Grand Theft Auto: Vice City Radio (Individual tracks from the stations)

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

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1Digital Media: V‐Rock
#TitleArtistRatingLength
15You’ve Got Another Thing Comin’Judas Priest3.355:04
2Too Young to Fall in Love
assistant engineer:
Doug Schwartz (mastering engineer)
producer:
Bob Rock, Tom Werman and Geoff Workman
bass guitar:
Nikki Sixx
drums (drum set):
Tommy Lee (Mötley Crüe drummer)
guest keyboard:
Paul Fox (Producer) and Jai Winding (pianist, composer, vocal)
guitar:
Mick Mars
background vocals:
Tommy Lee (Mötley Crüe drummer), Mick Mars and Nikki Sixx
guest background vocals:
Tom Kelly (songwriter) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
lead vocals:
Vince Neil
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1983-04 until 1983-07)
recording of:
Too Young to Fall in Love
lyricist and composer:
Nikki Sixx
publisher:
Blonde Baby Music, Mars Mountain Music, Sixx/Gunner Music and Tommyland Music
Mötley Crüe3.63:30
12Peace Sells
engineer:
Randy Burns (Producer / Engineer) and Casey McMackin
producer:
Randy Burns (Producer / Engineer) and Dave Mustaine
assistant mixer:
Stan Katayama
mixer:
Paul Lani, Dave Mustaine (in 2004) and Ralph Patlan (in 2004)
bass guitar [bass guitars] and background vocals [back-up vocals]:
David Ellefson (from 1986-02-15 until 1986-03-20)
drums (drum set):
Gar Samuelson (from 1986-02-15 until 1986-03-20)
guitar family [lead and rhythm guitars]:
Dave Mustaine (from 1986-02-15 until 1986-03-20) and Chris Poland (from 1986-02-15 until 1986-03-20)
vocals:
Dave Mustaine (from 1986-02-15 until 1986-03-20)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2005)
recorded at:
MadDog Studios (Venice (Los Angeles), 1980–1996) in Venice, Los Angeles, California, United States (from 1986-02-15 until 1986-03-20), Music Grinder Studios in Hollywood, Los Angeles, California, United States (from 1986-02-15 until 1986-03-20), Rock Steady Studios in Hollywood, Los Angeles, California, United States (from 1986-02-15 until 1986-03-20) and Track Record Studios in North Hollywood, Los Angeles, California, United States (from 1986-02-15 until 1986-03-20)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
recording of:
Peace Sells (from 1986-02-15 until 1986-03-20)
lyricist and composer:
Dave Mustaine
arranger:
Megadeth
publisher:
Mustaine Music (in 1986), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1986) and Theory Music (in 1986)
Megadeth3.054:03
4She Sells Sanctuary
recording of:
She Sells Sanctuary
writer:
Ian Astbury (vocalist for The Cult) and Billy Duffy
publisher:
Chappell Music Ltd.
The Cult?:??
6Dangerous Bastard
Rockstar’s Lovefist3.254:07
11Turn Up the RadioAutograph3.54:32
1I Wanna Rock
recording engineer and mixer:
Geoff Workman
assistant engineer:
Gary McGachan
engineer:
John Agnello (engineer & producer) and Greg Laney
producer:
Tom Werman
bass guitar:
Mark Mendoza (Twisted Sister bassist) (from 1984-02 until 1984-03)
drums (drum set):
A.J. Pero (from 1984-02 until 1984-03)
electric guitar:
Jay Jay French (from 1984-02 until 1984-03) and Eddie Ojeda (from 1984-02 until 1984-03)
background vocals:
Jay Jay French (from 1984-02 until 1984-03), Mark Mendoza (Twisted Sister bassist) (from 1984-02 until 1984-03), Eddie Ojeda (from 1984-02 until 1984-03), A.J. Pero (from 1984-02 until 1984-03) and Dee Snider (from 1984-02 until 1984-03)
lead vocals:
Dee Snider (from 1984-02 until 1984-03)
arranger:
Twisted Sister and Tom Werman
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1984-02 until 1984-03)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 17)
recording of:
I Wanna Rock (from 1984-02 until 1984-03)
lyricist and composer:
Dee Snider
publisher:
Universal Tunes
Twisted Sister4.23:02
5Bark at the Moon
engineer:
Max Norman
producer:
Bob Daisley, Max Norman and Ozzy Osbourne
mixer:
Tony Bongiovi
bass guitar:
Bob Daisley (in 1983)
drums (drum set):
Tommy Aldridge (in 1983)
guitar:
Jake E. Lee (in 1983)
keyboard:
Don Airey (in 1983)
background vocals:
Bob Daisley (in 1983) and Jake E. Lee (in 1983)
lead vocals:
Ozzy Osbourne (in 1983)
instruments arranger:
Louis Clark
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) and CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
recorded at:
Ridge Farm Studios in Dorking, Surrey, England, United Kingdom (in 1983)
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
music videos:
Bark at the Moon by Ozzy Osbourne
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 56)
recording of:
Bark at the Moon (in 1983)
lyricist and composer:
Ozzy Osbourne
publisher:
BMG Gold Songs, EMI Virgin Music, Inc., Virgin Music (Publishers) Ltd., EMI Virgin Music Ltd. (do not use this as a release label!) (in 1983), Monowise Ltd. (in 1983) and Nymph Music, Inc. (in 1983)
Ozzy Osbourne3.854:17
9God Bless Video
Alcatrazz?:??
13Madhouse
assistant engineer:
Carl Canedy and Norman Dunn (engineer, producer)
engineer:
Alex Perialas
executive producer:
Jon Zazula
producer:
Anthrax (US thrash metal band) and Carl Canedy
drums (drum set):
Charlie Benante
electric bass guitar:
Frank Bello (US bassist for Anthrax)
electric guitar:
Scott Ian and Dan Spitz
lead vocals:
Joe Belladonna
arranger:
Anthrax (US thrash metal band)
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1985)
recorded at:
Pyramid Sound in Ithaca (city), New York, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 46)
recording of:
Madhouse (in 1985)
lyricist and composer:
Joey Belladonna, Frank Bello (US bassist for Anthrax), Charlie Benante, Scott Ian and Dan Spitz
publisher:
Black Lion Music (publisher; do NOT use as release label) and Zomba Music Publishing Ltd.
Anthrax3.44:19
72 Minutes to Midnight
assistant engineer:
Bruce Buchalter (Engineer) and Frank Gibson (recording engineer)
engineer, producer and mixer:
Martin Birch
drums (drum set) and drums (drum set) [drums]:
Nicko McBrain (drummer) (from 1984-02 until 1984-06)
electric bass guitar:
Steve Harris (Iron Maiden bassist) (from 1984-02 until 1984-06)
electric guitar:
Dave Murray (Iron Maiden guitarist) (from 1984-02 until 1984-06) and Adrian Smith (UK guitarist/songwriter, Iron Maiden) (from 1984-02 until 1984-06)
lead vocals:
Bruce Dickinson (Iron Maiden vocalist) (from 1984-02 until 1984-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1984-02 until 1984-06)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
2 Minutes to Midnight (from 1984-02 until 1984-06)
writer:
Bruce Dickinson (Iron Maiden vocalist) and Adrian Smith (UK guitarist/songwriter, Iron Maiden)
publisher:
Imagem London Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Iron Maiden4.256:02
14Raining Blood
engineer:
Andy Wallace (engineer)
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records) and Slayer (US thrash metal band)
drums (drum set):
Dave Lombardo (drummer, co-founder of thrash metal band Slayer) (from 1986-06 until 1986-07)
electric bass guitar and lead vocals:
Tom Araya (from 1986-06 until 1986-07)
electric guitar:
Jeff Hanneman (from 1986-06 until 1986-07) and Kerry King (co‐founder of Slayer) (from 1986-06 until 1986-07)
phonographic copyright (℗) by:
American Recordings, LLC (company and copyrightholder for American Recordings) (in 1986)
recording of:
Raining Blood (from 1986-06 until 1986-07)
lyricist:
Jeff Hanneman and Kerry King (co‐founder of Slayer)
composer:
Jeff Hanneman
publisher:
Death’s Head Music
Slayer4.454:13
10Cumin’ Atcha Live
assistant recording engineer:
Ken Lonas
engineer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson)
producer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
assistant mixer:
Michael Reiter
drums (drum set) [Tama drums, Zildjian cymbals]:
Troy Luccketta
electric bass guitar:
Brian Wheat
electric guitar:
Frank Hannon (hard rock guitarist) and Tommy Skeoch
background vocals:
Frank Hannon (hard rock guitarist), Jeff Keith, Tommy Skeoch and Brian Wheat
lead vocals:
Jeff Keith
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1986)
recorded at:
Bearsville Studios in Bearsville, New York, United States
mixed at:
Mediasound Studios in New York, New York, United States
recording of:
Cumin’ Atcha Live
writer:
Frank Hannon (hard rock guitarist), Jeff Keith and Brian Wheat
publisher:
Round Hill Songs Tesla and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Tesla34:27
17Yankee RoseDavid Lee Roth3.83:50
8Working for the Weekend
assistant engineer:
Mike Fraser (Canadian record producer, engineer and mixer) and Rob Porter
engineer:
Bob Rock and Keith Stein
producer:
Paul Dean (Canadian guitarist) and Bruce Fairbairn
bass guitar:
Scott Smith (Canadian bassist for Loverboy)
drums (drum set):
Matt Frenette
guitar and background vocals:
Paul Dean (Canadian guitarist)
keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
lead vocals:
Mike Reno
phonographic copyright (℗) by:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
recorded at:
Mushroom Studios in Vancouver, British Columbia, Canada
mixed at:
Little Mountain Sound in Vancouver, British Columbia, Canada
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 100)
recording of:
Working for the Weekend
writer:
Paul Dean (Canadian guitarist), Matt Frenette and Mike Reno
Loverboy4.23:42
16Fist Fury
Rockstar’s Lovefist?:??
3Cum On Feel the Noize
engineer:
Duane Baron
producer:
Spencer Proffer
drums (drum set):
Frankie Banali (US drummer)
electric bass guitar:
Rudy Sarzo
electric guitar:
Carlos Cavazo
keyboard:
Pat Regan (American recording engineer)
lead vocals:
Kevin DuBrow
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
produced for:
Pasha
recorded at and mixed at:
Pasha Music House in Hollywood, Los Angeles, California, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 41)
cover recording of:
Cum On Feel the Noize
writer:
Noddy Holder and Jim Lea
publisher:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Quiet Riot4.24:50
2Digital Media: Wave 103
#TitleArtistRatingLength
1Two Tribes
produced in:
London (Greater London), England, United Kingdom (in 1984-03)
engineer:
Steve Lipson
producer:
Trevor Horn
vocals:
Holly Johnson and Paul Rutherford (member of Frankie Goes to Hollywood)
phonographic copyright (℗) by:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
Two Tribes (in 1983)
written in:
Liverpool, Merseyside, England, United Kingdom (from 1982 until 1983)
lyricist and composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood3.653:55
8Pale Shelter
producer:
Ross Cullum and Chris Hughes (producer, aka “Merrick”)
recording of:
Pale Shelter
lyricist:
Roland Orzabal (UK musician, songwriter and producer) and Curt Smith
composer:
Roland Orzabal (UK musician, songwriter and producer)
Tears for Fears4:24
7Kids in America
recording engineer:
Jeo (from 1980 until 1981)
programming:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Ricky Wilde
additional keyboard:
Nick Priessnitz (from 1980 until 1981)
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
drums (drum set):
Bernhard Hahn (from 1980 until 1981), Chris North (UK drummer of The Enid) (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
guitar:
Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio (from 1980 until 1981), RAK Studios in London (Greater London), England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
Kim Wilde4.353:26
5Atomic
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
background vocals:
Ellie Greenwich (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Atomic (from 1979-05 until 1979-06)
writer:
Jimmy Destri and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc
Blondie3.94:39
11I Ran (So Far Away)
engineer:
Mike Shipley (audio engineer, mixer, producer)
producer:
Mike Howlett
bass guitar and background vocals:
Frank Maudsley
drums (drum set):
Ali Score
guitar:
Paul Reynolds (UK guitarist, in A Flock of Seagulls) and Mike Score
keyboard and lead vocals:
Mike Score
performer:
A Flock of Seagulls (in 1982)
phonographic copyright (℗) by:
Zomba Productions Limited (in 1982) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
music videos:
I Ran by A Flock of Seagulls
recording of:
I Ran
writer:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score and Mike Score
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls4.353:41
4(Keep Feeling) Fascination
producer:
Martin Rushent
remixer:
Chris Thomas (UK record producer / remixer)
music videos:
(Keep Feeling) Fascination by The Human League
samples from:
Hot Dance Classics, Volume 2 by Various Artists (add compilations to this artist)
recording of:
(Keep Feeling) Fascination
writer:
Jo Callis and Philip Oakey
The Human League3.253:45
699 Luftballons
engineer:
Imre Sereg (in 1982)
producer:
Reinhold Heil (in 1982) and Manfred Praeker (in 1982)
mixer:
Udo Arndt (in 1982)
drums (drum set):
Rolf Brendel (in 1982)
electric bass guitar:
Jürgen Dehmel (in 1982)
electric guitar:
Carlo Karges (in 1982)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
lead vocals:
Nena Kerner (the person, performing solo since 1987) (in 1982)
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983) and Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1983)
recorded at:
Spliff in Berlin, Germany (in 1982)
mixed at:
Audio-Studio in Berlin, Germany (in 1982)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 73) and Cachitos Nochevieja 2022 (number: 105)
recording of:
99 Luftballons (in 1982)
lyricist:
Carlo Karges (in 1982)
composer:
Uwe Fahrenkrog-Petersen (in 1982)
publisher:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. and EMI Songs Musikverlag GmbH
sub-publisher:
EMI Songs France (27, rue de Berri)
Nena4.43:52
12Love My Way
engineer:
Chris Andersen and Todd Rundgren
producer:
Todd Rundgren
bass:
Tim Butler (co‐founder of The Psychedelic Furs)
cello:
Ann Sheldon
drums (drum set) and percussion:
Vince Ely
guitar:
John Ashton
horn:
Donn Adams and Gary Windo
keyboard:
Todd Rundgren
background vocals:
Howard Kaylan and Mark Volman
vocals:
Richard Butler (singer)
arranger:
The Psychedelic Furs
recording of:
Love My Way
lyricist and composer:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs) and Vince Ely
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc., EMI Songs Ltd. and EMI Songs Musikverlag GmbH
The Psychedelic Furs3.93:34
14Gold
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
drums (drum set):
John Keeble (in 1982)
guitar:
Gary Kemp (in 1982)
keyboard:
Jess Bailey (in 1982)
percussion and saxophone:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
lead vocals:
Tony Hadley (in 1982)
performer:
Spandau Ballet (in 1982)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:47
10Japanese Boy
producer:
Neil Ross (UK based Music Engineer)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981)
part of:
TV Cream: Real 100 Best Singles Ever (number: 26)
recording of:
Japanese Boy
lyricist and composer:
Bobby Heatlie (songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1981)
Aneka33:55
15Hyperactive!
recorded in:
Brussels (Brussels-Capital Region), Belgium (in 1983-06)
engineered in:
Brussels (Brussels-Capital Region), Belgium
engineer:
Dan Lacksman (Belgian musician & producer)
producer:
Thomas Dolby
mixer:
Alan Douglas (Scottish born engineer)
bass:
Matthew Seligman (in 1983-06)
drum machine:
Justin Hildreth (in 1983-06)
electronic drum set and percussion:
Clif Brigden (in 1983-06)
guitar:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06)
percussion:
Matthew Salt (in 1983-06)
piano:
Thomas Dolby (in 1983-06)
trombone:
Peter Thoms (trombone) (in 1983-06)
additional vocals:
Louise Ulfstedt (in 1983-06)
background vocals:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06) and Adele Bertei (in 1983-06)
vocals:
Thomas Dolby (in 1983-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Hyperactive! (in 1983-06)
lyricist and composer:
Thomas Dolby
publisher:
Scale Music, Smash Ltd. and Street Music Ltd.
Thomas Dolby54:10
13Obsession
recording engineer:
Jeff Harris (recording engineer)
programming:
Jeff Harris (recording engineer) and Holly Knight
producer:
John Ryan (producer a/k/a “The Chicago Kid”)
bass guitar:
Charles Ottavio
guitar:
Bill Wadhams
keyboard:
Paul Antonelli
membranophone:
Frenchy O'Brien
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 12)
cover recording of:
Obsession
writer:
Michael Des Barres and Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) and The Makiki Publishing Co. Ltd.
recording of:
Obsession
writer:
Michael Des Barres and Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) and The Makiki Publishing Co. Ltd.
Animotion5:34
16Never Say Never
producer:
Ric Ocasek and Ian Taylor (rock producer/engineer)
recording of:
Never Say Never
writer:
Benjamin Bossi, Larry Carter (bassist), Debora Iyall, Peter Woods (member of Romeo Void, Ultrasheen) and Frank Zincavage
Romeo Void5:53
9Sunglasses at Night
engineer:
Jon Astley, Phil Chapman (engineer) and Andy MacPherson
producer:
Jon Astley and Phil Chapman (engineer)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 30)
recording of:
Sunglasses at Night
lyricist and composer:
Corey Hart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Edition Meridian
Corey Hart3.65:18
2Love Missile F1-11
Sigue Sigue Sputnik?:??
3Cars
Gary Numan?:??
10Poison Arrow
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
lead vocals:
Martin Fry
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1982)
part of:
The Downloader’s Music Source Book (number: 76)
recording of:
Poison Arrow
writer:
Martin Fry, Mark Lickley, Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Virgin Music (Publishers) Ltd. and Virgin Music (Publishing) Ltd.
part of:
Mantrap (ABC long-form film)
ABC4.4?:??
3Digital Media: Emotion 98.3
#TitleArtistRatingLength
1Africa
recording engineer:
Al Schmitt
producer:
Toto (US rock group)
mixer:
Greg Ladanyi
acoustic guitar:
Timothy B. Schmit
bass guitar:
David Hungate
congas:
Lenny Castro
drums (drum set) and gong:
Jeff Porcaro
electric guitar and guitar:
Steve Lukather
keyboard and piano:
David Paich
marimba:
Joe Porcaro
percussion:
Lenny Castro and Joe Porcaro
recorder:
Jim Horn (saxophonist, hornist, flutist and oboist)
synthesizer:
Steve Porcaro
background vocals:
Bobby Kimball, Steve Lukather, David Paich and Timothy B. Schmit
lead vocals:
Bobby Kimball and David Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
music videos:
Africa by Toto (US rock group)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 105) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 452)
recording of:
Africa (Toto)
writer:
Jeffrey Porcaro and David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.154:58
2Crockett’s Theme
recording of:
Crockett’s Theme (Miami Vice)
composer:
Jan Hammer
publisher:
Involved Publishing Ltd, MCA Music Inc. (Universal Music Philippines’ legal name) and Universal/MCA Music Ltd. (not for release label use!)
Jan Hammer3.53:26
3Missing You
engineer and mixer:
David Thoener
drums (drum set):
Curly Smith (Jo Jo Gunne musician)
electric bass guitar [bass]:
Donnie Nossov
guitar:
Gary Myrick
keyboard:
Bruce Brody
percussion:
Steve Scales
lead vocals:
John Waite
phonographic copyright (℗) by:
EMI Records (a J-Pop division of Universal Music Japan, 2014–present. Do not use for American/European music!) (in 1984), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1984)
recording of:
Missing You
lyricist:
John Waite
composer:
Mark Leonard, Chas Sandford and John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
John Waite3.754:26
4(I Just) Died In Your Arms
engineer:
Terry Brown (producer)
producer:
Terry Brown (producer), Cutting Crew and John Jansen (US recording engineer and producer)
mixer:
Tim Palmer (British producer/mixer)
acoustic guitar, electric guitar and synthesizer [E-mu Emulator]:
Kevin MacMichael
bass:
Colin Farley
drums (drum set), percussion and tambourine:
Martin Beedle
piano:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Peter Birch
lead vocals:
Nick Van Eede
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) and Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
recorded at:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Utopia Studios (London) in London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 26)
recording of:
(I Just) Died in Your Arms
lyricist and composer:
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. and Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:37
5Waiting for a Girl Like You
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) and Warner Music International (trademark of Warner Music International the company) (in 1981)
recording of:
Waiting for a Girl Like You
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner3.54:46
6Broken Wings
engineer:
Paul DeVilliers
producer:
Paul DeVilliers and Mr. Mister (American pop rock band)
bass guitar and lead vocals:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
drums (drum set):
Pat Mastelotto
guitar:
Steve Farris (US session guitarist, member of Mr. Mister)
keyboard:
Steve George (US keyboardist for Mr. Mister & Pages)
phonographic copyright (℗) by:
BMG Music (in 1985), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985)
recording of:
Broken Wings
writer:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister4.24:36
7More Than This
producer:
Rhett Davies and Roxy Music
mixer:
Bob Clearmountain
bass guitar:
Alan Spenner (in 1982)
drums (drum set):
Andy Newmark (in 1982)
guitar:
Neil Hubbard (in 1982) and Phil Manzanera (in 1982)
keyboard:
Bryan Ferry (in 1982)
percussion:
Jimmy Maelen (percussion) (in 1982)
saxophone:
Andy Mackay (of Roxy Music) (in 1982)
background vocals:
Fonzi Thornton (in 1982)
vocals:
Bryan Ferry (in 1982)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1982) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recording of:
More Than This (in 1982)
lyricist and composer:
Bryan Ferry
publisher:
BMG Platinum Songs US, E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. and E.G. Music Ltd. (publisher) (in 1982)
Roxy Music44:27
8Tempted
producer:
Roger Bechirian and Elvis Costello
bass:
John Bentley (UK bassist, member of Squeeze)
drums (drum set):
Gilson Lavis
guitar:
Chris Difford and Glenn Tilbrook
keyboard and lead vocals:
Paul Carrack
background vocals:
Elvis Costello and Glenn Tilbrook
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 82)
recording of:
Tempted
lyricist:
Chris Difford
composer:
Glenn Tilbrook
publisher:
Illegal Songs Inc.
Squeeze4.154:00
9Keep on Loving You
assistant engineer:
Tom Cummings (engineer) and Jeff Eccles
engineer:
Kevin Beamish
co-producer:
Alan Gratzer
producer:
Kevin Beamish, Kevin Cronin and Gary Richrath
acoustic guitar:
Kevin Cronin
bass:
Bruce Hall (US bassist for REO Speedwagon)
drums (drum set):
Alan Gratzer
guitar:
Gary Richrath
Hammond organ:
Neal Doughty
background vocals:
Kevin Cronin, Tom Kelly (songwriter) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arranger:
Kevin Cronin
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980, in 1981) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 67)
recording of:
Keep On Loving You (on 1980-09-03)
lyricist and composer:
Kevin Cronin
publisher:
Bucks Music Group Ltd. (Bucks Music Group), Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. (limited company), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Taiyō Music
REO Speedwagon3.73:21
10Sister Christian
engineer:
John Van Nest
producer:
Pat Glasser
bass guitar:
Jack Blades (of Night Ranger)
drums (drum set):
Kelly Keagy
guitar:
Brad Gillis and Jeff Watson
keyboard and background vocals:
Alan Fitzgerald
lead vocals:
Jack Blades (of Night Ranger) and Kelly Keagy
vocals:
Alan Fitzgerald and Brad Gillis
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 32)
recording of:
Sister Christian
lyricist and composer:
Kelly Keagy
publisher:
Figs. D Music, Kid Bird Music, Inc. and Rough Play Music
Night Ranger3.654:55
11Never Too Much
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
congas:
Bashiri Johnson
drums (drum set):
Buddy Williams (drummer)
guitar:
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
horn [horns] and strings:
Paul Riser
keyboard [keyboards]:
Nat Adderley, Jr.
percussion:
Crusher Bennett
background vocals [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis and Sybil Thomas
background vocals [male backup vocals] and lead vocals:
Luther Vandross
arranger:
Nat Adderley, Jr. and Paul Riser
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Mediasound Studios in New York, New York, United States
music videos:
Never Too Much by Luther Vandross
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 466) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 468)
recording of:
Never Too Much
lyricist and composer:
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. and Uncle Ronnie’s Music Company Inc.
Luther Vandross4.153:49
12Wow
producer:
Andrew Powell (known for contributions to Alan Parsons Project)
lead vocals:
Kate Bush
phonographic copyright (℗) by:
EMI Records (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and EMI America Records, Inc. (holding – file NO releases here!) (in 1982)
recording of:
Wow
lyricist and composer:
Kate Bush
publisher:
Ed. Itaipu, EMI Music Publishing Ltd. (PRS‐affiliated) and Kate Bush Music Ltd.
Kate Bush3.53:41
4Digital Media: Flash FM
#TitleArtistRatingLength
1Out of Touch
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
Out of Touch
lyricist and composer:
Daryl Hall and John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Gelfand, Rennert & Feldman, Hot Cha Music Co., Intersong Music, Unichappell Music, Inc., Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell Music, Inc. and Warner/Chappell North America
Hall & Oates53:53
8Four Little Diamonds
engineer:
Bill Bottrell
producer:
Jeff Lynne
drum machine and synthesizer:
Jeff Lynne (from 1982 until 1983) and Richard Tandy (keyboardist for Electric Light Orchestra) (from 1982 until 1983)
drums (drum set):
Bev Bevan (English rock drummer) (from 1982 until 1983)
electric piano and grand piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (from 1982 until 1983)
guitar, piano and lead vocals:
Jeff Lynne (from 1982 until 1983)
percussion:
Bev Bevan (English rock drummer) (from 1982 until 1983) and Jeff Lynne (from 1982 until 1983)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983) and Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1990)
recorded at:
Wisselord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1982 until 1983)
recording of:
Four Little Diamonds (from 1982 until 1983)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., Polygon Publishing Ltd., EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra3.54:06
3Billie Jean
recording engineer and mixer:
Bruce Swedien
synthesizer programming:
Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
co-producer:
Michael Jackson (“King of Pop”)
producer:
Quincy Jones
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
drums (drum set):
Leon Ndugu Chancler
guitar:
David Williams (session guitarist and songwriter)
Rhodes piano and synthesizer:
Greg Phillinganes
synthesizer:
Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
lead vocals:
Michael Jackson (“King of Pop”)
conductor:
Jeremy Lubbock
percussion and synthesizer arranger and synthesizer arranger:
Michael Jackson (“King of Pop”)
strings arranger:
Jerry Hey
phonographic copyright (℗) by:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
recorded at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States (in 1982)
edit of:
Billie Jean (12″ version) by Michael Jackson (“King of Pop”)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 7), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 58) and Billboard: Greatest of All Time Hot 100 Songs (number: 95)
recording of:
Billie Jean
lyricist and composer:
Michael Jackson (“King of Pop”)
publisher:
Mijac Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
MJ: The Musical
Michael Jackson4.14:54
13Your Love
producer:
William Wittman
mixer:
John Agnello (engineer & producer) and William Wittman
bass guitar and lead vocals:
Tony Lewis (lead vocalist, bassist in The Outfield)
drums (drum set):
Alan Jackman
guitar:
John Spinks
keyboard:
Reg Webb (piano)
vocals:
John Spinks
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
music videos:
Your Love by The Outfield
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 59) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 450)
recording of:
Your Love
lyricist and composer:
John Frederick Spinks
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal‐MCA Music Publishing (US) and Warning Tracks Ltd.
The Outfield43:41
12Life’s What You Make It
producer:
Tim Friese‐Greene
drums (drum set):
Lee Harris (drummer, member of Talk Talk and .O.Rang)
mellotron and organ:
Tim Friese‐Greene
percussion:
Martin Ditcham
piano:
Mark Hollis
background vocals:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
vocals:
Mark Hollis
recording of:
Life’s What You Make It
writer:
Tim Friese‐Greene and Mark Hollis
Talk Talk3.84:27
7Run to You
assistant engineer:
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov and Michael Sauvage
engineer:
Bob Clearmountain (from 1984-03-27 until 1984-09-21)
associate producer:
Jim Vallance
producer:
Bryan Adams (Canadian singer/songwriter) and Bob Clearmountain
mixer:
Bob Clearmountain (on 1984-09-21)
drums (drum set) [drums]:
Mickey (from 1984-03-27 until 1984-09-21)
electric bass guitar [bass]:
Dave (Bass player (Bryan Adams) and engineer) (from 1984-03-27 until 1984-09-21)
guitar [rhythm and lead guitars]:
Keith (Canadian guitarist) (from 1984-03-27 until 1984-09-21)
guitar [rhythm guitar] and lead vocals:
BA (Canadian singer/songwriter) (from 1984-03-27 until 1984-09-21)
keyboard [keyboards]:
Tommy (from 1984-03-27 until 1984-09-21)
percussion:
Jim (from 1984-03-27 until 1984-09-21)
phonographic copyright (℗) by:
A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984) and Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada (from 1984-03-27 until 1984-09-21)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (on 1984-09-21)
part of:
The Downloader’s Music Source Book (number: 175)
recording of:
Run to You (from 1984-03-27 until 1984-09-21)
written in:
Vancouver, British Columbia, Canada (from 1983-01-12 until 1983-01-14)
writer:
Bryan Adams (Canadian singer/songwriter) (from 1983-01-12 until 1983-01-14) and Jim Vallance (from 1983-01-12 until 1983-01-14)
publisher:
Adams Communications Inc. (, in 1984), Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Rondor Music (London) Ltd. (, in 1984), Rondor Music Publishing GmbH, Testatyme Music and Calypso Toonz (in 1984)
Bryan Adams3.93:53
2Dance Hall Days
recording of:
Dance Hall Days
writer:
Darren Costin, Nick Feldman and Jack Hues
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung3:50
5Call Me
producer:
Gary Stevenson
recording of:
Call Me
writer:
Peter Cox (Artist and songwriter) and Richard Drummie
Go West3.654:10
11Smuggler’s Blues
producer:
Allan Blazek and Glenn Frey (US musician/singer/songwriter, member of the Eagles)
bass guitar:
Bryan Garofalo
congas:
Steve Forman (US percussionist)
electric guitar:
Duncan Cameron (guitarist for Sawyer Brown), Glenn Frey (US musician/singer/songwriter, member of the Eagles) and Josh Leo (songwriter, guitarist and producer, multi-instrumentalist, mixing engineer)
membranophone:
Michael Huey
synthesizer:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984)
recording of:
Smuggler’s Blues
writer:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) and Jack Tempchin
Glenn Frey43:50
17Running With the Night
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Running With the Night
writer:
Lionel Richie and Cynthia Weil
publisher:
Brockman Music, Dyad Music Ltd., Rondor Music (Ldn) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.655:58
16Hold the Line
engineer and mixer:
Tom Knox
producer:
Toto (US rock group)
bass guitar:
David Hungate (in 1978-08)
drums (drum set):
Jeffrey Porcaro (in 1978-08)
electric guitar:
Steve Lukather (in 1978-08)
keyboard:
David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
percussion:
Lenny Castro (in 1978-08)
piano:
David Paich (in 1978-08)
background vocals:
Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
lead vocals:
Bobby Kimball (in 1978-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Studio 55 in Los Angeles, California, United States (in 1978-08)
part of:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. and Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.23:57
4Self Control
executive producer:
Jack White (German producer Horst Nußbaum)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer) and Harold Faltermeier
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
music videos:
Self Control by Laura Branigan
cover recording of:
Self Control (in 1984)
lyricist:
Steve Piccolo
additional writer:
Harro Steffen
composer:
Giancarlo Bigazzi and Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) and Sugarmusic Spa (publisher, do NOT use as label)
version of:
Self Control
Laura Branigan4.554:06
18I Wanna Be a CowboyBoys Don’t Cry33:24
6Kiss the Dirt (Falling Down the Mountain)INXS3.53:56
9Owner of a Lonely Heart
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Chris Squire (Yes bassist) (in 1983)
drums (drum set):
Alan White (Yes drummer) (in 1983)
guitar:
Trevor Rabin (South African musician and score composer) (in 1983)
keyboard:
Tony Kaye (in 1983)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
recorded at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
writer:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) and Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Yes3.954:27
10Video Killed the Radio Star
Buggles?:??
14Steppin’ Out
Joe Jackson?:??
15One Thing Leads to Another
The Fixx?:??
5Digital Media: Wildstyle Pirate Radio
#TitleArtistRatingLength
5Rockit
recorded in:
United States (in 1983)
recording engineer:
Martin Bisi (in 1983)
producer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Material (group and producer team led by Bill Laswell)
mixer:
Dave Jerden
bass:
Bill Laswell (US bass guitarist and record producer) (in 1983)
keyboard:
Michael Beinhorn (in 1983) and Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1983)
performer:
DXT (US 80s hip hop, aka Grandmixer D.ST) (in 1983)
recorded at:
OAO Studio in Brooklyn, New York, New York, United States (in 1983)
mixed at:
Eldorado Recording Studios in Burbank, California, United States
music videos:
Rockit by Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
recording of:
Rockit (in 1983)
writer:
Michael Beinhorn, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Bill Laswell (US bass guitarist and record producer)
publisher:
Ensign Music Corporation
Herbie Hancock45:23
13The Message
producer:
Clifton Chase and Ed Fletcher
vocals:
Duke Bootee and Melle Mel (Melvin Glover aka Melle Mel)
music videos:
The Message by Grandmaster Flash & The Furious Five
a cappella versions:
The Message (a cappella) by Grandmaster Flash & The Furious Five feat. Melle Mel (Melvin Glover aka Melle Mel) & Duke Bootee
instrumental versions:
The Message (instrumental) by Grandmaster Flash & The Furious Five
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 51) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 59)
recording of:
The Message (in 1982)
writer:
Edward Fletcher, Jiggs Chase, Melvin Glover (Melvin Glover aka Melle Mel) and Sylvia Robinson
publisher:
IQ Music Ltd.
Grandmaster Flash & The Furious Five4.37:09
12More Bounce to the Ounce
recording of:
More Bounce to the Ounce
lyricist and composer:
Roger Troutman (funk musician in Zapp)
Zapp & Roger5:27
2One for the Treble
Davy DMX36:33
9Bassline
recording of:
Bassline
writer:
Kurtis Mantronik (the individual) and MC Tee
Mantronix55:23
15Hip Hop Be Bop (Don’t Stop)Man Parrish55:42
4Al-Naafiysh (The Soul)Hashim7:43
3Clear
producer:
3070, Juan Atkins and Richard Davis (techno DJ/producer aka 3070/member of Cybotron)
electric guitar:
Jon-5
electronic instruments:
3070 and Juan Atkins
vocals:
3070 and Juan Atkins
remixer:
Jose "Animal" Diaz
recording of:
Clear
composer:
3070 and Juan Atkins
Cybotron34:52
6Looking for the Perfect Beat
Afrika Bambaataa & Soulsonic Force6:48
8Rock Box
assistant producer:
Roddey Hui
producer:
Larry Smith (US hip hop producer) and Russell Simmons
mixer:
DJ Starchild (Mike Hare)
guitar:
Eddie Martinez (guitar)
performer:
Orange Krush
recording of:
Rock Box
writer:
Darryl McDaniels (rapper Darryl McDaniels), Joseph Simmons (US rapper Rev. Run of Run-D.M.C) and Larry Smith (US hip hop producer)
Run‐D.M.C.4.255:32
14The Breaks
producer:
James B. Moore (producer, composer) and Robert Ford Jr. (hip hop writer and producer)
recording of:
The Breaks
writer:
James B. Moore (producer, composer), Kurtis Walker, Lawrence Smith (US hip hop producer), Robert Arthur Ford, Jr. (hip hop writer and producer) and Russell W. Simmons
publisher:
Neutral Gray Music
Kurtis Blow47:44
11Magic’s Wand
producer:
Thomas Dolby
mixer:
Nigel Green (engineer)
recording of:
Magic’s Wand
writer:
Thomas Dolby, Jalil Hutchins and John Rivas
Whodini55:35
1Pump Me Up
Trouble Funk?:??
7Get It Girl
The 2 Live Crew?:??
10The Smurf
Tyrone Brunson?:??
6Digital Media: Fever 105
#TitleArtistRatingLength
1Wanna Be Startin’ Somethin’
recording engineer and mixer:
Bruce Swedien
drum machine programming and co-producer:
Michael Jackson (“King of Pop”)
producer:
Quincy Jones
electric bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
flugelhorn and trumpet:
Gary Grant (brass) and Jerry Hey
flute and saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
foot stomps [bathroom stomp board]:
Nelson Hayes, Michael Jackson (“King of Pop”) and Steven Ray (80s US R&B producer/performer)
guitar:
David Williams (session guitarist and songwriter)
percussion:
Paulinho da Costa (Brazilian percussionist)
Rhodes piano and synthesizer:
Greg Phillinganes
synthesizer:
Michael Boddicker and Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
trombone:
Bill Reichenbach, Jr. (jazz trombonist)
background vocals:
Bunny Hull, James Ingram (R&B singer), Michael Jackson (“King of Pop”), Becky Lopez, Julia Waters, Maxine Waters and Oren Waters
lead vocals:
Michael Jackson (“King of Pop”)
horn and percussion arranger:
Michael Jackson (“King of Pop”)
horn arranger:
Jerry Hey
percussion arranger:
Quincy Jones
wind instruments arranger:
Jerry Hey and Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
recorded at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States (in 1982)
samples:
Soul Makossa by Manu Dibango
recording of:
Wanna Be Startin’ Somethin’ (from 1982-04 until 1982-10)
lyricist and composer:
Michael Jackson (“King of Pop”)
publisher:
Byefall Productions, Inc. and Sony/ATV Harmony
quotes lyrics from:
Soul Makossa
part of:
MJ: The Musical
part of:
MJ: The Musical
Michael Jackson3.956:03
2Automatic
engineer:
Michael Hutchinson (engineer)
remixer:
Jellybean (US producer John Benitez)
remix of:
Automatic by Pointer Sisters
recording of:
Automatic
composer:
Brock Patrick Walsh (singer, producer, songwriter) and Mark Goldenberg
The Pointer Sisters26:06
3Act Like You Know
recording of:
Act Like You Know (Fat Larry's Band song)
writer:
Mark Birts, Nick Martinelli (record producer) and Terry Price
Fat Larry’s Band46:28
4Juicy Fruit
lead vocals:
Tawatha Agee
recording of:
Juicy Fruit
composer:
James Mtume (jazz/funk musician)
Mtume35:49
5Behind the Groove
recording of:
Behind the Groove
writer:
Richard James Rudolph (American composer, lyricist, multi-instrumentalist, and producer) and Teena Marie Brockhert
Teena Marie33:58
6Get Down Saturday NightOliver Cheatham26:50
7Ghetto Life
engineer:
Bobby Brooks (US producer/engineer/remixer), Rick "Port Hole" Sanchez and Tom "Super" Flye
producer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
background vocals:
Melvin Franklin, Richard Street and Otis Williams (US baritone singer, member of The Temptations & The Distants)
horn arranger:
Daniel LeMelle
instruments arranger and arranger:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
Ghetto Life
lyricist and composer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Rick James4.54:19
8ShameEvelyn “Champagne” King3.56:32
9All Night Long
recording of:
All Night Long
lyricist and composer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Mary Jane Girls35:44
10Summer Madness
arranger:
Robert Spike Mickens
recording of:
Summer Madness
writer:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Robert Spike Mickens, Richard Westfield (Kool & The Gang member), Claydes Smith, Alton Taylor and Dennis “D.T.” Thomas (Kool & The Gang)
publisher:
EMI Longitude Music and Planetary Nom (London) Ltd.
Kool & the Gang44:16
11I’ll Be Good
recording of:
I'll Be Good
writer:
René Moore and Angela Winbush
René & Angela44:08
12Last Night a DJ Saved My Life
recording of:
Last Night a D.J. Saved My Life
lyricist and composer:
Mike Cleveland (80's dance)
publisher:
Windswept Pacific Music Ltd.
Indeep3.655:39
13And the Beat Goes OnThe Whispers3.657:34
7Digital Media: Radio Espantoso

Credits

Release group

part of:Grand Theft Auto (video game series) (number: 4) (order: 3)
Discogs:https://www.discogs.com/master/648336 [info]
Wikidata:Q5595151 [info]