Schwarzkopf Edition

~ Release by Elisabeth Schwarzkopf (see all versions of this release, 1 available)

Tracklist

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1▼CD: 24 Lieder
#TitleArtistRatingLength
1Elfenlied
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1956-04-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1956-04-10)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1956-04-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1957)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1956-04-10)
recording of:
Mörike-Lieder: No. 16. Elfenlied "Bei Nacht im Dorf der Wächter reif" (on 1956-04-10)
lyricist and librettist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf1:59
2Goethe-Lieder: Die Spröde
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1958-01-11)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1958-01-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly), Neville Boyling (engineer) and Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1958-01-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1958-01-11)
recording of:
Goethe-Lieder: Nr. 26. Die Spröde "An dem reinsten Frühlingsmorgen" (on 1958-01-11)
lyricist and librettist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875)
part of:
Goethe-Lieder
Hugo Wolf2:01
3Goethe-Lieder: Die Bekehrte
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1957-06-08 until 1957-06-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1957-06-08 until 1957-06-10)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly), Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's) (from 1957-06-08 until 1957-06-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1957-06-08 until 1957-06-10)
recording of:
Goethe-Lieder: Nr. 27. Die Bekehrte "Bei dem Glanz der Abendröte" (from 1957-06-08 until 1957-06-10)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875)
librettist:
Johann Wolfgang von Goethe
part of:
Goethe-Lieder
Hugo Wolf2:53
4Goethe-Lieder: Mignon I
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1956-04-03 until 1956-04-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-04-03 until 1956-04-10)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly), Neville Boyling (engineer) and Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1956-04-03 until 1956-04-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1956-04-03 until 1956-04-10)
recording of:
Goethe-Lieder: Nr. 5. Mignon I "Heiß mich nicht reden" (from 1956-04-03 until 1956-04-10)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875)
part of:
Goethe-Lieder
Hugo Wolf3:59
5Goethe-Lieder: Mignon II
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1956-04-03 until 1956-04-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-04-03 until 1956-04-10)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly), Neville Boyling (engineer) and Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1956-04-03 until 1956-04-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1956-04-03 until 1956-04-10)
recording of:
Goethe-Lieder: Nr. 6. Mignon II "Nur wer die Sehnsucht kennt" (from 1956-04-03 until 1956-04-10)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875)
part of:
Goethe-Lieder
Hugo Wolf2:19
6Goethe-Lieder: Mignon III
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1958-01-11)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1958-01-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly), Neville Boyling (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's) (on 1958-01-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1958-01-11)
recording of:
Goethe-Lieder: Nr. 7. Mignon III "So laßt mich scheinen" (on 1958-01-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875)
part of:
Goethe-Lieder
Hugo Wolf4:09
7Goethe-Lieder: Philine
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1956-04-03 until 1956-04-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-04-03 until 1956-04-10)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly), Neville Boyling (engineer) and Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1956-04-03 until 1956-04-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1956-04-03 until 1956-04-10)
recording of:
Goethe-Lieder: Nr. 8. Philine "Singet nicht in Trauertönen" (from 1956-04-03 until 1956-04-10)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875)
part of:
Goethe-Lieder
Hugo Wolf3:19
8Goethe-Lieder: Mignon (Kennst du das Land?)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1957-06-08 until 1957-06-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1957-06-08 until 1957-06-10)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly), Neville Boyling (engineer) and Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1957-06-08 until 1957-06-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1957-06-08 until 1957-06-10)
recording of:
Goethe-Lieder: Nr. 9. Mignon "Kennst du das Land" (from 1957-06-08 until 1957-06-10)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875)
part of:
Goethe-Lieder
Hugo Wolf6:59
9Goethe-Lieder: Ganymed
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1956-04-03 until 1956-04-08)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-04-03 until 1956-04-08)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1956-04-03 until 1956-04-08)
recording of:
Goethe-Lieder: Nr. 50. Ganymed "Wie im Morgenglanze" (from 1956-04-03 until 1956-04-08)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875)
part of:
Goethe-Lieder
Hugo Wolf5:11
106 Lieder für eine Frauenstimme: Morgentau
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1961-01-16 until 1962-12-07)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-16 until 1962-12-07)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-16 until 1962-12-07)
recording of:
6 Lieder für eine Frauenstimme: Nr. 1. Morgentau (from 1961-01-16 until 1962-12-07)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1877)
librettist:
[anonymous] (special purpose artist)
part of:
6 Lieder für eine Frauenstimme
Hugo Wolf1:41
116 Lieder für eine Frauenstimme: Das Voglein
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1961-01-16 until 1962-12-07)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-16 until 1962-12-07)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-16 until 1962-12-07)
recording of:
6 Lieder für eine Frauenstimme: Nr. 2. Das Vöglein (from 1961-01-16 until 1962-12-07)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1878)
librettist:
Friedrich Hebbel (German poet and dramatist)
part of:
6 Lieder für eine Frauenstimme
Hugo Wolf1:32
126 Lieder für eine Frauenstimme: Die Spinnerin
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1961-01-16 until 1962-12-07)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-16 until 1962-12-07)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-16 until 1962-12-07)
recording of:
6 Lieder für eine Frauenstimme: Nr. 3. Die Spinnerin (from 1961-01-16 until 1962-12-07)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1878)
librettist:
Friedrich Rückert (German poet)
part of:
6 Lieder für eine Frauenstimme
Hugo Wolf2:50
136 Lieder für eine Frauenstimme: Wiegenlied im Sommer
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1961-01-16 until 1962-12-07)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-16 until 1962-12-07)
balance engineer:
Neville Boyling (engineer) and Douglas Larter (from 1961-01-16 until 1962-12-07)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-16 until 1962-12-07)
recording of:
6 Lieder für eine Frauenstimme: Nr. 4. Wiegenlied im Sommer (from 1961-01-16 until 1962-12-07)
lyricist:
Robert Reinick (German poet)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1882)
part of:
6 Lieder für eine Frauenstimme
Hugo Wolf3:22
146 Lieder für eine Frauenstimme: Wiegenlied im Winter
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1961-01-16 until 1962-12-07)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-16 until 1962-12-07)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-16 until 1962-12-07)
recording of:
6 Lieder für eine Frauenstimme: Nr. 5. Wiegenlied im Winter (from 1961-01-16 until 1962-12-07)
lyricist:
Robert Reinick (German poet)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1882)
part of:
6 Lieder für eine Frauenstimme
Hugo Wolf3:41
156 Lieder für eine Frauenstimme: Mausfallen-Sprüchlein
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1961-01-16 until 1962-12-07)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-16 until 1962-12-07)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-16 until 1962-12-07)
recording of:
6 Lieder für eine Frauenstimme: Nr. 6. Mausfallensprüchlein (from 1961-01-16 until 1962-12-07)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1882)
librettist:
Eduard Mörike (German Romantic poet, † 1875)
revised by:
Mary Goetze (editor)
part of:
6 Lieder für eine Frauenstimme
Hugo Wolf1:16
16Wie glänzt der helle Mond
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1957-04-10, from 1961-01-16 until 1961-01-18)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1957-04-10, from 1961-01-16 until 1961-01-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter (on 1957-04-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Mozarteum: Großer Saal in Salzburg, Salzburg, Austria (on 1957-04-10) and Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1961-01-16 until 1961-01-18)
recording of:
Sechs alte Weisen: Wie glänzt der helle Mond (on 1957-04-10)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
librettist:
Gottfried Keller (Swiss writer, † 1890)
part of:
Sechs alte Weisen
recording of:
Sechs alte Weisen: Wie glänzt der helle Mond (from 1961-01-16 until 1961-01-18)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
librettist:
Gottfried Keller (Swiss writer, † 1890)
part of:
Sechs alte Weisen
Hugo Wolf3:28
17Wenn du zu den Blumen gehst
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1965-08-22 until 1965-08-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-08-22 until 1965-08-27)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1965-08-22 until 1965-08-27)
recording of:
Spanisches Liederbuch: Weltliche Lieder: No. 6. Wenn du zu den Blumen gehst (from 1965-08-22 until 1965-08-27)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (from 1889 until 1891)
part of:
Spanisches Liederbuch: Part 2. Weltliche Lieder
Hugo Wolf2:48
18Die Zigeunerin
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1965-08-22 until 1965-08-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-08-22 until 1965-08-27)
balance engineer:
Johann-Nikolaus Matthes (sound engineer) (from 1965-08-22 until 1965-08-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1965-08-22 until 1965-08-27)
recording of:
Eichendorff-Lieder: Nr. 7. Die Zigeunerin "Am Kreuzweg, da lausche ich" (from 1965-08-22 until 1965-08-27)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
librettist:
Joseph von Eichendorff
part of:
Eichendorff-Lieder
Hugo Wolf3:02
19Im Frühling
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1970-08-27 until 1970-09-08)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1970-08-27 until 1970-09-08)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1970-08-27 until 1970-09-08)
recording of:
Mörike-Lieder: No. 13. Im Frühling "Hier lieg' ich auf dem Frühlingshügel" (from 1970-08-27 until 1970-09-08)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf5:09
20Auf einer Wanderung
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (from 1973-04-01 until 1973-04-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1973-04-01 until 1973-04-10)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1973-04-01 until 1973-04-10)
recording of:
Mörike-Lieder: No. 15. Auf einer Wanderung “In ein freundliches Städtchen” (from 1973-04-01 until 1973-04-10)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:40
21Begegnung
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (from 1973-04-01 until 1973-04-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1973-04-01 until 1973-04-10)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1973-04-01 until 1973-04-10)
recording of:
Mörike-Lieder: No. 8. Begegnung "Was doch heut Nacht" (from 1973-04-01 until 1973-04-10)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf1:44
22Denk' es, o Seele
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (from 1970-09-22 until 1970-09-30)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1970-09-22 until 1970-09-30)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1970-09-22 until 1970-09-30)
recording of:
Mörike-Lieder: No. 39. Denk es, o Seele! "Ein Tännlein grünet wo" (for voice and piano) (from 1970-09-22 until 1970-09-30)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1888)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:23
23Sonne der Schlummerlosen
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (from 1973-04-01 until 1973-04-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1973-04-01 until 1973-04-10)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1973-04-01 until 1973-04-10)
recording of:
Gedichte nach Heine, Shakespeare und Lord Byron, No. 3: Sonne der Schlummerlosen (from 1973-04-01 until 1973-04-10)
lyricist:
George Gordon Byron (English poet, known as Lord Byron)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
translator:
Otto Gildemeister
Hugo Wolf2:40
24An eine Äolsharfe
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (from 1970-09-22 until 1970-09-30)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1970-09-22 until 1970-09-30)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1970-09-22 until 1970-09-30)
recording of:
Mörike-Lieder: No. 11. An eine Äolsharfe "Angelehnt an die Epheuwand" (from 1970-09-22 until 1970-09-30)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf6:02
2▼CD: Lieder
#TitleArtistRatingLength
1Die Vögel, D. 691
sound engineer:
Douglas Larter (on 1948-05-21)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1948-05-21)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1948-05-21)
balance engineer:
Douglas Larter
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1948-05-21) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1948-05-21)
recording of:
Die Vögel, D. 691 (on 1948-05-21)
lyricist:
Karl Wilhelm Friedrich von Schlegel
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 691)
Franz Schubert0:53
2Liebhaber in allen Gestalten, D. 558
sound engineer:
Douglas Larter (on 1948-05-21)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1948-05-21)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1948-05-21)
balance engineer:
Douglas Larter
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1948-05-21) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1948-05-21)
recording of:
Liebhaber in allen Gestalten, D. 558 (on 1948-05-21)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1817)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 558)
Franz Schubert1:10
3Heidenröslein, D. 257
sound engineer:
Neville Boyling (engineer) (on 1957-06-11)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1957-06-11)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1957-06-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1957-06-11)
recording of:
Heidenröslein, D. 257 ("Sah ein Knab’ ein Röslein stehn”) (on 1957-06-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (on 1815-08-19)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 257)
Franz Schubert2:10
4Die Forelle, D. 550
sound engineer:
Wolfgang Gülich (engineer) (from 1965-08-22 until 1965-08-27)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1965-08-22 until 1965-08-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-08-22 until 1965-08-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1965-08-22 until 1965-08-27)
recording of:
Die Forelle, D. 550 (The Trout, D. 550) (from 1965-08-22 until 1965-08-27)
lyricist:
Christian Friedrich Daniel Schubart (German poet) (from 1777 until 1787)
composer:
Franz Schubert (composer) (from 1816-11 until 1817-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 550)
is based on:
Die Forelle (Schubart poem, not the Schubert song)
Franz Schubert2:01
5Der Einsame, D. 800
sound engineer:
Wolfgang Gülich (engineer) (from 1965-08-22 until 1965-08-27)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1965-08-22 until 1965-08-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-08-22 until 1965-08-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1965-08-22 until 1965-08-27)
recording of:
Der Einsame, D. 800 (from 1965-08-22 until 1965-08-27)
lyricist:
Karl Lappe
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 800)
Franz Schubert4:32
6Der Jüngling an der Quelle, D. 300
sound engineer:
Neville Boyling (engineer) (on 1962-12-07)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1962-12-07)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1962-12-07)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1962-12-07)
recording of:
Der Jüngling an der Quelle, D. 300 (on 1962-12-07)
lyricist:
Johann Gaudenz von Salis-Seewis
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 300)
Franz Schubert1:54
7An mein Klavier, D. 342
sound engineer:
Wolfgang Gülich (engineer) (from 1966-04-21 until 1966-04-29)
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (from 1966-04-21 until 1966-04-29)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1966-04-21 until 1966-04-29)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1966-04-21 until 1966-04-29)
recording of:
An mein Klavier, D. 342 (from 1966-04-21 until 1966-04-29)
lyricist:
Christian Friedrich Daniel Schubart (German poet)
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 342)
Franz Schubert2:50
8Erlkönig, D. 328
sound engineer:
Wolfgang Gülich (engineer) (from 1966-04-21 until 1966-04-29)
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (from 1966-04-21 until 1966-04-29)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1966-04-21 until 1966-04-29)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1966-04-21 until 1966-04-29)
recording of:
Erlkönig, D. 328 (from 1966-04-21 until 1966-04-29)
lyricist:
Johann Wolfgang von Goethe (in 1782)
composer:
Franz Schubert (composer) (in 1815)
publisher:
Cappi & Diabelli (in 1821)
premiered at:
Theater am Kärntnertor in Innere Stadt, Wien (Vienna), Austria (on 1821-03-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 328)
is based on:
Erlkönig (Goethe’s poem)
Franz Schubert3:48
9Was bedeutet die Bewegung (Suleika I), D. 720
sound engineer:
Johann-Nikolaus Matthes (sound engineer) (from 1968-10-20 until 1968-10-27)
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (from 1968-10-20 until 1968-10-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1968-10-20 until 1968-10-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1968-10-20 until 1968-10-27)
recording of:
Suleika I, op. 14 no. 1, D. 720 (from 1968-10-20 until 1968-10-27)
additional lyricist:
Johann Wolfgang von Goethe
lyricist:
Marianne von Willemer
composer:
Franz Schubert (composer) (in 1821-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 720)
Franz Schubert6:05
10Ach, um deine feuchten Schwingen (Suleika II), D. 717
sound engineer:
Johann-Nikolaus Matthes (sound engineer) (from 1968-10-20 until 1968-10-27)
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (from 1968-10-20 until 1968-10-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1968-10-20 until 1968-10-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1968-10-20 until 1968-10-27)
recording of:
Suleika II, D. 717 (from 1968-10-20 until 1968-10-27)
additional lyricist:
Johann Wolfgang von Goethe
lyricist:
Marianne von Willemer
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 717)
Franz Schubert4:18
11Hänflings Liebeswerbung, D. 552
sound engineer:
Johann-Nikolaus Matthes (sound engineer) (from 1968-10-20 until 1968-10-27)
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (from 1968-10-20 until 1968-10-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1968-10-20 until 1968-10-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1968-10-20 until 1968-10-27)
recording of:
Hänflings Liebeswerbung, D. 552 (from 1968-10-20 until 1968-10-27)
lyricist:
Johann Friedrich Kind (German dramatist)
composer:
Franz Schubert (composer) (in 1817)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 552)
Franz Schubert2:06
12Meeres Stille, D. 216
sound engineer:
Johann-Nikolaus Matthes (sound engineer) (from 1973-04-01 until 1973-04-10)
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (from 1973-04-01 until 1973-04-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1973-04-01 until 1973-04-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1973-04-01 until 1973-04-10)
recording of:
Meeres Stille, D. 216 (from 1973-04-01 until 1973-04-10)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (on 1815-06-21)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 216)
Franz Schubert2:01
13Gretchen am Spinnrade, D. 118
sound engineer:
Johann-Nikolaus Matthes (sound engineer) (from 1973-04-01 until 1973-04-10)
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (from 1973-04-01 until 1973-04-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1973-04-01 until 1973-04-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1973-04-01 until 1973-04-10)
recording of:
Gretchen am Spinnrade, D. 118 (from 1973-04-01 until 1973-04-10)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 118)
Franz Schubert3:16
14Der Nussbaum, op. 25 no. 3
sound engineer:
Johann-Nikolaus Matthes (sound engineer) (from 1973-04-01 until 1973-04-10)
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (from 1973-04-01 until 1973-04-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1973-04-01 until 1973-04-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1973-04-01 until 1973-04-10)
recording of:
Myrthen, op. 25: Nr. 3. Der Nußbaum (from 1973-04-01 until 1973-04-10)
lyricist:
Julius Mosen
composer:
Robert Schumann (German classical composer)
part of:
Myrthen, op. 25
Robert Schumann4:56
15Aufträge, op. 77 no. 5
sound engineer:
Douglas Larter (on 1954-01-10)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1954-01-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1954-01-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1954-01-10)
recording of:
Lieder und Gesänge, op. 77: Nr. 5. Aufträge (on 1954-01-10)
lyricist:
Christian L'Egru
composer:
Robert Schumann (German classical composer)
part of:
Lieder und Gesänge, op. 77
Robert Schumann2:22
16Zwei Venetianische Lieder, op. 27 no. 17
sound engineer:
Wolfgang Gülich (engineer) (from 1968-08-22 until 1968-08-27)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1965-08-22 until 1965-08-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-08-22 until 1965-08-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1965-08-22 until 1965-08-27)
recording of:
Myrthen, op. 25: Nr. 17. Leis' rudern hier, mein Gondolier (from 1965-08-22 until 1965-08-27)
lyricist:
Thomas Moore (Irish poet)
composer:
Robert Schumann (German classical composer)
translator:
Ferdinand Freiligrath
part of:
Myrthen, op. 25
Robert Schumann1:46
17Zwei Venetianische Lieder, op. 27 no. 18
sound engineer:
Wolfgang Gülich (engineer) (from 1968-08-22 until 1968-08-27)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1968-08-22 until 1968-08-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1968-08-22 until 1968-08-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1968-08-22 until 1968-08-27)
recording of:
Myrthen, op. 25: Nr. 18. Wenn durch die Piazzetta die Abendluft wecht (from 1968-08-22 until 1968-08-27)
lyricist:
Thomas Moore (Irish poet)
composer:
Robert Schumann (German classical composer)
translator:
Ferdinand Freiligrath
part of:
Myrthen, op. 25
Robert Schumann1:10
18Die Kartenlegerin, op. 31 no. 2
sound engineer:
Johann-Nikolaus Matthes (sound engineer) (from 1967-10-24 until 1967-10-28)
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (from 1967-10-24 until 1967-10-28)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1967-10-24 until 1967-10-28)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1967-10-24 until 1967-10-28)
recording of:
Drei Gesänge, op. 31: Nr. 2. Die Kartenlegerin (from 1967-10-24 until 1967-10-28)
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Drei Gesänge, op. 31
Robert Schumann3:07
19Wie mit innigstem Behagen (Suleika), op. 25 no. 9
sound engineer:
Wolfgang Gülich (engineer) (from 1965-08-22 until 1965-08-27)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1965-08-22 until 1965-08-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-08-22 until 1965-08-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1965-08-22 until 1965-08-27)
recording of:
Myrthen, op. 25: Nr. 9. Lied der Suleika (from 1965-08-22 until 1965-08-27)
lyricist:
Johann Wolfgang von Goethe and Marianne von Willemer
composer:
Robert Schumann (German classical composer)
part of:
Myrthen, op. 25
Robert Schumann2:58
20Hat gesagt, bleibt's nicht dabei, op. 36 no. 3
sound engineer:
Douglas Larter (from 1954-01-05 until 1954-01-06)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1954-01-05 until 1954-01-06)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-01-05 until 1954-01-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1954-01-05 until 1954-01-06)
recording of:
Hat gesagt, bleibt's nicht dabei, op. 36 no. 3 (for voice and piano) (from 1954-01-05 until 1954-01-06)
lyricist:
[traditional] (special purpose artist)
composer:
Richard Strauss (German composer) (from 1897 until 1898)
part of:
4 Lieder for voice and piano (op. 36; TrV 186)
Richard Strauss2:02
21Schlechtes Wetter, op. 69 no. 5
sound engineer:
Douglas Larter (from 1954-01-05 until 1954-01-06)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1954-01-05 until 1954-01-06)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-01-05 until 1954-01-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1954-01-05 until 1954-01-06)
recording of:
Schlechtes Wetter, op. 69 no. 5 (for voice and piano) (from 1954-01-05 until 1954-01-06)
lyricist:
Heinrich Heine (German poet)
composer:
Richard Strauss (German composer) (in 1918)
part of:
5 Kleine Lieder (op. 69; TrV 237)
Richard Strauss2:16
22Wiegenliedchen, op. 49 no. 3
sound engineer:
Johann-Nikolaus Matthes (sound engineer) (from 1970-08-07 until 1970-09-08)
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (from 1970-08-07 until 1970-09-08)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1970-08-07 until 1970-09-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1970-08-07 until 1970-09-08)
recording of:
Wiegenliedchen, op. 49 no. 3 (from 1970-08-07 until 1970-09-08)
lyricist:
Richard Dehmel
composer:
Richard Strauss (German composer) (from 1900 until 1901)
part of:
8 Lieder for voice and piano (op. 49; TrV 204)
Richard Strauss2:18
23Meinem Kinde, op. 37 no. 3
sound engineer:
Wolfgang Gülich (engineer) (from 1966-04-21 until 1966-04-29)
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (from 1966-04-21 until 1966-04-29)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1966-04-21 until 1966-04-29)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1966-04-21 until 1966-04-29)
recording of:
Meinem Kinde, op. 37 no. 3 (for voice and piano) (from 1966-04-21 until 1966-04-29)
lyricist:
Gustav Falke
composer:
Richard Strauss (German composer) (from 1897 until 1898)
part of:
6 Lieder for voice and piano (op. 37; TrV 187)
Richard Strauss2:52
24Wiegenlied, op. 41 no. 1
sound engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1956-05-18)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1956-05-18)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1956-05-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1957)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1956-05-18)
recording of:
Wiegenlied, op. 41 no. 1 (Lullaby, op. 41 no. 1) (on 1956-05-18)
lyricist:
Richard Dehmel
composer:
Richard Strauss (German composer) (in 1899)
part of:
5 Lieder for voice and piano (op 41; TrV 195)
Richard Strauss4:22
25Drei Ophelia Lieder, op. 67: No. 1
sound engineer:
Johann-Nikolaus Matthes (sound engineer) (on 1967-10-28)
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (on 1967-10-28)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1967-10-28)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (on 1967-10-28)
recording of:
Ophelia-Lieder, op. 67 no. 1: Three songs after William Shakespeare: "Wie erkenn' ich mei Traulieb?" (on 1967-10-28)
composer:
Richard Strauss (German composer) (in 1918)
part of:
6 Lieder (op. 67; TrV 238)
Richard Strauss2:45
26Drei Ophelia Lieder, op. 67: No. 2
sound engineer:
Johann-Nikolaus Matthes (sound engineer) (on 1967-10-28)
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (on 1967-10-28)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1967-10-28)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (on 1967-10-28)
recording of:
Ophelia-Lieder, op. 67 no. 2: Three songs after William Shakespeare: "Guten Morgen, 's ist Sankt Valentinstag" (on 1967-10-28)
composer:
Richard Strauss (German composer) (in 1918)
part of:
6 Lieder (op. 67; TrV 238)
Richard Strauss1:21
27Drei Ophelia Lieder, op. 67: No. 3
sound engineer:
Johann-Nikolaus Matthes (sound engineer) (on 1967-10-28)
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (on 1967-10-28)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1967-10-28)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (on 1967-10-28)
recording of:
Ophelia-Lieder, op. 67 no. 3: Three songs after William Shakespeare: "Sie trugen ihn auf der Bahre bloß" (on 1967-10-28)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Richard Strauss (German composer) (in 1918)
translator:
Ludwig Seeger
part of:
6 Lieder (op. 67; TrV 238)
Richard Strauss3:37
28Die Nacht, op. 10 no. 3
sound engineer:
Johann-Nikolaus Matthes (sound engineer) (from 1970-08-27 until 1970-09-08)
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (from 1970-08-27 until 1970-09-08)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1970-08-27 until 1970-09-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1970-08-27 until 1970-09-08)
recording of:
Die Nacht, op. 10 no. 3 (from 1970-08-27 until 1970-09-08)
lyricist:
Hermann von Gilm zu Rosenegg
composer:
Richard Strauss (German composer)
part of:
8 Gedichte aus »Letzte Blätter« (op 10; TrV 141)
Richard Strauss3:00
3▼CD: Airs d'opéras
#TitleArtistRatingLength
1Le Nozze di Figaro: Atto II. "Porgi amor" (La Contessa)
producer:
Walter Legge (British classical producer)
soprano vocals [Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1950-06-17 until 1950-10-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Douglas Larter, Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1952)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:08
2Così fan tutte: Atto II. "Ei parte... Per pieta, ben mio" (Fioriligi)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-14 until 1954-11-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-14 until 1954-11-06)
conductor:
Herbert von Karajan (conductor) (from 1954-07-14 until 1954-11-06)
balance engineer:
Douglas Larter
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recording of:
Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi) (from 1954-07-14 until 1954-11-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
recording of:
Così fan tutte: Atto II. Recitativo “Ei parte… senti…! Ah no… partir si lasci” (Fiordiligi) (from 1954-07-14 until 1954-11-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart9:20
3Don Giovanni: "In quali eccessi ... Mi tradi" (Donna Elvira)
producer and balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1954-08-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-06)
conductor:
Wilhelm Furtwängler (conductor) (on 1954-08-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
live recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (on 1954-08-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
live recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1] (on 1954-08-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart6:25
4Messa da requiem: "Libera me"
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-06-18 until 1954-06-27)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-06-18 until 1954-06-27)
conductor:
Victor de Sabata (conductor and composer) (from 1954-06-18 until 1954-06-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1954-06-18 until 1954-06-27)
recording of:
Messa da requiem: VII. Libera me (soprano, coro) (from 1954-06-18 until 1954-06-27)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
quotes lyrics from:
Libera me, Domine (Gregorian chant)
version of:
Messa per Rossini: VII. Responsorium. Libera me, Domine
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi14:18
5Hänsel und Gretel: Akt III. "Wo bin ich? Wach' ich?" (Gretel)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt III, 1. Szene. “Wo bin ich? Wach'ich?” (Gretel, Hänsel) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck6:01
6Die Lustige Witwe: Akt II. "Nun lasst uns aber wie daheim... Vilja, oh Vilja, du Waldmägdelein" (Hanna)
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-04-16 until 1953-04-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1953-04-16 until 1953-04-21)
conductor:
Otto Ackermann (conductor) (from 1953-04-16 until 1953-04-21)
balance engineer:
Douglas Larter (from 1953-04-16 until 1953-04-21)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-04-16 until 1953-04-21)
recording of:
Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor) (from 1953-04-16 until 1953-04-21)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
part of:
Die lustige Witwe: Akt II
Franz Lehár5:47
7Die Fledermaus: Akt II. Csárdás "Klänge der Heimat" (Rosalinde)
producer:
Walter Legge (British classical producer)
soprano vocals [Rosalinde]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1955-04-26 until 1955-04-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1955-04-26 until 1955-04-30)
conductor:
Herbert von Karajan (conductor) (from 1955-04-26 until 1955-04-30)
balance engineer:
Douglas Larter (from 1955-04-26 until 1955-04-30)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1955-04-26 until 1955-04-30)
recording of:
Die Fledermaus: Akt II. Nr. 10 Csárdás „Klänge der Heimat“ (Rosalinde) (from 1955-04-26 until 1955-04-30)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss4:46
8Turandot: Atto I. "Signore ascolta!" (Liù)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals [Liù]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
conductor:
Tullio Serafin (conductor) (from 1957-07-09 until 1957-07-13, on 1957-07-15)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Italiana S.p.A. (not for release label use! Italian subsidiary of EMI 1967–1997)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-07-09 until 1957-07-13, on 1957-07-15)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (from 1957-07-09 until 1957-07-13)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (on 1957-07-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:31
9Ariadne auf Naxos: "Es gibt ein Reich, wo alles rein ist" (Ariadne)
producer:
Walter Legge (British classical producer)
soprano vocals [Primadonna/Ariadne]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [5] “Es gibt ein Reich, wo alles rein ist” (Ariadne) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss6:47
10Der Rosenkavalier: Akt I. "Quinquin, er soll jetzt geh'n... Ich werd jetzt in die Kirchen" (Die Feldmarschallin)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-12 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-12 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-12 until 1956-12-22)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1957)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-12 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Ich werd' jetzt in die Kirchen" (Marschallin, Octavian, Lakaien) (from 1956-12-12 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:43
11Capriccio: "Morgen mittag um elf ! ... Kein Andres, das mir so im Herzen loht" (Die Gräfin)
producer:
Walter Legge (British classical producer)
baritone vocals:
Karl Schmitt-Walter (baritone) (from 1957-09-02 until 1957-09-11)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1957-09-02 until 1957-09-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-09-02 until 1957-09-11)
conductor:
Wolfgang Sawallisch (conductor) (from 1957-09-02 until 1957-09-11)
balance engineer:
Douglas Larter (from 1957-09-02 until 1957-09-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-09-02 until 1957-09-11)
recording of:
Capriccio, op. 85: Letzte Szene. „Morgen mittag um elf! … Kein andres, das mir so im Herzen loht“ (Gräfin) (from 1957-09-02 until 1957-09-11)
composer:
Richard Strauss (German composer)
part of:
Capriccio, op. 85: Letzte Szene (Capriccio, op. 85: Closing Scene)
Richard Strauss15:29
4▼CD: Encores
#TitleArtistRatingLength
1Bist du bei mir, BWV 508 ("Clavierbüchlein für Anna Magdalena Bach, II")
producer:
Walter Legge (British classical producer) (on 1954-01-04)
piano:
Gerald Moore (pianist) (on 1954-01-04)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1954-01-04)
balance engineer:
Douglas Larter
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1954-01-04)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (on 1954-01-04)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
Johann Sebastian Bach3:00
2Einem Bach der fliesst ("La Rencontre imprévue, acte III)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1954-01-04)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1954-01-04)
balance engineer:
Douglas Larter (on 1954-01-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1954-01-04)
recording of:
Pilgrime von Mekka: Einem Bach, der fließt (until 1954-01-04)
composer:
Christoph Willibald Gluck (composer)
translated version of:
La rencontre imprévue, Wq. 32 : Acte III. N° 31 Air : « Un ruisselet bien clair, bien net » (Vertigo)
Christoph Willibald Gluck2:28
3Wonne der Wehmut, op. 83 nr. 1 (Goethe)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1954-01-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1954-01-10)
balance engineer:
Douglas Larter (on 1954-01-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1954-01-10)
recording of:
Wonne der Wehmut, op. 83 no. 1 (on 1954-01-10)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1810)
part of:
3 Gesänge von Goethe, op. 83
Ludwig van Beethoven2:49
4Kleiner Haushalt, op. 71 (Rûckert)
producer:
Walter Legge (British classical producer) (from 1968-10-20 until 1968-10-27)
piano:
Geoffrey Parsons (pianist) (from 1968-10-20 until 1968-10-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1968-10-20 until 1968-10-27)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1968-10-20 until 1968-10-27)
recording of:
Kleiner Haushalt, op. 71 (from 1968-10-20 until 1968-10-27)
lyricist:
Friedrich Rückert (German poet)
composer:
Carl Loewe (composer)
part of:
Works of Carl Loewe by opus number (number: op. 71)
Carl Loewe4:46
5Träume (Wesendonck Lieder Nr. 5)
producer:
Suvi Raj Grubb
piano:
Gerald Moore (pianist) (on 1961-02-09)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1961-02-09)
balance engineer:
Stuart Eltham (engineer) (on 1961-02-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1961-02-09)
recording of:
Wesendonck-Lieder: V. Träume (for voice and piano) (on 1961-02-09)
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
part of:
Wesendonck-Lieder (for voice and piano)
Richard Wagner5:11
6Ständchen, op. 106 nr. 1 (Kugler)
producer:
Walter Legge (British classical producer) (from 1970-08-27 until 1970-09-08)
piano:
Geoffrey Parsons (pianist) (from 1970-08-27 until 1970-09-08)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1970-08-27 until 1970-09-08)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1970-08-27 until 1970-09-08)
recording of:
5 Lieder, op. 106: Nr. 1. Ständchen (from 1970-08-27 until 1970-09-08)
lyricist:
Franz Theodor Kugler
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 106
Johannes Brahms1:43
7Deutsche Volkslieder: Nr. 6. Da unten im Tale
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1954-01-05)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1954-01-05)
balance engineer:
Douglas Larter
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1954-01-05)
recording of:
6 Lieder, op. 97: Nr. 6. Trennung (on 1954-01-05)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
6 Lieder, op. 97
Johannes Brahms2:24
8Deutsche Volkslieder: Nr. 33. Och mod'r, ich well en Ding han!
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1954-01-05)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1954-01-05)
balance engineer:
Douglas Larter
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1954-01-05)
recording of:
49 Deutsche Volkslieder, WoO 33: Book V, no. 33 " Och Modr', ich well en Ding han!" (on 1954-01-05)
composer:
Johannes Brahms (German composer)
part of:
49 Deutsche Volkslieder, WoO 33: Book V
Johannes Brahms1:46
9Deutsche Volkslieder: Nr. 42. In stiller Nacht
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1965-08-28 until 1965-09-11)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-08-28 until 1965-09-11)
balance engineer:
Ernst Rothe (engineer) (from 1965-08-27 until 1965-09-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1965-08-28 until 1965-09-11)
recording of:
49 Deutsche Volkslieder, WoO 33: Book VI, no. 42 "In stiller Nacht" (from 1965-08-28 until 1965-09-11)
composer:
Johannes Brahms (German composer)
part of:
49 Deutsche Volkslieder, WoO 33: Book VI
Johannes Brahms3:22
10Um schlimme Kinder artig zu machern (Des Knaben Wunderhorn) (Lieder und Gesänge aus der Jugendzeit, Nr. 6)
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (from 1968-10-20 until 1968-10-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1968-10-20 until 1968-10-27)
balance engineer:
Johann-Nikolaus Matthes (sound engineer) (from 1968-10-20 until 1968-10-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-10-20 until 1968-10-27)
recording of:
Lieder und Gesänge: VI. Um schlimme Kinder artig zu machen (for voice and piano) (from 1968-10-20 until 1968-10-27)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Lieder und Gesänge
Gustav Mahler2:11
11Ich atmet' einen linden Duft (Rückert)
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (from 1966-04-21 until 1966-04-29)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1966-04-21 until 1966-04-29)
balance engineer:
Wolfgang Gülich (engineer) (from 1966-04-21 until 1966-04-29)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-04-21 until 1966-04-29)
recording of:
Rückert Lieder: II. Ich atmet' einen linden Duft (from 1966-04-21 until 1966-04-29)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 40)
part of:
Rückert-Lieder
Gustav Mahler2:50
12Des Antonius von Padua Fischpredigt (Des Knaben Wunderhorn)
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (from 1966-04-21 until 1966-04-29)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1966-04-21 until 1966-04-29)
balance engineer:
Wolfgang Gülich (engineer) (from 1966-04-21 until 1966-04-29)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-04-21 until 1966-04-29)
recording of:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt (from 1966-04-21 until 1966-04-29)
composer:
Gustav Mahler (composer) (until 1893-08-01)
part of:
Gustav Mahler Werke (number: GMW 28-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler4:43
13Pimpinella, op. 38 nr. 6
producer:
Walter Legge (British classical producer)
piano:
Geoffrey Parsons (pianist) (until 1967-10-28)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1967-10-28)
balance engineer:
Wolfgang Gülich (engineer) (on 1967-10-28)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-10-28)
recording of:
6 Romances, op. 38: No. 6. Pimpinella: Florentine Song (Пимпинелла: Флорентинская песня) (on 1967-10-28)
lyricist and composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 251)
part of:
6 Romances, op. 38
Pyotr Ilyich Tchaikovsky3:00
14Italian Songs: I. Giovanottino che passi per via
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1965-08-22 until 1965-08-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-08-22 until 1968-08-27)
balance engineer:
Wolfgang Gülich (engineer) (from 1965-08-22 until 1965-08-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-08-22 until 1965-08-27)
recording of:
Il canzoniere, op. 17: "Giovanottino che passi per via" (from 1965-08-22 until 1965-08-27)
composer:
Ermanno Wolf‐Ferrari (Italian composer)
part of:
Il canzoniere, op. 17
Ermanno Wolf‐Ferrari0:57
15Italian Songs: II. Vo' fa' 'na palazzina alla marina
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1965-08-22 until 1965-08-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-08-22 until 1965-08-27)
balance engineer:
Wolfgang Gülich (engineer) (from 1965-08-22 until 1965-08-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-08-22 until 1965-08-27)
recording of:
Il canzoniere, op. 17: "Vo' fa' 'na palazzina alla marina" (from 1965-08-22 until 1965-08-27)
composer:
Ermanno Wolf‐Ferrari (Italian composer)
part of:
Il canzoniere, op. 17
Ermanno Wolf‐Ferrari2:16
16Italian Songs: III. Dio ti facesse star tanto digiuno
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1965-08-22 until 1965-08-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-08-22 until 1965-08-27)
balance engineer:
Wolfgang Gülich (engineer) (from 1965-08-22 until 1965-08-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-08-22 until 1965-08-27)
recording of:
Il canzoniere, op. 17: "Dio ti facesse star tanto digiuno" (from 1965-08-22 until 1965-08-27)
composer:
Ermanno Wolf‐Ferrari (Italian composer)
part of:
Il canzoniere, op. 17
Ermanno Wolf‐Ferrari1:03
17Italian Songs: IV. Dimmi, bellino mio, com'io ho da fare
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1965-08-22 until 1965-08-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-08-22 until 1965-08-27)
balance engineer:
Wolfgang Gülich (engineer) (from 1965-08-22 until 1965-08-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-08-22 until 1965-08-27)
recording of:
Il canzoniere, op. 17: "Dimmi, bellino mio, com'io ho da fare" (from 1965-08-22 until 1965-08-27)
composer:
Ermanno Wolf‐Ferrari (Italian composer)
part of:
Il canzoniere, op. 17
Ermanno Wolf‐Ferrari0:57
18Italian Songs: V. Quando a letto vo' la sera
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1965-08-22 until 1965-08-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-08-22 until 1965-08-27)
balance engineer:
Wolfgang Gülich (engineer) (from 1965-08-22 until 1965-08-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-08-22 until 1965-08-27)
recording of:
Il canzoniere, op. 17: "Quando a letto vo' la sera" (from 1965-08-22 until 1965-08-27)
composer:
Ermanno Wolf‐Ferrari (Italian composer)
part of:
Il canzoniere, op. 17
Ermanno Wolf‐Ferrari1:35
19Italian Songs: VI. Vado di notte, come fra la luna
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1965-08-22 until 1965-08-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-08-22 until 1965-08-27)
balance engineer:
Wolfgang Gülich (engineer) (from 1965-08-22 until 1965-08-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-08-22 until 1965-08-27)
recording of:
Il canzoniere, op. 17: "Vado di notte, come fra la luna" (from 1965-08-22 until 1965-08-27)
composer:
Ermanno Wolf‐Ferrari (Italian composer)
part of:
Il canzoniere, op. 17
Ermanno Wolf‐Ferrari1:09
20Italian Songs: VII. Giovanetti, cantate ora che siete
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1965-08-22 until 1965-08-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-08-22 until 1965-08-27)
balance engineer:
Wolfgang Gülich (engineer) (from 1965-08-22 until 1965-08-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-08-22 until 1965-08-27)
recording of:
Il canzoniere, op. 17: "Giovanetti, cantate ora che siete" (from 1965-08-22 until 1965-08-27)
composer:
Ermanno Wolf‐Ferrari (Italian composer)
part of:
Il canzoniere, op. 17
Ermanno Wolf‐Ferrari0:45
21Plaisir d'amour (Florian)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1956-04-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1956-04-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1956)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1956-04-12)
recording of:
Plaisir d’amour (Romance du chevrier) (on 1956-04-12)
lyricist:
Jean-Pierre Claris de Florian
composer:
Jean‐Paul‐Égide Martini (Plaisir d'amour)
publisher:
Warlock Music Ltd.
Jean‐Paul‐Égide Martini4:23
22Si mes vers avaient des ailes (Hugo)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1956-04-10)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1956-04-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1956)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1956-04-10)
recording of:
Si mes vers avaient des ailes (on 1956-04-10)
lyricist:
Victor Hugo (French poet and novelist)
composer:
Reynaldo Hahn (composer) (in 1888)
part of:
Premier Recueil de 20 mélodies (1896) (number: 2)
Reynaldo Hahn2:16
23Mandoline (Verlaine)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1965-08-22 until 1965-08-27)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1965-08-22 until 1965-08-27)
balance engineer:
Wolfgang Gülich (engineer) (from 1965-08-22 until 1965-08-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (from 1965-08-22 until 1965-08-27)
recording of:
Mandoline, L. 29, CD 43 “Les donneurs de sérénades” (for voice and piano) (from 1965-08-22 to ????)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (on 1882-11-15)
dedicated to:
Marie-Blanche Vasnier
publisher:
Revue illustrée (in 1890-09)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 29) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 43)
Claude Debussy1:42
24Drink to me only with thine eyes (Jonson)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1956-05-19)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1956-05-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1956)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1956-05-19)
recording of:
Drink to Me Only With Thine Eyes (Roger Quilter arrangement) (on 1956-05-19)
lyricist:
Ben Johnson (English playwright & poet)
arranger:
Roger Quilter (British composer)
arrangement of:
Drink to Me Only With Thine Eyes
part of:
Arnold Book of Old Songs
Roger Quilter3:05
25When daisies pied (Love's Labours's Lost - Shakespeare)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1947-10-02)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1947-10-02)
balance engineer:
Douglas Larter
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1948)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1947-10-02)
recording of:
When Daisies Pied (on 1947-10-02)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Thomas Arne (composer)
Thomas Arne1:56
26Where the bee sucks (The Tempest - Shakespeare)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1947-10-02)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1947-10-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1948)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1947-10-02)
recording of:
Where the Bee Sucks (on 1947-10-02)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Thomas Arne (composer)
Thomas Arne1:45
27Swiss Folk Songs: I. Gsätzli
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1956-05-18 until 1956-05-19)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-05-18 until 1956-05-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1956)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1956-05-18 until 1956-05-19)
recording of:
Gsätlzi (for voice and piano, Gund) (from 1956-05-18 until 1956-05-19)
composer:
[traditional] (special purpose artist)
arranger:
Robert Gund (composer)
Robert Gund1:48
28Swiss Folk Songs: II. O du liebs Ängeli
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1956-04-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1956-04-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1956)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1956-04-12)
recording of:
O du liebs Ängeli (for voice and piano, Gund) (from 1956-04-12 to ????)
composer:
[traditional] (special purpose artist)
arranger:
Robert Gund (composer)
arrangement of:
Oh, du liebs Ängeli
Robert Gund1:27
29Silesian Folk Song: Maria auf dem Berge
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1958-04-03)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1958-04-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1958-04-03)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1958-04-03)
recording of:
Maria auf dem Berge (for voice and piano, Gund) (from 1958-04 until 1958-04-03)
composer:
[traditional] (special purpose artist)
arranger:
Robert Gund (composer)
arrangement of:
Maria auf dem Berge (German traditional carol)
Robert Gund1:56
30Danny Boy (Londonderry Air)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1958-01-13)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1958-01-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1958-01-13)
recording of:
Danny Boy (on 1958-01-13)
publisher:
Alfred Music (publisher of sheet music for music education)
lyricist:
Frederick Edward Weatherly (from 1910 until 1913)
composer:
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) and Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
is based on:
Londonderry Air
Frederick Edward Weatherly3:47
31Frühlingsstimmen - Waltz, op. 410
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1946-10-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1946-10-31)
conductor:
Josef Krips (conductor/violinist) (on 1946-10-31)
balance engineer:
Douglas Larter
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1946-10-31)
recording of:
Frühlingsstimmen, op. 410 (Voices of Spring) (on 1946-10-31)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1882)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 410)
Richard Strauss2:46
5▶CD: The Unpublished Recordings

Credits

Release

manufactured in:W. Germany
liner notes:André Tubeuf
Alan Blyth (UK classical singing critic and book editor, 1929-2007) (in 1990)
J. B. Steane (in 1990)
liner notes translator:Renate Maria Wendel (liner notes translator, also a singer and bassoonist)
remastering:Simon Gibson (mastering engineer)
Keith Hardwick (engineer)
design:s. trambouze
phonographic copyright (℗) by:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
photography:Foto Fayer (photography agency)
remastered at:Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom

Release group

includes:24 Lieder by Wolf (Austrian composer of Slovenian descent); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Gerald Moore (pianist), Geoffrey Parsons (pianist)
Airs d'opéras
Encores
Lieder by Franz Schubert (composer), Robert Schumann (German classical composer), Richard Strauss (German composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Gerald Moore (pianist), Geoffrey Parsons (pianist)
Unveröffentlichte Aufnahmen (Enregistrements inédits - Unpublished recordings)