Witchcraft (stereo)

~ Release by Chris Connor (see all versions of this release, 3 available)

Tracklist

112" Vinyl
#TitleRatingLength
A1Witchcraft
recorded in:
New York, New York, United States (on 1959-09-14)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
bass:
Milt Hinton (on 1959-09-14)
drums (drum set):
Sol Gubin (on 1959-09-14) and Don Lamond (on 1959-09-14)
guitar:
Mundell Lowe (on 1959-09-14)
piano:
Hank Jones (piano) (on 1959-09-14)
saxophone:
Al Klink (on 1959-09-14), Romeo Penque (on 1959-09-14) and Jerry Sanfino (on 1959-09-14)
trombone:
Robert Alexander (trombone) (on 1959-09-14), Mort Bullman (on 1959-09-14), Frank Rehak (US jazz trombonist) (on 1959-09-14) and Chauncey Welsch (on 1959-09-14)
trumpet:
Bernie Glow (on 1959-09-14), Jimmy Nottingham (on 1959-09-14), Bernie Privin (on 1959-09-14) and Ernie Royal (on 1959-09-14)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-09-14)
woodwind [saxophone, flute]:
George Berg (on 1959-09-14)
vocals:
Chris Connor (jazz singer) (on 1959-09-14)
conductor:
Richard Wess (on 1959-09-14)
arranger:
Richard Wess
cover recording of:
Witchcraft (on 1959-09-14)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
3:11
A2I’ll Never Be Free
recorded in:
New York, New York, United States (on 1959-09-21)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
double bass:
Milt Hinton (on 1959-09-21)
drums (drum set):
Don Lamond (on 1959-09-21)
guitar:
Mundell Lowe (on 1959-09-21)
piano:
Hank Jones (piano) (on 1959-09-21)
saxophone:
Romeo Penque (on 1959-09-21), Jerry Sanfino (on 1959-09-21) and Hymie Shertzer (on 1959-09-21)
trombone:
Robert Alexander (trombone) (on 1959-09-21), Bob Ascher (trombonist) (on 1959-09-21), Mort Bullman (on 1959-09-21) and Chauncey Welsch (on 1959-09-21)
trumpet:
Joe Cabot (on 1959-09-21), Bernie Glow (on 1959-09-21), Jimmy Nottingham (on 1959-09-21) and Doc Severinsen (on 1959-09-21)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-09-21)
woodwind [saxophone, flute]:
George Berg (on 1959-09-21)
vocals:
Chris Connor (jazz singer) (on 1959-09-21)
conductor:
Richard Wess (on 1959-09-21)
arranger:
Richard Wess
cover recording of:
I’ll Never Be Free (on 1959-09-21)
writer:
Bennie Benjamin and George David Weiss
publisher:
Abilene Music Inc. (in 1950, in 1977) and Claude A. Music Co. (in 1950, in 1977)
2:47
A3The Lady Sings the Blues
recorded in:
New York, New York, United States (on 1959-10-05)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
bell [bells] and vibraphone:
Sol Gubin (on 1959-10-05)
cello:
Maurice Brown (jazz cellist) (on 1959-10-05) and Sidney Edwards (on 1959-10-05)
double bass:
Milt Hinton (on 1959-10-05)
drums (drum set):
Osie Johnson (on 1959-10-05)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1959-10-05) and Fred Klein (US French horn player) (on 1959-10-05)
guitar:
Mundell Lowe (on 1959-10-05)
piano:
Hank Jones (piano) (on 1959-10-05)
viola:
Henry Pakaln (on 1959-10-05) and Isadore Zir (aka Isadore Zit viola player) (on 1959-10-05)
violin:
Tony Bambino (on 1959-10-05), Hinda Barnett (on 1959-10-05), Max Cahn (on 1959-10-05), Mac Ceppos (on 1959-10-05), Arnold Eidus (on 1959-10-05), Felix Giglio (on 1959-10-05), Harry Katzman (on 1959-10-05), Leo Kruczek (on 1959-10-05), Harry Lookofsky (on 1959-10-05), Joe Malin (on 1959-10-05), David Montagu (on 1959-10-05) and Gene Orloff (on 1959-10-05)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-10-05)
woodwind [saxophone, flute]:
George Berg (on 1959-10-05)
vocals:
Chris Connor (jazz singer) (on 1959-10-05)
conductor:
Richard Wess (on 1959-10-05)
arranger:
Richard Wess
cover recording of:
Lady Sings the Blues (on 1959-10-05)
lyricist:
William Engvick
composer:
Alec Wilder (American composer)
3:47
A4Come Rain or Come Shine
recorded in:
New York, New York, United States (on 1959-09-21)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
double bass:
Milt Hinton (on 1959-09-21)
drums (drum set):
Don Lamond (on 1959-09-21)
guitar:
Mundell Lowe (on 1959-09-21)
piano:
Hank Jones (piano) (on 1959-09-21)
saxophone:
Romeo Penque (on 1959-09-21), Jerry Sanfino (on 1959-09-21) and Hymie Shertzer (on 1959-09-21)
trombone:
Robert Alexander (trombone) (on 1959-09-21), Bob Ascher (trombonist) (on 1959-09-21), Mort Bullman (on 1959-09-21) and Chauncey Welsch (on 1959-09-21)
trumpet:
Joe Cabot (on 1959-09-21), Bernie Glow (on 1959-09-21), Jimmy Nottingham (on 1959-09-21) and Doc Severinsen (on 1959-09-21)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-09-21)
woodwind [saxophone, flute]:
George Berg (on 1959-09-21)
vocals:
Chris Connor (jazz singer) (on 1959-09-21)
conductor:
Richard Wess (on 1959-09-21)
arranger:
Richard Wess
cover recording of:
Come Rain or Come Shine (on 1959-09-21)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
2:50
A5When Sunny Gets Blue
recorded in:
New York, New York, United States (on 1959-10-05)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
bell [bells] and vibraphone:
Sol Gubin (on 1959-10-05)
cello:
Maurice Brown (jazz cellist) (on 1959-10-05) and Sidney Edwards (on 1959-10-05)
double bass:
Milt Hinton (on 1959-10-05)
drums (drum set):
Osie Johnson (on 1959-10-05)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1959-10-05) and Fred Klein (US French horn player) (on 1959-10-05)
guitar:
Mundell Lowe (on 1959-10-05)
piano:
Hank Jones (piano) (on 1959-10-05)
viola:
Henry Pakaln (on 1959-10-05) and Isadore Zir (aka Isadore Zit viola player) (on 1959-10-05)
violin:
Tony Bambino (on 1959-10-05), Hinda Barnett (on 1959-10-05), Max Cahn (on 1959-10-05), Mac Ceppos (on 1959-10-05), Arnold Eidus (on 1959-10-05), Felix Giglio (on 1959-10-05), Harry Katzman (on 1959-10-05), Leo Kruczek (on 1959-10-05), Harry Lookofsky (on 1959-10-05), Joe Malin (on 1959-10-05), David Montagu (on 1959-10-05) and Gene Orloff (on 1959-10-05)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-10-05)
woodwind [saxophone, flute]:
George Berg (on 1959-10-05)
vocals:
Chris Connor (jazz singer) (on 1959-10-05)
conductor:
Richard Wess (on 1959-10-05)
arranger:
Richard Wess
cover recording of:
When Sunny Gets Blue (on 1959-10-05)
lyricist:
Jack Segal (US songwriter)
writer:
Fisher and Segal (US songwriter)
composer:
Marvin Fisher
publisher:
Sony/ATV Tunes LLC (ASCAP)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:18
A6How Little We Know
recorded in:
New York, New York, United States (on 1959-09-21)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
double bass:
Milt Hinton (on 1959-09-21)
drums (drum set):
Don Lamond (on 1959-09-21)
guitar:
Mundell Lowe (on 1959-09-21)
piano:
Hank Jones (piano) (on 1959-09-21)
saxophone:
Romeo Penque (on 1959-09-21), Jerry Sanfino (on 1959-09-21) and Hymie Shertzer (on 1959-09-21)
trombone:
Robert Alexander (trombone) (on 1959-09-21), Bob Ascher (trombonist) (on 1959-09-21), Mort Bullman (on 1959-09-21) and Chauncey Welsch (on 1959-09-21)
trumpet:
Joe Cabot (on 1959-09-21), Bernie Glow (on 1959-09-21), Jimmy Nottingham (on 1959-09-21) and Doc Severinsen (on 1959-09-21)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-09-21)
woodwind [saxophone, flute]:
George Berg (on 1959-09-21)
vocals:
Chris Connor (jazz singer) (on 1959-09-21)
conductor:
Richard Wess (on 1959-09-21)
arranger:
Richard Wess
cover recording of:
(How Little It Matters) How Little We Know (on 1959-09-21)
lyricist:
Carolyn Leigh
composer:
Philip Springer
publisher:
Carwin Music, Inc. and Tamir Music
2:38
B1I Hear the Music Now
recorded in:
New York, New York, United States (on 1959-09-14)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
double bass:
Milt Hinton (on 1959-09-14)
drums (drum set):
Sol Gubin (on 1959-09-14) and Don Lamond (on 1959-09-14)
guitar:
Mundell Lowe (on 1959-09-14)
piano:
Hank Jones (piano) (on 1959-09-14)
saxophone:
Al Klink (on 1959-09-14), Romeo Penque (on 1959-09-14) and Jerry Sanfino (on 1959-09-14)
trombone:
Robert Alexander (trombone) (on 1959-09-14), Mort Bullman (on 1959-09-14), Frank Rehak (US jazz trombonist) (on 1959-09-14) and Chauncey Welsch (on 1959-09-14)
trumpet:
Bernie Glow (on 1959-09-14), Jimmy Nottingham (on 1959-09-14), Bernie Privin (on 1959-09-14) and Ernie Royal (on 1959-09-14)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-09-14)
woodwind [saxophone, flute]:
George Berg (on 1959-09-14)
vocals:
Chris Connor (jazz singer) (on 1959-09-14)
conductor:
Richard Wess (on 1959-09-14)
arranger:
Richard Wess
cover recording of:
I Hear the Music Now (on 1959-09-14)
writer:
Sammy Fain, Jerry Seelen (screenwriter, lyricist. songwriter) and Ambroise Thomas (opera composer)
2:22
B2Baltimore Oriole
recorded in:
New York, New York, United States (on 1959-10-05)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
bell [bells] and vibraphone:
Sol Gubin (on 1959-10-05)
cello:
Maurice Brown (jazz cellist) (on 1959-10-05) and Sidney Edwards (on 1959-10-05)
double bass:
Milt Hinton (on 1959-10-05)
drums (drum set):
Osie Johnson (on 1959-10-05)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1959-10-05) and Fred Klein (US French horn player) (on 1959-10-05)
guitar:
Mundell Lowe (on 1959-10-05)
piano:
Hank Jones (piano) (on 1959-10-05)
viola:
Henry Pakaln (on 1959-10-05) and Isadore Zir (aka Isadore Zit viola player) (on 1959-10-05)
violin:
Tony Bambino (on 1959-10-05), Hinda Barnett (on 1959-10-05), Max Cahn (on 1959-10-05), Mac Ceppos (on 1959-10-05), Arnold Eidus (on 1959-10-05), Felix Giglio (on 1959-10-05), Harry Katzman (on 1959-10-05), Leo Kruczek (on 1959-10-05), Harry Lookofsky (on 1959-10-05), Joe Malin (on 1959-10-05), David Montagu (on 1959-10-05) and Gene Orloff (on 1959-10-05)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-10-05)
woodwind [saxophone, flute]:
George Berg (on 1959-10-05)
vocals:
Chris Connor (jazz singer) (on 1959-10-05)
conductor:
Richard Wess (on 1959-10-05)
arranger:
Richard Wess
cover recording of:
Baltimore Oriole (on 1959-10-05)
lyricist:
Paul Francis Webster (in 1942)
composer:
Hoagy Carmichael (in 1942)
3:33
B3Just in Time
recorded in:
New York, New York, United States (on 1959-09-21)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
double bass:
Milt Hinton (on 1959-09-21)
drums (drum set):
Don Lamond (on 1959-09-21)
guitar:
Mundell Lowe (on 1959-09-21)
piano:
Hank Jones (piano) (on 1959-09-21)
saxophone:
Romeo Penque (on 1959-09-21), Jerry Sanfino (on 1959-09-21) and Hymie Shertzer (on 1959-09-21)
trombone:
Robert Alexander (trombone) (on 1959-09-21), Bob Ascher (trombonist) (on 1959-09-21), Mort Bullman (on 1959-09-21) and Chauncey Welsch (on 1959-09-21)
trumpet:
Joe Cabot (on 1959-09-21), Bernie Glow (on 1959-09-21), Jimmy Nottingham (on 1959-09-21) and Doc Severinsen (on 1959-09-21)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-09-21)
woodwind [saxophone, flute]:
George Berg (on 1959-09-21)
vocals:
Chris Connor (jazz singer) (on 1959-09-21)
conductor:
Richard Wess (on 1959-09-21)
arranger:
Richard Wess
cover recording of:
Just in Time (Bells Are Ringing) (on 1959-09-21)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
2:28
B4Like a Woman
recorded in:
New York, New York, United States (on 1959-09-14)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
double bass:
Milt Hinton (on 1959-09-14)
drums (drum set):
Sol Gubin and Don Lamond
guitar:
Mundell Lowe (on 1959-09-14)
piano:
Hank Jones (piano) (on 1959-09-14)
saxophone:
Al Klink (on 1959-09-14), Romeo Penque (on 1959-09-14) and Jerry Sanfino (on 1959-09-14)
trombone:
Robert Alexander (trombone) (on 1959-09-14), Mort Bullman (on 1959-09-14), Frank Rehak (US jazz trombonist) (on 1959-09-14) and Chauncey Welsch (on 1959-09-14)
trumpet:
Bernie Glow (on 1959-09-14), Jimmy Nottingham (on 1959-09-14), Bernie Privin (on 1959-09-14) and Ernie Royal (on 1959-09-14)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-09-14)
woodwind [saxophone, flute]:
George Berg (on 1959-09-14)
vocals:
Chris Connor (jazz singer) (on 1959-09-14)
conductor:
Richard Wess (on 1959-09-14)
arranger:
Richard Wess
recording of:
Like a Woman (from The Most Happy Fella) (on 1959-09-14)
writer:
Frank Loesser
2:44
B5Skyscraper Blues
recorded in:
New York, New York, United States (on 1959-10-05)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
bell [bells] and vibraphone:
Sol Gubin (on 1959-10-05)
cello:
Maurice Brown (jazz cellist) (on 1959-10-05) and Sidney Edwards (on 1959-10-05)
double bass:
Milt Hinton (on 1959-10-05)
drums (drum set):
Osie Johnson (on 1959-10-05)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1959-10-05) and Fred Klein (US French horn player) (on 1959-10-05)
guitar:
Mundell Lowe (on 1959-10-05)
piano:
Hank Jones (piano) (on 1959-10-05)
viola:
Henry Pakaln (on 1959-10-05) and Isadore Zir (aka Isadore Zit viola player) (on 1959-10-05)
violin:
Tony Bambino (on 1959-10-05), Hinda Barnett (on 1959-10-05), Max Cahn (on 1959-10-05), Mac Ceppos (on 1959-10-05), Arnold Eidus (on 1959-10-05), Felix Giglio (on 1959-10-05), Harry Katzman (on 1959-10-05), Leo Kruczek (on 1959-10-05), Harry Lookofsky (on 1959-10-05), Joe Malin (on 1959-10-05), David Montagu (on 1959-10-05) and Gene Orloff (on 1959-10-05)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-10-05)
woodwind [saxophone, flute]:
George Berg (on 1959-10-05)
vocals:
Chris Connor (jazz singer) (on 1959-10-05)
conductor:
Richard Wess (on 1959-10-05)
arranger:
Richard Wess
4:17
B6You Don’t Know What Love Is
recorded in:
New York, New York, United States (on 1959-09-14)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
double bass:
Milt Hinton (on 1959-09-14)
drums (drum set):
Sol Gubin (on 1959-09-14) and Don Lamond (on 1959-09-14)
guitar:
Mundell Lowe (on 1959-09-14)
piano:
Hank Jones (piano) (on 1959-09-14)
saxophone:
Al Klink (on 1959-09-14), Romeo Penque (on 1959-09-14) and Jerry Sanfino (on 1959-09-14)
trombone:
Robert Alexander (trombone) (on 1959-09-14), Mort Bullman (on 1959-09-14), Frank Rehak (US jazz trombonist) (on 1959-09-14) and Chauncey Welsch (on 1959-09-14)
trumpet:
Bernie Glow (on 1959-09-14), Jimmy Nottingham (on 1959-09-14), Bernie Privin (on 1959-09-14) and Ernie Royal (on 1959-09-14)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-09-14)
woodwind [saxophone, flute]:
George Berg (on 1959-09-14)
vocals:
Chris Connor (jazz singer) (on 1959-09-14)
conductor:
Richard Wess (on 1959-09-14)
arranger:
Richard Wess
cover recording of:
You Don’t Know What Love Is (on 1959-09-14)
lyricist:
Don Raye
composer:
Gene de Paul
publisher:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:46

Credits