Fritz Wunderlich: Die frühen Jahre 1956–1958

~ Release by Fritz Wunderlich (see all versions of this release, 1 available)

Annotation

Cast list für "Die Zauberflöte": Cast: Fritz Wunderlich (Tamino), Peter Roth-Erang (Sarastro), Gisela Vivarelli (Königin der Nacht), Agnes Giebel (Pamina), Horst Günter (Papageno), Erna-Maria Duske (Papagena), Chor der Staatsoper Hamburg, Orchester der Staatsoper Hamburg, cond. Arthur Rother;
Cast list für "Cavalleria rusticana": Cast: Fritz Wunderlich (Turiddu), Marlies Siemeling (Santuzza), Erika Stroka (Lucia), Gerhard Niese (Alfio), Ingeborg Wenglor (Lola), Günther-Arndt-Chor, Orchester der Deutschen Oper Berlin, cond. Richard Kraus

Annotation last modified on 2021-10-29 00:00 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1La Bohème: „Ich male das Rote Meer und erfriere dabei“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
La Bohème: Akt I. „Ich male das Rote Meer und erfriere dabei” (Marcello)
translated version of:
La bohème: Atto I, no. 1. “Questo Mar Rosso” … “Nei cieli bigi" (Marcello, Rodolfo)
part of:
La Bohème: Akt I (German translation)
Giacomo Puccini5:06
2La Bohème: „Wer klopft?“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
La Bohème: Akt I. „Wer klopft?” (Benoit, Marcello, Schaunard, Rodolfo, Colline)
composer:
Giacomo Puccini (Italian composer)
translated version of:
La bohème: Atto I, no. 3. “Si può?” – “Chi è là?” (Benoît, Marcello, Schaunard, Colline, Rodolfo)
part of:
La Bohème: Akt I (German translation)
Giacomo Puccini2:07
3La Bohème: „Wie eiskalt ist dies Händchen?“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
La Bohème: Akt I. „Wie eiskalt ist dies Händchen” (Rodolfo)
composer:
Giacomo Puccini (Italian composer)
translated version of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
part of:
La Bohème: Akt I (German translation)
Giacomo Puccini4:40
4La Bohème: „Sie nennen mich Mimi“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
La Bohème: Akt I. „Sie nennen mich Mimi” (Mimi)
composer:
Giacomo Puccini (Italian composer)
translated version of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
part of:
La Bohème: Akt I (German translation)
Giacomo Puccini4:18
5La Bohème: „Orangen! Datteln!“ … „Was schaust du?“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
La Bohème: Akt II. „Orangen! Datteln! - Was schaust du?” (Chor, Schaunard, Colline, Rodolfo, Mimi, Marcello)
translated version of:
La bohème: Atto II. no. 10. “Aranci, datteri! Caldi i marroni!” (Venditori [Coro], Schaunard, Colline, Rodolfo, Mimi, Marcello)
part of:
La bohème: Akt II (German translation)
Giacomo Puccini4:07
6La Bohème: „Will ich allein“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
La Bohème: Akt II. „Will ich allein des abends in Paris mich ergeh’n“ – „Goldene Jugend“ – „Seht die letzte Szene“ (Musette, Marcello, Alcindor, Mimi, Rodolfo, Schaunard, Collin, Chor)
translated version of:
La bohème: Atto II. “Gioventù mia, tu non sei morta” (Marcello, Musetta, Alcindoro, Schaunard, Colline, Rodolfo)
translated version of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz)
part of:
La bohème: Akt II (German translation)
Giacomo Puccini3:39
7La Bohème: „Marcel, da bist du endlich“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
La Bohème: Akt III. „Marcel, da bist du endlich” (Rodolfo, Marcello, Mimi)
translated version of:
La bohème: Atto III. no. 17. “Marcello, finalmente” (Rodolfo, Marcello, Mimì)
part of:
La bohème: Akt III (German translation)
Giacomo Puccini4:22
8La Bohème: „Leb wohl jetzt! Woher froh sie einst kam“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
La Bohème: Akt III. „Leb wohl jetzt! Woher froh sie einst kam” (Mimi)
composer:
Giacomo Puccini (Italian composer)
translated version of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì)
part of:
La bohème: Akt III (German translation)
Giacomo Puccini3:13
9La Bohème: „In einem Wagen“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
La Bohème: Akt IV. „In einem Wagen?” (Marcello, Rodolfo)
translated version of:
La bohème: Atto IV. no. 20. “In un coupé?” (Marcello, Rodolfo)
part of:
La bohème: Akt IV (German translation)
Giacomo Puccini4:51
10La Bohème: „Musette! Mimi kommt“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
partial recording of:
La bohème: Akt IV (German translation)
composer:
Giacomo Puccini (Italian composer)
part of:
La Bohème (German translation)
Giacomo Puccini5:15
11La Bohème: „Sind wir allein?“
baritone vocals:
Herbert Brauer and Robert Koffmane (German operatic baritone)
bass vocals:
Peter Roth-Ehrang (operatic bass)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Ruth-Margret Pütz (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Leopold Clam (German baritone)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
La Bohème: Akt IV. „Sind wir allein?” (Mimi, Rodolfo)
translated version of:
La bohème: Atto IV. no. 25. “Sono andati? Fingevo di dormire” (Mimì, Rodolfo)
translated version of:
La bohème: Atto IV. no. 26. “O Dio! Mimì! … Che avvien?” (Rodolfo, Schaunard, Mimì, Musetta, Marcello, Colline)
part of:
La bohème: Akt IV (German translation)
Giacomo Puccini6:00
12Serse, HWV 40: „Ombra mai fù“
tenor vocals:
Fritz Wunderlich (operatic tenor)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:22
13Martha: „Ach so fromm, ach so traut“
tenor vocals:
Fritz Wunderlich (operatic tenor)
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
composer:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
part of:
Martha: Akt III
Friedrich von Flotow2:47
14Der Waffenschmied: „Man wird ja nur einmal geboren“
tenor vocals:
Fritz Wunderlich (operatic tenor)
recording of:
Der Waffenschmied: Akt I. „Man wird ja einmal nur geboren” (Georg)
composer and librettist:
Albert Lortzing (German composer)
part of:
Der Waffenschmied: Akt I
Albert Lortzing3:18
15Undine: „Vater, Mutter, Schwestern, Brüder“
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Artur Rother (conductor)
recording of:
Undine: Akt III. Nr. 14 Lied und Ensemble „Vater, Mutter, Schwestern, Brüder“ … „Pst, Pst“ (Veit, Hans)
composer:
Albert Lortzing (German composer)
part of:
Undine: Akt III
part of:
Undine: Akt III
Albert Lortzing3:33
16Der Evangelimann: „Selig sind, die Verfolgung leiden“
choir vocals:
Schöneberger Sängerknaben
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Artur Rother (conductor)
recording of:
Der Evangelimann: Zweiter Aufzug, I. Teil. „Selig sind, die Verfolgung leiden“ (Mathias)
composer:
Wilhelm Kienzl (Austrian composer) (in 1894)
part of:
Der Evangelimann: Zweiter Aufzug
Wilhelm Kienzl4:06
2▼CD
#TitleArtistRatingLength
1Madame Butterfly: „Alles kommt!“
bass vocals:
Peter Roth-Ehrang (operatic bass)
bass-baritone vocals:
Theo Zilliken (bass-baritone)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
mezzo-soprano vocals:
Esther Hilbert (German singer)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Helga Hildebrand (soprano)
tenor vocals:
Martin Vantin (tenor) and Fritz Wunderlich (operatic tenor)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
Giacomo Puccini1:38
2Madame Butterfly: „Im weiten Weltall“
bass vocals:
Peter Roth-Ehrang (operatic bass)
bass-baritone vocals:
Theo Zilliken (bass-baritone)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
mezzo-soprano vocals:
Esther Hilbert (German singer)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Helga Hildebrand (soprano)
tenor vocals:
Martin Vantin (tenor) and Fritz Wunderlich (operatic tenor)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
Giacomo Puccini4:13
3Madame Butterfly: „Das sind sie!“ … „Bald sind wir auf der Höh’“
bass vocals:
Peter Roth-Ehrang (operatic bass)
bass-baritone vocals:
Theo Zilliken (bass-baritone)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
mezzo-soprano vocals:
Esther Hilbert (German singer)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Helga Hildebrand (soprano)
tenor vocals:
Martin Vantin (tenor) and Fritz Wunderlich (operatic tenor)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
Giacomo Puccini3:01
4Madame Butterfly: „Meine Geliebte!… Cho‐Cho‐San!“
bass vocals:
Peter Roth-Ehrang (operatic bass)
bass-baritone vocals:
Theo Zilliken (bass-baritone)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
mezzo-soprano vocals:
Esther Hilbert (German singer)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Helga Hildebrand (soprano)
tenor vocals:
Martin Vantin (tenor) and Fritz Wunderlich (operatic tenor)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
Giacomo Puccini3:49
5Madame Butterfly: „Mädchen, in deinen Augen liegt ein Zauber“
bass vocals:
Peter Roth-Ehrang (operatic bass)
bass-baritone vocals:
Theo Zilliken (bass-baritone)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
mezzo-soprano vocals:
Esther Hilbert (German singer)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Helga Hildebrand (soprano)
tenor vocals:
Martin Vantin (tenor) and Fritz Wunderlich (operatic tenor)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
Giacomo Puccini8:44
6Madame Butterfly: „Höre! Eines Tages seh’n wir“
bass vocals:
Peter Roth-Ehrang (operatic bass)
bass-baritone vocals:
Theo Zilliken (bass-baritone)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
mezzo-soprano vocals:
Esther Hilbert (German singer)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Helga Hildebrand (soprano)
tenor vocals:
Martin Vantin (tenor) and Fritz Wunderlich (operatic tenor)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
Giacomo Puccini4:42
7Madame Butterfly: „Madame Butterfly?“
bass vocals:
Peter Roth-Ehrang (operatic bass)
bass-baritone vocals:
Theo Zilliken (bass-baritone)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
mezzo-soprano vocals:
Esther Hilbert (German singer)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Helga Hildebrand (soprano)
tenor vocals:
Martin Vantin (tenor) and Fritz Wunderlich (operatic tenor)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
Giacomo Puccini4:21
8Madame Butterfly: „Das ist sicher ein Kriegsschiff!“ … „Schüttle alle Zweige“
bass vocals:
Peter Roth-Ehrang (operatic bass)
bass-baritone vocals:
Theo Zilliken (bass-baritone)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
mezzo-soprano vocals:
Esther Hilbert (German singer)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Helga Hildebrand (soprano)
tenor vocals:
Martin Vantin (tenor) and Fritz Wunderlich (operatic tenor)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
Giacomo Puccini4:58
9Madame Butterfly: „Wer’s sein mag?“
bass vocals:
Peter Roth-Ehrang (operatic bass)
bass-baritone vocals:
Theo Zilliken (bass-baritone)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
mezzo-soprano vocals:
Esther Hilbert (German singer)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Helga Hildebrand (soprano)
tenor vocals:
Martin Vantin (tenor) and Fritz Wunderlich (operatic tenor)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
Giacomo Puccini1:56
10Madame Butterfly: „Leb wohl, mein Blütenreich“
bass vocals:
Peter Roth-Ehrang (operatic bass)
bass-baritone vocals:
Theo Zilliken (bass-baritone)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
mezzo-soprano vocals:
Esther Hilbert (German singer)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Helga Hildebrand (soprano)
tenor vocals:
Martin Vantin (tenor) and Fritz Wunderlich (operatic tenor)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
Giacomo Puccini1:53
11Madame Butterfly: „Willst du’s ihr sagen?“
bass vocals:
Peter Roth-Ehrang (operatic bass)
bass-baritone vocals:
Theo Zilliken (bass-baritone)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
mezzo-soprano vocals:
Esther Hilbert (German singer)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Helga Hildebrand (soprano)
tenor vocals:
Martin Vantin (tenor) and Fritz Wunderlich (operatic tenor)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
Giacomo Puccini2:56
12Madame Butterfly: „Du! Du kleiner Herrgott“
bass vocals:
Peter Roth-Ehrang (operatic bass)
bass-baritone vocals:
Theo Zilliken (bass-baritone)
choir vocals:
Chor der Städtischen Oper Berlin (Chorus of the German Opera Berlin)
mezzo-soprano vocals:
Esther Hilbert (German singer)
soprano vocals:
Trude Eipperle (operatic soprano singer) and Helga Hildebrand (soprano)
tenor vocals:
Martin Vantin (tenor) and Fritz Wunderlich (operatic tenor)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
Giacomo Puccini3:07
13Tosca: „Wie sich die Bilder gleichen“
tenor vocals:
Fritz Wunderlich (operatic tenor)
recording of:
Tosca: 1. Akt. „Gib mir die Farben” - „Wie sich die Bilder gleichen“ (Cavaradossi, Sakristan)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
part of:
Tosca: 1. Akt
Giacomo Puccini2:32
14Tosca: „Und es blitzen die Sterne“
tenor vocals:
Fritz Wunderlich (operatic tenor)
recording of:
Tosca: 3. Akt. „Und es blitzen die Sterne” (Cavaradossi) (“E lucevan le stelle”)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
part of:
Tosca: 3. Akt
Giacomo Puccini2:32
15Turandot: „Weine nicht, Liu“
tenor vocals:
Fritz Wunderlich (operatic tenor)
Giacomo Puccini2:22
16Turandot: „Keiner schlafe“
tenor vocals:
Fritz Wunderlich (operatic tenor)
Giacomo Puccini2:56
17Rigoletto: „Freundlich blick’ ich“
tenor vocals:
Fritz Wunderlich (operatic tenor)
recording of:
Rigoletto: 1. Akt. Ballade „Freundlich blick ich auf diese und jene“ (Herzog)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
part of:
Rigoletto: 1. Akt
Giuseppe Verdi1:47
18Rigoletto: „O wie so trügerisch“
tenor vocals:
Fritz Wunderlich (operatic tenor)
recording of:
Rigoletto: 3. Akt. Kanzone „O wie so trügerisch“ (Herzog)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
part of:
Rigoletto: 3. Akt
Giuseppe Verdi2:03
19Der Liebestrank (L’elisir d’amore): „Wohl drang aus ihrem Herzen“
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Richard Kraus (conductor)
Gaetano Donizetti3:45
3▼CD
#TitleArtistRatingLength
1Cavalleria Rusticana: Vorspiel und Siziliana
tenor vocals [Turridu]:
Fritz Wunderlich (operatic tenor) (in 1956)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin) (in 1956)
conductor:
Richard Kraus (conductor) (in 1956)
recorded at:
Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956)
recording of:
Cavalleria Rusticana: Vorspiel und Siziliana „O Lola” (in 1956)
composer:
Pietro Mascagni (composer & conductor)
translated version of:
Cavalleria rusticana: “O Lola ch'hai di latti la cammisa” (Turiddu) (“Siciliana”)
version of:
Cavalleria rusticana: Preludio
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni7:22
2Cavalleria Rusticana: „Duftig erglänzen Orangen“ … „O süße Lenzeslust“
choir vocals:
Günther Arndt-Chor (in 1956)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin) (in 1956)
conductor:
Richard Kraus (conductor) (in 1956)
recorded at:
Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956)
recording of:
Cavalleria Rusticana: Nr. 1. Eingangschor „Duftig erglänzen Orangen” - „O süße Lenzeslust” (in 1956)
composer:
Pietro Mascagni (composer & conductor)
translated version of:
Cavalleria rusticana: N°4. Coro d'introduzione “Gli aranci olezzano” (Peasant's Chorus)
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni2:11
3Cavalleria Rusticana: „Saget, Mutter Lucia“
contralto vocals [Lucia]:
Erika Stroka (German singer) (in 1956)
soprano vocals [Santuzza]:
Marlies Siemeling (soprano) (in 1956)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin) (in 1956)
conductor:
Richard Kraus (conductor) (in 1956)
recorded at:
Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956)
recording of:
Cavalleria Rusticana: Nr. 2. Szene „Saget, Mutter Lucia” (in 1956)
composer:
Pietro Mascagni (composer & conductor)
translated version of:
Cavalleria rusticana: “Dite, mamma Lucia …” (Santuzza, Lucia)
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni1:58
4Cavalleria Rusticana: „Rossestampfen, Peitschenknall“
baritone vocals [Alfio]:
Gerhard Niese (in 1956)
choir vocals:
Günther Arndt-Chor (in 1956)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin) (in 1956)
conductor:
Richard Kraus (conductor) (in 1956)
recorded at:
Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956)
recording of:
Cavalleria Rusticana: Nr. 3. Lied des Alfio „Rossestampfen, Peitschenknall” (Alfio, Chor) (in 1956)
composer:
Pietro Mascagni (composer & conductor)
translated version of:
Cavalleria rusticana: “Il cavallo scalpita” (Alfio, Coro)
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni1:11
5Cavalleria Rusticana: „Lasst uns preisen“
choir vocals:
Günther Arndt-Chor (in 1956)
contralto vocals [Lucia]:
Erika Stroka (German singer) (in 1956)
soprano vocals [Santuzza]:
Marlies Siemeling (soprano) (in 1956)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin) (in 1956)
conductor:
Richard Kraus (conductor) (in 1956)
recorded at:
Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956)
recording of:
Cavalleria Rusticana: Nr. 4a. Gebet „Lasst uns preisen” (in 1956)
composer:
Pietro Mascagni (composer & conductor)
translated version of:
Cavalleria rusticana: “Inneggiamo …” (Santuzza, Lucia, coro esterno) (preghiera)
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni2:25
6Cavalleria Rusticana: „Als euer Sohn einst fortzog“
contralto vocals [Lucia]:
Erika Stroka (German singer) (in 1956)
soprano vocals [Santuzza]:
Marlies Siemeling (soprano) (in 1956)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin) (in 1956)
conductor:
Richard Kraus (conductor) (in 1956)
recorded at:
Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956)
recording of:
Cavalleria Rusticana: Nr. 5. Romanze und Szene „Als euer Sohn einst fortzog” (Santuzza, Lucia) (in 1956)
composer:
Pietro Mascagni (composer & conductor)
translated version of:
Cavalleria rusticana: “Voi lo sapete, o mamma” (Santuzza, Lucia)
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:27
7Cavalleria Rusticana: „Du hier, Santuzza?“ … „O süße Lilie“
soprano vocals [Lola]:
Ingeborg Wenglor (in 1956)
soprano vocals [Santuzza]:
Marlies Siemeling (soprano) (in 1956)
tenor vocals [Turridu]:
Fritz Wunderlich (operatic tenor) (in 1956)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin) (in 1956)
conductor:
Richard Kraus (conductor) (in 1956)
recorded at:
Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956)
recording of:
Cavalleria Rusticana: Nr. 6. Duett „Du hier, Santuzza?” (in 1956)
composer:
Pietro Mascagni (composer & conductor)
translated version of:
Cavalleria rusticana: “Tu qui, Santuzza?” (Turiddu, Santuzza)
part of:
Cavalleria rusticana (German lyrics)
recording of:
Cavalleria Rusticana: Nr. 7. Lied der Lola „O süße Lilie” (in 1956)
composer:
Pietro Mascagni (composer & conductor)
translated version of:
Cavalleria rusticana: “Fior di giaggiolo” (Lola, Turiddu, Santuzza)
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni7:56
8Cavalleria Rusticana: „Sagt, wie weit ist die Messe?“
baritone vocals [Alfio]:
Gerhard Niese (in 1956)
soprano vocals [Santuzza]:
Marlies Siemeling (soprano) (in 1956)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin) (in 1956)
conductor:
Richard Kraus (conductor) (in 1956)
recorded at:
Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956)
recording of:
Cavalleria Rusticana: „Sagt, wie weit ist die Messe?” (in 1956)
composer:
Pietro Mascagni (composer & conductor)
translated version of:
Cavalleria Rusticana: "Oh! il Signore vi manda" (Santuzza, Alfio)
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni2:21
9Cavalleria Rusticana: Intermezzo sinfonico
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin) (in 1956)
conductor:
Richard Kraus (conductor) (in 1956)
recorded at:
Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956)
recording of:
Cavalleria rusticana: Intermezzo (in 1956)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:15
10Cavalleria Rusticana: „Ihr Freunde kommt und trinkt“
choir vocals:
Günther Arndt-Chor (in 1956)
soprano vocals [Lola]:
Ingeborg Wenglor (in 1956)
tenor vocals [Turridu]:
Fritz Wunderlich (operatic tenor) (in 1956)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin) (in 1956)
conductor:
Richard Kraus (conductor) (in 1956)
recorded at:
Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956)
recording of:
Cavalleria Rusticana: Ihr Freunde kommt und trinkt (in 1956)
composer:
Pietro Mascagni (composer & conductor)
translated version of:
Cavalleria rusticana: Brindisi “Intanto amici, qua … Viva il vino spumeggiante” (Turridu, Lola, coro)
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni1:32
11Cavalleria Rusticana: „Seid mir alle gegrüßt“ … „Mutter, der Rote war allzu feurig“
baritone vocals [Alfio]:
Gerhard Niese (in 1956)
choir vocals:
Günther Arndt-Chor (in 1956)
contralto vocals [Lucia]:
Erika Stroka (German singer) (in 1956)
soprano vocals [Lola]:
Ingeborg Wenglor (in 1956)
tenor vocals [Turridu]:
Fritz Wunderlich (operatic tenor) (in 1956)
orchestra:
Orchester der Städtischen Oper Berlin (Orchestra of the German Opera Berlin) (in 1956)
conductor:
Richard Kraus (conductor) (in 1956)
recorded at:
Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956)
recording of:
Cavalleria rusticana: „Mutter, der Rote war allzu feurig” (Turiddu, Lucia) (in 1956)
composer:
Pietro Mascagni (composer & conductor)
translated version of:
Cavalleria Rusticana: "A voi tutti salute!" (Alfio, Coro, Lola)
translated version of:
Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) (Addio alla madre)
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni4:31
12Es muss ein Wunderbares sein
tenor vocals:
Fritz Wunderlich (operatic tenor)
recording of:
Es muss ein Wunderbares sein, S. 314
lyricist:
Oskar von Redwitz
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 314)
Franz Liszt1:55
13Nur wer die Sehnsucht kennt
tenor vocals:
Fritz Wunderlich (operatic tenor)
recording of:
Nur wer die Sehnsucht kennt
lyricist:
Johann Wolfgang von Goethe
composer:
Pjotr Iljitsch Tschaikowski (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
version of:
6 Romances, op. 6, no. 6: None but the Lonely Heart (Нет, только тот, кто знал) (6 Romances, Op. 6: No. 6. None but the Lonely Heart, original for voice and piano)
Peter Tschaikowsky3:11
14Caro mio ben
tenor vocals:
Fritz Wunderlich (operatic tenor)
recording of:
Caro mio ben
lyricist:
[anonymous] (special purpose artist)
previously attributed to:
Giuseppe Giordani and Tommaso Giordani
publisher:
G. Schirmer Inc.
Tommaso Giordani3:10
15Unter dem Sternenzelt
tenor vocals:
Fritz Wunderlich (operatic tenor)
recording of:
Unter dem Sternenzelt
writer:
Peter Francke
composer:
Marc Roland
publisher:
Ufaton (publisher)
Marc Roland3:00
16Vergiss mein nicht
tenor vocals:
Fritz Wunderlich (operatic tenor)
recording of:
Vergiß mein nicht
lyricist:
Domenico Furnò and Ernst Marischka
composer:
Ernesto De Curtis (composer)
translator:
Ernst Marischka
version of:
Ik vergeet je niet (Vergiss mein nicht)
translated version of:
Vergiß mein nicht (original italian)
Ernesto De Curtis3:33
17Alle Tage ist kein Sonntag
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Gerhard Becker (conductor)
recording of:
Alle Tage ist kein Sonntag
lyricist:
Carl Ferdinands
composer:
Carl Clewing
Carl Clewing2:26
18Das ist der Liebe Freud und Leid
tenor vocals:
Fritz Wunderlich (operatic tenor)
Gerhard Winkler2:59
19Sonne Italiens
tenor vocals:
Fritz Wunderlich (operatic tenor)
Gerhard Winkler2:32
20O sole mio
tenor vocals:
Fritz Wunderlich (operatic tenor)
Eduardo Di Capua2:26
21Granada
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
Agustín Lara3:13
22Maske in Blau: „Schau einer schönen Frau nie zu tief in die Augen“
soprano vocals:
Ursula Schirrmacher (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
FFB‐Orchester (Radio Forces Françaises de Berlin)
conductor:
Gerhard Becker (conductor)
recording of:
Maske in Blau: „Schau einer schönen Frau nie zu tief in die Augen”
lyricist:
Günther Schwenn (poet, songwriter)
composer:
Fred Raymond
publisher:
Albert Bennefeld e.K.
part of:
Maske in Blau
Fred Raymond2:21
23Maske in Blau: „Maske in Blau“
soprano vocals:
Ursula Schirrmacher (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
FFB‐Orchester (Radio Forces Françaises de Berlin)
conductor:
Gerhard Becker (conductor)
recording of:
Maske in Blau: „Maske in Blau”
lyricist:
Günther Schwenn (poet, songwriter)
composer:
Fred Raymond
publisher:
Albert Bennefeld e.K.
part of:
Maske in Blau
Fred Raymond1:41
24Maske in Blau: „In dir hab ich mein Glück gefunden“
soprano vocals:
Ursula Schirrmacher (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
FFB‐Orchester (Radio Forces Françaises de Berlin)
conductor:
Gerhard Becker (conductor)
recording of:
Maske in Blau: „In dir hab ich mein Glück gefunden”
lyricist:
Günther Schwenn (poet, songwriter)
composer:
Fred Raymond
publisher:
Albert Bennefeld e.K.
part of:
Maske in Blau
Fred Raymond1:33
4▼CD
#TitleArtistRatingLength
1Die Fledermaus: Ouvertüre
baritone vocals:
Bruno Samland (German singer)
soprano vocals:
Henriette Robert
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Lore Paul (German soprano)
orchestra:
Chor und Orchester des SDR
conductor:
Hans Müller-Kray (conductor, professor and director)
recording of:
Die Fledermaus: Ouvertüre (Die Fledermaus: Overture)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (english; unknown version)
Johann Strauss7:53
2Die Fledermaus: „So muss allein ich bleiben“
baritone vocals:
Bruno Samland (German singer)
soprano vocals:
Henriette Robert
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Lore Paul (German soprano)
orchestra:
Chor und Orchester des SDR
conductor:
Hans Müller-Kray (conductor, professor and director)
recording of:
Die Fledermaus: Akt I. Nr. 4 Terzett „So muß ich allein bleiben“ … „Oh je, oh je, wie rührt mich dies” (Rosalinde, Eisenstein, Adele)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss3:26
3Die Fledermaus: „Trinke, Liebchen, trinke schnell“
baritone vocals:
Bruno Samland (German singer)
soprano vocals:
Henriette Robert
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Lore Paul (German soprano)
orchestra:
Chor und Orchester des SDR
conductor:
Hans Müller-Kray (conductor, professor and director)
recording of:
Die Fledermaus: Akt I. Nr. 5 Finale „Trinke, Liebchen, trinke schnell“ … „Glücklich ist, wer vergisst” (Alfred, Rosalinde, Frank)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss3:02
4Die Fledermaus: „Mein Herr, was dächten Sie von mir“
baritone vocals:
Bruno Samland (German singer)
soprano vocals:
Henriette Robert
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Lore Paul (German soprano)
orchestra:
Chor und Orchester des SDR
conductor:
Hans Müller-Kray (conductor, professor and director)
recording of:
Die Fledermaus: Akt I. Nr. 5b Couplets „Mein Herr, was dächten Sie von mir“ (Rosalinde, Alfred, Frank)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss2:26
5Die Fledermaus: „Mein Herr Marquis“
baritone vocals:
Bruno Samland (German singer)
soprano vocals:
Henriette Robert
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Lore Paul (German soprano)
orchestra:
Chor und Orchester des SDR
conductor:
Hans Müller-Kray (conductor, professor and director)
recording of:
Die Fledermaus: Akt II. Nr. 8b „Mein Herr Marquis, ein Mann wie Sie…“ (Adele, Chor) (Laughing song)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss2:56
6Die Fledermaus: „Im Feuerstrom der Reben“ … „Brüderlein und Schwesterlein“
baritone vocals:
Bruno Samland (German singer)
soprano vocals:
Henriette Robert
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Lore Paul (German soprano)
orchestra:
Chor und Orchester des SDR
conductor:
Hans Müller-Kray (conductor, professor and director)
recording of:
Die Fledermaus: Akt II. Nr. 11a Finale „Im Feuerstrom der Reben“ (Orlofsky, Eisenstein, Rosalinde, Frank, Falke, Adele, Ida, Chor)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss4:14
7Die Fledermaus: „Champagner hat’s verschuldet“
baritone vocals:
Bruno Samland (German singer)
soprano vocals:
Henriette Robert
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Lore Paul (German soprano)
orchestra:
Chor und Orchester des SDR
conductor:
Hans Müller-Kray (conductor, professor and director)
partial recording of:
Die Fledermaus: Akt III. Nr. 16 Finale „O Fledermaus, o Fledermaus!“ … „Champagner hat’s verschuldet” (Eisenstein, Falke, Orlofsky, Adele, Alfred, Rosalinde, Frank, Ida, Blind, Chor)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss0:55
8Eine Nacht in Venedig: „Treu sein, das liegt mir nicht“
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Alois Melichar
Johann Strauss2:19
9Eine Nacht in Venedig: „Komm in die Gondel“
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Alois Melichar
recording of:
Eine Nacht in Venedig: Akt I. Gondellied "Komm' in die Gondel, mein Liebchen" (Herzog, Delacqua, Annina)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt I
Johann Strauss4:34
10Eine Nacht in Venedig: „Ach, wie so herrlich zu schaun“
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Werner Schmidt-Boelcke (composer, chorusmaster and conductor)
recording of:
Eine Nacht in Venedig: Akt III. "Ach, wie so herrlich zu schau'n" (Caramello)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt III
Johann Strauss2:59
11Der Zigeunerbaron: „Als flotter Geist“
choir vocals:
Rudolf Lamy-Chor
soprano vocals:
Friederike Sailer (German soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Werner Schmidt-Boelcke (composer, chorusmaster and conductor)
recording of:
Der Zigeunerbaron: Akt I, Nr. 2. „Als flotter Geist“
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Der Zigeunerbaron: Akt I
Johann Strauss2:43
12Der Zigeunerbaron: „Wer uns getraut“
soprano vocals:
Friederike Sailer (German soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Werner Schmidt-Boelcke (composer, chorusmaster and conductor)
recording of:
Der Zigeunerbaron: Akt II, Nr. 6. „Wer uns getraut?“ (Saffi, Barinkay, Carnero, Chor)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Der Zigeunerbaron: Akt II
Johann Strauss3:51
13Der Bettelstudent: „Ich knüpfte manche zarte Bande“
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Alois Melichar
Carl Millöcker3:10
14Der Bettelstudent: „Ich hab’ kein Geld, bin vogelfrei“
soprano vocals:
Friederike Sailer (German soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Werner Schmidt-Boelcke (composer, chorusmaster and conductor)
Carl Millöcker1:43
15Der Bettelstudent: „Soll ich reden?“ … „Ich setz’ den Fall“
soprano vocals:
Friederike Sailer (German soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Werner Schmidt-Boelcke (composer, chorusmaster and conductor)
recording of:
Der Bettelstudent: Akt II. Duett Symon, Laura: „Soll ich reden, darf ich schweigen?“ … „Ich setz' den Fall“
composer:
Carl Millöcker (composer)
part of:
Der Bettelstudent
Carl Millöcker5:49
16Der Vogelhändler: „Grüß euch Gott, alle miteinander“
choir vocals:
Rudolf Lamy Chor
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Werner Schmidt-Boelcke (composer, chorusmaster and conductor)
recording of:
Der Vogelhändler: Akt I. „Grüss euch Gott” (Adam, Chor)
composer:
Carl Zeller
part of:
Der Vogelhändler: Akt I
Carl Zeller4:20
17Der Vogelhändler: „Wie mei’ Ahnerl zwanzig Jahr“
choir vocals:
Rudolf Lamy Chor
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Werner Schmidt-Boelcke (composer, chorusmaster and conductor)
recording of:
Der Vogelhändler: Akt II. „Wie mein Ahn’l zwanzig Jahr” (Adam)
composer:
Carl Zeller
part of:
Der Vogelhändler: Akt II
Carl Zeller4:12
18Die Zirkusprinzessin: „Zwei Märchenaugen“
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Alois Melichar
recording of:
Die Zirkusprinzessin: Akt I. „Zwei Märchenaugen”
composer:
Emmerich Kálmán (Kálmán Imre - composer)
part of:
Die Zirkusprinzessin: Akt I
Emmerich Kálmán3:15
19Der Vetter aus Dingsda: „Ich bin nur ein armer Wandergesell“
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Gerhard Becker (conductor)
recording of:
Der Vetter aus Dingsda: „Ich bin nur ein armer Wandergesell”
composer:
Eduard Künneke (composer)
part of:
Der Vetter aus Dingsda
Eduard Künneke3:26
20Der Zarewitsch: „Es steht ein Soldat am Wolgastrand“ (Wolgalied)
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Alois Melichar
recording of:
Der Zarewitsch: Akt I. Nr. 5 Wolgalied „Allein, wieder allein“ – „Es steht ein Soldat am Wolgastrand“ (Zarewitsch)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt I
recording of:
Der Zarewitsch: Akt I. Nr. 6 Finale I „Ein Weib! Du ein Weib!“ – „Champagner ist ein Feuerwein“ – „Es steht ein Soldat am Wolgastrand“ (Zarewitsch, Sonja)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt I
Franz Lehár4:56
21Friederike: „O Mädchen, mein Mädchen“
tenor vocals:
Fritz Wunderlich (operatic tenor)
recording of:
Friederike: Akt II. “O Mädchen, mein Mädchen”
lyricist and librettist:
Ludwig Herzer and Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Franz Lehár (composer)
part of:
Friederike: Akt II
Franz Lehár3:02
22Schön ist die Welt: „Schön ist die Welt“
tenor vocals:
Fritz Wunderlich (operatic tenor)
recording of:
Schön ist die Welt: Akt I. Nr. 5 „Bruder Leichtsinn, so werd ich genannt” - „Schön ist die Welt” (Georg)
composer:
Franz Lehár (composer)
part of:
Schön ist die Welt
part of:
Schön ist die Welt
Franz Lehár1:19
23Giuditta: „Freunde, das Leben ist lebenswert“
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Alois Melichar
recording of:
Giuditta: Akt I. Nr. 4 Auftrittslied „Freunde, das Leben ist lebenswert!” (Octavio, Chor, Antonio)
composer:
Franz Lehár (composer)
part of:
Giuditta: Akt I
Franz Lehár2:40
5▶CD