The Complete Classic Rock Collection

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1More Than a Feeling
assistant engineer:
Bruce Hensal, Deni King (engineer) and Doug Rider
engineer:
Warren Dewey and Tom Scholz
producer:
John Boylan and Tom Scholz
assistant mixer:
Steve Hodge (engineer and producer)
acoustic guitar, bass guitar, guitar [lead guitar] and guitar [rhythm guitar]:
Tom Scholz (from 1975 until 1976)
drums (drum set) and percussion:
Sib Hashian (from 1975 until 1976)
lead vocals and lead vocals [Harmony]:
Brad Delp (from 1975 until 1976)
arranger:
Brad Delp and Tom Scholz
co-arranger:
Jim Masdea
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
earliest release:
More Than a Feeling by Boston (US rock band)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 39), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 500)
recording of:
More Than a Feeling (from 1975 until 1976)
lyricist and composer:
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Pure Songs (in 1976)
Boston3.94:46
2Don’t Bring Me Down
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass guitar:
Kelly Groucutt (from 1979-03 until 1979-04)
clarinet and electric piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (from 1979-03 until 1979-04)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (from 1979-03 until 1979-04)
electric guitar and lead vocals:
Jeff Lynne (from 1979-03 until 1979-04)
piano and synthesizer:
Jeff Lynne (from 1979-03 until 1979-04) and Richard Tandy (keyboardist for Electric Light Orchestra) (from 1979-03 until 1979-04)
choir vocals:
Kelly Groucutt (from 1979-03 until 1979-04) and Jeff Lynne (from 1979-03 until 1979-04)
conductor:
Louis Clark (from 1979-03 until 1979-04)
strings arranger and choir vocals arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979), Jet Inc. (in 1979), Jet Records (in 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2005)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1979-03 until 1979-04)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 215)
recording of:
Don’t Bring Me Down (from 1979-03 until 1979-04)
lyricist and composer:
Jeff Lynne
publisher:
April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Inc., Jet Music Ltd. (British branch) and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra4.454:04
3Two Tickets to Paradise
recording engineer:
Andy Johns (in 1977-06)
producer:
Bruce Botnick
mixer:
Andy Johns
alto saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
bass guitar:
Lonnie Turner
drums (drum set):
Gary Mallaber
guitar:
Jimmy Lyon (rock guitarist, worked with Eddie Money)
harmonica, saxophone and lead vocals:
Eddie Money
keyboard:
Eddie Money, Alan Pasqua and Freddie Webb (keyboardist)
percussion:
Kevin Calhoun (percussionist)
background vocals:
Randy Nichols
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978)
recorded at:
CBS Studios (San Francisco) in San Francisco, California, United States (in 1977-06) and Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1977-06)
recording of:
Two Tickets to Paradise (in 1977-06)
lyricist and composer:
Eddie Money
publisher:
Cashola Music, Three Wise Boys Music LLC and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money4.153:58
4Hold the Line
engineer and mixer:
Tom Knox
producer:
Toto (US rock group)
bass guitar:
David Hungate (in 1978-08)
drums (drum set):
Jeffrey Porcaro (in 1978-08)
electric guitar:
Steve Lukather (in 1978-08)
keyboard:
David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
percussion:
Lenny Castro (in 1978-08)
piano:
David Paich (in 1978-08)
background vocals:
Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
lead vocals:
Bobby Kimball (in 1978-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Studio 55 in Los Angeles, California, United States (in 1978-08)
part of:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. and Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.23:57
5I Want You to Want Me
recording engineer:
鈴木智雄 (Tomoo Suzuki) (from 1978-04-28 until 1978-04-30)
assistant engineer:
Mike Beriger
engineer:
Gary Ladinsky (engineer)
producer:
Cheap Trick and Jack Douglas
mixer:
Cheap Trick, Gary Ladinsky (engineer) and Jay Messina (in 1978)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), EPC (in 1978), Epic/Sony Inc. (JP record company, Aug 1978 – Mar 1988) (in 1978, in 1979), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
Nippon Budokan in Kitanomaru Kōen, Chiyoda (Chiyoda-ku), Tokyo, Japan (from 1978-04-28 until 1978-04-30)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1978)
live recording of:
I Want You to Want Me (from 1978-04-28 until 1978-04-30)
lyricist and composer:
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977)
part of:
10 Things I Hate About You
Cheap Trick3.853:42
6Burnin’ for You
engineer:
Martin Birch and Clay Hutchinson (Engineer, who has worked at Kingdom Sound, New York)
producer:
Martin Birch
arranger:
Blue Öyster Cult (US rock band)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Kingdom Sound in Syosset, New York, United States (in 1981)
mixed at:
Kingdom Sound in Syosset, New York, United States
recording of:
Burnin’ for You (in 1981)
writer:
Donald Roeser and Richard Meltzer
publisher:
B. O’Cult Songs Inc., Sony/ATV Music Publishing, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) and Blue Oyster Cult Songs, Inc. (in 1981)
Blue Öyster Cult4.44:30
7Cat Scratch Fever
engineer:
Tim Geelan and Wayne Tarnowski
producer:
Cliff Davies (British drummer, songwriter and producer), Lew Futterman and Tom Werman
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
part of:
A.V. Club: 15 Songs That Make Diseases (Real and Imaginary) Rock (number: 12) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 32)
recording of:
Cat Scratch Fever
lyricist and composer:
Ted Nugent
publisher:
IQ Music Ltd., Magicland Music and Round Hill Works
Ted Nugent3.453:39
8American Woman
assistant recording engineer:
Ed Schnabl and Russ Vestuto
recording engineer:
Brian Christian
producer:
Jack Richardson
arranger:
The Guess Who (Canadian rock band)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1969, in 1970) and BMG Music (in 1970)
recorded at:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, United States
edit of:
American Woman (original stereo mix) by The Guess Who (Canadian rock band)
recording of:
American Woman
writer:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) and Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music and Unichappell Music, Inc.
The Guess Who4.23:51
9Long Time
recording of:
Long Time
lyricist and composer:
Tom Scholz
publisher:
Screen Gems–EMI Music Ltd. and Pure Songs (in 1978)
Boston3:01
10Frankenstein
producer:
Rick Derringer
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 97)
recording of:
Frankenstein
composer:
Edgar Winter
publisher:
Longitude Music (ended), EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Songs, Inc., Hierophant Music, Longitude Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Edgar Winter Group44:45
11Lay It on the Line
phonographic copyright (℗) by:
Round Hill Records (REC logo) (in 1979)
recording of:
Lay It on the Line
lyricist and composer:
Rik Emmett
Triumph44:04
12Games People Play
engineer and producer:
Alan Parsons (of The Alan Parsons Project)
bass:
David Paton (of Pilot)
drums (drum set):
Stuart Elliott (session drummer, member of Cockney Rebel)
guitar:
Ian Bairnson
keyboard:
Eric Woolfson
background vocals:
Chris Rainbow
lead vocals:
Lenny Zakatek
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
orchestrator:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1979, in 1980) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
recording of:
Games People Play
writer and composer:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
publisher:
Careers Music, Inc., Careers–BMG Music Publishing, Inc., Irving Music, Inc. and Woolfsongs Ltd.
The Alan Parsons Project4.154:24
13Turn Me Loose
assistant engineer:
Mike Fraser (Canadian record producer, engineer and mixer)
engineer:
Bob Rock
producer:
Bruce Fairbairn
bass guitar:
Scott Smith (Canadian bassist for Loverboy) (in 1980)
drums (drum set):
Matt Frenette (in 1980)
guitar:
Paul Dean (Canadian guitarist) (in 1980)
keyboard:
Doug Johnson (Canadian keyboardist for Loverboy) (in 1980)
lead vocals:
Mike Reno (in 1980)
phonographic copyright (℗) by:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment) and Sony Music Canada Inc. (unlikely to be an imprint, 1990/12/14–1991/11/18) (in 1980)
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada
recording of:
Turn Me Loose (in 1980)
writer:
Paul Dean (Canadian guitarist) and Mike Reno
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dean of Music and EMI Songs
Loverboy4.65:38
14Two Out of Three Ain’t Bad
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recording of:
Two Out of Three Ain’t Bad
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Meat Loaf4.54:46
2▼CD
#TitleArtistRatingLength
1(Don’t Fear) The Reaper
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 1978)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 397) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 449)
recording of:
(Don’t Fear) The Reaper
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.43:49
2Baby Hold On
recording engineer:
Andy Johns (in 1977-06)
producer:
Bruce Botnick
mixer:
Andy Johns
alto saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
bass guitar:
Lonnie Turner
drums (drum set):
Gary Mallaber
guitar:
Jimmy Lyon (rock guitarist, worked with Eddie Money)
harmonica, saxophone and lead vocals:
Eddie Money
keyboard:
Eddie Money, Alan Pasqua and Freddie Webb (keyboardist)
percussion:
Kevin Calhoun (percussionist)
background vocals:
Randy Nichols
guest vocals:
Jo Baker (US singer, involved with Elvin Bishop)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978)
recorded at:
CBS Studios (San Francisco) in San Francisco, California, United States (in 1977-06) and Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1977-06)
recording of:
Baby Hold On (in 1977-06)
writer:
Jimmy Lyon (rock guitarist, worked with Eddie Money) and Eddie Money
publisher:
Cashola Music and Three Wise Boys Music LLC
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money4.53:32
3Mississippi Queen
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
recording of:
Mississippi Queen
writer:
Corky Laing, Felix Pappalardi, David Rea and Leslie West
publisher:
Universal Music Publishing MGB Ltd. and Upfall Music Corp.
Mountain4.12:31
4Rock and Roll, Hoochie Koo
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1973)
recording of:
Rock and Roll, Hoochie Koo
lyricist and composer:
Rick Derringer
publisher:
Universal Music Careers
Rick Derringer33:44
5Evil Woman
engineer:
Jimmy Iovine and Reinhold Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass:
Kelly Groucutt (from 1975-05 until 1975-06)
cello:
Melvyn Gale (from 1975-05 until 1975-06) and Hugh McDowell (from 1975-05 until 1975-06)
clavinet, Moog and piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (from 1975-05 until 1975-06)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (from 1975-05 until 1975-06)
guitar:
Jeff Lynne (from 1975-05 until 1975-06) and Richard Tandy (keyboardist for Electric Light Orchestra) (from 1975-05 until 1975-06)
violin:
Mik Kaminski (from 1975-05 until 1975-06)
background vocals:
Susan Collins (from 1975-05 until 1975-06), Ellie Greenwich (from 1975-05 until 1975-06), Nancy O'Neill (from 1975-05 until 1975-06) and Margaret Raymond (from 1975-05 until 1975-06)
lead vocals:
Jeff Lynne (from 1975-05 until 1975-06)
conductor:
Louis Clark
arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975, in 2005) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (from 1975-05 until 1975-06), Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1975-05 until 1975-06) and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975-05 until 1975-06: background vocals)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
Evil Woman (from 1975-05 until 1975-06)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd. and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra4.14:17
6Flirtin’ With Disaster
recording engineer and mixer:
Gary Ladinsky (engineer)
assistant engineer:
Cary Pritikin and Bill Vermillion
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment France (in 1979)
recorded at:
Bee Jay Recording Studios in Orlando, Florida, United States (in 1979) and Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1979)
mixed at:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Flirtin' With Disaster (in 1979)
writer:
Danny Joe Brown (vocalist for Southern rock band Molly Hatchet), Dave Hlubek and Banner Thomas
Molly Hatchet45:00
7Find Your Way Back
recording engineer:
Michael Clink and Ron Nevison
producer:
Ron Nevison
bass:
David
drums (drum set) and percussion:
Aynsley Dunbar
guitar:
Craig Chaquico and Paul Kantner
piano:
Pete
synthesizer:
Craig
background vocals:
Grace Slick
lead vocals:
Mickey Thomas (of Jefferson Starship)
recording of:
Find Your Way Back
lyricist:
Craig Chaquico
composer:
Craig Chaquico and Thos. Borsdorf (Composer for Jefferson Starship)
Jefferson Starship4:15
8Take It on the Run
assistant engineer:
Tom Cummings (engineer) and Jeff Eccles
engineer:
Kevin Beamish
co-producer:
Alan Gratzer
producer:
Kevin Beamish, Kevin Cronin and Gary Richrath
acoustic guitar and lead vocals:
Kevin Cronin
bass:
Bruce Hall (US bassist for REO Speedwagon)
drums (drum set):
Alan Gratzer
guitar:
Gary Richrath
synthesizer:
Neal Doughty
arranger:
Kevin Cronin
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
recording of:
Take It on the Run (on 1980-09-18)
lyricist and composer:
Gary Richrath
publisher:
HoriPro Entertainment Group, Slam Dunk Music (work publisher) and 大洋音楽 (Taiyō Music)
REO Speedwagon3.754:01
9Black Betty
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam3.853:58
10Rock & Roll, Part 2
producer:
Mike Leander
recording of:
Rock & Roll, Part 2
lyricist and composer:
Gary Glitter and Mike Leander
publisher:
Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) and Songs of Universal, Inc. (BMI)
is based on:
Rock and Roll, Part 1
Gary Glitter4.353:00
11All the Young Dudes
producer:
David Bowie (English singer‐songwriter)
lead vocals:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie (English singer‐songwriter)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1976)
part of:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 166) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 253)
recording of:
All the Young Dudes
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Mott the Hoople4.23:30
12Stranglehold
recording of:
Stranglehold
lyricist and composer:
Ted Nugent
additional writer:
Rob Grange
publisher:
Magicland Music
parody version of:
Strangest Folks
Ted Nugent4.258:24
13Jesus Is Just Alright
recording of:
Jesus Is Just Alright
lyricist and composer:
Arthur Reynolds
publisher:
Alexis Music, Inc., Artists Music, Inc. and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Doobie Brothers4:34
3▼CD
#TitleArtistRatingLength
1Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974) and Universal Music (plain logo: “Universal Music”) (in 1974)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:43
2You Ain’t Seen Nothin’ Yet
recording engineer and mixer:
Mark K. Smith (Canadian engineer)
assistant engineer:
Buzz Richmond
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
assistant mixer:
Richard Dashut
solo guitar and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
recorded at:
Kaye–Smith Studios in Seattle, Washington, United States
mixed at:
Sound City Studios in Van Nuys, California, United States
recording of:
You Ain’t Seen Nothing Yet
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC and Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. and Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.653:52
3I Was Made for Loving You
recording engineer and mixer:
Jay Messina
assistant engineer:
Jim Galante and Jon Mathias (engineer)
producer:
Vini Poncia
drums (drum set):
Anton Fig
keyboard and background vocals:
Vini Poncia
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
I Was Made for Lovin’ You
writer:
Desmond Child, Vini Poncia and Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) and Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music and Universal Music Publishing France (not for release label use!)
KISS4.54:30
4Renegade
recording engineer and producer:
Styx (rock band from Chicago)
synthesizer programming:
Dennis DeYoung and Ed Walsh (US synthesizer player & programmer)
assistant engineer:
Harry Andronis and Gary Geppert (engineer)
engineer:
Rob Kingsland and Barry Mraz
assistant producer:
Barry Mraz
bass guitar:
Chuck Panozzo
guitar [lead]:
James Young (member of Styx)
lead vocals:
Tommy Shaw (of Styx)
arranger:
Styx (rock band from Chicago)
recording of:
Renegade
lyricist and composer:
Tommy Shaw (of Styx)
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日音 Synch事業部 (NICHION, INC. Synch Division), Almo Music Corp. (USA, affiliated with ASCAP) (from 1978 to present) and Stygian Songs (publishing company for the rock band Styx) (from 1978 to present)
Styx3.44:12
5Closer to the Heart
recording engineer:
Terry Brown (producer) (in 1977-06) and Pat Moran (UK male singer, keyboardist sound engineer and producer) (in 1977-06)
producer and mixer:
Terry Brown (producer)
assistant mixer:
Declan O’Doherty and Ken Thomas (British producer and engineer)
12 string guitar, bass guitar and Minimoog:
Geddy Lee (in 1977-06)
12 string guitar [twelve string acoustic guitar], 12 string guitar [twelve string electric guitar], acoustic guitar, classical guitar and electric guitar:
Alex Lifeson (in 1977-06)
bass pedals [bass pedal synthesizer]:
Geddy Lee (in 1977-06) and Alex Lifeson (in 1977-06)
bell tree, cowbell, drums (drum set), temple blocks, triangle, tubular bells, tubular bells [orchestra bells], vibraslap and wind chime:
Neil Peart (in 1977-06)
vocals:
Geddy Lee (in 1977-06)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom (in 1977-06)
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
recording of:
Closer to the Heart (in 1977-06)
lyricist:
Neil Peart and Peter Talbot
composer:
Geddy Lee and Alex Lifeson
publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Anthem Core Music Publishing (SOCAN‐affiliated) (from 1980 to present) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Rush4.52:53
6Hold On Loosely
engineer:
“Lightnin’ Rod” Mills and Gregory M. Quesnel
associate producer:
Don Barnes and Jeff Carlisi
producer:
Rodney Mills
bass guitar:
Larry Junstrom
drums (drum set):
Jack Grondin and Steve Brookins
guitar:
Don Barnes and Jeff Carlisi
background vocals:
Don Barnes and Carol Veto
lead vocals:
Don Barnes and Donnie Van Zant
phonographic copyright (℗) by:
A&M Records (in 1980), A&M Records, Inc. (in 1980), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1981, in 1987), Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.) (in 2001) and Interscope Geffen (A&M) Records (Interscope Geffen A&M, label group, not normally a release label) (in 2003)
recorded at and mixed at:
Studio One (Doraville, GA) in Doraville, Georgia, United States
recording of:
Hold On Loosely
writer:
Jeff Carlisi, James Peterik and Richard Donald Barnes
publisher:
Easy Action Music, Rocknocker Music Co., Universal Music–MGB Songs and WB Music Corp. (1929–2019)
38 Special3.84:36
7Radar Love
recording of:
Radar Love
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) and Sony/ATV Music Publishing
Golden Earring2:56
8Don’t Tell Me You Love Me
engineer:
John Van Nest
producer:
Pat Glasser
bass guitar:
Jack Blades (of Night Ranger)
drums (drum set):
Kelly Keagy
guitar:
Brad Gillis and Jeff Watson
keyboard:
Alan Fitzgerald
background vocals:
Alan Fitzgerald and Brad Gillis
lead vocals:
Jack Blades (of Night Ranger) and Kelly Keagy
recorded at:
Allen Zentz Recording in Encino, California, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 92)
recording of:
Don’t Tell Me You Love Me
lyricist and composer:
Jack Blades (of Night Ranger)
publisher:
Figs. D Music and Rough Play Music
Night Ranger44:22
9Heat of the Moment
engineer and producer:
Mike Stone (producer and engineer, 1960s–80s)
drums (drum set) and percussion:
Carl Palmer
electric bass guitar:
John Wetton
guitar:
Steve Howe
keyboard:
Geoff Downes
vocals:
Geoff Downes, Steve Howe and John Wetton
phonographic copyright (℗) by:
Geffen Records (in 1982), The David Geffen Company (legal rights relating to Geffen Records) (in 1982) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1982)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
music videos:
Heat of the Moment (music video) by Asia (UK progressive rock band)
recording of:
Heat of the Moment
writer:
Geoff Downes and John Wetton
publisher:
BMG Gold Songs, Crosstown UK (Palan), Island Music Ltd., John Wetton Music Ltd, Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Palan Music Publishing Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music Co., Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music, Inc., Ackee Music Inc. (from 1982 to present), Almond Legg Music Corp. (from 1982 to present), WB Music Corp. (1929–2019) (from 1982 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Fujipacific Music, Inc., Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
Asia4.53:48
10Your Love Is Driving Me Crazy
recording of:
Your Love Is Driving Me Crazy
lyricist and composer:
Sammy Hagar
publisher:
WB Music Corp. (1929–2019)
Sammy Hagar3:30
11All Right Now
engineer:
Roy Thomas Baker (producer)
producer:
Free (60s/70s UK blues rock group) and John Kelly (producer)
bass:
Andy Fraser (English bassist, member of Free)
drums (drum set):
Simon Kirke
guitar:
Paul Kossoff
lead vocals:
Paul Rodgers
remixer:
Bob Clearmountain
phonographic copyright (℗) by:
Free (60s/70s UK blues rock group) (in 1970)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970, in 1971)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
music videos:
All Right Now by Free (60s/70s UK blues rock group)
recording of:
All Right Now
writer:
Andy Fraser (English bassist, member of Free) and Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.654:14
12Love Hurts
additional recording engineer and additional mixer:
John Punter
recording engineer:
Tony Taverner
producer:
Manny Charlton
bass guitar:
Pete Agnew
drums (drum set):
Darrell Sweet
guitar and synthesizer:
Manny Charlton
background vocals:
Pete Agnew and Darrell Sweet
lead vocals:
Dan McCafferty
phonographic copyright (℗) by:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1974) and USM Copyrights Ltd. (in 1975)
recorded at:
Associated Recording Studios in London (Greater London), England, United Kingdom and Escape Studios in Kent, England, United Kingdom
part of:
New York Post: 100 Greatest Covers (2007) (number: 75)
cover recording of:
Love Hurts
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nazareth4.453:52
4▼CD
#TitleArtistRatingLength
1Rock and Roll All Nite
assistant engineer:
George Lopez (engineer)
engineer:
Dave Wittman
producer:
Neil Bogart and KISS (US rock band)
drums (drum set):
Peter Criss
electric bass guitar and lead vocals:
Gene Simmons (KISS bassist and vocalist)
electric guitar:
Ace Frehley (American rock guitarist) and Paul Stanley (KISS frontman)
background vocals:
Mick Campise, Lydia Criss, Mike McGurl, Rick Munroe, Peter “Moose” Oreckinto and JR Smalling
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1975)
recorded at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States (from 1975-01-24 until 1975-01-25) and Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1975-02-06 until 1975-02-25)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 16), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 404)
recording of:
Rock and Roll All Nite
writer:
Gene Simmons (KISS bassist and vocalist) and Paul Stanley (KISS frontman)
publisher:
KISS Songs Inc. (ended), Café Americana Inc., Hori Productions America Inc. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
大洋音楽 (Taiyō Music)
written at:
Continental Hyatt House in West Hollywood, California, United States
KISS3.852:46
2Blue Collar Man (Long Nights)
synthesizer programming:
Dennis DeYoung and Ed Walsh (US synthesizer player & programmer)
assistant engineer:
Harry Andronis and Gary Geppert (engineer)
engineer:
Rob Kingsland and Barry Mraz
assistant producer:
Barry Mraz
producer:
Styx (rock band from Chicago)
guitar [lead] and lead vocals:
Tommy Shaw (of Styx)
recording of:
Blue Collar Man (Long Nights)
lyricist and composer:
Tommy Shaw (of Styx)
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日音 Synch事業部 (NICHION, INC. Synch Division), Almo Music Corp. (USA, affiliated with ASCAP) (from 1978 to present) and Stygian Songs (publishing company for the rock band Styx) (from 1978 to present)
Styx44:05
3Rocky Mountain Way
recording of:
Rocky Mountain Way
writer:
Rocke Grace, Kenny Passarelli (Bass, piano), Joe Vitale and Joe Walsh (Eagles/James Gang)
Joe Walsh3:40
4Show Me the Way
phonographic copyright (℗) by:
A&M Records, Inc. (in 1976)
recording of:
Show Me the Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and United Artists Music Co., Inc.
Peter Frampton4:04
5Bad Case of Loving You (Doctor, Doctor)
recording engineer and mixer:
Karl Pitterson
producer:
Robert Palmer (English singer‐songwriter)
assistant mixer:
Benjamin Armbrister and Kendal Stubbs
drums (drum set):
Dony Wynn
electric bass guitar:
Pierre Brock
guitar:
Eddie Martinez (guitar) and Kenny Mazur
keyboard:
Steve Robbins (US keyboardist) and Jack Waldman
vocals:
Robert Palmer (English singer‐songwriter)
remixer:
Eric Thorngren
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
cover recording of:
Bad Case of Lovin’ You
lyricist and composer:
Moon Martin
publisher:
Bug Music Ltd.
Robert Palmer4.653:11
6Rockin’ Into the Night
recording of:
Rockin’ Into the Night
writer:
Frank Michael Sullivan (US guitarist and songwriter, member of Survivor), Jim Peterik and Robert Gary Smith (drummer (Chase, Survivor))
publisher:
Easy Action Music, Fitest Music, Fittest Music, Sabor Tooth Music and WB Music Corp. (1929–2019)
30 Seconds to Mars3:59
7Only Time Will Tell
engineer and producer:
Mike Stone (producer and engineer, 1960s–80s)
drums (drum set) and percussion:
Carl Palmer
electric bass guitar:
John Wetton
guitar:
Steve Howe
keyboard:
Geoff Downes
vocals:
Geoff Downes, Steve Howe and John Wetton
phonographic copyright (℗) by:
Geffen Records (in 1982) and The David Geffen Company (legal rights relating to Geffen Records) (in 1982)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
music videos:
Only Time Will Tell (music video) by Asia (UK progressive rock band)
live recording of:
Only Time Will Tell
writer:
Geoff Downes and John Wetton
publisher:
BMG Gold Songs, Crosstown UK (Palan), Warner Chappell Music, Inc., Ackee Music Inc. (from 1982 to present), Almond Legg Music Corp. (from 1982 to present), WB Music Corp. (1929–2019) (from 1982 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Asia3.84:46
8Limelight
assistant engineer:
Robbie Whelan
engineer:
Paul Northfield
producer:
Terry Brown (producer) and Rush (Canadian rock trio)
bass guitar, Minimoog, synthesizer and lead vocals:
Geddy Lee (from 1980-10 until 1980-11)
drums (drum set) and percussion:
Neil Peart (from 1980-10 until 1980-11)
guitar:
Alex Lifeson (from 1980-10 until 1980-11)
arranger:
Terry Brown (producer) and Rush (Canadian rock trio)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2022)
recorded at and mixed at:
Le Studio in Morin‐Heights, Québec (Quebec), Canada (from 1980-10 until 1980-11)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 435)
recording of:
Limelight (from 1980-10 until 1980-11)
lyricist:
Neil Peart
composer:
Geddy Lee and Alex Lifeson
publisher:
Ole Core Music Publishing
Rush4.454:20
9Let It Ride
assistant engineer:
Marc Sterling
engineer:
Buzz Richmond
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
bass and lead vocals:
C.F. Turner (from 1973-09 until 1973-10)
drums (drum set):
Robbie Bachman (from 1973-09 until 1973-10)
guitar [lead guitar]:
Randy Bachman (Canadian guitarist, singer & songwriter) (from 1973-09 until 1973-10)
guitar [second lead guitar]:
Tim Bachman (from 1973-09 until 1973-10)
percussion:
Rob Bachman (from 1973-09 until 1973-10)
background vocals:
C.F. Turner (from 1973-09 until 1973-10), Randy Bachman (Canadian guitarist, singer & songwriter) (from 1973-09 until 1973-10) and Tim Bachman (from 1973-09 until 1973-10)
phonographic copyright (℗) by:
Phonogram, Inc. (in 1973), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1973) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1973)
recorded at:
Kaye–Smith Studios in Seattle, Washington, United States (from 1973-09 until 1973-10)
mixed at:
Kaye–Smith Studios in Seattle, Washington, United States
recording of:
Let It Ride (from 1973-09 until 1973-10)
writer:
C.F. Turner and R. Bachman (Canadian guitarist, singer & songwriter)
publisher:
Eventide Music (run by Kevin Kendle), Ranbach Music (publisher), Sony Songs Inc. and Top Soil Music (publisher)
Bachman–Turner Overdrive54:25
10The Boys Are Back in Town
assistant recording engineer:
Neil Hornby
engineer:
Will Reid-Dick
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.24:24
11Magic Carpet Ride
producer:
Gabriel Mekler
recording of:
Magic Carpet Ride
writer:
John Kay (lead singer of Steppenwolf) and Rushton Moreve
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Music Pool, Inc., Trousdale Music Publishers, Inc., Universal Duchess Music Corp. and Universal/MCA Music Publishing Pty Ltd
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.454:22
12Free Bird
recording of:
Free Bird
lyricist and composer:
Allen Collins and Ronnie Van Zant
publisher:
EMI Longitude Music, Songs of Universal, Inc. (BMI) and Universal Duchess Music Corp.
Lynyrd Skynyrd4:42
5▼CD
#TitleArtistRatingLength
1Feels Like the First Time
associate engineer:
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron and Randy Mason
engineer:
Gary Lyons (UK engineer & producer)
co-producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
producer:
Gary Lyons (UK engineer & producer) and John Sinclair (engineer)
mixer:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
bass guitar:
Ed Gagliardi (bass player (Foreigner))
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
horn:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
keyboard:
Al Greenwood and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
synthesizer:
Al Greenwood
background vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) and Rhino Entertainment Company (not for release label use!) (in 2009)
recording of:
Feels Like the First Time
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Music (publisher) (in 1981) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner4.23:48
2Smoke on the Water
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (in 1971-12)
assistant engineer:
Jeremy Gee
engineer:
Martin Birch
producer:
Deep Purple
drums (drum set):
Ian Paice (in 1971-12)
electric bass guitar:
Roger Glover (in 1971-12)
electric guitar:
Ritchie Blackmore (in 1971-12)
Hammond organ:
Jon Lord (in 1971-12)
lead vocals:
Ian Gillan (in 1971-12)
recorded at:
Rolling Stones Mobile Studio in United Kingdom (in 1971-12)
recording of:
Smoke on the Water (in 1971-12)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music and Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Deep Purple3.953:55
3No More Mr. Nice Guy
producer:
Bob Ezrin
bass guitar:
Dennis Dunaway (original bass player for Alice Cooper) (from 1972-08 until 1973-01)
drums (drum set):
Neal Smith (former Alice Cooper drummer) (from 1972-08 until 1973-01)
guitar:
Michael Bruce (of Alice Cooper) (from 1972-08 until 1973-01) and Glen Buxton (American guitarist) (from 1972-08 until 1973-01)
keyboard:
Michael Bruce (of Alice Cooper) (from 1972-08 until 1973-01)
background vocals:
Michael Bruce (of Alice Cooper) (from 1972-08 until 1973-01), Dennis Dunaway (original bass player for Alice Cooper) (from 1972-08 until 1973-01) and Neal Smith (former Alice Cooper drummer) (from 1972-08 until 1973-01)
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (from 1972-08 until 1973-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
No More Mr. Nice Guy (from 1972-08 until 1973-01)
writer:
Michael Bruce (of Alice Cooper) and Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music (, in 1973), Ezra Music Corp., Primary Wave Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing Group and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.33:07
4Werewolves of London
engineer:
Dennis Kirk and Greg Ladanyi
producer:
Jackson Browne (American singer-songwriter) and Waddy Wachtel
bass:
John McVie
drums (drum set):
Mick Fleetwood
guitar [guitars]:
Waddy Wachtel
piano:
Warren Zevon
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and Rhino Entertainment Company (not for release label use!) (from 2007 to present)
recorded at:
The Sound Factory in Tucson, Arizona, United States (in 2007)
recording of:
Werewolves of London
writer:
LeRoy P. Marinell, Waddy Wachtel and Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes and Zevon Music Inc. (BMI)
Warren Zevon4.93:26
5Run Run Run
engineer:
Chris Hinshaw
producer:
Tom Dowd and Jo Jo Gunne (US band active 1971–1975)
bass:
Mark Andes
drums (drum set):
William “Curly” Smith (Jo Jo Gunne musician)
guitar:
Matt Andes
keyboard:
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
vocals:
Mark Andes, Matt Andes, Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne) and William “Curly” Smith (Jo Jo Gunne musician)
remixer:
Tom Dowd
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1972)
recording of:
Run Run Run
writer:
Matt Andes and Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
publisher:
Bulge Music and Hollenbeck Music
Jo Jo Gunne32:33
6Slow Ride
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1975) and Rhino Records, Inc. (company credits only; not for release label use!) (in 1976)
edit of:
Slow Ride (long version) by Foghat
recording of:
Slow Ride
lyricist and composer:
Dave Peverett
publisher:
Kohaw Music Inc. and WC Music Corp.
Foghat4.53:57
7China Grove
engineer:
Donn Landee
producer:
Ted Templeman
congas, cymbal and timbales:
Michael Hossack
guest synthesizer:
Malcolm Cecil and Robert Margouleff
guitar:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
harmonica:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
keyboard, organ and piano:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) and Michael Hossack
percussion:
John Hartman (drummer for the Doobie Brothers) and Ted Templeman
steel guitar:
Jeff “Skunk” Baxter
synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter and Patrick Simmons
bass arranger:
Tiran Porter
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recorded at:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
recording of:
China Grove
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.653:15
8Urgent
assistant engineer:
Edwin Hobgood (engineer) and Michael Sauvage
engineer:
Tony Platt (UK engineer and producer), Brad Samuelsohn and Dave Wittman
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Robert John “Mutt” Lange (Robert John Lange)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar [lead guitar]:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
keyboard:
Michael Fonfara and Mick Jones (Foreigner/Spooky Tooth, worked in France)
saxophone:
Mark Rivera
solo saxophone:
Junior Walker
synthesizer:
Thomas Dolby
background vocals:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera and Rick Wills
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981, in 2002), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981) and Rhino Entertainment Company (not for release label use!) (in 2009)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Urgent
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Intersong Music Ltd., Somerset Songs Publishing Inc., Fuji Pacific Music inc. (Fujipacific Music inc.) (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner4.154:28
9Highway Star
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (in 1971-12)
assistant engineer:
Jeremy Gee
engineer and mixer:
Martin Birch
producer:
Deep Purple
drums (drum set):
Ian Paice (in 1971-12)
electric bass guitar:
Roger Glover (in 1971-12)
electric guitar:
Ritchie Blackmore (in 1971-12)
Hammond organ:
Jon Lord (in 1971-12)
lead vocals:
Ian Gillan (in 1971-12)
recorded at:
Rolling Stones Mobile Studio in United Kingdom (in 1971-12)
recording of:
Highway Star (in 1971-12)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music and Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Deep Purple4.356:07
10Looking for a Love
cover recording of:
Lookin’ for a Love
writer:
James Woodie Alexander and Zelda Samuels
The J. Geils Band3:44
11Sausalito Summernight
recording of:
Sausalito Summernight
writer:
Mark Boon and Rob Vunderink
Diesel5:08
12Thunder Island
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1977)
recording of:
Thunder Island
lyricist and composer:
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
publisher:
Painless Music
Jay Ferguson4:01
13Roundabout
producer:
Eddy Offord and Yes (British progressive rock band)
phonographic copyright (℗) by:
Atlantic (Warner Music imprint) (in 1972) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1972)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom (in 1971-09)
edit of:
Roundabout by Yes (British progressive rock band)
recording of:
Roundabout (in 1971-09)
writer:
Jon Anderson (Yes/Jon & Vangelis) and Steve Howe
publisher:
Cotillion Music Inc. (BMI), Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Bros. (holding: file NO releases), Warner Chappell Music, Inc., Yessongs Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Yes53:26
6▼CD
#TitleArtistRatingLength
1Blinded by the Light
producer:
Manfred Mann (the person) and Manfred Mann’s Earth Band
phonographic copyright (℗) by:
Creature Music Ltd., Bronze Records Limited (in 1976) and Petbrook Ltd (in 1976)
recorded at:
The Workhouse in London (Greater London), England, United Kingdom (in 1976)
cover recording of:
Blinded by the Light (in 1976)
lyricist and composer:
Bruce Springsteen (from 1972-08 until 1972-09)
publisher:
Eldridge Publishing Co., Intersong Music Ltd., Sioux City Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Pop Music Publishing, Zomba Music and Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (in 1972)
Manfred Mann’s Earth Band4.53:49
2Hot Blooded
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 36)
recording of:
Hot Blooded
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Foreigner4:26
3Long Train Runnin’
engineer:
Donn Landee
producer:
Ted Templeman
congas, cymbal and timbales:
Michael Hossack
guest synthesizer:
Malcolm Cecil and Robert Margouleff
guitar:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
harmonica:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
keyboard, organ and piano:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) and Michael Hossack
percussion:
John Hartman (drummer for the Doobie Brothers) and Ted Templeman
steel guitar:
Jeff “Skunk” Baxter
synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter and Patrick Simmons
bass arranger:
Tiran Porter
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recorded at:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
recording of:
Long Train Runnin’
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) and Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:25
4Smokin’ in the Boy’s Room
engineer:
Michael Delugg
producer:
Doug Morris (record executive) and Eric Stevens (producer active in the 1970s)
phonographic copyright (℗) by:
Big Tree Records (1970s/80s US) (in 1973) and Warner Music International (trademark of Warner Music International the company) (in 1973)
recorded at:
Mediasound Studios in New York, New York, United States
recording of:
Smokin’ in the Boys Room
writer:
Cub Koda and Michael Lutz
publisher:
Big Leaf Publishing, Lady J Music, Tooney Loons Publishing and Walden Music, Inc.
Brownsville Station52:57
5Walk Away
engineer:
Kenneth Hamann (engineer), Bill Szymczyk and Eddie Youngblood
producer:
James Gang (US rock group) and Bill Szymczyk
bass:
Dale Peters (in 1970)
drums (drum set):
Jim Fox (American percussionist) (in 1970)
guitar and lead vocals:
Joe Walsh (Eagles/James Gang) (in 1970)
recording of:
Walk Away (in 1970)
lyricist and composer:
Joe Walsh (Eagles/James Gang)
publisher:
Songs of Universal, Inc. (BMI) and Universal Duchess Music Corp.
James Gang23:32
6Fool for the City
engineer and producer:
Nick Jameson
creative direction:
Tony Outeda
bass and keyboard [keyboards]:
Nick Jameson
drums (drum set) and percussion [repercussion]:
Roger Earl
guitar:
Nick Jameson, Lonesome Dave Peverett and Rod “The Bottle” Price
slide guitar [slide]:
Rod “The Bottle” Price
background vocals [vocals]:
Nick Jameson and Rod “The Bottle” Price
lead vocals:
Lonesome Dave Peverett
phonographic copyright (℗) by:
Bearsville Records (in 1975) and Rhino Entertainment Company (not for release label use!) (in 2016)
recorded at and mixed at:
Suntreader Studios in Vermont, United States
recording of:
Fool for the City
lyricist and composer:
Dave Peverett
publisher:
WC Music Corp.
sub-publisher:
Warner Chappell Music France
Foghat44:33
7School’s Out
engineer:
Roy Cicala and Shelly Yakus
producer:
Bob Ezrin
drums (drum set):
Neil Smith (former Alice Cooper drummer)
electric bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
electric guitar:
Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist)
guitar and background vocals:
Reggie Vincent
keyboard:
Michael Bruce (of Alice Cooper) and Bob Ezrin
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated and Nimbus 9 Productions
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 319)
recording of:
School’s Out
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.23:29
8Woman From Tokyo
engineer:
Martin Birch
producer:
Deep Purple
mixer:
Roger Glover and Ian Paice
drums (drum set):
Ian Paice (in 1972-07)
electric bass guitar:
Roger Glover (in 1972-07)
electric guitar:
Ritchie Blackmore (in 1972-07)
Hammond organ:
Jon Lord (in 1972-07)
lead vocals:
Ian Gillan (in 1972-07)
recording of:
Woman From Tokyo (in 1972-07)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp. and HEC Music Ltd.
Deep Purple2:56
9Highway Song
recording of:
Highway Song
writer:
Rickey Medlocke and Jakson Spires
publisher:
BobNal Music
Blackfoot4:26
10Bang a Gong (Get It On)
engineer:
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen and Martin Rushent
producer:
Tony Visconti
drums (drum set):
Bill Legend (from 1971-03 until 1971-06)
electric bass guitar:
Steve Currie (from 1971-03 until 1971-06)
electric guitar and lead vocals:
Marc Bolan (from 1971-03 until 1971-06)
keyboard:
Rick Wakeman (from 1971-03 until 1971-06)
percussion:
Mickey Finn (musician and T. Rex member) (from 1971-03 until 1971-06)
background vocals:
Howard Kaylan (from 1971-03 until 1971-06) and Mark Volman (from 1971-03 until 1971-06)
phonographic copyright (℗) by:
Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) and Tarantula Productions (in 1971)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 41)
recording of:
Get It On (Bang a Gong) (from 1971-03 until 1971-06)
lyricist and composer:
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. and Westminster Music Ltd.
T. Rex4.654:25
11Long Distance Runaround
assistant engineer:
Gary Martin (sound engineer)
engineer:
Eddy Offord
producer:
Eddy Offord and Yes (British progressive rock band)
bass guitar:
Chris Squire (Yes bassist) (in 1971-09)
drums (drum set):
Bill Bruford (in 1971-09)
guitar:
Steve Howe (in 1971-09)
keyboard:
Rick Wakeman (in 1971-09)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis) (in 1971-09)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971, in 1972) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom (from 1971-08 until 1971-09, in 1971-09)
recording of:
Long Distance Runaround (in 1971-09)
lyricist and composer:
Jon Anderson (Yes/Jon & Vangelis)
publisher:
Cotillion Music Inc. (BMI), Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), WB Music Corp. (1929–2019) and Yessongs Ltd.
Yes4.53:31
12Must of Got Lost
recording of:
Must of Got Lost
writer:
The J. Geils Band
The J. Geils Band52:56
13Paranoid (Live Evil album version)
recording of:
Paranoid
lyricist:
Geezer Butler
composer:
Geezer Butler, Tony Iommi, Ozzy Osbourne and Bill Ward
publisher:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. and Westminster Music Ltd. (in 1970)
Black Sabbath3:27
7▼CD
#TitleArtistRatingLength
1Bad to the Bone
engineer:
Paul Mufson and John Nagy
assistant producer:
Ken Irwin and John Nagy
producer:
Terry Manning (US recording engineer) and The Delaware Destroyers (George Thorogood & the Destroyers)
mixer:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood and Terry Manning (US recording engineer) (in 1992)
bass:
Bill Blough (from 1981 until 1982)
drums (drum set):
Jeff Simon (from 1981 until 1982)
guitar and lead vocals:
George Thorogood (from 1981 until 1982)
keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (from 1981 until 1982)
piano:
Ian Stewart (piano/keyboard, Rolling Stones member)
saxophone:
Hank Carter (Hank "Hurricane" Carter) (from 1981 until 1982)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recorded at:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, United States (from 1981 until 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, United States
recording of:
Bad to the Bone (from 1981 until 1982)
lyricist and composer:
George Thorogood
publisher:
Del Sound Music
George Thorogood & the Destroyers4.24:50
2She’s a Beauty
producer:
David Foster (Canadian music producer, arranger and composer)
produced for:
Foster Frees Music Inc.
recording of:
She’s a Beauty
writer:
David Foster (Canadian music producer, arranger and composer), Steve Lukather and Fee Waybill
publisher:
Boones Tunes, Decomposition Music, Foster Frees Music Inc., Peermusic III, Ltd. (BMI), Rehtakul Veets Music, Sony/ATV Songs LLC and Universal Music–MGB Songs
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Tubes33:56
3Heartbreaker
producer:
Mike Chapman (Australian producer and songwriter) and Peter Coleman
bass guitar:
Roger Capps
drums (drum set):
Glen Alexander Hamilton
electric guitar [lead guitar], keyboard and slide guitar:
Neil Giraldo
electric guitar [rhythm guitar]:
Scott St. Clair Sheets
background vocals:
Pat Benatar, Roger Capps and Neil Giraldo
lead vocals:
Pat Benatar
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) and Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979)
recorded at:
MCA Whitney Recording Studios in Glendale, California, United States (from 1979-06 until 1979-07)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 72)
cover recording of:
Heartbreaker
writer:
Geoff Gill and Cliff Wade
publisher:
DJM Music
Pat Benatar4.23:27
4I’ve Done Everything for You
recording of:
I've Done Everything for You
writer:
Sammy Hagar
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sammy Hagar3:02
5My Kinda Lover
assistant recording engineer:
Garry Rindfuss
recording engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack) and Billy Squier
drums (drum set):
Bobby Chouinard
guitar and lead vocals:
Billy Squier
background vocals:
Mark Clarke (Rock, UK) and Alan St. Jon
additionally recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
mixed at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
recording of:
My Kinda Lover
lyricist and composer:
Billy Squier
publisher:
Songs of the Knight
Billy Squier43:32
6Lonesome Loser
recording of:
Lonesome Loser
lyricist and composer:
David Briggs (producer, guitarist of Little River Band)
publisher:
American Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. and Wheatley Music Pty Ltd.
Little River Band3:53
7The Night They Drove Old Dixie Down
engineer:
Tony May (engineer), Robbie Robertson, John Simon (US producer, arranger, composer, songwriter and musician) and Joe Zagarino
co-producer:
John Simon (US producer, arranger, composer, songwriter and musician)
producer:
The Band (Canadian-American rock band)
mixer:
Tony May (engineer) and Joe Zagarino
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1969)
recording of:
The Night They Drove Old Dixie Down
lyricist and composer:
Robbie Robertson
publisher:
Canaan Music Inc, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
The Band4.43:31
8Long Cool Woman (in a Black Dress)
engineer:
John Punter
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1971) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1971-07-16, from 1971-07-27 until 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (from 1971-07-16 until 1971-07-30)
writer:
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
The Hollies4.23:17
9Gimme Some Lovin’
producer:
Chris Blackwell (Island Records) and Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 244)
recording of:
Gimme Some Lovin’
writer:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) and Steve Winwood
publisher:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
The Spencer Davis Group4.152:53
10Some Kind of Wonderful
producer:
Jimmy Ienner (producer)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979, in 2001)
cover recording of:
Some Kind of Wonderful
lyricist and composer:
Willie John Ellison (American/Canadian musician)
publisher:
Crash Music, Dandelion Music Company and Fermata do Brasil
Grand Funk Railroad4.253:16
11Love Is Like Oxygen
recording of:
Love Is Like Oxygen
writer:
Trevor Griffin and Andy Scott (Member of Sweet)
publisher:
Maxwood Music Ltd., Sweet Publishing Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
The Sweet53:46
12Cool Change
recorded in:
Australia and Melbourne, Victoria, Australia (in 1979-06)
produced in:
Australia
producer:
John Boylan and Little River Band
acoustic guitar:
David Briggs (producer, guitarist of Little River Band) (in 1979-06)
bass:
Mike Clarke (Australian bassist/producer) (in 1979-06)
drums (drum set):
Derek Pellicci (in 1979-06)
piano and strings:
Peter Jones (Australian pianist/composer) (in 1979-06)
solo saxophone:
Bill Harrower (in 1979-06)
vocals:
Beeb Birtles (in 1979-06), Graham Goble (in 1979-06) and Glenn Shorrock (in 1979-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979)
produced for:
Tumbleweed Productions
recording of:
Cool Change (in 1979-06)
lyricist and composer:
Glenn Shorrock (from 1977 until 1978)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) and Wheatley Music Pty Ltd.
Little River Band45:06
8▶CD