Martha Argerich Collection, Volume 3: Solo Works & Works for Piano Duo

~ Release by Martha Argerich (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Kinderszenen, op. 15 no. 1: Von fremden Ländern und Menschen
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 1. Von fremden Ländern und Menschen (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:53
2Kinderszenen, op. 15 no. 2: Kuriose Geschichte
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 2. Kuriose Geschichte (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:04
3Kinderszenen, op. 15 no. 3: Hasche-Mann
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 3. Hasche-Mann (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:28
4Kinderszenen, op. 15 no. 4: Bittendes Kind
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 4. Bittendes Kind (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:59
5Kinderszenen, op. 15 no. 5: Glückes genug
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 5. Glückes genug (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:03
6Kinderszenen, op. 15 no. 6: Wichtige Begebenheit
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 6. Wichtige Begebenheit (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:47
7Kinderszenen, op. 15 no. 7: Träumerei
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann2:56
8Kinderszenen, op. 15 no. 8: Am Kamin
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 8. Am Kamin (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:51
9Kinderszenen, op. 15 no. 9: Ritter vom Steckenpferd
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 9. Ritter vom Steckenpferd (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:36
10Kinderszenen, op. 15 no. 10: Fast zu ernst
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 10. Fast zu ernst (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:59
11Kinderszenen, op. 15 no. 11: Fürchtenmachen
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 11. Fürchtenmachen (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:33
12Kinderszenen, op. 15 no. 12: Kind im Einschlummern
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 12. Kind im Einschlummern (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann2:23
13Kinderszenen, op. 15 no. 13: Der Dichter spricht
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 13. Der Dichter spricht (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann2:27
14Kreisleriana, op. 16 no. 1: Äußerst bewegt. Agitatissimo
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kreisleriana, op. 16: I. Äußerst bewegt (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838-04)
part of:
Kreisleriana, op. 16
Robert Schumann2:36
15Kreisleriana, op. 16 no. 2: Sehr innig und nicht zu rasch - Intermezzo I (Sehr lebhaft) - Tempo I - Intermezzo II (Etwas bewegter) - Tempo I
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838-04)
part of:
Kreisleriana, op. 16
Robert Schumann9:40
16Kreisleriana, op. 16 no. 3: Sehr aufgeregt. Molto agitato
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kreisleriana, op. 16: III. Sehr aufgeregt (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838-04)
part of:
Kreisleriana, op. 16
Robert Schumann4:32
17Kreisleriana, op. 16 no. 4: Sehr langsam. Lento assai
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kreisleriana, op. 16: IV. Sehr langsam (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838-04)
part of:
Kreisleriana, op. 16
Robert Schumann3:54
18Kreisleriana, op. 16 no. 5: Sehr lebhaft. Vivace assai
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kreisleriana, op. 16: V. Sehr lebhaft (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838-04)
part of:
Kreisleriana, op. 16
Robert Schumann3:07
19Kreisleriana, op. 16 no. 6: Sehr langsam. Lento assai
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kreisleriana, op. 16: VI. Sehr langsam (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838-04)
part of:
Kreisleriana, op. 16
Robert Schumann4:11
20Kreisleriana, op. 16 no. 7: Sehr rasch. Molto presto
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kreisleriana, op. 16: VII. Sehr rasch (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838-04)
part of:
Kreisleriana, op. 16
Robert Schumann2:06
21Kreisleriana, op. 16 no. 8: Schnell und spielend. Vivace e scherzando
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kreisleriana, op. 16: VIII. Schnell und spielend (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838-04)
part of:
Kreisleriana, op. 16
Robert Schumann3:34
22Piano Sonata no. 2 in G minor, op. 22: I. So rasch wie möglich - Schneller - Noch schneller
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
recording of:
Piano Sonata no. 2 in G minor, op. 22: I. So rasch wie möglich - Schneller - Noch schneller (in 1971-06)
composer:
Robert Schumann (German classical composer) (from 1831 until 1838)
part of:
Piano Sonata no. 2 in G minor, op. 22
Robert Schumann5:33
23Piano Sonata no. 2 in G minor, op. 22: II. Andantino. Getragen
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
recording of:
Piano Sonata no. 2 in G minor, op. 22: II. Andantino. Getragen (in 1971-06)
composer:
Robert Schumann (German classical composer) (from 1831 until 1838)
part of:
Piano Sonata no. 2 in G minor, op. 22
Robert Schumann4:58
24Piano Sonata no. 2 in G minor, op. 22: III. Scherzo (Sehr rasch und markiert) - attacca:
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
recording of:
Piano Sonata no. 2 in G minor, op. 22: III. Scherzo. Sehr rasch und markiert (in 1971-06)
composer:
Robert Schumann (German classical composer) (from 1831 until 1838)
part of:
Piano Sonata no. 2 in G minor, op. 22
Robert Schumann1:32
25Piano Sonata no. 2 in G minor, op. 22: IV. Rondo (Presto - Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller)
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
recording of:
Piano Sonata no. 2 in G minor, op. 22: IV. Rondo. Presto - Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller (in 1971-06)
composer:
Robert Schumann (German classical composer) (from 1831 until 1838)
part of:
Piano Sonata no. 2 in G minor, op. 22
Robert Schumann4:43
2▼CD
#TitleArtistRatingLength
1Piano Sonata in B minor, S. 178: Lento assai - Allegro energico
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt3:03
2Piano Sonata in B minor, S. 178: Grandioso
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt1:59
3Piano Sonata in B minor, S. 178: Cantando espressivo
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt3:40
4Piano Sonata in B minor, S. 178: Pesante - Recitativo
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt2:05
5Piano Sonata in B minor, S. 178: Andante sostenuto
executive producer:
Günther Breest (producer for classical music)
producer:
Günther Breest (producer for classical music) and Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt0:46
6Piano Sonata in B minor, S. 178: Quasi adagio
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
engineered at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt4:49
7Piano Sonata in B minor, S. 178: Allegro energico
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt2:13
8Piano Sonata in B minor, S. 178: Più mosso
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt1:52
9Piano Sonata in B minor, S. 178: Cantando espressivo senza slentare
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt1:14
10Piano Sonata in B minor, S. 178: Stretta quasi Presto - Presto - Prestissimo
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
solo instruments:
Martha Argerich (Argentine pianist) (from 1974-07-08 until 1974-07-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06, from 1974-07-08 until 1974-07-11)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt1:13
11Piano Sonata in B minor, S. 178: Andante sostenuto - Allegro moderato - Lento assai
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt2:58
12Hungarian Rhapsody no. 6 in D-flat major, S. 244: Tempo giusto - Presto - Andante - Allegro - Presto
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 6 in D-flat major, S. 244 no. 6: Tempo giusto – Presto – Andante – Allegro – Presto (in 1960-07)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt6:24
13Rhapsody in B minor, op. 79 no. 1: Agitato
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07)
recording of:
Zwei Rhapsodien, op. 79: Nr. 1 h-moll: Agitato (2 Rhapsodies, op. 79: No. 1 in B minor. Agitato) (in 1960-07)
composer:
Johannes Brahms (German composer) (in 1879)
part of:
Zwei Rhapsodien, op. 79
Johannes Brahms8:29
14Rhapsody in G minor, op. 79 no. 2: Molto passionato, ma non troppo allegro
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07)
recording of:
Zwei Rhapsodien, op. 79: Nr. 2 g-moll: Molto passionato, ma non troppo allegro (2 Rhapsodies, op. 79: No. 2 in G minor. Molto passionato, ma non troppo allegro) (in 1960-07)
composer:
Johannes Brahms (German composer) (in 1879)
part of:
Zwei Rhapsodien, op. 79
Johannes Brahms6:34
15Gaspard de la nuit: I. Ondine
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): I. Ondine (in 1974-11)
composer:
Maurice Ravel (French composer) (in 1908)
is based on:
Ondine
part of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)
Maurice Ravel6:19
16Gaspard de la nuit: II. Le gibet
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): II. Le Gibet (in 1974-11)
composer:
Maurice Ravel (French composer) (in 1908)
is based on:
Le Gibet
part of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)
Maurice Ravel6:42
17Gaspard de la nuit: III. Scarbo
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): III. Scarbo (in 1974-11)
composer:
Maurice Ravel (French composer) (in 1908)
is based on:
Scarbo
part of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)
Maurice Ravel9:20
18Toccata, op. 11
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07)
recording of:
Toccata in D minor, op. 11 (in 1960-07)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1912)
part of:
Works of Sergei Prokofiev by opus number (number: op. 11)
Сергей Сергеевич Прокофьев4:05
3▼CD
#TitleArtistRatingLength
1Jeux d'eau
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07)
recording of:
Jeux d’eau (in 1960-07)
composer:
Maurice Ravel (French composer) (in 1901)
premiered at:
Salle Pleyel (1839-1927) in Paris, Île-de-France, France (on 1902-04-05)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 30)
Maurice Ravel5:29
2Sonatine: I. Modéré
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Sonatine: I. Modéré (in 1974-11)
composer:
Maurice Ravel (French composer) (from 1903 until 1905)
part of:
Sonatine
Maurice Ravel4:01
3Sonatine: II. Mouvement de menuet
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Sonatine: II. Mouvement de menuet (for piano) (in 1974-11)
composer:
Maurice Ravel (French composer) (from 1903 until 1905)
part of:
Sonatine
Maurice Ravel3:01
4Sonatine: III. Animé
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Sonatine: III. Animé (in 1974-11)
composer:
Maurice Ravel (French composer) (from 1903 until 1905)
part of:
Sonatine
Maurice Ravel3:43
5Valses nobles et sentimentales no. 1: Modéré – Très franc
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Valses nobles et sentimentales: I. Modéré - Très franc (for piano) (in 1974-11)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel1:22
6Valses nobles et sentimentales no. 2: Assez lent - avec une expression intense
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
recording of:
Valses nobles et sentimentales: II. Assez lent (for piano) (in 1974-11)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel2:22
7Valses nobles et sentimentales no. 3: Modéré
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
recording of:
Valses nobles et sentimentales: III. Modéré (for piano) (in 1974-11)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel1:22
8Valses nobles et sentimentales no. 4: Assez animé
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
recording of:
Valses nobles et sentimentales: IV. Assez animé (for piano) (in 1974-11)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel1:05
9Valses nobles et sentimentales no. 5: Presque lent - dans un sentiment intime
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
recording of:
Valses nobles et sentimentales: V. Presque lent (for piano) (in 1974-11)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel1:34
10Valses nobles et sentimentales no. 6: Assez vif
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
recording of:
Valses nobles et sentimentales: VI. Vif (for piano) (in 1974-11)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel0:41
11Valses nobles et sentimentales no. 7: Moins vif
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
recording of:
Valses nobles et sentimentales: VII. Moins vif (for piano) (in 1974-11)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel2:39
12Valses nobles et sentimentales no. 8: Epilogue. Lent
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
recording of:
Valses nobles et sentimentales: VIII. Epilogue. Lent (for piano) (in 1974-11)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel4:33
13Ma mère l'oye: I. Pavane de la Belle au bois dormant. Lent
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant. Lent (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
percussion arranger:
Peter Sadlo (percussionist)
piano arranger:
Gaston Choisnel (French organist and composer) (in 1911)
part of:
Ma mère l’Oye (pour 2 pianos et percussion)
Maurice Ravel1:39
14Ma mère l'oye: II. Petit Poucet. Très modéré
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Ma mère l’Oye: II. Petit Poucet. Très modéré (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
percussion arranger:
Peter Sadlo (percussionist)
piano arranger:
Gaston Choisnel (French organist and composer) (in 1911)
part of:
Ma mère l’Oye (pour 2 pianos et percussion)
Maurice Ravel3:00
15Ma mère l'oye: III. Laideronnette, Impératrice des pagodes. Mouvement de Marche
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes. Mouvement de marche (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
percussion arranger:
Peter Sadlo (percussionist)
piano arranger:
Gaston Choisnel (French organist and composer) (in 1911)
part of:
Ma mère l’Oye (pour 2 pianos et percussion)
Maurice Ravel3:17
16Ma mère l'oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de Valse très modéré
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de valse tres modere (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
percussion arranger:
Peter Sadlo (percussionist)
piano arranger:
Gaston Choisnel (French organist and composer) (in 1911)
part of:
Ma mère l’Oye (pour 2 pianos et percussion)
Maurice Ravel4:21
17Ma mère l'oye: V. Le Jardin féerique. Lent et grave
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Ma mère l’Oye: V. Le Jardin féerique. Lent et grave (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
percussion arranger:
Peter Sadlo (percussionist)
piano arranger:
Gaston Choisnel (French organist and composer) (in 1911)
part of:
Ma mère l’Oye (pour 2 pianos et percussion)
Maurice Ravel3:27
18Rapsodie espagnole: I. Prélude à la nuit. Modéré
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Rapsodie espagnole: I. Prélude à la nuit. Modéré (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1895 until 1908)
percussion arranger:
Peter Sadlo (percussionist)
part of:
Rapsodie espagnole (pour 2 piano et percussion)
Maurice Ravel3:55
19Rapsodie espagnole: II. Malagueña. Assez vif
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Rapsodie espagnole: II. Malagueña. Assez vif (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1895 until 1908)
percussion arranger:
Peter Sadlo (percussionist)
part of:
Rapsodie espagnole (pour 2 piano et percussion)
Maurice Ravel1:50
20Rapsodie espagnole: III. Habanera. En demi-teinte et d'un rhythme las
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Rapsodie espagnole: III. Habanera. En demi-teinte et d’un rythme las (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1895 until 1908)
percussion arranger:
Peter Sadlo (percussionist)
part of:
Rapsodie espagnole (pour 2 piano et percussion)
Maurice Ravel2:38
21Rapsodie espagnole: IV. Feria. Assez vif
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Rapsodie espagnole: IV. Feria. Assez vif (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1895 until 1908)
percussion arranger:
Peter Sadlo (percussionist)
part of:
Rapsodie espagnole (pour 2 piano et percussion)
Maurice Ravel5:28
4▼CD
#TitleArtistRatingLength
1Nutcracker Suite, op. 71a: I. Ouverture miniature. Allegro giusto
recording engineer:
Klaus Behrens (engineer) and Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Christopher Alder (editor/engineer/producer) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
piano [piano I]:
Martha Argerich (Argentine pianist) (in 1983-03)
piano [piano II]:
Nicolas Economou (pianist) (in 1983-03)
piano arranger:
Nicolas Economou (pianist)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1983-03)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto (for two pianos) (in 1983-03)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1892)
piano arranger:
Nicolas Economou (pianist)
part of:
The Nutcracker (suite from the ballet), op. 71a (for two pianos)
Пётр Ильич Чайковский3:05
2Nutcracker Suite, op. 71a: II. (a) Danses caractéristiques. Marche: Tempo di marcia viva
recording engineer:
Klaus Behrens (engineer) and Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Christopher Alder (editor/engineer/producer) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
piano:
Nicolas Economou (pianist) (in 1983-03)
piano [piano I]:
Martha Argerich (Argentine pianist) (in 1983-03)
piano arranger:
Nicolas Economou (pianist)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1983-03)
partial recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques (for two pianos, arr. Economou) (in 1983-03)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1892)
piano arranger:
Nicolas Economou (pianist)
part of:
The Nutcracker (suite from the ballet), op. 71a (for two pianos)
Пётр Ильич Чайковский2:16
3Nutcracker Suite, op. 71a: II. (b) Danses caractéristiques. Danse de la Fée Dragée: Andante non troppo
recording engineer:
Klaus Behrens (engineer) and Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Christopher Alder (editor/engineer/producer) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
piano [piano I]:
Martha Argerich (Argentine pianist) (in 1983-03)
piano [piano II]:
Nicolas Economou (pianist) (in 1983-03)
piano arranger:
Nicolas Economou (pianist)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1983-03)
partial recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques (for two pianos, arr. Economou) (in 1983-03)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1892)
piano arranger:
Nicolas Economou (pianist)
part of:
The Nutcracker (suite from the ballet), op. 71a (for two pianos)
Пётр Ильич Чайковский2:01
4Nutcracker Suite, op. 71a: II. (c) Danses caractéristiques. Danse russe Trépak: Tempo di Trepak, molto vivace
recording engineer:
Klaus Behrens (engineer) and Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Christopher Alder (editor/engineer/producer) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
piano [piano I]:
Martha Argerich (Argentine pianist) (in 1983-03)
piano [piano II]:
Nicolas Economou (pianist) (in 1983-03)
piano arranger:
Nicolas Economou (pianist)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1983-03)
partial recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques (for two pianos, arr. Economou) (in 1983-03)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1892)
piano arranger:
Nicolas Economou (pianist)
part of:
The Nutcracker (suite from the ballet), op. 71a (for two pianos)
Пётр Ильич Чайковский1:02
5Nutcracker Suite, op. 71a: II. (d) Danses caractéristiques. Danse arabe: Allegretto
recording engineer:
Klaus Behrens (engineer) and Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Christopher Alder (editor/engineer/producer) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
piano [piano I]:
Martha Argerich (Argentine pianist) (in 1983-03)
piano [piano II]:
Nicolas Economou (pianist) (in 1983-03)
piano arranger:
Nicolas Economou (pianist)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1983-03)
partial recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques (for two pianos, arr. Economou) (in 1983-03)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1892)
piano arranger:
Nicolas Economou (pianist)
part of:
The Nutcracker (suite from the ballet), op. 71a (for two pianos)
Пётр Ильич Чайковский3:05
6Nutcracker Suite, op. 71a: II. (e) Danses caractéristiques. Danse chinoise: Allegro moderato
recording engineer:
Klaus Behrens (engineer) and Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Christopher Alder (editor/engineer/producer) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
piano [piano I]:
Martha Argerich (Argentine pianist) (in 1983-03)
piano [piano II]:
Nicolas Economou (pianist) (in 1983-03)
piano arranger:
Nicolas Economou (pianist)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1983-03)
partial recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques (for two pianos, arr. Economou) (in 1983-03)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1892)
piano arranger:
Nicolas Economou (pianist)
part of:
The Nutcracker (suite from the ballet), op. 71a (for two pianos)
Пётр Ильич Чайковский0:56
7Nutcracker Suite, op. 71a: II. (f) Danses caractéristiques. Danse des mirlitons: Moderato assai
recording engineer:
Klaus Behrens (engineer) and Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Christopher Alder (editor/engineer/producer) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
piano [piano I]:
Martha Argerich (Argentine pianist) (in 1983-03)
piano [piano II]:
Nicolas Economou (pianist) (in 1983-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1983-03)
partial recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques (for two pianos, arr. Economou) (in 1983-03)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1892)
piano arranger:
Nicolas Economou (pianist)
part of:
The Nutcracker (suite from the ballet), op. 71a (for two pianos)
Пётр Ильич Чайковский2:09
8Nutcracker Suite, op. 71a: III. Valse des Fleurs. Tempo di valse
recording engineer:
Klaus Behrens (engineer) and Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Christopher Alder (editor/engineer/producer) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
piano [piano I]:
Martha Argerich (Argentine pianist) (in 1983-03)
piano [piano II]:
Nicolas Economou (pianist) (in 1983-03)
piano arranger:
Nicolas Economou (pianist)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1983-03)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse (for two pianos) (in 1983-03)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1892)
piano arranger:
Nicolas Economou (pianist)
part of:
The Nutcracker (suite from the ballet), op. 71a (for two pianos)
Пётр Ильич Чайковский6:26
9Symphonic Dances, op. 45: I. Non allegro
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Christopher Alder (editor/engineer/producer) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
piano [piano I]:
Nicolas Economou (pianist) (in 1983-03)
piano [piano II]:
Martha Argerich (Argentine pianist) (in 1983-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1983-03)
recording of:
Symphonic Dances, op. 45: I. Non allegro - Lento - Tempo I (for two pianos) (in 1983-03)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1940)
publisher:
Belwin-Mills Publishing Corp.
arrangement of:
Symphonic Dances, op. 45: I. Non allegro - Lento - Tempo I
part of:
Symphonic Dances, op. 45 (for two pianos)
Сергей Васильевич Рахманинов11:22
10Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse)
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Christopher Alder (editor/engineer/producer) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
piano [piano I]:
Nicolas Economou (pianist) (in 1983-03)
piano [piano II]:
Martha Argerich (Argentine pianist) (in 1983-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1983-03)
recording of:
Symphonic Dances, op. 45: II. Andante con moto. Tempo di valse (for two pianos) (in 1983-03)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1940)
arrangement of:
Symphonic Dances, op. 45: II. Andante con moto. Tempo di valse
part of:
Symphonic Dances, op. 45 (for two pianos)
Сергей Васильевич Рахманинов8:59
11Symphonic Dances, op. 45: III. Lento assai - Allegro vivace
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Christopher Alder (editor/engineer/producer) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
piano [piano I]:
Nicolas Economou (pianist) (in 1983-03)
piano [piano II]:
Martha Argerich (Argentine pianist) (in 1983-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1983-03)
recording of:
Symphonic Dances, op. 45: III. Lento assai — Allegro vivace (for two pianos) (in 1983-03)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1940)
arrangement of:
Symphonic Dances, op. 45: III. Lento assai — Allegro vivace
quotes music from:
Dies Irae (plainchant)
quotes music from:
Всенощное бдение, op. 37: 9. Благословен еси Господи (All-Night Vigil, op. 37: IX. Blessed Art Thou, O Lord)
part of:
Symphonic Dances, op. 45 (for two pianos)
Сергей Васильевич Рахманинов12:26
12Sonata for 2 Pianos and Percussion, Sz. 110: I. Assai lento
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: I. Assai lento (in 1993-02)
composer:
Bartók Béla (Béla Bartók, composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók12:58
13Sonata for 2 Pianos and Percussion, Sz. 110: II. Lento, ma non troppo
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: II. Lento, ma non troppo (in 1993-02)
composer:
Bartók Béla (Béla Bartók, composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók6:36
14Sonata for 2 Pianos and Percussion, Sz. 110: III. Allegro non troppo
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: III. Allegro non troppo (in 1993-02)
composer:
Bartók Béla (Béla Bartók, composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók6:18

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ASIN:DE: B0000012ZC [info]