Cantatas, BWV 56, 140 / Ich lasse dich nicht, du segnest mich denn

~ Release by Johann Sebastian Bach; Bach Festival Orchestra, Greg Funfgeld (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Ich will den Kreuzstab gerne tragen, BWV 56: Aria. Ich will den Kreuzstab gerne tragen (Bass)
recording engineer:
Craig D. Dory (from 1989-01-27 until 1989-01-28)
producer:
Craig D. Dory
bass vocals:
Daniel Lichti (bass-baritone) (from 1989-01-27 until 1989-01-28)
orchestra:
Bach Festival Orchestra (from 1989-01-27 until 1989-01-28)
conductor:
Greg Funfgeld (from 1989-01-27 until 1989-01-28)
recorded at:
First Presbyterian Church of Bethlehem in Bethlehem, Pennsylvania, United States (from 1989-01-27 until 1989-01-28)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (from 1989-01-27 until 1989-01-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach6:39
2Ich will den Kreuzstab gerne tragen, BWV 56: Recitative. Mein Wandel auf der Welt (Bass)
recording engineer:
Craig D. Dory (from 1989-01-27 until 1989-01-28)
producer:
Craig D. Dory
bass vocals:
Daniel Lichti (bass-baritone) (from 1989-01-27 until 1989-01-28)
orchestra:
Bach Festival Orchestra (from 1989-01-27 until 1989-01-28)
conductor:
Greg Funfgeld (from 1989-01-27 until 1989-01-28)
recorded at:
First Presbyterian Church of Bethlehem in Bethlehem, Pennsylvania, United States (from 1989-01-27 until 1989-01-28)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (from 1989-01-27 until 1989-01-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach2:18
3Ich will den Kreuzstab gerne tragen, BWV 56: Aria. Endlich, endlich wird mein Joch (Bass)
recording engineer:
Craig D. Dory (from 1989-01-27 until 1989-01-28)
producer:
Craig D. Dory
bass vocals:
Daniel Lichti (bass-baritone) (from 1989-01-27 until 1989-01-28)
orchestra:
Bach Festival Orchestra (from 1989-01-27 until 1989-01-28)
conductor:
Greg Funfgeld (from 1989-01-27 until 1989-01-28)
recorded at:
First Presbyterian Church of Bethlehem in Bethlehem, Pennsylvania, United States (from 1989-01-27 until 1989-01-28)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (from 1989-01-27 until 1989-01-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach6:34
4Ich will den Kreuzstab gerne tragen, BWV 56: Recitative and Aria. Ich stehe fertig und bereit (Bass)
recording engineer:
Craig D. Dory (from 1989-01-27 until 1989-01-28)
producer:
Craig D. Dory
bass vocals:
Daniel Lichti (bass-baritone) (from 1989-01-27 until 1989-01-28)
orchestra:
Bach Festival Orchestra (from 1989-01-27 until 1989-01-28)
conductor:
Greg Funfgeld (from 1989-01-27 until 1989-01-28)
recorded at:
First Presbyterian Church of Bethlehem in Bethlehem, Pennsylvania, United States (from 1989-01-27 until 1989-01-28)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (from 1989-01-27 until 1989-01-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:41
5Ich will den Kreuzstab gerne tragen, BWV 56: Chorale. Komm, o Tod, du Schlafes Bruder
recording engineer:
Craig D. Dory (from 1989-01-27 until 1989-01-28)
producer:
Craig D. Dory
choir vocals:
Bach Choir of Bethlehem (from 1989-01-27 until 1989-01-28)
orchestra:
Bach Festival Orchestra (from 1989-01-27 until 1989-01-28)
conductor:
Greg Funfgeld (from 1989-01-27 until 1989-01-28)
recorded at:
First Presbyterian Church of Bethlehem in Bethlehem, Pennsylvania, United States (from 1989-01-27 until 1989-01-28)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (from 1989-01-27 until 1989-01-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:49
6Wachet auf, ruft uns die Stimme, BWV 140: Chorale. Wachet auf, ruft uns die Stimme (Chorus)
recording engineer:
Craig D. Dory (from 1989-01-27 until 1989-01-28)
producer:
Craig D. Dory
choir vocals:
Bach Choir of Bethlehem (from 1989-01-27 until 1989-01-28)
orchestra:
Bach Festival Orchestra (from 1989-01-27 until 1989-01-28)
conductor:
Greg Funfgeld (from 1989-01-27 until 1989-01-28)
recorded at:
First Presbyterian Church of Bethlehem in Bethlehem, Pennsylvania, United States (from 1989-01-27 until 1989-01-28)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (from 1989-01-27 until 1989-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:56
7Wachet auf, ruft uns die Stimme, BWV 140: Recitative. Er kommt, er kommt (Tenor)
recording engineer:
Craig D. Dory (from 1989-01-27 until 1989-01-28)
producer:
Craig D. Dory
tenor vocals:
David Gordon (American concert and opera tenor) (from 1989-01-27 until 1989-01-28)
orchestra:
Bach Festival Orchestra (from 1989-01-27 until 1989-01-28)
conductor:
Greg Funfgeld (from 1989-01-27 until 1989-01-28)
recorded at:
First Presbyterian Church of Bethlehem in Bethlehem, Pennsylvania, United States (from 1989-01-27 until 1989-01-28)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (from 1989-01-27 until 1989-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach0:58
8Wachet auf, ruft uns die Stimme, BWV 140: Aria Duet. Wenn kommst du, mein Heil (Soprano, Bass)
recording engineer:
Craig D. Dory (from 1989-01-27 until 1989-01-28)
producer:
Craig D. Dory
bass vocals:
Daniel Lichti (bass-baritone) (from 1989-01-27 until 1989-01-28)
soprano vocals:
Henriette Schellenberg (soprano) (from 1989-01-27 until 1989-01-28)
orchestra:
Bach Festival Orchestra (from 1989-01-27 until 1989-01-28)
conductor:
Greg Funfgeld (from 1989-01-27 until 1989-01-28)
recorded at:
First Presbyterian Church of Bethlehem in Bethlehem, Pennsylvania, United States (from 1989-01-27 until 1989-01-28)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (from 1989-01-27 until 1989-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:00
9Wachet auf, ruft uns die Stimme, BWV 140: Chorale. Zion hort die Wachter singen (Chorus)
recording engineer:
Craig D. Dory (from 1989-01-27 until 1989-01-28)
producer:
Craig D. Dory
tenor vocals:
David Gordon (American concert and opera tenor) (from 1989-01-27 until 1989-01-28)
orchestra:
Bach Festival Orchestra (from 1989-01-27 until 1989-01-28)
conductor:
Greg Funfgeld (from 1989-01-27 until 1989-01-28)
recorded at:
First Presbyterian Church of Bethlehem in Bethlehem, Pennsylvania, United States (from 1989-01-27 until 1989-01-28)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1989-01-27 until 1989-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach4:02
10Wachet auf, ruft uns die Stimme, BWV 140: Recitative. So geh herein zu mir (Bass)
recording engineer:
Craig D. Dory (from 1989-01-27 until 1989-01-28)
producer:
Craig D. Dory
bass vocals:
Daniel Lichti (bass-baritone) (from 1989-01-27 until 1989-01-28)
orchestra:
Bach Festival Orchestra (from 1989-01-27 until 1989-01-28)
conductor:
Greg Funfgeld (from 1989-01-27 until 1989-01-28)
recorded at:
First Presbyterian Church of Bethlehem in Bethlehem, Pennsylvania, United States (from 1989-01-27 until 1989-01-28)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (from 1989-01-27 until 1989-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:39
11Wachet auf, ruft uns die Stimme, BWV 140: Aria Duet. Mein Freund ist mein (Soprano, Bass)
recording engineer:
Craig D. Dory (from 1989-01-27 until 1989-01-28)
producer:
Craig D. Dory
bass vocals:
Daniel Lichti (bass-baritone) (from 1989-01-27 until 1989-01-28)
soprano vocals:
Henriette Schellenberg (soprano) (from 1989-01-27 until 1989-01-28)
orchestra:
Bach Festival Orchestra (from 1989-01-27 until 1989-01-28)
conductor:
Greg Funfgeld (from 1989-01-27 until 1989-01-28)
recorded at:
First Presbyterian Church of Bethlehem in Bethlehem, Pennsylvania, United States (from 1989-01-27 until 1989-01-28)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (from 1989-01-27 until 1989-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:48
12Wachet auf, ruft uns die Stimme, BWV 140: Chorale. Gloria sei dir gesungen (Chorus)
recording engineer:
Craig D. Dory (from 1989-01-27 until 1989-01-28)
producer:
Craig D. Dory
choir vocals:
Bach Choir of Bethlehem (from 1989-01-27 until 1989-01-28)
orchestra:
Bach Festival Orchestra (from 1989-01-27 until 1989-01-28)
conductor:
Greg Funfgeld (from 1989-01-27 until 1989-01-28)
recorded at:
First Presbyterian Church of Bethlehem in Bethlehem, Pennsylvania, United States (from 1989-01-27 until 1989-01-28)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (from 1989-01-27 until 1989-01-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach2:00
13Ich lasse dich nicht, du segnest mich denn, BWV Anh. 159
recording engineer:
Craig D. Dory (from 1989-01-27 until 1989-01-28)
producer:
Craig D. Dory
choir vocals:
Bach Choir of Bethlehem (from 1989-01-27 until 1989-01-28)
orchestra:
Bach Festival Orchestra (from 1989-01-27 until 1989-01-28)
conductor:
Greg Funfgeld (from 1989-01-27 until 1989-01-28)
recorded at:
First Presbyterian Church of Bethlehem in Bethlehem, Pennsylvania, United States (from 1989-01-27 until 1989-01-28)
recording of:
Ich lasse dich nicht, du segnest mich denn, BWV 1165 / Anh. III 159 (attribution doubtful) (from 1989-01-27 until 1989-01-28)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
previously attributed to:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 1165), Bach Compendium (number: BC C 9), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. III 159), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 159) and Bach-Werke-Verzeichnis (number: BWV Anh. 159)
Johann Sebastian Bach4:09