Die kompletten Werke, Volume 37: Werke für Tasteninstrumente

~ Release by Johann Sebastian Bach; Trevor Pinnock, Robert Hill (see all versions of this release, 43 available)

Annotation

Recording:
CD 1/2: September 1998 (BWV 825-827), 3.-7. November 1999 (BWV 828-830), Karlshöhe, Ludwigsburg;
CD 3/4: 15.-18.6.1998, Kirche zu St. Fides und Markus, Freiburg-Sölden

Annotation last modified on 2014-06-19 18:52 UTC.

Tracklist

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1▼CD: Sechs Partiten
#TitleArtistRatingLength
1Partita no. 1 in B‐Dur, BWV 825: I. Präludium
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1998-09)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1998-09)
recording of:
Partita no. 1 in B-flat major, BWV 825: I. Prelude (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
Johann Sebastian Bach2:09
2Partita no. 1 in B‐Dur, BWV 825: II. Allemande
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1998-09)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1998-09)
recording of:
Partita no. 1 in B-flat major, BWV 825: II. Allemande (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
Johann Sebastian Bach4:07
3Partita no. 1 in B‐Dur, BWV 825: III. Corrente
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1998-09)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1998-09)
recording of:
Partita no. 1 in B-flat major, BWV 825: III. Courante (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
Johann Sebastian Bach3:00
4Partita no. 1 in B‐Dur, BWV 825: IV. Sarabande
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1998-09)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1998-09)
recording of:
Partita no. 1 in B-flat major, BWV 825: IV. Sarabande (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
Johann Sebastian Bach5:28
5Partita no. 1 in B‐Dur, BWV 825: V. Menuet I & II
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1998-09)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1998-09)
recording of:
Partita no. 1 in B-flat major, BWV 825: V. Menuet I (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
recording of:
Partita no. 1 in B-flat major, BWV 825: VI. Menuet II (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
Johann Sebastian Bach2:40
6Partita no. 1 in B‐Dur, BWV 825: VI. Gigue
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1998-09)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1998-09)
recording of:
Partita no. 1 in B-flat major, BWV 825: VII. Gigue (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
Johann Sebastian Bach2:27
7Partita no. 2 in c‐Moll, BWV 826: I. Sinfonia
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1998-09)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1998-09)
recording of:
Partita no. 2 in C minor, BWV 826: I. Sinfonia (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 2 in C minor, BWV 826
Johann Sebastian Bach4:49
8Partita no. 2 in c‐Moll, BWV 826: II. Allemande
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1998-09)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1998-09)
recording of:
Partita no. 2 in C minor, BWV 826: II. Allemande (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 2 in C minor, BWV 826
Johann Sebastian Bach5:07
9Partita no. 2 in c‐Moll, BWV 826: III. Courante
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1998-09)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1998-09)
recording of:
Partita no. 2 in C minor, BWV 826: III. Courante (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 2 in C minor, BWV 826
Johann Sebastian Bach2:09
10Partita no. 2 in c‐Moll, BWV 826: IV. Sarabande
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1998-09)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1998-09)
recording of:
Partita no. 2 in C minor, BWV 826: IV. Sarabande (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 2 in C minor, BWV 826
Johann Sebastian Bach3:37
11Partita no. 2 in c‐Moll, BWV 826: V. Rondeaux
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1998-09)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1998-09)
recording of:
Partita no. 2 in C minor, BWV 826: V. Rondeaux (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 2 in C minor, BWV 826
Johann Sebastian Bach1:33
12Partita no. 2 in c‐Moll, BWV 826: VI. Capriccio
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1998-09)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1998-09)
recording of:
Partita no. 2 in C minor, BWV 826: VI. Capriccio (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 2 in C minor, BWV 826
Johann Sebastian Bach3:48
13Partita no. 6 in e‐Moll, BWV 830: I. Toccata
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 6 in E minor, BWV 830: I. Toccata (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
Johann Sebastian Bach7:20
14Partita no. 6 in e‐Moll, BWV 830: II. Allemande
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 6 in E minor, BWV 830: II. Allemande (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
Johann Sebastian Bach3:44
15Partita no. 6 in e‐Moll, BWV 830: III. Corrente
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 6 in E minor, BWV 830: III. Courante (same as BWV 1019.1 (former 1019a/v1): III. Cembalo solo) (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
part of:
Sonate für Violine und Cembalo G-dur, BWV 1019.1 (Sonata for Violin and Harpsichord in G major, BWV 1019.1, former 1019a, 1. version)
Johann Sebastian Bach4:28
16Partita no. 6 in e‐Moll, BWV 830: IV. Air
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 6 in E minor, BWV 830: IV. Air (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
Johann Sebastian Bach1:40
17Partita no. 6 in e‐Moll, BWV 830: V. Sarabande
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 6 in E minor, BWV 830: V. Sarabande (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
Johann Sebastian Bach5:49
18Partita no. 6 in e‐Moll, BWV 830: VI. Tempo di Gavotta
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 6 in E minor, BWV 830: VI. Tempo di Gavotta (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
Johann Sebastian Bach2:08
19Partita no. 6 in e‐Moll, BWV 830: VII. Gigue
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 6 in E minor, BWV 830: VII. Gigue (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
Johann Sebastian Bach6:23
2▼CD: Sechs Partiten
#TitleArtistRatingLength
1Partita no. 3 in a‐Moll, BWV 827: I. Fantasia
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1998-09)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1998-09)
recording of:
Partita no. 3 in A minor, BWV 827: I. Fantaisie (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 3 in A minor, BWV 827
Johann Sebastian Bach2:14
2Partita no. 3 in a‐Moll, BWV 827: II. Allemande
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1998-09)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1998-09)
recording of:
Partita no. 3 in A minor, BWV 827: II. Allemande (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 3 in A minor, BWV 827
Johann Sebastian Bach3:24
3Partita no. 3 in a‐Moll, BWV 827: III. Corrente
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1998-09)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1998-09)
recording of:
Partita no. 3 in A minor, BWV 827: III. Courante (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 3 in A minor, BWV 827
Johann Sebastian Bach2:53
4Partita no. 3 in a‐Moll, BWV 827: IV. Sarabande
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1998-09)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1998-09)
recording of:
Partita no. 3 in A minor, BWV 827: IV. Sarabande (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 3 in A minor, BWV 827
Johann Sebastian Bach4:29
5Partita no. 3 in a‐Moll, BWV 827: V. Burlesca
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1998-09)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1998-09)
recording of:
Partita no. 3 in A minor, BWV 827: V. Burlesca (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 3 in A minor, BWV 827
Johann Sebastian Bach2:05
6Partita no. 3 in a‐Moll, BWV 827: VI. Scherzo
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1998-09)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1998-09)
recording of:
Partita no. 3 in A minor, BWV 827: VI. Scherzo (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 3 in A minor, BWV 827
Johann Sebastian Bach1:15
7Partita no. 3 in a‐Moll, BWV 827: VII. Gigue
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1998-09)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1998-09)
recording of:
Partita no. 3 in A minor, BWV 827: VII. Gigue (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 3 in A minor, BWV 827
Johann Sebastian Bach3:44
8Partita no. 4 in D‐Dur, BWV 828: I. Ouverture
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 4 in D major, BWV 828: I. Overture (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 4 in D major, BWV 828
Johann Sebastian Bach6:37
9Partita no. 4 in D‐Dur, BWV 828: II. Allemande
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 4 in D major, BWV 828: II. Allemande (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 4 in D major, BWV 828
Johann Sebastian Bach10:14
10Partita no. 4 in D‐Dur, BWV 828: III. Courante
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 4 in D major, BWV 828: III. Courante (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 4 in D major, BWV 828
Johann Sebastian Bach3:28
11Partita no. 4 in D‐Dur, BWV 828: IV. Aria
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 4 in D major, BWV 828: IV. Aria (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 4 in D major, BWV 828
Johann Sebastian Bach2:19
12Partita no. 4 in D‐Dur, BWV 828: V. Sarabande
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 4 in D major, BWV 828: V. Sarabande (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 4 in D major, BWV 828
Johann Sebastian Bach5:57
13Partita no. 4 in D‐Dur, BWV 828: VI. Menuet
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 4 in D major, BWV 828: VI. Menuet (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 4 in D major, BWV 828
Johann Sebastian Bach1:25
14Partita no. 4 in D‐Dur, BWV 828: VII. Gigue
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 4 in D major, BWV 828: VII. Gigue (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 4 in D major, BWV 828
Johann Sebastian Bach4:05
15Partita no. 5 in G‐Dur, BWV 829: I. Praeambulum
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 5 in G major, BWV 829: I. Praeambulum (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 5 in G major, BWV 829
Johann Sebastian Bach2:50
16Partita no. 5 in G‐Dur, BWV 829: II. Allemande
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 5 in G major, BWV 829: II. Allemande (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 5 in G major, BWV 829
Johann Sebastian Bach5:27
17Partita no. 5 in G‐Dur, BWV 829: III. Corrente
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 5 in G major, BWV 829: III. Courante (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 5 in G major, BWV 829
Johann Sebastian Bach1:58
18Partita no. 5 in G‐Dur, BWV 829: IV. Sarabande
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 5 in G major, BWV 829: IV. Sarabande (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 5 in G major, BWV 829
Johann Sebastian Bach5:24
19Partita no. 5 in G‐Dur, BWV 829: V. Tempo di Minuetta
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 5 in G major, BWV 829: V. Tempo di Minuetto (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 5 in G major, BWV 829
Johann Sebastian Bach1:52
20Partita no. 5 in G‐Dur, BWV 829: VI. Passepied
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 5 in G major, BWV 829: VI. Passepied (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 5 in G major, BWV 829
Johann Sebastian Bach1:35
21Partita no. 5 in G‐Dur, BWV 829: VII. Gigue
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1999-11)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1999-11)
recording of:
Partita no. 5 in G major, BWV 829: VII. Gigue (in 1999-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 5 in G major, BWV 829
Johann Sebastian Bach4:14
3▼CD: Die Kunst der Fuge
#TitleArtistRatingLength
1Die Kunst der Fuge, BWV 1080 no. 1: Contrapunctus 1 a 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:03
2Die Kunst der Fuge, BWV 1080 no. 2: Contrapunctus 2 a 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2 (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:51
3Die Kunst der Fuge, BWV 1080 no. 3: Contrapunctus 3 a 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3 (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/3)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:57
4Die Kunst der Fuge, BWV 1080 no. 4: Contrapunctus 4 a 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4 (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/4)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach4:49
5Die Kunst der Fuge, BWV 1080 no. 5: Contrapunctus 5 a 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5 (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/5)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:55
6Die Kunst der Fuge, BWV 1080 no. 6: Contrapunctus 6 a 4 in Stylo Francese
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/6)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:58
7Die Kunst der Fuge, BWV 1080 no. 7: Contrapunctus 7 a 4, per Augentationem et Diminutionem
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4 per Augmentationem et Diminutionem (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/7)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:31
8Die Kunst der Fuge, BWV 1080 no. 8: Contrapunctus 8 a 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3 (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/8)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach6:01
9Die Kunst der Fuge, BWV 1080 no. 9: Contrapunctus 9 a 4, alla Duodecima
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/9)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:24
10Die Kunst der Fuge, BWV 1080 no. 10: Contrapunctus 10 a 4, alla Decima
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4 alla Decima (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/10)
version of:
Die Kunst der Fuge, BWV 1080: Contrapunctus a 4
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Die Kunst der Fuge, BWV 1080.1: Contrapunctus 10 (1742 autograph, early version)
Johann Sebastian Bach4:58
11Die Kunst der Fuge, BWV 1080 no. 11: Contrapunctus 11 a 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4 (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/11)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach6:45
4▼CD: Die Kunst der Fuge
#TitleArtistRatingLength
1Die Kunst der Fuge, BWV 1080 no. 12.1: Contrapunctus inversus 12 a 4 in forma recta
harpsichord:
Michael Behringer (conductor, organist and harpsichordist) and Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta) (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:19
2Die Kunst der Fuge, BWV 1080 no. 12.2: Contrapunctus inversus 12 a 4 in forma inversa
harpsichord:
Michael Behringer (conductor, organist and harpsichordist) and Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa) (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:24
3Die Kunst der Fuge, BWV 1080 no. 13.1: Contrapunctus inversus 13 a 3 in forma recta
harpsichord:
Michael Behringer (conductor, organist and harpsichordist) and Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:13
4Die Kunst der Fuge, BWV 1080 no. 13.2: Contrapunctus inversus 13 a 3 in forma inverso
harpsichord:
Michael Behringer (conductor, organist and harpsichordist) and Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta) (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:17
5Die Kunst der Fuge, BWV 1080 no. 15: Canon alla Ottava
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XV. Canon alla Ottava (or "Canon in Hypodiapason" (1742 manuscript)) (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/15)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:17
6Die Kunst der Fuge, BWV 1080 no. 16: Canon alla Decima in Contrapunto alla Terza
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima in Contrapunto alla Terza (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/16)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach4:46
7Die Kunst der Fuge, BWV 1080 no. 17: Canon alla Duodecima in Contrapunto alla Quinta
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima in Contrapunto alla Quinta (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/17)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach4:05
8Die Kunst der Fuge, BWV 1080 no. 14: Canon per Augmentationem in Contrario Motu
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/14)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon al roverscio et per augmentationem (1742 autograph, early version)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon in Hypodiateßeron al roverscio e per augmentationem, perpetuus (1742 autograph, early version)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Canon in Hypodiatesseron, al roversio [sic] e per augmentationem (supplementation to 1742 autograph)
Johann Sebastian Bach3:50
9Die Kunst der Fuge, BWV 1080 no. 19: Fuga a 3 Soggetti
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/19)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach8:13
10Die Kunst der Fuge, BWV 1080 no. 18.1: Fuga inversa a 2 Claviere: Forma inversa
harpsichord:
Michael Behringer (conductor, organist and harpsichordist) and Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 1. Fuga à 2 Claviere (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,1)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach2:08
11Die Kunst der Fuge, BWV 1080 no. 18.2: Alio modo: Fuga inversa a 2 Claviere: Forma recta
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 2. Alio modo. Fuga à 2 Claviere (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,2)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach2:17
12Die Kunst der Fuge, BWV 1080a no. 1: Contrapunctus a 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
partial recording of:
Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:11
13Die Kunst der Fuge, BWV 1080a no. 3: Contrapunctus a 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
partial recording of:
Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/3)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:49
14Die Kunst der Fuge, BWV 1080a no. 2: Contrapunctus a 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
partial recording of:
Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:44
15Die Kunst der Fuge, BWV 1080a no. 6: Contrapunctus a 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
partial recording of:
Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/6)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:52
16Die Kunst der Fuge, BWV 1080a no. 12: Canon per Augmentationem in contrario motu
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
partial recording of:
Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/14)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon al roverscio et per augmentationem (1742 autograph, early version)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon in Hypodiateßeron al roverscio e per augmentationem, perpetuus (1742 autograph, early version)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Canon in Hypodiatesseron, al roversio [sic] e per augmentationem (supplementation to 1742 autograph)
Johann Sebastian Bach5:23

Credits

Release

harpsichord:Robert Hill (American harpsichordist)
Trevor Pinnock (conductor / harpsichord)