
composer:
Giacomo Puccini (Italian composer) (in 1893)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
Giacomo Puccini2:28
12La Bohème, Act I: Che gelida manina! (Rodolfo)
tenor vocals [Rodolfo]:
Nicolai Gedda (tenor)
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Thomas Schippers (conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:30
13La bohème, Act 1: "Sì. Mi chiamano Mimi" (Mimi/Rodolfo)
recorded in:
Roma (Rome), Roma, Lazio, Italy (on 1969-07-17)
soprano vocals [Mimì]:
Mirella Freni (soprano) (on 1969-07-17)
orchestra:
Orchestra del Teatro dell’Opera di Roma (on 1969-07-17)
conductor:
Thomas Schippers (conductor and composer) (on 1969-07-17)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1964)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
live recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (on 1969-07-17)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:57
14La Bohème, Act I: O soave fanciulla, o dolce viso (Rodolfo/Marcello/Mimi)
baritone vocals [Marcello]:
Mario Sereni (baritone)
soprano vocals and soprano vocals [Mimì]:
Mirella Freni (soprano)
tenor vocals and tenor vocals [Rodolfo]:
Nicolai Gedda (tenor)
vocals:
Mirella Freni (soprano) (in 1964), Nicolai Gedda (tenor) (in 1964) and Mario Sereni (baritone) (in 1964)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1964)
conductor:
Thomas Schippers (conductor and composer) (in 1964)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1964)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:00
15Tosca, Act II: Vissi d'arte
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
conductor:
Georges Prêtre (French conductor) (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1964-12-03 until 1964-12-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1964-12-07 until 1964-12-12)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (on 1964-12-14)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (on 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini33:02
16Tosca, Act III: E lucevan le stelle
tenor vocals [Mario Cavaradossi]:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
conductor:
Georges Prêtre (French conductor) (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1964-12-03 until 1964-12-04)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1964-12-07 until 1964-12-12)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (on 1964-12-14)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (on 1965-01-19)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:59
17Madama Butterfly, Act II: Un bel di vedremo (Butterfly)
soprano vocals [Butterfly]:
Victoria de los Ángeles (Spanish soprano) (from 1959-09-23 until 1959-10-03)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1959-09-23 until 1959-10-03)
conductor:
Gabriele Santini (conductor) (from 1959-09-23 until 1959-10-03)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (in 1959, from 1959-09-23 until 1959-10-03)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:43
18Madama Butterfly, Act II: Coro a bocca chiusa / Humming Chorus
choir vocals:
Coro del Teatro dell’Opera di Roma
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Gabriele Santini (conductor)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (in 1959)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:05
19Turandot, Act 3: "Nessun dorma" (Calaf)
choir vocals:
Chœur de l'Opéra national du Rhin (Rhine Opera Chorus)
tenor vocals [Calaf]:
José Carreras (Spanish tenor)
orchestra:
Orchestre philharmonique de Strasbourg (Strasbourg Philharmonic Orchestra)
conductor:
Alain Lombard (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini4:14
20Cavalleria Rusticana: Intermezzo
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979)
conductor:
Riccardo Muti (conductor) (in 1979)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recording of:
Cavalleria rusticana: Intermezzo (in 1979)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:43
21Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène, Recitar!...Vesti la giubba: Vesti la giubba (Canio)
tenor vocals [Canio]:
José Carreras (Spanish tenor) (in 1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979)
conductor:
Riccardo Muti (conductor) (in 1979)
partial recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (in 1979)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo2:58
3▼CD: L'opéra français
#TitleArtistRatingLength
1Hippolyte et Aricie: Prélude de l'Acte III
orchestra:
Les Talens Lyriques (French classical musical ensemble)
conductor:
Christophe Rousset (French harpsichordist & conductor)
partial recording of:
Hippolyte et Aricie: Acte III
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
librettist:
Simon‐Joseph Pellegrin
part of:
Hippolyte et Aricie
Jean‐Philippe Rameau1:41
2La Dame blanche, Opéra-comique en 3 actes. Livret d'Eugène Scribe, d'après Walter Scott - Acte I - N°1 - Introduction Choeur, Air, Couplets : Ah ! Quel plaisir que d'être soldat (Georges, Jenny, Choeur, Dickson)
recording of:
La Dame blanche : Acte I. « Ah ! Quel plaisir d’être soldat! » (Georges Brown, Chœur)
part of:
La Dame blanche
François‐Adrien Boïeldieu4:12
3L'Africaine: Pays merveilleux...O paradis (Act 4)
recording of:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis"
composer:
Giacomo Meyerbeer (composer)
librettist:
Eugène Scribe
part of:
L’Africaine : Acte IV
Giacomo Meyerbeer3:06
4Les Troyens, Acte 1 - Récit et air de Cassandre : Les Grecs ont disparu... Malheureux roi ! (Cassandre)
recording of:
Les Troyens : Acte I, no. 2. Récitatif et air « Les Grecs ont disparu » … « Malheureux roi ! » (Cassandre)
composer:
Hector Berlioz (French composer) (from 1856 until 1858)
part of:
Les Troyens : Acte I
Hector Berlioz5:34
5Faust, Acte II : Air des bijoux : ''Ah ! Je ris de me voir si belle en ce miroir'' (Marguerite)
recording of:
Faust : Acte III. « Un bouquet ! … Ô Dieu ! que de bijoux ! » … No. 14b « Ah ! Je ris ! » (Marguerite) (Air des bijoux / Jewel Song)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Charles‐François Gounod3:30
6Faust, Acte III: Quel trouble inconnu me pénètre! ... Salut! Demeure chaste et pure (Faust)
recording of:
Faust : Acte III. « Quel trouble inconnu me pénètre ! » … No. 12 Cavatine « Salut ! demeure chaste et pure » (Faust)
composer:
Charles Gounod (French composer) (in 1859)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Charles‐François Gounod4:27
7Roméo et Juliette: Je Veux Vivre
recording of:
Roméo et Juliette : Acte I. No. 3 Ariette « Je veux vivre dans ce rêve » (Juliette)
composer:
Charles Gounod (French composer) (from 1865 until 1866)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette : Acte I
Charles‐François Gounod3:53
8Carmen, Act 1: Quand je vous aimerai?...L'amour est un oiseau rebelle (Habanera)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:20
9Carmen - excerpts: Votre toast, je peux vous le rendre (Escamillo/Choeur/Frasquita/Mecedes/Carmen)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:57
10Les Pecheurs de Perles (new edition of original 1863 version: part orch. A. Hammond), Acte I: Je crois entendre encore (Nadir)
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet3:21
11Manon : Adieu notre petite table (Manon)
recording of:
Manon : Acte II. « Adieu, notre petite table » (Manon)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
Jules Massenet1:57
12Werther, Troisième Acte: Toute mon âme est là!...Pourquoi me réveiller (Werther)
recording of:
Werther : Acte III. « Toute mon âme est là ! » – « Pourquoi me réveiller ? » (Werther)
composer:
Jules Massenet (French Romantic composer)
librettist:
Édouard Blau (Librettist), Georges Hartmann (librettist) and Paul Milliet (Librettist)
part of:
Werther : Acte III (Charlotte et Werther)
Jules Massenet3:02
13Les Contes d'Hoffmann, Acte 2: "Les oiseaux dans la charmille" (Olympia)
soprano vocals:
Natalie Dessay (soprano)
recording of:
Les Contes d’Hoffmann : Acte II. « Les oiseaux dans la charmille » (Olympia, Spalanzani, Les invités, Hoffmann, Nicklausse, Cochenille) (Chanson d’Olympia)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach5:26
14The Tales of Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Nicklausse, Giulietta, Chorus)
producer:
David R. Murray
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach4:21
15Lakmé: Sous le dôme épais ("Flower Duet")
mezzo-soprano vocals [Mallika]:
Danielle Millet (mezzo-soprano) (from 1970-09-17 until 1970-12-21)
soprano vocals [Lakmé]:
Mady Mesplé (soprano) (from 1970-09-17 until 1970-12-21)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique (from 1970-09-17 until 1970-12-21)
conductor:
Alain Lombard (conductor) (from 1970-09-17 until 1970-12-21)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1970-09-17 until 1970-12-21)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (from 1970-09-17 until 1970-12-21)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
partial recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (from 1970-09-17 until 1970-12-21)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes4:50
16Samson et Dalila - Acte II : Mon coeur s'ouvre à ta voix comme s'ouvrent les fleurs (Dalila)
recording of:
Mon cœur s’ouvre à ta voix (Samson et Dalila) (catch-all for arrangements)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
Camille Saint‐Saëns6:00
17Pelléas et Mélisande, Act I, Scene One: Interlude
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Pelléas et Mélisande: Acte I, Scène 1: Une forêt
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte I
Claude Debussy2:51
18L'Enfant et les sortilèges: Ah! Quelle joie de te retrouver, Jardin!
recording of:
L'Enfant et les sortilèges: Tableau II. « Ah ! Quelle joie de te retrouver, Jardin ! »
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel3:17
19Dialogues des Carmelites, Acte 3, Tableau 4: Salve Regina (Les Carmélites)
recording of:
Dialogues des Carmélites : Acte III, Tableau 4 (Place de la Révolution). "Salve Regina"
composer:
Francis Poulenc (French composer and pianist)
part of:
Dialogues des Carmélites : Acte III, Tableau 4
Francis Poulenc7:04
4▼CD: Les operas de Mozart
#TitleArtistRatingLength
1Le Nozze di Figaro, K. 492: Overture
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart3:57
2Le nozze di Figaro: Voi, che sapete (Cherubino)
mezzo-soprano vocals [Cherubino]:
Ann Murray (Irish mezzo-soprano) (in 1986-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:56
3Le nozze di Figaro: Dove sono (Countess)
soprano vocals [Contessa]:
Margaret Price (soprano) (in 1986-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:18
4Don Giovanni K527, ATTO PRIMO, Scena seconda: Madamina, il catalogo e questo (Leporello)
bass-baritone vocals [Leporello]:
Samuel Ramey (bass-baritone) (from 1990-09-03 until 1990-09-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:48
5Don Giovanni K527, ATTO PRIMO, Scena terza: La ci darem la mano (Don Giovanni/Zerlina)
baritone vocals [Don Giovanni]:
William Shimell (baritone)
soprano vocals [Zerlina]:
Susanne Mentzer (mezzo soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:18
6Don Giovanni K527, ATTO PRIMO, Scena terza: Finch'han dal vino (Don Giovanni)
baritone vocals [Don Giovanni]:
William Shimell (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:15
7Don Giovanni, K. 527, Act 2: "Don Giovanni, a cenar teco" (Commendatore/Don Giovanni/Leporello/Chorus)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart7:17
8Così fan tutte, Act 1, Scene 2: No. 10 Terzettino: Soave sia il vento (Dorabella/Don Alfonso/Fiordiligi)
bass-baritone vocals [Don Alfonso]:
José van Dam (Belgian operatic bass-baritone)
mezzo-soprano vocals [Dorabella]:
Agnes Baltsa (mezzo-soprano)
soprano vocals [Fiordiligi]:
Margaret Marshall (Scots soprano active in late 20th century)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic)
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:20
9Lucio Silla K135: Fra i pensier più funesti
producer:
Eric Macleod (producer)
soprano vocals:
Barbara Hendricks (soprano) (from 1984-06-12 until 1984-06-17)
orchestra:
English Chamber Orchestra (from 1984-06-12 until 1984-06-17)
conductor:
Jeffrey Tate (conductor) (from 1984-06-12 until 1984-06-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1984-06-12 until 1984-06-17)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1984-06-12 until 1984-06-17)
recording of:
Lucio Silla, K. 135: Act III, Scene V. No. 22 Aria "Fra i pensier più funesti di morte" (Giunia) (from 1984-06-12 until 1984-06-17)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giovanni de Gamerra
part of:
Lucio Silla, K. 135: Act III
Wolfgang Amadeus Mozart3:37
10La clemenza di Tito K621, Act I, Scene 9: 9. Aria: Parto, parto, ma tu ben mio (Sesto)
soprano vocals [Sesto]:
Ann Murray (Irish mezzo-soprano)
orchestra:
Scottish Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart4:46
11Zaide K344: Aria: Ruhe sanft, mein holdes Leben
soprano vocals:
Louis Langrée (conductor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Louis Langrée (conductor)
recording of:
Zaide, K. 336b/344 (fragment): Akt I. No. 3 Arie "Ruhe sanft, mein holdes Leben" (Zaide)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Johann Andreas Schachtner (Librettist)
part of:
Zaide, K. 336b/344: Akt I
Wolfgang Amadeus Mozart3:48
12Die Entführung aus dem Serail, K.384, Act II: Martern aller Arten (Konstanze)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and Helmut Storjohann (German producer)
soprano vocals and soprano vocals [Konstanze]:
Anneliese Rothenberger (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1966-02)
conductor:
Josef Krips (conductor/violinist) (in 1966-02)
balance engineer:
Ernst Rothe (engineer) (in 1966-02)
recorded at:
Theater an der Wien in Mariahilf, Wien (Vienna), Austria (in 1966-02)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (in 1966-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart8:49
13Die Entführung aus dem Serail K384, ACT 2: Welche Wonne, welche Lust (Blonde)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and Helmut Storjohann (German producer)
soprano vocals and soprano vocals [Blonde]:
Lucia Popp (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1966-02)
conductor:
Josef Krips (conductor/violinist) (in 1966-02)
balance engineer:
Ernst Rothe (engineer) (in 1966-02)
recorded at:
Theater an der Wien in Mariahilf, Wien (Vienna), Austria (in 1966-02)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. No. 12 Arie "Welche Wonne, welche Lust" (Blonde) (in 1966-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart2:32
14Die Zauberflöte, K.620, Act I: Der Vogelfänger bin ich ja (Papageno)
baritone vocals [Papageno]:
Wolfgang Brendel (baritone) (from 1981-04-01 until 1981-04-13)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
performer:
Bavarian RSO (Bavarian Radio Symphony Orchestra)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:49
15Die Zauberflöte K620: O zitt're nicht (Act 1)
soprano vocals [Die Königin der Nacht]:
Edita Gruberová (soprano)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Bernard Haitink (conductor)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:02
16Die Zauberflöte, K. 620, Act 2: "O Isis und Osiris" (Sarastro, Chor)
bass vocals [Sarastro]:
Roland Bracht (bass-baritone) (from 1981-04-01 until 1981-04-13)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:53
17Die Zauberflöte K620, Act II: Der Hölle Rache (Königin)
soprano vocals [Königin der Nacht]:
Edita Gruberová (soprano) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:50
18Die Zauberflöte K620, Act II: Ach, ich fühl's, es ist entschwunden (Pamina)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1981-04-01 until 1981-04-13)
soprano vocals [Pamina]:
Lucia Popp (soprano) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:13
19Die Zauberflöte K620, Act II: Ein Mädchen oder Weibchen (Papageno)
baritone vocals [Papageno]:
Wolfgang Brendel (baritone) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:12
20Die Zauberflöte, K. 620, Act 2: "Pa-pa-gena! ... Pa-pa-geno!" (Papageno, Papagena)
baritone vocals:
Wolfgang Brendel (baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals:
Brigitte Linder (soprano)
vocals:
Wolfgang Brendel (baritone) and Brigitte Lindner (soprano)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:36
5▼CD: L'opéra germanique
#TitleArtistRatingLength
1Orphée et Eurydice, Act 2, Premier tableau - Une horrible caverne, Deuxième tableau - Les Champs-Elysées, Scène 1 (Eurydice et le Choeur): Ballet des ombres heureuses
producer:
Alain Duchemin
orchestra:
Orchestre de l’Opéra de Lyon (from 1989-01-29 until 1989-02-02)
conductor:
John Eliot Gardiner (from 1989-01-29 until 1989-02-02)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music France (in 1989)
recorded at:
Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1989-01-29 until 1989-02-02)
recording of:
Orphée et Eurydice, Wq. 41 : Acte II, N° 29. Ballet des ombres heureuses, I. Lent, très doux – Même mouvement (from 1989-01-29 until 1989-02-02)
composer:
Christoph Willibald Gluck (composer)
part of:
Orphée et Eurydice, Wq. 41 : Acte II
Christoph Willibald Gluck5:32
2Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice?" (Orfeo)
harpsichord:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger)
mezzo-soprano vocals [Orfeo]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck5:28
3Fidelio Op. 72, ACT 1: Nr. 3 Quartett: Mir ist so wunderbar (Marzelline/Leonore/Rocco/Jaquino)
producer:
Michel Glotz
bass vocals:
Karl Riddersbusch (operatic bass)
bass vocals [Rocco]:
José van Dam (Belgian operatic bass-baritone) (from 1970-10 until 1970-12)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals [Leonore]:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (from 1970-10 until 1970-12)
soprano vocals [Marzelline]:
Helen Donath (soprano) (from 1970-10 until 1970-12)
tenor vocals [Jaquino]:
Horst Laubenthal (tenor) (from 1970-10 until 1970-12)
vocals:
Helga Dernesch (Austrian soprano and mezzo‐soprano), Helen Donath (soprano), Horst Laubenthal (tenor) and Karl Ridderbusch (operatic bass)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:46
4Der Freischütz · Oper in 3 Akten, 3. Akt: Was gleicht wohl auf Erden dem Jägervergnügen (Chor: Jägerchor)
recording of:
Der Freischütz: Akt III. Nr. 15. Jägerchor „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Chor) (Der Freischütz: The Huntsmen's Chorus)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Ludwig van Beethoven2:42
5Lebe wohl, mein flandrisch Mädchen (Marquis von Chateauneuf, Marie, Chor, aus "Zar und Zimmermann", 2.Akt)
recording of:
Zar und Zimmermann: Akt II. Nr. 9 Lied „Lebe wohl, mein flandrisch’ Mädchen“ (Marquis, Marie, Chor)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt II
Albert Lortzing4:47
6Martha, Act III: Ach so fromm
tenor vocals:
Rolando Villazón (tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Michel Plasson (conductor)
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
composer:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
part of:
Martha: Akt III
Friedrich von Flotow2:58
7Lohengrin: Prelude Act I
producer:
John Willan (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1982-12-15 until 1983-04-17)
conductor:
Klaus Tennstedt (conductor) (from 1982-12-15 until 1983-04-17)
balance engineer:
Neville Boyling (engineer) and Michael Sheady (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1982-12-15 until 1983-04-17)
recording of:
Lohengrin, WWV 75: Vorspiel (prelude to Act I) (from 1982-12-15 until 1983-04-17)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75
Richard Wagner10:18
8Treulich geführt (Lohengrin: Brautchor, 3.Akt) (1990 Remaster)
recording of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Act III, Scene I. Bridal Chorus (Choir))
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner5:01
9Die Walküre, WWV 86B, Act 3: Ride of the Valkyries
producer:
John Fraser (UK producer)
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic) (from 1991-08-14 until 1991-08-24)
conductor:
Mariss Jansons (Latvian conductor) (from 1991-08-14 until 1991-08-24)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1992)
recorded at:
Oslo Konserthus (The Oslo Concert Hall) in Oslo, Norway (from 1991-08-14 until 1991-08-24)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1991-08-14 until 1991-08-24)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner4:46
10Siegfried, Act 1: Was am besten er kann (Siegfried/Mime)
partial recording of:
Siegfried, WWV 86C: Akt I, Scene III "Verfluchtes Licht!"
composer:
Richard Wagner (composer) (from 1856-09 until 1869-02-23)
librettist:
Richard Wagner (composer)
part of:
Siegfried, WWV 86C: Akt I
Richard Wagner5:51
11Tristan und Isolde, Act III, Dritte Szene: Mild und leise wie er lächelt (Isolde)
recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt”
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner6:29
12Der fliegende Holländer: Johohoe! Traft ihr das Schiff (Senta's Ballad) (Act II)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
solo soprano vocals:
Jessye Norman (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Klaus Tennstedt (conductor)
recording of:
Der fliegende Holländer, WWV 63: Akt II, Nr. 4. Lied, Scene, Ballade und Chor "Summ und brumm, du gutes Rädchen" … "Jo ho hoe, traft ihr das Schiff" (Chor der Spinnerinnen & Sentas Ballade)
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63: Akt II
part of:
Der fliegende Holländer, WWV 63: Akt II
Richard Wagner8:34
13Beglückt darf nun (Pilgrims' Chorus) from Tannhäuser
recording of:
Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. Pilgerchor: “Beglückt darf nun dich”
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. “Wohl wusst’ ich hier sie im Gebet zu finden”
Richard Wagner4:24
14Die Fledermaus - Overture (abbrev.)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Plácido Domingo (tenor)
recording of:
Die Fledermaus: Ouvertüre (Die Fledermaus: Overture)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (english; unknown version)
partial recording of:
Die Fledermaus: Ouvertüre (Die Fledermaus: Overture)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (english; unknown version)
Johann Strauss II8:31
6▶CD: L'opéra germanique - Les opéras du monde entier