| # | Title | Artist | Rating | Length |
|---|
| 1 | A Boring Life | The Slits | | 2:48 |
| 2 | It’s Too Soon to Know | The Orioles | | 2:59 |
| 3 | L’Admiral cherche une maison à louer | Tristan Tzara, Marcel Janco & Richard Huelsenbeck | | 2:29 |
| 4 | Roadrunner | Jonathan Richman | | 4:44 |
| 5 | Excerpt from Soundtrack to ‘Hurlements en faveur de Sade’ | Guy Debord | | 0:41 |
| 6 | [Ambience, The Roxy, London] | [no artist] | | 1:30 |
| 7 | Instrumentation Verbale (Face 2) | Jean-Louis Brau | | 4:26 |
| 8 | Boredom | Buzzcocks | 5 | 2:54 |
| 9 | One Chord Wonders | The Adverts | 4 | 2:49 |
| 10 | Phonème BBBB | Raoul Hausmann | | 1:08 |
| 11 | At Home He’s a Tourist | Gang of Four | 5 | 3:30 |
| 12 | Gary Gilmore’s Eyes | The Adverts | 4.5 | 2:20 |
| 13 | U (Angry Side) | Kleenex | | 2:33 |
| 14 | Excerpt from soundtrack to ‘Critique de la séparation’ | Guy Debord | | 0:38 |
| 15 | Stage Talk, Roundhouse, London, 23 Sep. 1976 | The Clash | | 3:50 |
| 16 | Never Been in a Riot | The Mekons | | 1:46 |
| 17 | Split | LiLiPUT | | 2:01 |
| 18 | Röhrenhose‐Rokoko‐Neger‐Rhythmus | Peter Blegvad et al | | 6:29 |
| 19 | Wake Up | Essential Logic | | 2:32 |
| 20 | You (Friendly Side) | Kleenex | | 3:18 |
| 21 | Mégapneumies, 24 Mars 1963 (Face 1) | Gil J. Wolman | | 4:53 |
| 22 | In Love | The Raincoats | 5 | 3:11 |
| 23 | Excerpt from Soundtrack to ‘Hurlements en faveur de Sade’ | Guy Debord | | 0:41 |
| 24 | Karawane | Marie Osmond | | 0:32 |
| 25 | I Wish I Was a Mole in the Ground | Bascom Lamar Lunsford | | 3:20 |
| 26 | The Building | The Mekons | | 2:25 |
| 27 | Lipstick Traces (on a Cigarette) | Benny Spellman | | 2:26 |