The 80’s Collection, Volume Two

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Fame
vocals:
Irene Cara
phonographisches Urheberrecht (℗) von:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981) (in 1980)
recording of:
Fame
Texter:
Dean Pitchford
Komponist(in):
Michael Gore (composer)
publisher:
EMI Affiliated Catalog Inc.
Teil von:
The 53rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1980 winner)
Irene Cara35:16
2Dreamin’
recording of:
Dreamin’
Texter:
Leo Sayer
Komponist(in):
Alan Tarney
publisher:
ATV Music Ltd. und Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Cliff Richard43:38
3Brass in Pocket
zusätzlich recording engineer:
Steve Nye (producer, engineer and pianist)
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Michael Paul Stavrou (producer/engineer)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 389)
recording of:
Brass in Pocket
Verfasser(in):
James Honeyman‐Scott und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music und Modern Music Publishing Co., Inc.
The Pretenders4.153:08
4Kids in America
recording engineer:
Jeo (von 1980 bis 1981)
Programmierung:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Gitarre:
Thomas Hahn (von 1980 bis 1981), Charlotte Hatherley (von 1980 bis 1981), Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981), Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981), Derek von Krogh (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Bernhard Hahn (von 1980 bis 1981), Chris North (UK drummer of The Enid) (von 1980 bis 1981) und Tobias Wörner (von 1980 bis 1981)
zusätzlich Keyboard:
Nick Priessnitz (von 1980 bis 1981)
Hintergrundgesang:
D. Janz (von 1980 bis 1981), M. Janz (von 1980 bis 1981), N. Janz (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Sologesang:
Charlotte Hatherley (von 1980 bis 1981) und Kim Wilde (von 1980 bis 1981)
vocals:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
Amira Studio (von 1980 bis 1981), RAK Studios in London (Greater London), England, Vereinigtes Königreich (von 1980 bis 1981), Soundmastaz Studios (von 1980 bis 1981), Studio 77 in Stuttgart, Baden-Württemberg, Deutschland (von 1980 bis 1981) und The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Deutschland, RAK Studios in London (Greater London), England, Vereinigtes Königreich und Studio 77 in Stuttgart, Baden-Württemberg, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 55)
recording of:
Kids in America (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Rickim Music Ltd.
Kim Wilde4.353:29
5Celebration
Hintergrundgesang:
Kelly Barretto, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dee Dee Bryant, Gwen Hester, Cynthia Huggins, Joan Motley, Meekaeel Muhammad, Robert Bell, Robert Mickens, Elaine Sims, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Cedric Toon und Earl Toon, Jr.
Sologesang:
James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
Interpret(in):
Kool & the Gang
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980, in 2020)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 298)
recording of:
Celebration
Verfasser(in):
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) und Earl Toon, Jr.
publisher:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) und WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang4.54:55
6Girls on Film
Techniker(in) und Produzent(in):
Colin Thurston
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Gloucester Place Music Ltd.
Version von:
Girls on Film (Pre-Le Bon version)
Duran Duran3.73:32
7Oh Julie
recording of:
Oh Julie (1982 song)
Texter und Komponist(in):
Shakin’ Stevens
publisher:
SM Limited und Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Shakin’ Stevens42:34
8Give It Up
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
recording of:
Give It Up
Verfasser(in):
Deborah Carter (writer, backing vocalist) und Harry Wayne Casey
publisher:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und Harrick Music, Inc. (BMI)
KC and the Sunshine Band4.34:16
9Down Under
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Ron Strykert
Holzblasinstrumente und Keyboard:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 21) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work3.953:44
10I Want to Break Free
Assistent recording engineer:
Eddie DeLena (engineer) und Stephan Wissnet
recording engineer, Programmierung und Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
zusätzlich recording engineer:
Mike Beiriger
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack) und Queen (UK rock group)
Akustikgitarre [acoustic rhythm guitar] und Bassgitarre:
John Deacon (von 1983-08 bis 1984-01)
E-Gitarre:
Brian May (Queen guitarist) (von 1983-08 bis 1984-01)
Gast-Solo-Synthesizer und Gast-Synthesizer:
Fred Mandel (von 1983-08 bis 1984-01)
Schlagzeug:
Roger Taylor (Queen drummer) (von 1983-08 bis 1984-01)
Synthesizer:
John Deacon (von 1983-08 bis 1984-01) und Freddie Mercury (von 1983-08 bis 1984-01)
Hintergrundgesang und Sologesang:
Freddie Mercury (von 1983-08 bis 1984-01)
phonographisches Urheberrecht (℗) von:
Raincloud Productions Ltd. (in 1984) und Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 2011)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1983-08 bis 1984-01) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1984-01)
produced at:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1983-08 bis 1984-01) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1984-01)
Bearbeitung von:
I Want to Break Free (single version) von Queen (UK rock group)
recording of:
I Want to Break Free (von 1983-08 bis 1984-01)
Texter und Komponist(in):
John Deacon
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen4.353:19
11Total Eclipse of the Heart
phonographisches Urheberrecht (℗) von:
CBS United Kingdom Ltd. (do not use as a release label! for copyrights use only) (in 1983) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1983)
recording of:
Total Eclipse of the Heart
Texter und Komponist(in):
Jim Steinman
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) und Virgin Music (Publishers) Ltd.
Bonnie Tyler4.355:38
12Karma Chameleon
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
Mundharmonika:
Judd Lander (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Hintergrundgesang:
Helen Terry (UK singer) (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Karma Chameleon von Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Culture Club3.754:02
13Let’s Hear It for the Boy
Produzent(in):
George Duke
Mix:
Tom Perry (engineer), Tommy Vicari und Erik Zobler
Analoger Synthesizer [Prophet V], elektronisches Schlagzeug / E-Drums [Linn Drums], Minimoog [Mini-Moog] und Moog [Memory Moog]:
George Duke
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
George Merrill, Shannon Rubicam und Deniece Williams (US soul/funk vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
Texter:
Dean Pitchford
Komponist(in):
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Deniece Williams3.64:21
14When Doves Cry
recording engineer:
David Leonard (US producer and engineer) (am 1984-03-01) und Peggy Mac (am 1984-03-01)
Produzent(in):
Prince (“The Artist Formerly Known as…”)
drum machine [Linn LM-1], E-Gitarre, Synthesizer [Oberheim OB-Xa], Synthesizer [Yamaha DX7], Hintergrundgesang und Sologesang:
Prince (“The Artist Formerly Known as…”) (am 1984-03-01)
arranger:
Prince (“The Artist Formerly Known as…”)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984) und NPG Records, Inc. (in 2017)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1984-03-01)
Bearbeitung von:
When Doves Cry (album version) von Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
recording of:
When Doves Cry (am 1984-03-01)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions und Controversy Music
Prince4.53:40
15We Belong
assistierende(r) Techniker(in):
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
Produzent(in):
Pete Coleman und Neil Giraldo
assistierende(r) Mix:
Murray Dvorkin und Bino Espinoza
Bassgitarre:
Donnie Nossov
Gitarre und Mundharmonika:
Neil Giraldo
Keyboard:
Charles Giordano (American keyboardist and accordionist)
Perkussion:
Charles Giordano (American keyboardist and accordionist), Neil Giraldo und Myron Grombacher
Schlagzeug:
Myron Grombacher
zusätzlich Gast-Bassgitarre:
Roger Capps
Sologesang:
Pat Benatar
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1981) und Chrysalis Records, Inc. (not for release label use!) (in 1984)
mixed at:
Soundcastle (Interactive Studios) in Santa Monica, California (Kalifornien), Vereinigte Staaten und The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
We Belong
Verfasser(in):
Eric Lowen und Dan Navarro (singer/songwriter/voice actor)
publisher:
Screen Gems–EMI Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Pat Benatar4.453:42
16Shout
recording of:
Shout
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. und Virgin Music (Publishers) Ltd.
Tears for Fears4:35
17I Got You Babe
Produzent(in):
Ray “Pablo” Falconer und UB40
Gast vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Interpret(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und UB40
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 2000)
produced at:
The Abattoir in Birmingham, West Midlands, England, Vereinigtes Königreich
cover recording of:
I Got You Babe
Texter und Komponist(in):
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) und Warner/Chappell Music Ltd. (1996–2019)
UB40 feat. Chrissie Hynde2.753:10
2▼CD
Nr.TitelKünstlerBewertungLänge
1West End Girls
Techniker(in):
David Jacob
Produzent(in):
Stephen Hague
zusätzlich vocals:
Helena Springs (von 1984 bis 1986)
Interpret(in):
Chris Lowe (1/2 of Pet Shop Boys) (von 1984 bis 1986) und Neil Tennant (von 1984 bis 1986)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich (von 1984 bis 1986)
engineered at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 189) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 433)
recording of:
West End Girls (von 1984 bis 1986)
Verfasser(in):
Chris Lowe (1/2 of Pet Shop Boys) und Neil Tennant
publisher:
10 Music Ltd., Edition Meridian, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), Cage Music Ltd. (vom 1984 bis heute) und CBS, Inc. (US broadcasting company; file no releases here!) (vom 1984 bis heute)
Pet Shop Boys4.24:49
2Don’t Leave Me This Way
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards5:24
3A Good Heart
Produzent(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
Mix:
Shelly Yakus
arranger:
Feargal Sharkey und Dave Stewart (UK guitarist/singer for Eurythmics)
phonographisches Urheberrecht (℗) von:
EMI Music Italy S.p.A. (company 1997–2007, not the same as "EMI Music Italy" its main imprint) (in 1985) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
A Good Heart
Texter und Komponist(in):
Maria McKee
publisher:
J. Albert & Son Pty. Ltd.
Feargal Sharkey3.64:42
4Caravan of Love
Techniker(in):
Phil Bodger (engineer)
Produzent(in):
John Williams (English A&R executive, producer, songwriter...)
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1986, in 1987)
cover recording of:
Caravan of Love
Verfasser(in):
Ernie Isley, Marvin Isley und Chris Jasper
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), IJI Publishing und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Housemartins4.53:40
5All I Need Is a Miracle
recording of:
All I Need Is a Miracle
Verfasser(in):
Christopher Neil und Mike Rutherford
publisher:
63 Songs Limited, Chappell & Co., Inc. (USA), Michael Rutherford Limited und Pun Music, Inc.
Mike + the Mechanics3:49
6Nikita
Techniker(in):
Stuart Epps
Produzent(in):
Gus Dudgeon
assistierende(r) Mix:
Tom Pearce
Mix:
Graham Dickson (UK engineer aka "Overdubs") und Gus Dudgeon
E-Bass:
David Paton (of Pilot)
E-Gitarre:
Nik Kershaw
Flügel und Sprachsynthesizer und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Dave Mattacks
Synthesizer:
Fred Mandel
Hintergrundgesang:
Elton John (English singer, songwriter, pianist, and composer), Davey Johnstone und George Michael
vocals:
Elton John (English singer, songwriter, pianist, and composer)
phonographisches Urheberrecht (℗) von:
William A. Bong Ltd. (in 1985)
aufgenommen bei:
The Sol Studio (The Sol) in Windsor and Maidenhead, England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
recording of:
Nikita
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher) und Universal–Songs of PolyGram International, Inc.
Elton John3.75:44
7Conga
Produzent(in):
Emilio Estefan, Jr.
Interpret(in):
Miami Sound Machine
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1985) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1985)
recording of:
Conga
Texter und Komponist(in):
Enrique Garcia (Miami Sound Machine)
Verfasser(in):
Enrique E. Garcia (Miami Sound Machine)
publisher:
Foreign Imported Productions & Publishing, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Gloria Estefan feat. Miami Sound Machine3.854:16
8I Still Haven’t Found What I’m Looking For
recording engineer:
Flood (British producer Mark Ellis)
Synthesizer [DX7]-Programmierung:
Brian Eno
zusätzliche(r) Techniker(in):
Pat McCarthy und Dave Meegan (producer)
Produzent(in):
Brian Eno und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
assistierende(r) Mix:
Mary Kettle
Mix:
Brian Eno, Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter) und Mark Wallis
Bassgitarre:
Adam Clayton
Gitarre:
The Edge (U2 guitarist David Evans)
Keyboard:
Brian Eno
Mundharmonika und Sologesang:
Bono (singer of U2)
Omnichord, Tamburin und zusätzlich Gitarre:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
Perkussion und Schlagzeug:
Larry Mullen, Jr.
Hintergrundgesang:
The Edge (U2 guitarist David Evans), Brian Eno und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
phonographisches Urheberrecht (℗) von:
BMG Ariola München GmbH (in 1987), Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1987, in 2007, in 2017), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1987) und Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2007)
aufgenommen bei und mixed at:
Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irland
Musikvideos:
I Still Haven’t Found What I’m Looking For von U2 (Irish rock band)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 93) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 321)
recording of:
I Still Haven’t Found What I’m Looking For
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. und The Edge (U2 guitarist David Evans)
publisher:
Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group), Universal Music Publishing International B.V. (Global Licensing & Royalty Review division, Universal Music Publishing Group) und Blue Mountain Music Ltd. (in 1987)
Version von:
Desert of Our Love
U24.14:41
9Let’s Dance
Produzent(in):
Chris Rea
recording of:
Let’s Dance
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea4:10
10Heaven Is a Place on Earth
recording engineer:
Steve McMillan
Schlagzeug [drum]-Programmierung:
Charles Judge (American guitarist, pianist, arranger and songwriter) und Rick Nowels
assistierende(r) Techniker(in):
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble und Joe Schiff
zusätzliche(r) Techniker(in):
Stacy Baird und Robert Feist
Produzent(in):
Rick Nowels
zusätzliche(r) Produzent(in):
Robert Feist (sonstiger Gesang [vocal]) und Ellen Shipley (sonstiger Gesang [vocal])
Mix:
Shelly Yakus
Akustikgitarre [acoustic guitars]:
Rick Nowels
Bass:
John Pierce (US session bassist)
E-Gitarre [electric guitars]:
Dan Huff, John McCurry und Rick Nowels
Gitarre [air guitar] und Sologesang:
Belinda Carlisle
Keyboard [keyboards]:
Charles Judge (American guitarist, pianist, arranger and songwriter) und Rick Nowels
Klavier [acoustic piano]:
Charles Judge (American guitarist, pianist, arranger and songwriter)
Schlagzeug [drums]:
Kenny Aronoff und Curly Smith (Jo Jo Gunne musician)
Synthesizer [Fairlight]:
Rhett Lawrence
zusätzlich Gitarre:
Tim Pierce (US session guitarist)
zusätzlich Gitarre [guitars]:
Michael Landau
zusätzlich Keyboard [keyboards]:
Thomas Dolby
zusätzlich Perkussion:
Jimmy Bralower und Paulinho da Costa (Brazilian percussionist)
vocals:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips und Ellen Shipley
arranger:
Rick Nowels
phonographisches Urheberrecht (℗) von:
Artist Management Services Ltd. (in 1987), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1987), Virgin Records Ltd (not for release label use! for company relationships only) (in 1987) und Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
aufgenommen bei:
American Recording und Ocean Way Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
zusätzlich aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Hollywood Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten und Music Grinder Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 400)
recording of:
Heaven Is a Place on Earth
Verfasser(in):
Rick Nowels und Ellen Shipley
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Rights Management (see annotation), Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (in 1987) und Shipwreck Music (publisher) (in 1987)
sub-publisher:
Fujipacific Music, Inc.
Belinda Carlisle4.154:05
11Lady in Red
Produzent(in):
Paul Hardiman
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1986)
aufgenommen bei:
RDS Arena in Dublin, County Dublin, Leinster, Irland (am 1988-12-07) und Westfalenhalle in Dortmund, Nordrhein-Westfalen, Deutschland (am 2004-11-06)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 54)
recording of:
The Lady in Red (in 1986)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 1988-12-07)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 2004-11-06)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh3.354:01
12Don’t Dream It’s Over
recording engineer:
Tchad Blake und Dennis Kirk
assistierende(r) Techniker(in):
Glen Holguin (engineer)
Produzent(in):
Mitchell Froom
Mix:
Michael Frondelli
Bass:
Nick Seymour (Nicholas More Seymour)
Conga, Mbira [kalimba] und shakers:
Jorge Bermudez
E-Gitarre [Gibson Les Paul Goldtop] und Sologesang:
Neil Finn
E-Gitarre [Tom Anderson “S” Style]:
Tim Pierce (US session guitarist)
Keyboard und Orgel:
Mitchell Froom
Schlagzeug:
Paul Hester (Australian drummer for Crowded House/Split Enz)
Hintergrundgesang:
Noel Crombie, Jim Gilstrap, Andy Milton und Joe Satriani
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 5)
recording of:
Don’t Dream It’s Over
Texter und Komponist(in):
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing und Roundhead Music (Neil Finn)
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 2)
Crowded House3.93:56
13Bring Me Some Water
recording of:
Bring Me Some Water
Texter und Komponist(in):
Melissa Etheridge
publisher:
Rondor Music (London) Ltd.
Melissa Etheridge4.653:56
14I’m Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:40
15Something’s Gotten Hold of My Heart
Produzent(in):
Bob Kraushaar
Interpret(in):
Gene Pitney
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
Musikvideos:
Something’s Gotten Hold of My Heart von Marc Almond (English pop singer and songwriter) feat. Gene Pitney
cover recording of:
Something’s Gotten Hold of My Heart
Texter und Komponist(in):
Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und PolyGram Music Publishing
Marc Almond feat. Gene Pitney2.54:41

Nennungen

Veröffentlichung

Zusammensteller:Bruce Ward (EMI compilation specialist)

Veröffentlichungsgruppe

Teil von:The 80's Collection (Australia, EMI) (Nummer: 2) (Reihenfolge: 2)