Top 40 Hits of All Time

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloArtistaValutazioneDurata
1(I Just) Died in Your Arms
tecnico:
Terry Brown (producer)
produttore:
Terry Brown (producer), Cutting Crew e John Jansen (US recording engineer and producer)
tecnico di missaggio:
Tim Palmer (British producer/mixer)
basso :
Colin Farley
batteria , percussione e tamburello :
Martin Beedle
chitarra acustica , chitarra elettrica e sintetizzatore [E-mu Emulator] :
Kevin MacMichael
pianoforte :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce di accompagnamento:
Peter Birch
voce principale:
Nick Van Eede
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) e Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1986)
registrata presso:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
mixata presso:
Utopia Studios (London) in London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 26)
registrazione di:
(I Just) Died in Your Arms
paroliere e compositore:
Nick Van Eede
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. e Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:31
2Mary's Prayer
registrazione di:
Mary’s Prayer
paroliere e compositore:
Gary Clark (Scottish singer/producer; ex‐Danny Wilson, ex‐Transister, ex‐King L)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (, nel 1988)
Danny Wilson3:47
3Imagination
registrazione di:
Imagination
paroliere e compositore:
Neville Keighley
Belouis Some33:32
4Your Woman
White Town4:17
5Tarzan Boy
produttore:
Maurizio Bassi
arrangiatore:
Maurizio Bassi
registrazione di:
Tarzan Boy
paroliere:
Naimy Hackett
compositore:
Maurizio Bassi
editore:
EMI Music Publishing (do not use as a release label!) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Baltimora43:18
6Bitch
tecnico e produttore:
Geza X
tecnico di missaggio:
Jim Ebert
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1997) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1997)
registrazione di:
Bitch
autore:
Meredith Brooks (US singer/songwriter and guitarist) e Shelly Peiken
editore:
Bug Music (music publishing), Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music e Warner–Tamerlane Music Corp.
Meredith Brooks44:02
7Sex and Candy
registrazione di:
Sex and Candy
paroliere e compositore:
John Wozniak (Marcy Playground singer & guitarist)
editore:
Wozniak Publishing
Marcy Playground2:50
8MoneyThe Flying Lizards4.22:30
9I Touch Myself
assistente tecnico:
Chris Albert (US engineer) e Vince Caro (engineer, music editor, producer)
produttore:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) e David Tickle
diritti fonografici (℗) detenuti da:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (nel 1989, nel 1990) e Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (nel 1990)
registrata presso:
BMG Recording Studios in Theater District, New York, New York, Stati Uniti
remixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 54) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 326)
registrazione di:
I Touch Myself
paroliere e compositore:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) e William Steinberg
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:43
10The Politics of Dancing
registrazione di:
The Politics of Dancing
paroliere e compositore:
Paul Fishman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited e Metric Music Ltd.
Re‐Flex5:49
11Walking on Sunshine
registrata a:
England, Regno Unito
assistente tecnico:
Jon Goldberger (engineer)
tecnico e tecnico di missaggio:
Scott Litt (producer and engineer)
produttore:
Pat Collier e Katrina and the Waves (British‐American rock band)
produttore aggiunto:
Scott Litt (producer and engineer)
batteria e percussione :
Alex Cooper (drummer, member of “Katrina and the Waves”)
chitarra [lead guitar] :
Kimberley Rew
chitarra [rhythm guitar] e voce principale:
Katrina Leskanich
chitarra basso :
Vince de la Cruz
organo ospite :
Nick Glennie‐Smith
ottoni [Rumour Brass Section] ospite :
Ray Beavis, Dick Hanson e John "Irish" Earl
voce di accompagnamento:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz e Kimberley Rew
arrangiatore ottoni :
Eamon Fitzpatrick
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1985)
registrata presso:
Alaska Studios in London (Greater London), England, Regno Unito e Greenhouse Studio (London) in London (Greater London), England, Regno Unito
mixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1984-12 al 1985-03)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 91) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 378)
registrazione di:
Walking on Sunshine
paroliere:
Kimberley Rew (nel 1983)
compositore:
Kimberley Rew
editore:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:54
12Would I Lie to You?
registrazione di:
Would I Lie to You?
autore:
Michael Leeson e Peter Vale (writer/arranger)
editore:
EMI Virgin Music Publishing Australia P/L e BMG VM Music Ltd. (dal 2013-05-16 a oggi)
Charles & Eddie4:19
13I'm Gonna Be (500 Miles)
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 21)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:34
14Mickey
registrazione cover di:
Kitty (more well known as "Mickey")
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
versione tradotta di:
Mickey
Toni Basil3:56
15Da, Da, Da (I Don't Love You. You Don't Love Me, Aha. Aha. Aha.)Trio2:54
16Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
direzione creativa:
Clive Langer e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:02
17Word Up
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1986) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1986)
video musicali:
Word Up! di Cameo (American soul-influenced funk group)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 70) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 81)
registrazione di:
Word Up!
autore:
Larry Blackmon e Tomi Jenkins
editore:
All Seeing Eye Music, Better Days Music e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:12
18Rock Me Amadeus
produttore:
Ferdi Bolland e Rob Bolland
diritti fonografici (℗) detenuti da:
GiG Records (Austrian label) (nel 1985) e TELDEC Record Service GmbH (not for release label use! manufacturing and distribution company) (nel 1985)
video musicali:
Rock Me Amadeus di Falco (Austrian pop & rock musician)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 15) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 87)
registrazione di:
Rock Me Amadeus (nel 1985)
paroliere:
Ferdi Bolland, Rob Bolland e Falco (Austrian pop & rock musician)
compositore:
Ferdi Bolland e Rob Bolland
editore:
Bolland Music, Manuskript (not for release label use! this is only for copyrights and publishing relationships) e Nada Music (Dutch publisher)
Falco3.653:19
19Pop MuzikM3:17
20Centerfold
tecnico:
Dave Thoener
produttore:
Seth Justman
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981) e EMI Catalog (nel 2006)
registrata presso:
Long View Farm in North Brookfield, Massachusetts, Stati Uniti
mixata presso:
Mix Room, Record Plant (NYC) in New York, New York, Stati Uniti
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 38), Billboard: Greatest of All Time Hot 100 Songs (numero: 73) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 314)
registrazione di:
Centerfold (song by The J. Geils Band)
paroliere e compositore:
Seth Justman
editore:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) e Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:37
2CD
#TitoloArtistaValutazioneDurata
1Breakfast at Tiffany's
tecnico, produttore e tecnico di missaggio:
David Castell
batteria e percussione :
John Kirtland (Drummer, head of Kirtland Records)
chitarra acustica e chitarra elettrica :
Toby Pipes, Todd Pipes e Kirk Tatom
chitarra basso :
Todd Pipes e Kirk Tatom
chitarra lap steel :
Toby Pipes
organo e pianoforte :
Kirk Tatom
tastiera :
Toby Pipes e Todd Pipes
voce:
Toby Pipes, Todd Pipes e Kirk Tatom
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 1995) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1995)
registrazione di:
Breakfast at Tiffany’s
paroliere e compositore:
Todd Pipes
editore:
Warner Chappell North America e WC Music Corp.
Deep Blue Something3.74:15
2You Get What You Give
produttore:
Gregg Alexander
basso :
John Pierce (US session bassist)
chitarra :
Gregg Alexander e Rusty Anderson
membranofono :
Gary Ferguson (Session drummer)
percussione :
Juliet Prater
pianoforte :
Rick Nowels
arrangiatore:
Gregg Alexander
arrangiatore voci aggiunto:
Richard Podolor
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1998)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 390) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 453)
registrazione di:
You Get What You Give
autore:
Gregg Alexander e Rick Nowels
editore:
EMI Blackwood Music Inc., EMI Music Inc., Future Furniture Music Inc. e Grosse Point Harlem
New Radicals4.654:57
3She's So High
produttore:
Bob Rock
batteria [drums] :
Lance Porter (Drummer)
chitarra basso [bass] :
Chris Wyse
chitarra elettrica , chitarra lap steel , pianoforte e voce principale:
Tal Bachman
moog e piano elettrico Wurlitzer [Wurlitzer] :
Buck Johnson
voce di accompagnamento:
Tal Bachman e Buck Johnson
registrazione di:
She's So High
autore:
Tal Bachman
Tal Bachman53:42
4You're Gorgeous
registrazione di:
You're Gorgeous
paroliere e compositore:
Stephen Jones (Babybird)
Babybird3:42
5Mmm Mmm Mmm Mmm
tecnico di registrazione:
Tommy Lipnick
tecnico di registrazione aggiunto:
David Vartanian
tecnico:
Dan Harjung
produttore:
Crash Test Dummies e Jerry Harrison (Talking Heads & producer)
tecnico di missaggio:
Tom Lord‐Alge
editor:
Patrick Murphy (engineer)
chitarra acustica [acoustic guitars] , chitarra elettrica [electric guitars] e voce principale:
Brad Roberts (of Crash Test Dummies)
fisarmonica , pianoforte , tastiera [keyboards] e voce di accompagnamento [back-up vocals]:
Ellen Reid (Canadian keyboardist and singer)
diritti fonografici (℗) detenuti da:
BMG Music Canada Inc. (nel 1991, nel 1993) e BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (nel 1993)
registrata presso:
DV Productions in Milwaukee, Wisconsin, Stati Uniti, Mindscape in Chicago, Illinois, Stati Uniti e Music Head Recording in Lake Geneva, Wisconsin, Stati Uniti
mixata presso:
Music Head Recording in Lake Geneva, Wisconsin, Stati Uniti
prodotta presso:
God of Thunder Studios in Winnipeg, Manitoba, Canada
video musicali:
Mmm Mmm Mmm Mmm di Crash Test Dummies
registrazione di:
Mmm Mmm Mmm Mmm
paroliere e compositore:
Brad Roberts (of Crash Test Dummies)
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Door Number Two Music (nel 1993), Dummies Productions Inc. (nel 1993) e PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (nel 1993)
Crash Test Dummies3.953:53
6No Rain
assistente tecnico:
Mr. Jon Plum
tecnico:
Rick Parashar
produttore e tecnico di missaggio:
Blind Melon e Rick Parashar
basso [1969 Fender Jazz] :
Brad Smith (Blind Melon bassist)
batteria , percussione , schiocchi di dita e shaker :
Glen Graham (Blind Melon percussionist)
chitarra acustica [Gibson J-30] :
Christopher Thorn
chitarra elettrica [Fender Stratocaster, 1962 Reissue] :
Rogers Stevens
voce di accompagnamento e voce principale:
Shannon Hoon
registrata presso:
London Bridge Studios in Seattle, Washington, Stati Uniti
video musicali:
No Rain di Blind Melon
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 14) e Indie 88: Top 500 Indie Rock Songs (numero: 414)
registrazione di:
No Rain
autore:
Glen Graham (Blind Melon percussionist), Shannon Hoon, Brad Smith (Blind Melon bassist), Rogers Stevens e Christopher Thorn
editore:
EMI April Music Inc. e Heavy Melon Music
Blind Melon4.353:35
7Two Princes
tecnico:
Frank Aversa e Spin Doctors
produttore:
Frank Aversa, Peter Denenberg, Frankie LaRocka e Spin Doctors
tecnico di missaggio:
Peter Denenberg, Frankie LaRocka e Spin Doctors
chitarra :
Eric Schenkman
chitarra basso :
Mark White (Spin Doctors)
organo Hammond, batteria e percussione :
Aaron Comess
voce:
Chris Barron
voce di accompagnamento ospite:
John Popper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1991) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1991)
registrazione di:
Two Princes
autore:
Chris Barron, Aaron Comess, Eric Schenkman e Mark White (Spin Doctors)
editore:
Mow B'jow Music, Sony Songs Inc. e Sony/ATV Music Publishing Ltd.
Spin Doctors4.24:16
8No Matter
Jack Radics3:54
9Stop Your Fussing
assistente tecnico:
Saul Raye
produttore:
David Tickle
produttore associato:
David Ricketts (of David & David)
voce:
Toni Childs
registrazione di:
Stop Your Fussin
compositore:
Toni Childs e David Ricketts (of David & David)
Toni Childs4:38
10One of Us
registrazione di:
One of Us
paroliere e compositore:
Eric Bazilian
Joan Osborne44:14
11The One and Only
produttore:
Nik Kershaw e Alan Shacklock
voce:
Chesney Hawkes (British pop singer, songwriter, and occasional actor)
registrata presso:
Abbey Road in St John's Wood, Westminster, London (Greater London), England, Regno Unito
video musicali:
The One and Only (first version, Buddy's Song) di Chesney Hawkes (British pop singer, songwriter, and occasional actor)
registrazione di:
The One and Only
paroliere e compositore:
Nik Kershaw
Chesney Hawkes2.53:40
12My Sharona
tecnico di registrazione:
Pete Coleman
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Bruce Gary
chitarra :
Berton Averre e Doug Fieger (in The Knack)
chitarra basso :
Prescott Niles
voce:
Berton Averre
voce principale:
Doug Fieger (in The Knack)
remixer:
Dave Jerden
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 1994, nel 2013)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 18), TV Cream: Real 100 Best Singles Ever (numero: 24) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 201)
registrazione di:
My Sharona
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack4.154:51
13Where Do You Go
registrazione di:
Where Do You Go
paroliere:
Peter Bischof‐Fallenstein e Franz Reuther
compositore:
Franz Reuther
editore:
Far M.V.
No Mercy3.254:17
14Yeke Yeke
remixer:
Hardfloor
registrazione di:
Yé Ké Yé Ké
paroliere e compositore:
Mory Kanté
editore:
EMI Music Publishing Germany (GmbH & Co. KG) e Universal Music Publishing (use ONLY if no country‐specific information is available)
Mory Kanté3:56
15Sleeping Satellite
registrazione di:
Sleeping Satellite
autore:
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) e John Hughes (Writer, Producer, Musician)
editore:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer3:50
16Baby Come Back
produttore:
Stoker (production/remixing)
esecutore:
Ali Campbell (UB40’s former vocalist) e Robin Campbell
esecutore ospite:
Ali Campbell (UB40’s former vocalist) e Robin Campbell
registrazione di:
Baby, Come Back
paroliere e compositore:
Eddy Grant
editore:
Kassner Music Ltd.
registrazione cover di:
Baby, Come Back
paroliere e compositore:
Eddy Grant
editore:
Kassner Music Ltd.
Pato Banton3:47
17I Love You Always Forever
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 408)
registrazione di:
I Love You Always Forever
paroliere e compositore:
Donna Lewis
editore:
donna lewis ltd e Warner/Chappell Music, Inc.
Donna Lewis3.83:55
18The Safety Dance
produttore:
Marc Durand (Canadian producer)
diritti fonografici (℗) detenuti da:
Statik Records (nel 1982) e Marc Durand Production (nel 1983)
edit di:
The Safety Dance di Men Without Hats (Canadian new wave/synthpop group)
video musicali:
The Safety Dance di Men Without Hats (Canadian new wave/synthpop group)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 39) e Huffington Post: 100 Best Canadian Songs Ever (numero: 48)
registrazione di:
The Safety Dance (dal 1982-01 al 1982-03)
paroliere e compositore:
Ivan Doroschuk (Men Without Hats)
editore:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (nel 1982) e Wintrup Musik (nel 1982)
Men Without Hats3.82:43
19Break My Stride
programmazione degli strumenti:
John Gilston (nel 1983)
produttore:
Peter Bunetta, Rick Chudacoff e Bill Elliott (keyboardist/composer)
batteria , drum machine [Oberheim DMX] e percussione :
Peter Bunetta (nel 1983)
chitarra :
Dennis Herring (nel 1983)
sintetizzatore analogico [Prophet-5] :
Bill Elliott (keyboardist/composer) (nel 1983) e Matthew Wilder (nel 1983)
voce di accompagnamento:
Greg Prestopino (nel 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (nel 1983) e Matthew Wilder (nel 1983)
voce principale:
Matthew Wilder (nel 1983)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment Inc. (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983)
registrata presso:
Pasha Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 39)
registrazione di:
Break My Stride (nel 1983)
autore:
Greg Prestopino e Matthew Wilder
editore:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (nel 1983), No Ears Music (nel 1983) e Streetwise Music (US publisher) (nel 1983)
Matthew Wilder3.42:52
20Big Big World
produttore:
Göran Elmquist, Niklas Flyckt e Urban Eriksson
organo [Wurlitzer Organ] :
Peter Ljung
registrazione di:
Big Big World
autore:
Emilia Rydberg (Swedish singer Emilia Rydberg (Mitiku), “Big Big World”, “Twist of Fate”) e Yogi (producer Günter Lauke)
editore:
Anderson Music e EMI Music Publishing Sweden AB
Emilia33:22