100 Hits: Woman

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1I’m Every Woman
engineer:
James Douglass (engineer)
producer:
Arif Mardin
background vocals:
Will Lee (US jazz/rock bassist) (in 1978) and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) (in 1978)
background vocals and lead vocals:
Chaka Khan (in 1978)
brass arranger, strings arranger and woodwind arranger:
Arif Mardin
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 4)
recording of:
I’m Every Woman (in 1978)
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan3.34:09
2Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Deniece Williams3.64:22
3This Is It
remixer:
Tom Moulton
recording of:
This Is It
lyricist and composer:
Van McCoy
Melba Moore4.353:31
4You’re Not Alone
recording of:
You’re Not Alone
lyricist:
Tim Kellett
composer:
Tim Kellett and Robin Taylor-Firth
publisher:
BMG Music Publishing Ltd. and Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Olive4:33
5Tell It to My Heart
producer:
Ric Wake
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) and Arista Records, LLC (holding company - file NO releases here!) (in 1987)
recording of:
Tell It to My Heart
writer:
Ernie Gold and Seth Swirsky
publisher:
Chappell Music, Inc. (publisher), Goldpoint and Intersong Music
Taylor Dayne3.753:42
6I Wonder If I Take You Home
recording of:
I Wonder If I Take You Home
writer:
Curtis Bedeau, Gerard Charles, Hugh Clarke (bass guitar player, member of Full Force), Brian George (US funk/hip-hop musician aka B-Fine), Lucien George and Paul George (American)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Careers-BMG Music, Mokojumbi Music and Zomba Songs Inc.
Lisa Lisa & Cult Jam3:24
7I Know Where It’s At
recording of:
I Know Where It’s At
writer:
Walter Becker, Donald Fagen, Paul Griffin (American pianist, session musician), Karl Gordon (British DJ, producer, rapper, and songwriter) and Shaznay Lewis
publisher:
Manuskript (not for release label use! this is only for copyrights and publishing relationships)
All Saints4:02
8Love in the First Degree
producer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
vocals:
Bananarama
phonographic copyright (℗) by:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1987)
produced for:
PWL Productions
recording of:
Love in the First Degree
writer:
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman and Keren Woodward
publisher:
All Boys Music Ltd., Mike Stock Publishing Limited, Reverb Music Ltd. (Siobhan Fahey), Sid’s Songs Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner/Chappell Music Ltd. (1996–2019)
Bananarama3.353:30
9My Lovin’ (You’re Never Gonna Get It)
recording engineer:
Steve Counter
additional engineer:
Neil King (sound engineer) and Michael Semanick
assistant engineer:
John Jackson (engineer)
producer:
Denzil Foster (songwriter, musician, producer) and Thomas McElroy (songwriter, musician, producer)
mixer:
Ken Kessie
arranger:
Denzil Foster (songwriter, musician, producer) and Thomas McElroy (songwriter, musician, producer)
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 2022)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
mixed at:
Can Am Studios in Tarzana, Los Angeles, California, United States
samples:
The Payback by James Brown (The Godfather of Soul)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 2) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 471)
recording of:
My Lovin’ (You’re Never Gonna Get It)
writer:
Denzil Foster (songwriter, musician, producer) and Thomas McElroy (songwriter, musician, producer)
publisher:
EMI Blackwood Music Inc., Two Tuff Enuff Publishing and Irving Music (BMI) (from 1992 to present)
En Vogue4.64:44
10Freak Like Me
recording engineer and mixer:
Jamie Staub
producer:
Mass Order
bass and synthesizer [gangsta lead]:
Mark Valentine
drum machine and keyboard:
Loren Hill
guitar:
Kevin Veney
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1994) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
produced for:
Double Lady Productions
recorded at and mixed at:
Green Street Recording in SoHo, New York, New York, United States
edit of:
Freak Like Me by Adina Howard
a cappella versions:
Freak Like Me (a cappella) by Adina Howard
instrumental versions:
Freak Like Me (instrumental) by Adina Howard
recording of:
Freak Like Me (Adina Howard)
lyricist:
Eugene Hanes, Loren Hill and Marc Valentine
composer:
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter) and Gary “Mudbone” Cooper
publisher:
Notting Dale Songs, Inc., Rubber Band Music and Universal Music Corp. (USA, affiliated with ASCAP)
is based on:
I’d Rather Be With You
Adina Howard44:01
11Faith (In the Power of Love)
producer:
3MI
mixer:
Band of Gypsies (house duo Nigel Swanston & Tim Cox)
arranger:
3MI
vocals arranger:
Rozalla
recording of:
Faith (in the Power of Love)
writer:
Tim Cox and Nigel Andrew Swanston
Rozalla23:54
12Thinking of You
recording of:
Thinking of You
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner/Chappell North America
Sister Sledge4:25
13Dr. Love
cover recording of:
Dr. Love
lyricist and composer:
Biddu (composer, songwriter, producer and musician)
Tina Charles3:05
14No More Tears (Enough Is Enough)
cover recording of:
No More Tears (Enough Is Enough)
writer:
Paul Jabara and Bruce Roberts (American singer-songwriter)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Sosaha Music, Inc., Olga Music, Reservoir Media Music, Sony Music Publishing (worldwide except Japan, ended 1995) and Sony/ATV Music Publishing Australia Pty Ltd.
Kym Mazelle & Jocelyn Brown4:57
1599 Red Balloons
producer:
Jay Faires, Tricia Holloway, Reinhold Heil (from 1982 until 1983) and Manne Praeker (from 1982 until 1983)
lead vocals:
Nena (the person, performing solo since 1987) (in 1983)
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1983), Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (in 1983) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983)
recorded at:
Spliff Studio in Berlin, Germany (from 1982 until 1983)
part of:
TV Cream: Real 100 Best Singles Ever (number: 64)
recording of:
99 Red Balloons (from 1982 until 1983)
lyricist:
Carlo Karges (in 1982)
composer:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
translator:
Kevin McAlea (in 1983)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Songs Ltd.
translated version of:
99 Luftballons
Nena3.83:52
16I’m in the Mood for Dancing
recording of:
I’m in the Mood for Dancing
writer:
Ben Findon (songwriter and producer), Mike Myers (UK producer/songwriter) and Bob Puzey
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Songs of Windswept Pacific
The Nolans4.53:12
17Losing My Mind
producer:
Pet Shop Boys
recording of:
Follies: Losing My Mind (Follies)
lyricist and composer:
Stephen Sondheim
publisher:
Carlin Music Corporation (ended) and Herald Square Music, Inc.
part of:
Follies
Liza Minnelli44:03
189 to 5
producer:
Gregg Perry (American producer, arranger, songwriter and keyboardist)
baritone saxophone:
Kim S. Hutchcroft (in 1980)
bass guitar:
Abraham Laboriel (in 1980)
drums (drum set):
Richard Schlosser (drummer) (in 1980)
guitar:
Jeff Baxter (in 1980) and Martin K. Walsh (in 1980)
percussion:
Leonard Castro (in 1980)
piano:
Larry Knechtel (in 1980)
saxophone:
Tom Saviano (in 1980)
trombone:
William Reichenbach (jazz trombonist) (in 1980)
trumpet:
Jerry Hey (in 1980)
background vocals:
Anita Ball (in 1980), Denise Maynelli (in 1980) and Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (in 1980)
vocals:
Dolly Parton (in 1980)
phonographic copyright (℗) by:
BMG Entertainment (in 1980) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 191)
recording of:
9 to 5 (in 1980)
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music and Velvet Apple Music
part of:
The 53rd Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1980 nominee)
Dolly Parton4.052:46
19Young Hearts Run Free
recording of:
Young Hearts Run Free
lyricist and composer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. and IQ Music Ltd.
Candi Staton3:51
20It’s Raining Men
mixer:
Randy Tominaga
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 36)
recording of:
It’s Raining Men
writer:
Paul Jabara and Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls3.553:34
2▼CD
#TitleArtistRatingLength
1All Around the World
producer and mixer:
Ian Devaney and Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
vocals:
Lisa Stansfield
arranger:
Ian Devaney and Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1989)
recording of:
All Around the World
writer:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) and Lisa Stansfield
publisher:
Block & Gilbert, Block & Gilbert Music Ltd. (UK based music publishing company, now dissolved) and BMG Music Publishing Ltd.
Lisa Stansfield3.754:30
2Invisible
producer:
Steve Jolley and Tony Swain (songwriter, producer)
drums (drum set):
Tim Goldsmith
guitar:
Steve Jolley
keyboard:
Tony Swain (songwriter, producer)
background vocals and lead vocals:
Alison Moyet
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984, in 2009)
music videos:
Invisible by Alison Moyet
recording of:
Invisible
lyricist and composer:
Lamont Dozier
publisher:
All Boys Music Ltd., Beau‐Di‐O‐Do Music, Universal Music Publishers MGB Australia Pty Ltd, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
Alison Moyet4:09
3I Could Be Happy
recording of:
I Could Be Happy
lyricist and composer:
Tich Anderson, Clare Grogan, Tony McDaid, Johnny McElhone and Jim McKinven
Altered Images53:32
4The Right Thing to Do
recording engineer and engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
bass:
Jimmy Ryan (American guitarist and singer/songwriter) (from 1972-09 until 1972-10)
congas:
Ray Cooper (percussionist) (from 1972-09 until 1972-10)
drums (drum set):
Andy Newmark (from 1972-09 until 1972-10)
piano and lead vocals:
Carly Simon (from 1972-09 until 1972-10)
background vocals:
Vicki Brown (English pop, rock & contemporary classical singer) (from 1972-09 until 1972-10), Carly Simon (from 1972-09 until 1972-10) and Liza Strike (from 1972-09 until 1972-10)
brass [horns] arranger and strings arranger:
Kirby Johnson
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978) and Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
The Right Thing to Do (from 1972-09 until 1972-10)
lyricist and composer:
Carly Simon
publisher:
C’Est Music and Universal Music Corporation (USA, affiliated with ASCAP)
Carly Simon3.53:00
5Band of Gold
phonographic copyright (℗) by:
Holland Group Productions Inc. (in 1970)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 278) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 391)
recording of:
Band of Gold (Freda Payne song)
writer:
Ronald Dunbar (Songwriter, A&R director and record producer), Edythe Wayne, Edythe Wayne (Motown producer & songwriter) and Edythe Wayne (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
Chelsea Music Publishing Co., Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Universal/MCA Music Ltd. (not for release label use!)
Freda Payne4.52:53
6If She Knew What She Wants
producer:
David Kahne
mixer:
David Leonard (US producer and engineer)
bass guitar:
Michael Steele (American bassist, guitarist, songwriter, and singer)
drums (drum set):
Debbi Peterson (drummer for The Bangles)
guitar:
Susanna Hoffs and Vicki Peterson
lead vocals:
Susanna Hoffs
cover recording of:
If She Knew What She Wants
lyricist and composer:
Jules Shear
Bangles43:51
7I Heard a Rumour
vocals:
Bananarama
phonographic copyright (℗) by:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1987)
part of:
TV Cream: Real 100 Best Singles Ever (number: 80)
recording of:
I Heard a Rumour
writer:
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman and Keren Woodward
publisher:
All Boys Music Ltd., Grow Your Own Music, Mike Stock Publishing Limited, Reverb Music Ltd., Sid’s Songs Limited, Songs of Universal, Inc. (BMI), Sony/ATV Songs LLC, Universal Music Careers, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Bananarama43:26
8Last One Standing
Girl Thing3:37
9Pray
drums (drum set) programming:
Chris McDonnell (engineer)
engineer:
Chris McDonnell (engineer)
producer:
Mark Topham, TTW, Karl Twigg and Paul Waterman
mixer:
Dan Frampton (engineer) and Paul Waterman
drums (drum set) arranger:
Chris McDonnell (engineer)
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1998)
recording of:
Pray
composer:
Mark Topham and Karl Twigg
publisher:
All Boys Music Ltd.
Tina Cousins3:56
10Crazy Chick
engineer:
David Carlsson
producer:
Tore Johansson
assistant mixer:
Mark Reilly (guitarist, vocalist, producer, songwriter)
mixer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
bass:
Tore Johansson
drums (drum set):
Rasmus Kihlberg (drummer)
guitar and trombone:
Jens Lindgård
keyboard:
Martin Gjerstad
saxophone:
Sven Andersson (wind instruments player; saxophone, flute, horns)
trumpet:
Petter Lindgård
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2005)
produced for:
Stephen Budd
recorded at:
Gula Studio, Sweden in Malmö, Skåne (Skåne county), Sweden
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Crazy Chick
writer:
Sarah Buras, Fitzgerald Scott and Wirlie “Wyl‐e” Morris
Charlotte Church2.53:09
11Rollercoaster
additional producer:
Cutfather & Joe
co-producer:
Joe Belmaati and Mich Hansen
producer:
Ray Hedges
mixer:
Mads Nilsson
fiddle:
Daniel Collier (fiddler)
guitar:
Erwin Keiles
vocals:
B*Witched (Irish girl group)
remixer:
Cutfather & Joe
arranger:
Martin Brannigan and Ray Hedges
mixed at:
Medley Studio (Danish production, recording, mixing and mastering studio) in Copenhagen, Capital Region of Denmark, Denmark
recording of:
Rollercoaster
writer:
Tracy Ackerman, Lindsay Armaou, Martin Brannigan, Ray Hedges, Edele Lynch, Keavy Lynch and Sinéad O’Carroll
publisher:
19 Music Ltd., BMG Music Publishing Ltd., Bucks Music Ltd, Chrysalis Music Ltd. (music publisher, affiliated with PRS), PolyGram Music Publishing Ltd. and Sugar Free Music
B*Witched43:24
12I Feel the Earth Move
drums (drum set) [drum programming] programming:
Michael Jay (producer/engineer) (from 1988-04 until 1988-05)
assistant engineer:
Peter Arata, Ric Butz, John Hegedes, Greg Loskorn (American sound engineer) and Karen Siegel (engineer)
engineer and mixer:
Michael McDonald (engineer)
producer:
Michael Jay (producer/engineer)
additional keyboard [keyboards]:
Claude Gaudette (session musician, songwriter, composer) (from 1988-04 until 1988-05)
guitar:
Don Kirkpatrick (guitarist/songwriter) (from 1988-04 until 1988-05)
keyboard [keyboards]:
Greg Smith (Producer/Keyboards) (from 1988-04 until 1988-05)
background vocals:
Donna DeLory (from 1988-04 until 1988-05), Rick Jude Palombi (from 1988-04 until 1988-05) and Mona Lisa Young (US funk / soul singer) (from 1988-04 until 1988-05)
arranger:
Michael Jay (producer/engineer)
vocals arranger:
Michael Jay (producer/engineer) and Martika (American singer‐songwriter and actress)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1988)
recorded at:
Trax Recording Studio in Hollywood, Los Angeles, California, United States (from 1988-04 until 1988-05)
mixed at:
Garden Rake Studio in Studio City, Los Angeles, California, United States
cover recording of:
I Feel the Earth Move (from 1988-04 until 1988-05)
lyricist and composer:
Carole King
publisher:
Colgems-EMI Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) and Screen Gems–EMI Music Ltd. (in 1988)
Martika24:15
13Shy Guy
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994)
recording of:
Shy Guy
writer:
Kingsley Gardner, Diana King (Jamaican-American singer-songwriter) and Andy Marvel
publisher:
Diana King Music, Kinsley Gardner Nation of Soul Music, W'nR Music and World of Andy Music
Diana King2.253:42
14Back & Forth
recording engineer and engineer:
Peter Mokran
producer:
R. Kelly
mixer:
R. Kelly and Peter Mokran
other vocals [rap [ad-libs]]:
R. Kelly
vocals:
Aaliyah (American R&B singer)
phonographic copyright (℗) by:
Blackground Enterprises (label for early Aaliyah releases until 1998, later renamed Blackground Entertainment) (in 1994), Zomba Recording LLC (in 1994) and Blackground Records (fka Blackground Entertainment, renamed since 2000) (in 1996)
recorded at and engineered at:
Chicago Recording Company in Chicago, Illinois, United States
mixed at:
Battery Recording Studios (NYC; not to be confused with the mastering studio located at 321 W 44th Street) in New York, New York, United States
music videos:
Back & Forth by Aaliyah (American R&B singer)
recording of:
Back & Forth
lyricist and composer:
R. Kelly
publisher:
R. Kelly Publishing Inc., Rubber Band Music, Universal Music–Z Songs and Zomba Songs Inc.
Aaliyah4.353:51
15I Still Haven’t Found What I’m Looking For
mixer:
Manasseh (UK dub/reggae producer Nick Raphael) and Mr. Scruff (English DJ Andrew Carthy)
cover recording of:
I Still Haven’t Found What I’m Looking For
lyricist:
Bono (singer of U2)
composer:
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. and The Edge (U2 guitarist David Evans)
publisher:
Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group), Universal Music Publishing International B.V. (Global Licensing & Royalty Review division, Universal Music Publishing Group) and Blue Mountain Music Ltd. (in 1987)
version of:
Desert of Our Love
The Chimes5:32
16Feel So High
additional producer:
Phil Legg
producer:
Ashley Ingram
mixer:
Phil Legg
bass, guitar, keyboard and membranophone:
Ashley Ingram
percussion:
Harry Morgan
arranger:
Michael Graves
recording of:
Feel So High
writer:
Des’ree and Michael Graves
Des’ree43:56
17I Try
recording engineer and mixer:
Dave Way
producer:
Andrew Slater
bass:
Dave Wilder
bell and piano:
Jon Brion
drums (drum set):
Matt Chamberlain (American drummer)
guitar:
Jon Brion, Arik Marshall and Bendrix Williams
mellotron:
Patrick Warren
organ:
Jeremy Ruzumna (composer, lyricist, keyboardist)
percussion:
Lenny Castro
background vocals and lead vocals:
Macy Gray (American singer and actor)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1999)
music videos:
I Try by Macy Gray (American singer and actor)
recording of:
I Try
lyricist:
Macy Gray (American singer and actor)
composer:
Macy Gray (American singer and actor), Jinsoo Lim, Jeremy Ruzumna (composer, lyricist, keyboardist) and Dave Wilder
publisher:
Children of the Forest, Emerald Forest, EMI April Music Inc., Happy Mel Boopy’s Cocktail Longe And Music, Jinsoo Lim Music, Ooky Spinalton Music, Roasti Toasti and Zomba Songs Inc.
Macy Gray4.13:57
18See the Day
bass guitar:
Randy Hope-Taylor
drums (drum set):
Paul Waller
guitar family:
Steve Sherin
saxophone:
Ian Ritchie
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986)
recording of:
See the Day
lyricist and composer:
Dee C. Lee
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dee C. Lee4:38
19Automatic
recorded in:
Los Angeles, California, United States (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) (in 1983)
drum machine programming:
Brock Walsh (singer, producer, songwriter) (in 1983)
associate producer:
Glen Ballard and Brock Walsh (singer, producer, songwriter)
producer:
Richard Perry (producer)
bass:
Eddie N. Watkins Jr. (in 1983)
guitar:
Mark Goldenberg (in 1983) and Dennis Herring (in 1983)
Minimoog and synthesizer:
John Van Tongeren (in 1983)
synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983), Howie Rice (in 1983) and Brock Walsh (singer, producer, songwriter) (in 1983)
lead vocals:
Ruth Pointer (in 1983)
remixer:
Bill Schnee
recording of:
Automatic (in 1983)
composer:
Brock Patrick Walsh (singer, producer, songwriter) and Mark Goldenberg
The Pointer Sisters44:48
20Unpretty
recording of:
Unpretty
writer:
Dallas Austin and Tionne “T‐Boz” Watkins
TLC4:03
3▼CD
#TitleArtistRatingLength
1I Feel for You
cover recording of:
I Feel for You
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Chaka Khan34:07
2You Know How to Love Me
recording of:
You Know How to Love Me
writer:
Reggie Lucas and James Mtume (jazz/funk musician)
Phyllis Hyman4:44
3Take Good Care of Yourself
vocals:
Sheila Ferguson, Valerie Holiday and Fayette Pinkney
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
edit of:
Take Good Care of Yourself (Ferguson, Holiday, Pinkney) by The Three Degrees
recording of:
Take Good Care of Yourself
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Three Degrees43:05
4Friends
recording of:
Friends
writer:
Lorenzo Doumani and Mike Francis (Italian singer and composer)
publisher:
Reizner Music Corporation
Amii Stewart34:38
5Black Coffee
miscellaneous support and programming:
Sean Spuehler
producer:
William Orbit (English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
guitar, keyboard and synthesizer:
William Orbit (English musician, composer and record producer)
keyboard:
Sean Spuehler
arranger:
All Saints and William Orbit (English musician, composer and record producer)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 2000)
part of:
The Downloader’s Music Source Book (number: 376)
recording of:
Black Coffee
miscellaneous support:
Sean Spuehler
writer:
Kirsty Elizabeth, Tom Nichols (US singer/songwriter/guitarist) and Alex Von Soos
All Saints2.554:49
6You Might Need Somebody
Randy Crawford4:19
7Caught Up in the Rapture
recording of:
Caught Up in the Rapture
lyricist:
Dianne Quander
composer:
Garry Glenn
publisher:
DQMusic and Full Force Music
Anita Baker5:18
8Midnight at the Oasis
engineer:
Lee Herschberg and Donn Landee
producer:
Joe Boyd (US producer, founder of Hannibal Records) and Lenny Waronker
mixer:
Lee Herschberg
acoustic guitar:
David Nichtern
bass guitar:
Freebo
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos)
electric guitar:
Amos Garrett
piano:
Mark T. Jordan
spoken vocals:
Greg Prestopino
vocals:
Maria Muldaur
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Midnight at the Oasis
lyricist and composer:
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:48
9You’ll Never Get to Heaven If You Break My Heart
recording of:
You’ll Never Get to Heaven (If You Break My Heart)
lyricist:
Hal David
composer:
Burt Bacharach
Dionne Warwick3:10
10I Never Loved a Man (The Way I Love You)
recording engineer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-01-24)
drums (drum set):
Roger Hawkins (on 1967-01-24)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-01-24) and Chips Moman (on 1967-01-24)
piano:
Aretha Franklin (on 1967-01-24) and Spooner Oldham (on 1967-01-24)
tenor saxophone:
Joe Arnold (on 1967-01-24) and Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-01-24)
trombone:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1967-01-24)
trumpet:
Ken Laxton (on 1967-01-24)
vocals:
Aretha Franklin (on 1967-01-24)
conductor:
Tom Dowd (on 1967-01-24)
horn arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (on 1967-01-24)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 186)
recording of:
I Never Loved a Man (The Way I Love You) (on 1967-01-24)
lyricist and composer:
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and Pronto Music (publisher)
Aretha Franklin42:44
11I’d Be Surprisingly Good for You
recording of:
I’d Be Surprisingly Good for You (Evita)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
part of:
Evita (Andrew Lloyd Webber musical)
Linda Lewis3:07
12Stay With Me
recording of:
Stay With Me Baby
writer:
Jerry Ragovoy and George David Weiss
publisher:
TRO Essex Music Ltd.
Lorraine Ellison3:31
13Nights Over Egypt
recording of:
Nights Over Egypt
writer:
Cynthia Biggs and Dexter Wansel
publisher:
Cynthia Demari Biggs El and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Jones Girls3:43
14Don’t Let It Go to Your Head
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Jack Faith
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
Don’t Let It Go to Your Head
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Jean Carne4:53
15Affair
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1988)
Cherrelle53:13
16You’re the One I Love
recording of:
You’re the One I Love
writer:
Stevie Bensusen and Shaun LaBelle
publisher:
EMI Music (do not use as release label! this is a music publisher) and Shaun L. Music
Shola Ama3:54
17To Love Somebody
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
drums (drum set):
Don Alias (in 1967)
piano and lead vocals:
Nina Simone (in 1967)
conductor:
Jimmy Wisner
arranger:
Jimmy Wisner
phonographic copyright (℗) by:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-12-20)
cover recording of:
To Love Somebody (on 1967-12-20)
written in:
New York, New York, United States (in 1967)
writer:
Barry Gibb (in 1967) and Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
part of:
50/50
Nina Simone42:40
18Do You Get Enough Love
recording of:
Do You Get Enough Love
writer:
Bunny Sigler
publisher:
Henry Suemay Publishing Inc
Shirley Jones4:37
19Here We Are
programming:
Jorge Casas and Clay Ostwald
additional assistant engineer:
Carlos Nieto (engineer, mostly for Latin music)
engineer:
Eric Schilling
producer:
Jorge Casas, Emilio Estefan, Jr. and Clay Ostwald
mixer:
Phil Ramone and Eric Schilling
lead vocals:
Gloria Estefan
arranger:
Jorge Casas, Gloria Estefan and Clay Ostwald
recording of:
Here We Are
lyricist and composer:
Gloria Estefan
publisher:
EMI Songs Ltd., Foreign Imported Productions & Publishing, Inc., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) and シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
translated version of:
Si voy a perderte
Gloria Estefan3.54:51
20Goodbye Just Go
phonographic copyright (℗) by:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
recording of:
Goodbye Just Go
writer:
Nicky Holland and Ellen Shipley
Belinda Carlisle3:39
4▼CD
#TitleArtistRatingLength
1Sweet Love
engineer:
Barney Perkins
producer:
Michael J. Powell
bass guitar:
Freddie Washington (US session bassist)
guitar:
Greg Moore (US guitarist & songwriter)
keyboard:
Dean Gant
membranophone:
Ricky Lawson
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
Jim Gilstrap, Bunny Hull and Darryl Phinnessee
background vocals and lead vocals:
Anita Baker
music videos:
Sweet Love by Anita Baker
recording of:
Sweet Love
composer:
Anita Baker, Gary Bias (jazz saxophonist) and Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music (appears also as: Jobete Msc.)
Anita Baker3.54:28
2(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd (on 1967-02-16)
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-02-16)
drums (drum set):
Gene Chrisman (on 1967-02-16)
piano:
Spooner Oldham (on 1967-02-16)
trumpet:
Bernie Glow (on 1967-02-16), Melvin Lastie (on 1967-02-16) and Joe Newman (US jazz trumpeter) (on 1967-02-16)
choir vocals:
Carolyn Franklin (on 1967-02-16), Erma Franklin (on 1967-02-16) and The Sweet Inspirations (on 1967-02-16)
vocals:
Aretha Franklin (on 1967-02-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-16)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 10) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 90)
recording of:
(You Make Me Feel Like) A Natural Woman (on 1967-02-16)
lyricist:
Gerry Goffin
additional writer:
Jerry Wexler
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin4.22:46
3Rainy Night in Georgia
cover recording of:
Rainy Night in Georgia
lyricist and composer:
Tony Joe White
publisher:
Combine Music Corp. and EMI Songs Limited
Randy Crawford3:47
4Do You Know the Way to San Jose?
recording of:
Do You Know the Way to San Jose
lyricist:
Hal David (in 1968)
composer:
Burt Bacharach (in 1968)
publisher:
Blue Seas Music, Inc. and JAC Music Co., Inc.
Dionne Warwick2:57
5The Power of Love
producer:
Wolfgang Detmann (aka Candy de Rouge) and Gunther Mende
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1984) and Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1984)
recording of:
The Power of Love (Jennifer Rush song)
writer:
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende and Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (until 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Jennifer Rush2.54:27
6All This Time
recording of:
All This Time
writer:
Wayne Hector, Lorne Alistair Tennant (songwriter) and Steve Mac (British pop producer/songwriter Steve McCutcheon)
Michelle McManus2.54:23
7Chains
programming and producer:
David Tyson (Canadian producer/songwriter)
engineer:
Greg Droman (American producer, mixing and audio engineer)
assistant mixer:
Steve Gallagher (engineer)
mixer:
Chris Lord‐Alge
guitar:
Tim Pierce (US session guitarist)
keyboard:
David Tyson (Canadian producer/songwriter)
background vocals:
Tina Arena and Marilyn Martin
arranger:
David Tyson (Canadian producer/songwriter)
phonographic copyright (℗) by:
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1994) and Sony Music Productions Ltd. (for copyrights use only) (in 1994)
mixed at:
Image Recording Studios in Los Angeles, California, United States
recording of:
Chains
writer:
Tina Arena (in 1993-10), Pam Reswick (American songwriter) (in 1993-10) and Steve Werfel (in 1993-10)
publisher:
Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Orient Pacific Music Pty. Ltd., PolyGram Music Publishing Australia Pty. Ltd., Standard Music Ltd. (publishing company associated with David Platz and Howard S. Richmond), Standard Music Publishing Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tina Arena34:23
8Each and Every One
engineer:
Mike Pela
producer:
Robin Millar
bass:
Chucho Merchán (in 1984-01)
guitar family:
Ben Watt (in 1984-01)
horn [horns]:
Nigel Nash (saxophonist) (in 1984-01), Dick Pearce (trumpet) (in 1984-01) and Pete King (English alto saxophonist) (in 1984-01)
percussion:
Bosco d'Olivera (in 1984-01)
lead vocals:
Tracey Thorn (of Everything but the Girl) (in 1984-01)
vocals:
Tracey Thorn (of Everything but the Girl) (in 1984-01) and Ben Watt (in 1984-01)
guest performer:
Peter King (English alto saxophonist) (in 1984-01)
horn arranger:
Ben Watt
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recorded at:
Power Plant in London (Greater London), England, United Kingdom (in 1984-01)
recording of:
Each and Every One (in 1984-01)
writer:
Tracey Thorn (of Everything but the Girl) and Ben Watt
publisher:
Cherry Red Music (publisher) and Complete Music Ltd.
Everything but the Girl42:48
9You’re So Vain
recording engineer:
Robin Geoffrey Cable (from 1972-09 until 1972-10)
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
bass:
Klaus Voorman (from 1972-09 until 1972-10)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1972-09 until 1972-10)
guitar:
Jimmy Ryan (American guitarist and singer/songwriter) (from 1972-09 until 1972-10)
percussion:
Richard Perry (producer) (from 1972-09 until 1972-10)
piano and lead vocals:
Carly Simon (from 1972-09 until 1972-10)
additional background vocals:
Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
background vocals:
Mick Jagger (from 1972-09 until 1972-10)
strings arranger:
Carly Simon
orchestrator:
Paul Buckmaster
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
recording of:
You’re So Vain (from 1972-09 until 1972-10)
lyricist and composer:
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) and Universal Music Publishing Group
Carly Simon4.554:19
10That’ll Be the Day
engineer:
Val Garay
producer:
Peter Asher
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
drums (drum set):
Michael Botts
electric guitar:
Andrew Gold and Waddy Wachtel
handclaps:
Linda Ronstadt
wood block:
Peter Asher
background vocals:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) and Andrew Gold
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976)
cover recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Linda Ronstadt52:34
11Pink Cadillac
cover recording of:
Pink Cadillac
lyricist and composer:
Bruce Springsteen (from 1981 until 1982)
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Natalie Cole4:27
12I Lost My Heart to a Starship Trooper
Sarah Brightman4:21
13Star
recording of:
Star
lyricist and composer:
Doreen Chanter
publisher:
Eaton Music Limited
Kiki Dee53:17
14Promises
recording of:
Promises
writer:
B. Trzetrzelewska, D. White (keyboardist) and P. Ross
Basia4:04
15Holding On
engineer:
Barry Hammond
producer:
Paul Samwell-Smith
mixer:
Frank Filipetti
guest alto saxophone:
Frank Mead
guest bass guitar:
Pat Donaldson
guest drums (drum set) and guest percussion:
Dave Mattacks
guest guitar:
Simon Nicol (singer, multi-instrumentalist and producer from England)
guest keyboard:
Bias Boshell
piano accordion, background vocals and lead vocals:
Beverley Craven
guest background vocals:
Tubs Andrew, Sheila Parker, Sheryl Parker (vocalist), Suzanne Rhatigan and Paul Samwell-Smith
recording of:
Holding On
lyricist and composer:
Beverley Craven
Beverley Craven3:57
16January, February
producer:
Alan Tarney
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980) and Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1980)
recording of:
January, February
lyricist and composer:
Alan Tarney
publisher:
ATV Music Ltd. (in 1980)
Barbara Dickson3:46
17Torn Between Two Lovers
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976) and Arista Records, LLC (holding company - file NO releases here!) (in 1976)
recording of:
Torn Between Two Lovers (There are times when a woman has to say what’s on her mind…)
lyricist:
Phillip Jarrell
composer:
Peter Yarrow
publisher:
Muscle Shoals Sound Publishing, Peermusic France, Peermusic III, Ltd. (BMI), Silver Dawn Music, WB Music Corp. (1929–2019) and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Mary MacGregor3:39
18Bed of Roses
recording engineer:
Michael O’Reilly (engineer)
programming:
Steve Skinner
drums (drum set):
Tony Beard and James Johnson (US jazz drummer)
ebow [ebo guitar]:
Michael O’Reilly (engineer)
guitar:
Dean Parks (American session guitarist)
keyboard and synthesizer:
Steve Skinner
percussion:
Paulinho da Costa (Brazilian percussionist)
steel guitar:
Jay Dee Maness (American pedal steel guitarist)
additional strings arranger and additional synthesizer arranger:
Daniel Jacob (American composer, songwriter and guitarist)
arranger:
Arif Mardin and Steve Skinner
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1995)
recording of:
Bed of Roses
writer:
Bonnie Hayes
Bette Midler34:13
19Runaway Horses
recording of:
Runaway Horses
lyricist and composer:
Rick Nowels and Ellen Shipley
publisher:
Future Furniture Music (in 1989), Shipwreck Music (publisher) (in 1989) and Virgin Songs, Inc. (in 1989)
Belinda Carlisle4:43
20Memory
recording engineer:
David Hamilton-Smith (engineer)
programming:
André Horstmann
assistant engineer:
Meredith Leung (engineer)
engineer and mixer:
David Hunt (UK engineer) (in 1998-07)
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
lead vocals:
Elaine Paige
vocals:
Elaine Paige (from 1998-06-07 until 1998-06-08)
orchestra:
City of London Philharmonic (from 1998-06-07 until 1998-06-08)
conductor:
David Firman (conductor) and Martin Koch (British orchestrator, conductor, and composer) (from 1998-06-07 until 1998-06-08)
orchestrator:
David Cullen (composer, arranger, orchestrator) and Andrew Lloyd Webber (English composer and impresario of musical theatre)
phonographic copyright (℗) by:
The Really Useful Company Limited (in 1981) and Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (from 1998-06-07 until 1998-06-08)
mixed at and engineered at:
The Pierce Room in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1998-07)
live recording of:
Memory (Cats) (from 1998-06-07 until 1998-06-08)
lyricist:
T. S. Eliot and Trevor Nunn
additional writer:
Trevor Nunn
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Cats (Andrew Lloyd Webber musical)
recording of:
Memory (Cats)
lyricist:
T. S. Eliot and Trevor Nunn
additional writer:
Trevor Nunn
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Cats (Andrew Lloyd Webber musical)
Elaine Paige4:11
5▼CD
#TitleArtistRatingLength
1Doin’ the Do
producer:
The Beatmasters (British producer trio), Boo (British dance music singer-songwriter) (task: pre-production) and King John (task: pre-production)
phonographic copyright (℗) by:
Rhythm King (in 1990)
recorded at:
The Strongroom in Shoreditch, Hackney, London (Greater London), England, United Kingdom
recording of:
Doin’ the Do
publisher:
Rhythm King Music (Publishing arm of Rhythm King Records)
Betty Boo3:43
2Go Wild in the Country
recording of:
Go Wild in the Country
writer:
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) and Malcolm McLaren
publisher:
EMI Songs Ltd.
Bow Wow Wow33:02
3Brass in Pocket
additional recording engineer:
Steve Nye (producer, engineer and pianist)
engineer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
mixer:
Michael Paul Stavrou (producer/engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
additionally recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 389)
recording of:
Brass in Pocket
writer:
James Honeyman‐Scott and Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music and Modern Music Publishing Co., Inc.
Pretenders4.153:06
4I Think I Love You
executive producer:
Ralph Sall
producer:
Don Was
mixer:
Phil Harding & Ian Curnow (duo)
additional remixer:
Phil Harding & Ian Curnow (duo)
cover recording of:
I Think I Love You
lyricist and composer:
Tony Romeo
Voice of the Beehive53:13
5Since Yesterday
engineer:
David Motion and Trig
producer:
David Motion
guitar:
Jill Bryson and Rose McDowall
background vocals and lead vocals:
Rose McDowall
vocals:
Jill Bryson
arranger:
David Motion
phonographic copyright (℗) by:
A Korova Recording and WEA Records Ltd. (holding company based in the UK)
recording of:
Since Yesterday
writer:
Jill Bryson and Rose McDowall
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Zoo Music Publishing
version of:
Dance
Strawberry Switchblade4.652:57
6You’ve Got a Lot to Answer For
engineer:
Steve Howard (Welsh engineer)
additional producer:
TommyD
producer:
Catatonia (Welsh alternative rock band, ~1992–2001)
mixer:
Julian Mendelsohn (Australian record producer and engineer) and TommyD
recording of:
You’ve Got a Lot to Answer For
writer:
Cerys Matthews (lead singer, Catatonia) and Mark Roberts (Welsh guitarist, Catatonia)
Catatonia43:18
7She Cries Your Name
cello:
Oliver Kraus
double bass:
Ali Friend
drums (drum set):
Will Blanchard
guitar:
Ted Barnes
keyboard:
Lee Spencer (British electronic musician)
violin:
Beki Doe, Howard Gott and Lucy Wilkins (violinist)
lead vocals:
Beth Orton
arranger:
Beki Doe and Oliver Kraus
recording of:
She Cries Your Name
lyricist and composer:
William Orbit (English musician, composer and record producer) and Beth Orton
Beth Orton3.754:47
8As I Lay Me Down
vocals:
Sophie B. Hawkins
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1994)
recording of:
As I Lay Me Down
lyricist and composer:
Sophie B. Hawkins
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Sophie B. Hawkins54:11
9Miss Chatelaine
producer:
k.d. lang, Ben Mink and Greg Penny
accordion and piano:
Teddy Borowiecki
electric bass guitar:
David Piltch
guest strings:
Martin Laba
guitar family, viola and violin family:
Ben Mink
percussion:
Graham Boyle (drummer)
vocals:
k.d. lang
recorded at:
Vancouver Studios in Vancouver, British Columbia, Canada
mixed at:
Saylor Recording in Hollywood, Los Angeles, California, United States
recording of:
Miss Chatelaine
writer:
k.d. lang and Ben Mink
publisher:
Bumstead Publishing and Zavion Music
k.d. lang43:50
10Heaven
producer:
DJ Sammy and Yanou (German trance/eurodance artist Yann Peifer)
guest lead vocals:
Do (Dutch singer Dominique Rijpma van Hulst)
vocals:
Do (Dutch singer Dominique Rijpma van Hulst)
performer:
Yanou (German trance/eurodance artist Yann Peifer)
samples:
Heaven by Bryan Adams (Canadian singer/songwriter)
cover recording of:
Heaven
written in:
West Vancouver, Vancouver, British Columbia, Canada (in 1983)
writer:
Bryan Adams (Canadian singer/songwriter) (in 1983) and Jim Vallance (in 1983)
publisher:
Adams Communications Inc. (in 1983, in 1984), Almo Music Corp. (USA, affiliated with ASCAP) (in 1983), Irving Music, Inc. (in 1983), Testatyme Music (in 1983), Calypso Toonz (in 1984) and Rondor Music (London) Ltd. (in 1984)
DJ Sammy33:55
11Gloria
recording engineer:
Jürgen Koppers (engineer, producer) (from 1981 until 1982) and John Kovarek (from 1981 until 1982)
producer:
Greg Mathieson and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
lead vocals:
Laura Branigan (from 1981 until 1982)
arranger:
Greg Mathieson
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recorded at:
Rusk Sound Studios in Hollywood, Los Angeles, California, United States (from 1981 until 1982)
music videos:
Gloria (music video) by Laura Branigan
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 448)
recording of:
Gloria (English version) (from 1981 until 1982)
lyricist and composer:
Giancarlo Bigazzi, Umberto Tozzi and Trevor Veitch
publisher:
Ed. Melodi s.r.l. Casa Editrice, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), S.I.A.E. Direzione Generale, Songs of Universal, Inc. (BMI) and Sugar Song Publications, Inc.
translated version of:
Gloria (original Italian version)
Laura Branigan54:51
12Black Velvet
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1990)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 79)
recording of:
Black Velvet
writer:
David Tyson (Canadian producer/songwriter) and Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin', Kobalt Music Publishing Ltd. (UK), Ole Media Management LP and Zomba Music Publishing Ltd.
Alannah Myles4:01
13Chuck E’s in Love
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Chuck E.’s in Love
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones4.253:30
14I Didn’t Know I Was Looking for Love
recording of:
I Didn’t Know I Was Looking for Love
writer:
Tracey Thorn (of Everything but the Girl) and Ben Watt
Everything but the Girl4:13
15Patience of Angels
Eddi Reader4:03
16You’re History
recording of:
You’re History
writer:
Marcella Detroit, Siobhan Fahey and Richard Feldman
Shakespears Sister4:26
17San Andreas Fault
recording of:
San Andreas Fault
lyricist and composer:
Natalie Merchant
publisher:
Indian Love Bride Music
Natalie Merchant4:01
18Good Tradition
recording of:
Good Tradition (in 1988)
lyricist and composer:
Tanita Tikaram
Tanita Tikaram2:51
19Come Into My Life
phonographic copyright (℗) by:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 1987)
recording of:
Come Into My Life
lyricist and composer:
Joyce Sims
publisher:
Beach House Music, Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Smokin' Amigos and Tawanne Lamont Music
Joyce Sims23:24
20Ruby Tuesday
vocals:
Melanie (US singer‐songwriter Melanie Safka) (in 1970)
cover recording of:
Ruby Tuesday (in 1970)
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Melanie44:35

Credits

Release

ASIN:UK: B00SKJ6HAA [info]

Release group

part of:100 Hits (UK Demon Music Group) (number: 10) (order: 42)