Wedding Party 2020

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2020 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Spotify + Deezer)

(As of 2020-08-03).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇩🇴 Dominican Republic (do)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇭🇷 Croatia (hr) 🇮🇹 Italy (it) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇧🇾 Belarus (by) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇷🇺 Russian Federation (ru) 🇸🇰 Slovakia (sk) 🇺🇦 Ukraine (ua) 🇽🇰 Kosovo (xk)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma)
  • Western Africa: 🇨🇮 Cote D’Ivoire (ci) 🇬🇭 Ghana (gh) 🇳🇬 Nigeria (ng)
  • Eastern Africa: 🇰🇪 Kenya (ke)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Southern Asia: 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇹🇼 Taiwan (tw) 🇰🇷 Korea (kr)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn) 🇰🇭 Cambodia (kh)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotation last modified on 2020-08-03 02:43 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Celebration
background vocals:
Kelly Barretto, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dee Dee Bryant, Gwen Hester, Cynthia Huggins, Joan Motley, Meekaeel Muhammad, Robert Bell, Robert Mickens, Elaine Sims, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Cedric Toon and Earl Toon, Jr.
lead vocals:
James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
performer:
Kool & the Gang
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980, in 2020)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 298)
recording of:
Celebration
writer:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) and Earl Toon, Jr.
publisher:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) and WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang4.54:58
2Pump Up the Jam (edit)
producer:
Jo Bogaert (Belgian producer)
vocals:
Ya Kid K (Belgian‐Congolese singer Manuela Kamosi)
performer:
Felly (Felly Kilingi, “frontwoman” for Technotronic in the early ’90s)
phonographic copyright (℗) by:
ARS Productions Benelux (in 1989)
recording of:
Pump Up the Jam
lyricist:
Manuela Kamosi (Belgian‐Congolese singer Manuela Kamosi)
composer:
Patrick de Meyer (Belgian electronic music producer) and Thomas de Quincey (Belgian producer Jo Bogaert [Technotronic])
is based on:
Technotronic
Technotronic3.653:35
3I Gotta Feeling
co-producer:
Frédéric Riesterer
producer:
David Guetta
part of:
Billboard Year-End Hot 100 singles of 2009 (number: 4), Billboard: Greatest of All Time Hot 100 Songs (number: 8), Billboard Year-End Hot 100 singles of 2010 (number: 29), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 103) and BILLIONS CLUB
recording of:
I Gotta Feeling
lyricist:
Allan Pineda, Jaime Gomez (member of Black Eyed Peas), Stacy Ferguson (American singer) and William Adams (American rapper and producer)
composer:
David Guetta and Frédéric Riesterer
Black Eyed Peas3.854:49
4Summer of ’69
assistant engineer:
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov and Michael Sauvage
engineer:
Bob Clearmountain (from 1984-03-27 until 1984-09-22)
associate producer:
Jim Vallance
producer:
Bryan Adams (Canadian singer/songwriter) and Bob Clearmountain
mixer:
Bob Clearmountain (on 1984-09-22)
drums (drum set) [drums]:
Pat (from 1984-03-27 until 1984-09-22)
electric bass guitar [bass]:
Dave (Bass player (Bryan Adams) and engineer) (from 1984-03-27 until 1984-09-22)
guitar [lead guitar]:
Keith (Canadian guitarist) (from 1984-03-27 until 1984-09-22)
guitar [rhythm guitar] and background vocals [harmony vocal]:
BA (Canadian singer/songwriter) (from 1984-03-27 until 1984-09-22)
percussion:
Jim (from 1984-03-27 until 1984-09-22)
lead vocals:
Bryan Adams (Canadian singer/songwriter) (from 1984-03-27 until 1984-09-22)
phonographic copyright (℗) by:
A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999) and Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada (from 1984-03-27 until 1984-09-22)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (on 1984-09-22)
part of:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (number: 1), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (number: 3), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (number: 3), SWR1 Hitparade 2007 (Baden-Württemberg) (number: 5), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 8), Huffington Post: 100 Best Canadian Songs Ever (number: 9), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 10) and The Downloader’s Music Source Book (number: 179)
recording of:
Summer of ’69 (from 1984-03-27 until 1984-09-22)
written in:
Vancouver, British Columbia, Canada (on 1984-01-25)
writer:
Bryan Adams (Canadian singer/songwriter) (on 1984-01-25) and Jim Vallance (on 1984-01-25)
publisher:
Adams Communications Inc. (in 1984), Almo Music Corp. (USA, affiliated with ASCAP) (in 1984), Calypso Toonz (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984) and Testatyme Music (in 1984)
Bryan Adams4.43:37
5Great Balls of Fire (1964 version)
lead vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1963-09-22 until 1963-09-24)
recording of:
Great Balls of Fire (from 1963-09-22 until 1963-09-24)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) and Warner Chappell Music (publisher as Warner/Chappell Music)
Jerry Lee Lewis1:50
6(We’re Gonna) Rock Around the Clock (single version)
double bass:
Marshall Lytle (on 1954-04-12)
drums (drum set):
Billy Gussak (on 1954-04-12)
electric guitar [lead guitar]:
Danny Cedrone (on 1954-04-12)
electric guitar [rhythm guitar] and lead vocals:
Bill Haley (on 1954-04-12)
piano:
Johnny Grande (on 1954-04-12)
steel guitar:
William F. ‘Billy’ Williamson (on 1954-04-12)
tenor saxophone:
Joey D'Ambrosio (on 1954-04-12)
phonographic copyright (℗) by:
Sonet Music AB (in 1954) and MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1955)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (on 1954-04-12)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley and His Comets4.352:11
7I Got You (I Feel Good)
recorded in:
Miami, Florida, United States (on 1965-05-06)
producer:
James Brown (The Godfather of Soul)
alto saxophone:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06) and Maceo Parker (US funk/jazz saxophonist) (on 1965-05-06)
bass:
Bernard Odum (on 1965-05-06)
drums (drum set):
Melvin Parker (on 1965-05-06)
guitar:
Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
organ:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06)
tenor saxophone:
Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
trombone:
Levi Rasbury (on 1965-05-06)
trumpet:
Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (American trumpeter) (on 1965-05-06)
lead vocals:
James Brown (The Godfather of Soul) (on 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) and PolyGram Inc. (1978–1990) (in 1988)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1965-05-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 359)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (on 1965-05-06)
lyricist and composer:
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown & The Famous Flames4.552:48
8Despacito
producer:
Mauricio Rengifo (El Dandee) and Andrés Torres (Colombian producer, songwriter and drummer)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 84)
recording of:
Despacito
writer:
Erika Ender, Luis Fonsi and Raymond Ayala
publisher:
DaFons Songs, Gasolina Recording Co., Sony/ATV Latin Music Publishing, LLC and Spirit Two Latino DY (ASCAP-affiliated)
Luis Fonsi & Daddy Yankee4.253:50
9Blurred Lines
producer:
Pharrell Williams
samples:
Got to Give It Up by Marvin Gaye
music videos:
Blurred Lines by Robin Thicke feat. T.I. (Atlanta US rapper & producer Clifford Harris) & Pharrell Williams
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 2), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2014) and Billboard Year-End Hot 100 singles of 2014 (number: 83)
recording of:
Blurred Lines
writer:
Marvin Gaye, T.I. (Atlanta US rapper & producer Clifford Harris), Robin Thicke and Pharrell Williams
publisher:
Deyjah’s Daddy Muzik (ended), EMI April Music, Inc., I Like ’em Thicke Music and More Water From Nazareth
Robin Thicke feat. T.I. & Pharrell Williams2.54:23
10Wannabe
assistant recording engineer:
Patrick McGovern
recording engineer:
Adrian Bushby
programming and producer:
Richard Stannard and Matt Rowe
mixer:
Mark “Spike” Stent (producer, engineer)
keyboard:
Richard Stannard and Matt Rowe
publisher:
SSO
music videos:
Wannabe (video) by Spice Girls
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 36)
recording of:
Wannabe
writer:
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe and Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. and Windswept Pacific Music Ltd.
Spice Girls3.852:53
11Upside Down
producer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
vocals:
Diana Ross
conductor:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1980)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 89)
recording of:
Upside Down
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC, Tommy Jymi Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3.754:03
12Car Wash
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976)
recording of:
Car Wash
lyricist and composer:
Norman Whitfield
publisher:
Universal/MCA Music Ltd. (not for release label use!) and USI B Music Publishing
Rose Royce3.355:07
13Dancing on the Ceiling
producer:
James Anthony Carmichael and Lionel Richie
strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael, Lionel Richie and Carlos Rios (producer/guitarist)
background vocals arranger:
Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2003) and Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Dancing on the Ceiling
lyricist:
Lionel Richie
composer:
Michael Frenchik, Lionel Richie and Carlos Rios (producer/guitarist)
publisher:
Brenda Richie Publishing, Concord Music Publishing LLC, Skegee Music and Brockman Music (in 1986)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Lionel Richie3.94:32
14Pump It
drum machine programming:
will.i.am (American rapper and producer)
engineer:
Tal Herzberg, Jason "Ill-Aroma" Villaroman and will.i.am (American rapper and producer)
producer:
will.i.am (American rapper and producer)
mixer:
Mark “Spike” Stent (producer, engineer)
bass and Moog:
will.i.am (American rapper and producer)
guitar:
George Pajon, Jr.
vocals:
apl.de.ap, Fergie (American singer), Taboo (member of Black Eyed Peas) and will.i.am (American rapper and producer)
samples:
Misirlou Twist by Dick Dale and His Del‐Tones
music videos:
Pump It (video) by The Black Eyed Peas (US pop/hip hop group)
recording of:
Pump It
writer:
apl.de.ap, Fergie (American singer), Thomas van Musser, Nicholas Roubanis (Greek American musician) and will.i.am (American rapper and producer)
is based on:
Miserlou
Black Eyed Peas3.93:33
15I Was Made for Lovin’ You
recording engineer and mixer:
Jay Messina
assistant engineer:
Jim Galante and Jon Mathias (engineer)
producer:
Vini Poncia
drums (drum set):
Anton Fig
keyboard and background vocals:
Vini Poncia
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
I Was Made for Lovin’ You
writer:
Desmond Child, Vini Poncia and Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) and Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music and Universal Music Publishing France (not for release label use!)
KISS4.54:28
16Roxanne (remastered 2003)
engineer:
Chris Gray (UK engineer) and Nigel Gray (UK producer)
producer:
The Police (British rock band)
drums (drum set):
Stewart Copeland
electric bass guitar:
Sting (singer, songwriter & member of The Police)
electric guitar:
Andy Summers
vocals:
Sting (singer, songwriter & member of The Police)
arranger:
The Police (British rock band)
phonographic copyright (℗) by:
A&M Records (in 1978), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1978), A&M Records, Inc. (in 1997) and A&M Records, Ltd. (in 2003)
recorded at:
Surrey Sound Studios in Leatherhead, Surrey, England, United Kingdom
music videos:
Roxanne (Music video) by The Police (British rock band)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 388)
recording of:
Roxanne
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
Mushroom Music (Mushroom label’s publishing company) and Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
The Police4.33:11
17You’re the One That I Want (from “Grease”)
engineer and mixer:
David J. Holman
producer:
John Farrar
electric bass guitar:
David Hungate
arranger:
John Farrar, Michael Gibson (trombone) and Louis St. Louis (American songwriter, music arranger and singer)
phonographic copyright (℗) by:
Robert Stigwood Organisation Ltd. (in 1978) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
karaoke version of:
You’re the One That I Want (sing‐a‐long version) by John Farrar
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 13) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 250)
recording of:
You’re the One That I Want (Grease, 1978 film)
lyricist and composer:
John Farrar
publisher:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Sony/ATV Melody, Unichappell Music, Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), Ensign Music, Inc. (publisher) (in 1978), John Farrar Music (in 1978), Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
part of:
Grease (1978 film)
John Travolta & Olivia Newton‐John42:49
18It’s Not Unusual (2nd studio version)
recording engineer:
Bill Price (UK producer/engineer)
producer:
Peter Sullivan (UK producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 393)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Leeds Music (ended), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.52:00
19I Get Around (mono/remastered 2012)
engineer:
Chuck Britz
producer:
Brian Wilson (Beach Boys co‐founder)
bass guitar:
Al Jardine (on 1964-04-02)
drums (drum set):
Dennis Wilson (Beach Boys) (on 1964-04-02)
electric bass guitar [6-string electric bass guitar]:
Glen Campbell (US country singer, guitarist & actor) (on 1964-04-02) and Ray Pohlman (on 1964-04-02)
electric guitar:
Carl Wilson (Beach Boys) (on 1964-04-02)
Hammond organ [Hammond B3 organ], harpsichord, piano and background vocals and lead vocals:
Brian Wilson (Beach Boys co‐founder) (on 1964-04-02)
percussion [rim with thin stick] and timbales [timbales with brush]:
Hal Blaine (U.S. studio drummer and percussionist) (on 1964-04-02)
background vocals:
Al Jardine (on 1964-04-02), Carl Wilson (Beach Boys) (on 1964-04-02) and Dennis Wilson (Beach Boys) (on 1964-04-02)
bass vocals and lead vocals:
Mike Love (Beach Boys) (on 1964-04-02)
lead vocals:
Mike Love (Beach Boys)
arranger:
Brian Wilson (Beach Boys co‐founder)
recording of:
I Get Around (on 1964-04-02)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., Sea of Tunes, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Victor Music Arts, Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
The Beach Boys4.62:13
20Heaven Must Be Missing an Angel, Pt. 1
recording of:
Heaven Must Be Missing an Angel
writer:
Freddie Perren and Keni St. Lewis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares56:55
21Johnny B. Goode
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-01-06)
drums (drum set):
Jasper Thomas (on 1958-01-06)
guitar and lead vocals:
Chuck Berry (on 1958-01-06)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1958-01-06)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-01-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 53) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (on 1958-01-06)
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
part of:
Back to the Future: the Musical
Chuck Berry4.22:39
22Karma Chameleon
engineer:
Simon Frith, Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
guest harmonica:
Judd Lander (in 1983)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
background vocals:
Helen Terry (UK singer) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2002, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Karma Chameleon by Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club44:13
23Come On Eileen (single edit)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 1)
recording of:
Come On Eileen (in 1982)
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Kevin Adams Music Ltd.
Dexys Midnight Runners33:25
24Don’t You Want Me
assistant programming:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
programming:
Martin Rushent (in 1981)
assistant engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 79) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:56
25Rhythm of the Night (from “The Last Dragon” soundtrack)
producer:
Richard Perry (producer)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Motown Records (not for label use; use “Motown” instead) (in 1985, in 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
music videos:
Rhythm of the Night by DeBarge
recording of:
Rhythm of the Night
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Edition Sunset Publishing Ltd. and Realsongs
DeBarge3.63:49
26All Night Long (All Night) (single version)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1983)
music videos:
All Night Long (All Night) by Lionel Richie
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 84) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 277)
recording of:
All Night Long (All Night)
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Music and Rondor Music (Australia) Pty Ltd
Lionel Richie4.156:22
27My Girl
producer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
bass:
James Jamerson (from 1964-09-25 until 1964-11-17)
drums (drum set):
Benny Benjamin (US drummer) (from 1964-09-25 until 1964-11-17)
guitar:
Robert White (US funk/soul guitarist) (from 1964-09-25 until 1964-11-17)
instruments:
The Funk Brothers (from 1964-09-25 until 1964-11-17)
strings:
Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
background vocals:
Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1964-09-25 until 1964-11-17) and Paul Williams (member of The Temptations) (from 1964-09-25 until 1964-11-17)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1964-09-25 until 1964-11-17)
performer:
The Temptations (Motown soul vocal group) (from 1964-09-25 until 1964-11-17)
strings arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 88)
recording of:
My Girl (from 1964-09-25 until 1964-11-17)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations4.52:55
28Table of Fools
Ibe3:24