The Complete Lester Young Studio Sessions on Verve

~ Release by Lester Young (see all versions of this release, 2 available)

Annotation

Label: Verve - Catalog #: 3145470872 - Format: 8CD
Additional:
Be it by its size, by its price, or by the variety of the material (Clef, Norgran, Verve, 1946-1959), this boxset is definitely not for casual listeners - who will probably be much happier with the sampler Lester Swings.
Hard-core jazz fans, although, will be delighted by this exhaustive insight at Young's later career - too often disregarded.
The last cd also contains a wealth of interesting interviews.

Annotation last modified on 2022-09-15 11:49 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1Back to the Land
drums (drum set):
Buddy Rich (from 1946-03 until 1946-04)
piano:
Aye Guy (from 1946-03 until 1946-04)
tenor saxophone:
Lester Young (saxophonist) (from 1946-03 until 1946-04)
recorded at:
Radio Recorders Studios (932 N Western Ave location till 1949) in Los Angeles, California, United States (from 1946-03 until 1946-04)
recording of:
Back to the Land (from 1946-03 until 1946-04)
composer:
Lester Young (saxophonist)
3:58
2I Cover the Waterfront (12" LP take)
drums (drum set):
Buddy Rich (from 1946-03 until 1946-04)
piano:
Aye Guy (from 1946-03 until 1946-04)
tenor saxophone:
Lester Young (saxophonist) (from 1946-03 until 1946-04)
recorded at:
Radio Recorders Studios (932 N Western Ave location till 1949) in Los Angeles, California, United States (from 1946-03 until 1946-04)
recording of:
I Cover the Waterfront (from 1946-03 until 1946-04)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music, Inc.
3:52
3I Cover the Waterfront (Master take)
drums (drum set):
Buddy Rich (from 1946-03 until 1946-04)
piano:
Aye Guy (from 1946-03 until 1946-04)
tenor saxophone:
Lester Young (saxophonist) (from 1946-03 until 1946-04)
recorded at:
Radio Recorders Studios (932 N Western Ave location till 1949) in Los Angeles, California, United States (from 1946-03 until 1946-04)
recording of:
I Cover the Waterfront (from 1946-03 until 1946-04)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music, Inc.
4:05
4Somebody Loves Me
drums (drum set):
Buddy Rich (from 1946-03 until 1946-04)
piano:
Aye Guy (from 1946-03 until 1946-04)
tenor saxophone:
Lester Young (saxophonist) (from 1946-03 until 1946-04)
recorded at:
Radio Recorders Studios (932 N Western Ave location till 1949) in Los Angeles, California, United States (from 1946-03 until 1946-04)
instrumental recording of:
Somebody Loves Me (from 1946-03 until 1946-04)
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
3:54
5I've Found a New Baby
drums (drum set):
Buddy Rich (from 1946-03 until 1946-04)
piano:
Nat King Cole (from 1946-03 until 1946-04)
tenor saxophone:
Lester Young (saxophonist) (from 1946-03 until 1946-04)
recorded at:
Radio Recorders Studios (932 N Western Ave location till 1949) in Los Angeles, California, United States (from 1946-03 until 1946-04)
recording of:
I’ve Found a New Baby (from 1946-03 until 1946-04)
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
4:06
6The Man I Love
recorded in:
Los Angeles, California, United States (from 1946-03 until 1946-04)
producer:
Norman Granz
drums (drum set):
Buddy Rich (from 1946-03 until 1946-04)
piano:
Nat "King" Cole (from 1946-03 until 1946-04)
tenor saxophone:
Lester Young (saxophonist) (from 1946-03 until 1946-04)
recorded at:
Radio Recorders Studios (932 N Western Ave location till 1949) in Los Angeles, California, United States (from 1946-03 until 1946-04)
instrumental cover recording of:
The Man I Love (from 1946-03 until 1946-04)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
instrumental recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
4:51
7Peg O' My Heart
piano:
Aye Guy (from 1946-03 until 1946-04)
tenor saxophone:
Lester Young (saxophonist) (from 1946-03 until 1946-04)
recorded at:
Radio Recorders Studios (932 N Western Ave location till 1949) in Los Angeles, California, United States (from 1946-03 until 1946-04)
instrumental recording of:
Peg o’ My Heart (from 1946-03 until 1946-04)
lyricist:
Alfred Bryan (US songwriter) (on 1913-03-15)
composer:
Fred Fisher (on 1913-03-15)
part of:
The Girl’s Suite
4:06
8I Want to Be Happy
recorded in:
Los Angeles, California, United States (from 1946-03 until 1946-04)
producer:
Norman Granz
drums (drum set):
Buddy Rich (from 1946-03 until 1946-04)
piano:
Nat "King" Cole (from 1946-03 until 1946-04)
tenor saxophone:
Lester Young (saxophonist) (from 1946-03 until 1946-04)
recorded at:
Radio Recorders Studios (932 N Western Ave location till 1949) in Los Angeles, California, United States (from 1946-03 until 1946-04)
instrumental recording of:
I Want to Be Happy (No, No, Nanette) (from 1946-03 until 1946-04)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
3:58
9Mean to Me
drums (drum set):
Buddy Rich (from 1946-03 until 1946-04)
piano:
Aye Guy (from 1946-03 until 1946-04)
tenor saxophone:
Lester Young (saxophonist) (from 1946-03 until 1946-04)
recorded at:
Radio Recorders Studios (932 N Western Ave location till 1949) in Los Angeles, California, United States (from 1946-03 until 1946-04)
instrumental recording of:
Mean to Me (from 1946-03 until 1946-04)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
4:13
10Too Marvelous for Words (78rpm take)
double bass:
Ray Brown (jazz bassist) (on 1949-09-17) and Joe Shulman (in 1950-07)
drums (drum set):
Buddy Rich (on 1949-09-17) and Bill Clark (Drummer) (in 1950-07)
piano:
Hank Jones (piano) (on 1949-09-17) and John Lewis (pianist, member of Modern Jazz Quartet) (in 1950-07)
tenor saxophone:
Lester Young (saxophonist) (on 1949-09-17, in 1950-07)
instrumental recording of:
Too Marvelous for Words (on 1949-09-17)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:01
11Too Marvelous for Words (LP take)
double bass:
Ray Brown (jazz bassist) (on 1949-09-17) and Joe Shulman (in 1950-07)
drums (drum set):
Buddy Rich (on 1949-09-17) and Bill Clark (Drummer) (in 1950-07)
piano:
Hank Jones (piano) (on 1949-09-17) and John Lewis (pianist, member of Modern Jazz Quartet) (in 1950-07)
tenor saxophone:
Lester Young (saxophonist) (on 1949-09-17, in 1950-07)
recording of:
Too Marvelous for Words (on 1949-09-17)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:02
12'Deed I Do
double bass:
Ray Brown (jazz bassist) (on 1949-09-17)
drums (drum set):
Buddy Rich (on 1949-09-17)
piano:
Hank Jones (piano) (on 1949-09-17)
tenor saxophone:
Lester Young (saxophonist) (on 1949-09-17)
instrumental recording of:
’Deed I Do (on 1949-09-17)
lyricist:
Walter Hirsch
composer:
Fred Rose (songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd.
3:17
13Encore
double bass:
Ray Brown (jazz bassist) (on 1949-09-17)
drums (drum set):
Buddy Rich (on 1949-09-17)
piano:
Hank Jones (piano) (on 1949-09-17)
tenor saxophone:
Lester Young (saxophonist) (on 1949-09-17)
3:10
14Polka Dots and Moonbeams
double bass:
Ray Brown (jazz bassist) (on 1949-09-17)
drums (drum set):
Buddy Rich (on 1949-09-17)
piano:
Hank Jones (piano) (on 1949-09-17)
tenor saxophone:
Lester Young (saxophonist) (on 1949-09-17)
instrumental recording of:
Polka Dots and Moonbeams (on 1949-09-17)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:41
15Up 'n' Adam
double bass:
Ray Brown (jazz bassist) (on 1949-09-17)
drums (drum set):
Buddy Rich (on 1949-09-17)
piano:
Hank Jones (piano) (on 1949-09-17)
tenor saxophone:
Lester Young (saxophonist) (on 1949-09-17)
3:51
16Three Little Words
double bass:
Joe Shulman (in 1950-07)
drums (drum set):
Bill Clark (Drummer) (in 1950-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1950-07)
tenor saxophone:
Lester Young (saxophonist) (in 1950-07)
instrumental recording of:
Three Little Words (in 1950-07)
lyricist:
Bert Kalmar (in 1930)
composer:
Harry Ruby (in 1930)
publisher:
Bug Music (music publishing), Chappell and MPL Music Publishing Inc.
3:20
17Count Every Star (Master take)
double bass:
Joe Shulman (in 1950-07)
drums (drum set):
Bill Clark (Drummer) (in 1950-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1950-07)
tenor saxophone:
Lester Young (saxophonist) (in 1950-07)
instrumental recording of:
Count Every Star (in 1950-07)
lyricist:
Sammy Gallop
composer:
Bruno Coquatrix
3:02
18Count Every Star
double bass:
Joe Shulman (in 1950-07)
drums (drum set):
Bill Clark (Drummer) (in 1950-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1950-07)
tenor saxophone:
Lester Young (saxophonist) (in 1950-07)
instrumental recording of:
Count Every Star (in 1950-07)
lyricist:
Sammy Gallop
composer:
Bruno Coquatrix
3:13
19It All Depends on You
double bass:
Joe Shulman (in 1950-07)
drums (drum set):
Bill Clark (Drummer) (in 1950-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1950-07)
tenor saxophone:
Lester Young (saxophonist) (in 1950-07)
instrumental recording of:
It All Depends on You (in 1950-07)
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
publisher:
Ross Jungnickel, Inc.
3:24
20Neenah (alternate take)
double bass:
Joe Shulman (in 1950-07)
drums (drum set):
Bill Clark (Drummer) (in 1950-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1950-07)
tenor saxophone:
Lester Young (saxophonist) (in 1950-07)
3:10
21Neenah (alternate take)
double bass:
Joe Shulman (in 1950-07)
drums (drum set):
Bill Clark (Drummer) (in 1950-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1950-07)
tenor saxophone:
Lester Young (saxophonist) (in 1950-07)
2:18
22Neenah (Master take)
double bass:
Joe Shulman (in 1950-07)
drums (drum set):
Bill Clark (Drummer) (in 1950-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1950-07)
tenor saxophone:
Lester Young (saxophonist) (in 1950-07)
3:27
2▼CD
#TitleRatingLength
1Jeepers Creepers
double bass:
Joe Shulman (in 1950-07)
drums (drum set):
Bill Clark (Drummer) (in 1950-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1950-07)
tenor saxophone:
Lester Young (saxophonist) (in 1950-07)
instrumental recording of:
Jeepers Creepers (in 1950-07)
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1938 nominee)
3:08
2Thou Swell (USA 78Rpm take)
double bass:
Gene Ramey (on 1951-01-16)
drums (drum set):
Jo Jones (US jazz drummer) (on 1951-01-16)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1951-01-16)
tenor saxophone:
Lester Young (saxophonist) (on 1951-01-16)
instrumental recording of:
Thou Swell (on 1951-01-16)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: file NO releases)
2:56
3Thou Swell (Canada 78Rpm take)
double bass:
Gene Ramey (on 1951-01-16)
drums (drum set):
Jo Jones (US jazz drummer) (on 1951-01-16)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1951-01-16)
tenor saxophone:
Lester Young (saxophonist) (on 1951-01-16)
instrumental recording of:
Thou Swell (on 1951-01-16)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: file NO releases)
2:57
4September in the Rain
double bass:
Gene Ramey (on 1951-01-16)
drums (drum set):
Jo Jones (US jazz drummer) (on 1951-01-16)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1951-01-16)
tenor saxophone:
Lester Young (saxophonist) (on 1951-01-16)
instrumental recording of:
September in the Rain (on 1951-01-16)
lyricist:
Al Dubin (in 1937)
composer:
Harry Warren (US composer and lyricist) (in 1937)
publisher:
Henrees Music co. (in 1937) and Peermusic (UK) Limited (in 1937)
3:09
5Undercover Girl Blues
double bass:
Gene Ramey (on 1951-01-16)
drums (drum set):
Jo Jones (US jazz drummer) (on 1951-01-16)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1951-01-16)
tenor saxophone:
Lester Young (saxophonist) (on 1951-01-16)
recording of:
Undercover Girl Blues (on 1951-01-16)
writer:
Lester Young (saxophonist)
2:45
6Frenesi
double bass:
Gene Ramey (on 1951-01-16)
drums (drum set):
Jo Jones (US jazz drummer) (on 1951-01-16)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1951-01-16)
tenor saxophone:
Lester Young (saxophonist) (on 1951-01-16)
instrumental recording of:
Frenesí (on 1951-01-16)
lyricist and composer:
Alberto Domínguez
3:02
7Pete's Cafe
double bass:
Gene Ramey (on 1951-01-16)
drums (drum set):
Jo Jones (US jazz drummer) (on 1951-01-16)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1951-01-16)
tenor saxophone:
Lester Young (saxophonist) (on 1951-01-16)
recording of:
Pete's Café (on 1951-01-16)
writer:
Lester Young (saxophonist)
3:37
8Little Pee Blues
2:42
9A Foggy Day
double bass:
Gene Ramey (on 1951-03-08)
drums (drum set):
Jo Jones (US jazz drummer) (on 1951-03-08)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1951-03-08)
tenor saxophone:
Lester Young (saxophonist) (on 1951-03-08)
instrumental recording of:
A Foggy Day (in London Town) (on 1951-03-08)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
2:53
10In a Little Spanish Town
double bass:
Gene Ramey (on 1951-03-08)
drums (drum set):
Jo Jones (US jazz drummer) (on 1951-03-08)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1951-03-08)
tenor saxophone:
Lester Young (saxophonist) (on 1951-03-08)
instrumental recording of:
In a Little Spanish Town (’Twas on a Night Like This) (on 1951-03-08)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Mabel Wayne
3:14
11Let's Fall in Love
double bass:
Gene Ramey (on 1951-03-08)
drums (drum set):
Jo Jones (US jazz drummer) (on 1951-03-08)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1951-03-08)
tenor saxophone:
Lester Young (saxophonist) (on 1951-03-08)
instrumental recording of:
Let’s Fall in Love (on 1951-03-08)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
2:58
12Down 'n' Adam
double bass:
Gene Ramey (on 1951-03-08)
drums (drum set):
Jo Jones (US jazz drummer) (on 1951-03-08)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1951-03-08)
tenor saxophone:
Lester Young (saxophonist) (on 1951-03-08)
recording of:
Down 'n' Adam (on 1951-03-08)
writer:
Lester Young (saxophonist)
2:58
13Lester Swings
double bass:
Gene Ramey (on 1951-03-08)
drums (drum set):
Jo Jones (US jazz drummer) (on 1951-03-08)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1951-03-08)
tenor saxophone:
Lester Young (saxophonist) (on 1951-03-08)
recording of:
Lester Swings (on 1951-03-08)
writer:
Lester Young (saxophonist)
2:34
14Slow Motion Blues
double bass:
Gene Ramey (on 1951-03-08)
drums (drum set):
Jo Jones (US jazz drummer) (on 1951-03-08)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1951-03-08)
tenor saxophone:
Lester Young (saxophonist) (on 1951-03-08)
2:58
15Ad Lib Blues
recorded in:
New York, New York, United States (in 1952)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1952-11-28)
drums (drum set):
J.C. Heard (on 1952-11-28)
guitar:
Barney Kessel (on 1952-11-28)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-28)
tenor saxophone:
Lester Young (saxophonist) (on 1952-11-28)
recording of:
Ad Lib Blues (on 1952-11-28)
composer:
Oscar Peterson (Canadian jazz pianist and composer) and Lester Young (saxophonist)
5:53
16Just You, Just Me
double bass:
Ray Brown (jazz bassist) (on 1952-11-28)
drums (drum set):
J.C. Heard (on 1952-11-28)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-28)
tenor saxophone:
Lester Young (saxophonist) (on 1952-11-28)
instrumental recording of:
Just You, Just Me (on 1952-11-28)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
7:40
17Tea for Two
recorded in:
New York, New York, United States (on 1952-11-28)
double bass:
Ray Brown (jazz bassist) (on 1952-11-28)
drums (drum set):
J.C. Heard (on 1952-11-28)
guitar:
Barney Kessel (on 1952-11-28)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-28)
tenor saxophone:
Lester Young (saxophonist) (on 1952-11-28)
recording of:
Tea for Two (No, No, Nanette) (on 1952-11-28)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
7:46
18(Back Home Again In) Indiana
recorded in:
New York, New York, United States (on 1952-11-28)
double bass:
Ray Brown (jazz bassist) (on 1952-11-28)
drums (drum set):
J.C. Heard (on 1952-11-28)
guitar:
Barney Kessel (on 1952-11-28)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-28)
tenor saxophone:
Lester Young (saxophonist) (on 1952-11-28)
instrumental recording of:
Indiana (Back Home Again in Indiana) (on 1952-11-28)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
7:04
19These Foolish Things
recorded in:
New York, New York, United States (on 1952-11-28)
double bass:
Ray Brown (jazz bassist) (on 1952-11-28)
drums (drum set):
J.C. Heard (on 1952-11-28)
guitar:
Barney Kessel (on 1952-11-28)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-28)
tenor saxophone:
Lester Young (saxophonist) (on 1952-11-28)
instrumental recording of:
These Foolish Things (Remind Me of You) (on 1952-11-28)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
3:28
20I Can't Get Started
recorded in:
New York, New York, United States (on 1952-11-28)
double bass:
Ray Brown (jazz bassist) (on 1952-11-28)
drums (drum set):
J.C. Heard (on 1952-11-28)
guitar:
Barney Kessel (on 1952-11-28)
tenor saxophone:
Lester Young (saxophonist) (on 1952-11-28)
instrumental recording of:
I Can’t Get Started (on 1952-11-28)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:30
3▼CD
#TitleRatingLength
1Star Dust
double bass:
Ray Brown (jazz bassist) (on 1952-11-28)
drums (drum set):
J.C. Heard (on 1952-11-28)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-28)
tenor saxophone:
Lester Young (saxophonist) (on 1952-11-28)
instrumental recording of:
Stardust (the jazz standard) (on 1952-11-28)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
3:39
2It Takes Two to Tango
recorded in:
New York, New York, United States (on 1952-11-28)
double bass:
Ray Brown (jazz bassist) (on 1952-11-28)
drums (drum set):
J.C. Heard (on 1952-11-28)
guitar:
Barney Kessel (on 1952-11-28)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-28)
tenor saxophone:
Lester Young (saxophonist) (on 1952-11-28)
vocals:
Lester Young (saxophonist) (on 1952-11-28)
recording of:
Takes Two to Tango (on 1952-11-28)
writer:
Al Hoffman (in 1952) and Dick Manning (American songwriter) (in 1952)
6:06
3On the Sunny Side of the Street
recorded in:
New York, New York, United States (on 1952-11-28)
double bass:
Ray Brown (jazz bassist) (on 1952-11-28)
drums (drum set):
J.C. Heard (on 1952-11-28)
guitar:
Barney Kessel (on 1952-11-28)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-28)
tenor saxophone:
Lester Young (saxophonist) (on 1952-11-28)
recording of:
On the Sunny Side of the Street (on 1952-11-28)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Vydia Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
43:28
4Almost Like Being in Love
recorded in:
New York, New York, United States (in 1952)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1952-11-28)
drums (drum set):
J.C. Heard (on 1952-11-28)
guitar:
Barney Kessel (on 1952-11-28)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-28)
tenor saxophone:
Lester Young (saxophonist) (on 1952-11-28)
instrumental recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1952-11-28)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
3:34
5I Can't Give You Anything but Love
recorded in:
New York, New York, United States (on 1952-11-28)
double bass:
Ray Brown (jazz bassist) (on 1952-11-28)
drums (drum set):
J.C. Heard (on 1952-11-28)
guitar:
Barney Kessel (on 1952-11-28)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-28)
tenor saxophone:
Lester Young (saxophonist) (on 1952-11-28)
instrumental recording of:
I Can’t Give You Anything but Love, Baby (on 1952-11-28)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:23
6There Will Never Be Another You
recorded in:
New York, New York, United States (on 1952-11-28)
double bass:
Ray Brown (jazz bassist) (on 1952-11-28)
drums (drum set):
J.C. Heard (on 1952-11-28)
guitar:
Barney Kessel (on 1952-11-28)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-28)
tenor saxophone:
Lester Young (saxophonist) (on 1952-11-28)
recording of:
There Will Never Be Another You (on 1952-11-28)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:30
7I'm Confessin'
recorded in:
New York, New York, United States (on 1952-11-28)
double bass:
Ray Brown (jazz bassist) (on 1952-11-28)
drums (drum set):
J.C. Heard (on 1952-11-28)
guitar:
Barney Kessel (on 1952-11-28)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-11-28)
tenor saxophone:
Lester Young (saxophonist) (on 1952-11-28)
instrumental recording of:
I’m Confessin’ (That I Love You) (on 1952-11-28)
lyricist:
Al J. Neiburg (lyricist) (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
3:44
8Willow Weep for Me
double bass:
Gene Ramey (on 1953-12-11)
drums (drum set):
Connie Kay (on 1953-12-11)
piano:
Gildo Mahones (on 1953-12-11)
tenor saxophone:
Lester Young (saxophonist) (on 1953-12-11)
trumpet:
Jesse Drakes (on 1953-12-11)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1953-12-11)
instrumental recording of:
Willow Weep for Me (on 1953-12-11)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:09
9This Can't Be Love
double bass:
Gene Ramey (on 1953-12-11)
drums (drum set):
Connie Kay (on 1953-12-11)
piano:
Gildo Mahones (on 1953-12-11)
tenor saxophone:
Lester Young (saxophonist) (on 1953-12-11)
trumpet:
Jesse Drakes (on 1953-12-11)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1953-12-11)
instrumental recording of:
This Can’t Be Love (on 1953-12-11)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
3:25
10Can't We Be Friends?
double bass:
Gene Ramey (on 1953-12-11)
drums (drum set):
Connie Kay (on 1953-12-11)
piano:
Gildo Mahones (on 1953-12-11)
tenor saxophone:
Lester Young (saxophonist) (on 1953-12-11)
trumpet:
Jesse Drakes (on 1953-12-11)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1953-12-11)
instrumental recording of:
Can’t We Be Friends? (on 1953-12-11)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros. Music Corp.
3:10
11Tenderly
double bass:
Gene Ramey (on 1953-12-11)
drums (drum set):
Connie Kay (on 1953-12-11)
piano:
Gildo Mahones (on 1953-12-11)
tenor saxophone:
Lester Young (saxophonist) (on 1953-12-11)
trumpet:
Jesse Drakes (on 1953-12-11)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1953-12-11)
instrumental recording of:
Tenderly (on 1953-12-11)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:29
12New D.B. Blues
double bass:
Gene Ramey (on 1953-12-11)
drums (drum set):
Connie Kay (on 1953-12-11)
piano:
Gildo Mahones (on 1953-12-11)
tenor saxophone:
Lester Young (saxophonist) (on 1953-12-11)
trumpet:
Jesse Drakes (on 1953-12-11)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1953-12-11)
3:21
13Jumpin' at the Woodside
double bass:
Gene Ramey (on 1953-12-11)
drums (drum set):
Connie Kay (on 1953-12-11)
piano:
Gildo Mahones (on 1953-12-11)
tenor saxophone:
Lester Young (saxophonist) (on 1953-12-11)
trumpet:
Jesse Drakes (on 1953-12-11)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1953-12-11)
recording of:
Jumpin’ at the Woodside (original instrumental) (on 1953-12-11)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3:05
14I Can't Believe That You're in Love With Me
double bass:
Gene Ramey (on 1953-12-11)
drums (drum set):
Connie Kay (on 1953-12-11)
piano:
Gildo Mahones (on 1953-12-11)
tenor saxophone:
Lester Young (saxophonist) (on 1953-12-11)
trumpet:
Jesse Drakes (on 1953-12-11)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1953-12-11)
recording of:
I Can’t Believe That You’re in Love With Me (on 1953-12-11)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
3:14
15Oh, Lady, Be Good!
double bass:
Gene Ramey (on 1953-12-11)
drums (drum set):
Connie Kay (on 1953-12-11)
piano:
Gildo Mahones (on 1953-12-11)
tenor saxophone:
Lester Young (saxophonist) (on 1953-12-11)
trumpet:
Jesse Drakes (on 1953-12-11)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1953-12-11)
instrumental recording of:
Oh, Lady Be Good! (on 1953-12-11)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
3:30
16Another Mambo
double bass:
John Ore (on 1954-12-10)
drums (drum set):
Connie Kay (on 1954-12-10)
piano:
Gildo Mahones (on 1954-12-10)
tenor saxophone:
Lester Young (saxophonist) (on 1954-12-10)
trumpet:
Jesse Drakes (on 1954-12-10)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-10)
3:39
17Come Rain or Come Shine
double bass:
John Ore (on 1954-12-10)
drums (drum set):
Connie Kay (on 1954-12-10)
piano:
Gildo Mahones (on 1954-12-10)
tenor saxophone:
Lester Young (saxophonist) (on 1954-12-10)
trumpet:
Jesse Drakes (on 1954-12-10)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-10)
instrumental recording of:
Come Rain or Come Shine (on 1954-12-10)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
3:13
18Rose Room
double bass:
John Ore (on 1954-12-10)
drums (drum set):
Connie Kay (on 1954-12-10)
piano:
Gildo Mahones (on 1954-12-10)
tenor saxophone:
Lester Young (saxophonist) (on 1954-12-10)
trumpet:
Jesse Drakes (on 1954-12-10)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-10)
instrumental recording of:
Rose Room (on 1954-12-10)
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
4:11
19Somebody Loves Me
double bass:
John Ore (on 1954-12-10)
drums (drum set):
Connie Kay (on 1954-12-10)
piano:
Gildo Mahones (on 1954-12-10)
tenor saxophone:
Lester Young (saxophonist) (on 1954-12-10)
trumpet:
Jesse Drakes (on 1954-12-10)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-10)
instrumental recording of:
Somebody Loves Me (on 1954-12-10)
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
4:59
20Touch Me Again
double bass:
John Ore (on 1954-12-10)
drums (drum set):
Connie Kay (on 1954-12-10)
piano:
Gildo Mahones (on 1954-12-10)
tenor saxophone:
Lester Young (saxophonist) (on 1954-12-10)
trumpet:
Jesse Drakes (on 1954-12-10)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-10)
5:17
21It Don't Mean a Thing (If It Ain't Got That Swing)
double bass:
John Ore (on 1954-12-10)
drums (drum set):
Connie Kay (on 1954-12-10)
piano:
Gildo Mahones (on 1954-12-10)
tenor saxophone:
Lester Young (saxophonist) (on 1954-12-10)
trumpet:
Jesse Drakes (on 1954-12-10)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-10)
instrumental recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1954-12-10)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:30
4▼CD
#TitleRatingLength
1I'm in the Mood for Love
double bass:
John Ore (on 1954-12-10)
drums (drum set):
Connie Kay (on 1954-12-10)
piano:
Gildo Mahones (on 1954-12-10)
tenor saxophone:
Lester Young (saxophonist) (on 1954-12-10)
trumpet:
Jesse Drakes (on 1954-12-10)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-10)
instrumental recording of:
I’m in the Mood for Love (on 1954-12-10)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
3:33
2Big Top Blues
double bass:
John Ore (on 1954-12-10)
drums (drum set):
Connie Kay (on 1954-12-10)
piano:
Gildo Mahones (on 1954-12-10)
tenor saxophone:
Lester Young (saxophonist) (on 1954-12-10)
trumpet:
Jesse Drakes (on 1954-12-10)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-12-10)
4:50
3Mean to Me
double bass:
Ray Brown (jazz bassist) (on 1955-11-01)
drums (drum set):
Buddy Rich (on 1955-11-01)
guitar:
Herb Ellis (jazz guitarist) (on 1955-11-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1955-11-01)
tenor saxophone:
Lester Young (saxophonist) (on 1955-11-01)
trumpet:
Harry “Sweets” Edison (on 1955-11-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-11-01)
instrumental recording of:
Mean to Me (on 1955-11-01)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
7:40
4That's All (alternate take)
double bass:
Ray Brown (jazz bassist) (on 1955-11-01)
drums (drum set):
Buddy Rich (on 1955-11-01)
guitar:
Herb Ellis (jazz guitarist) (on 1955-11-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1955-11-01)
tenor saxophone:
Lester Young (saxophonist) (on 1955-11-01)
trumpet:
Harry “Sweets” Edison (on 1955-11-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-11-01)
recording of:
That’s All (on 1955-11-01)
lyricist:
Alan Brandt
composer:
Alan Brandt and Bob Haymes
publisher:
Mixed Bag Music Inc. and Travis Music
4:41
5That's All (master take)
double bass:
Ray Brown (jazz bassist) (on 1955-11-01)
drums (drum set):
Buddy Rich (on 1955-11-01)
guitar:
Herb Ellis (jazz guitarist) (on 1955-11-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1955-11-01)
tenor saxophone:
Lester Young (saxophonist) (on 1955-11-01)
trumpet:
Harry “Sweets” Edison (on 1955-11-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-11-01)
recording of:
That’s All (on 1955-11-01)
lyricist:
Alan Brandt
composer:
Alan Brandt and Bob Haymes
publisher:
Mixed Bag Music Inc. and Travis Music
4:45
6Red Boy Blues
double bass:
Ray Brown (jazz bassist) (on 1955-11-01)
drums (drum set):
Buddy Rich (on 1955-11-01)
guitar:
Herb Ellis (jazz guitarist) (on 1955-11-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1955-11-01)
tenor saxophone:
Lester Young (saxophonist) (on 1955-11-01)
trumpet:
Harry “Sweets” Edison (on 1955-11-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-11-01)
5:33
7Pennies From Heaven
double bass:
Ray Brown (jazz bassist) (on 1955-11-01)
drums (drum set):
Buddy Rich (on 1955-11-01)
guitar:
Herb Ellis (jazz guitarist) (on 1955-11-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1955-11-01)
tenor saxophone:
Lester Young (saxophonist) (on 1955-11-01)
trumpet:
Harry “Sweets” Edison (on 1955-11-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-11-01)
instrumental recording of:
Pennies From Heaven (on 1955-11-01)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
5:24
8She's Funny That Way (breakdown)
double bass:
Ray Brown (jazz bassist) (on 1955-11-01)
drums (drum set):
Buddy Rich (on 1955-11-01)
guitar:
Herb Ellis (jazz guitarist) (on 1955-11-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1955-11-01)
tenor saxophone:
Lester Young (saxophonist) (on 1955-11-01)
trumpet:
Harry “Sweets” Edison (on 1955-11-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-11-01)
partial instrumental recording of:
She’s Funny That Way (on 1955-11-01)
lyricist:
Richard A. Whiting (in 1928)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
3:28
9She's Funny That Way (master take)
double bass:
Ray Brown (jazz bassist) (on 1955-11-01)
drums (drum set):
Buddy Rich (on 1955-11-01)
guitar:
Herb Ellis (jazz guitarist) (on 1955-11-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1955-11-01)
tenor saxophone:
Lester Young (saxophonist) (on 1955-11-01)
trumpet:
Harry “Sweets” Edison (on 1955-11-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-11-01)
instrumental recording of:
She’s Funny That Way (on 1955-11-01)
lyricist:
Richard A. Whiting (in 1928)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
8:53
10One O'Clock Jump
double bass:
Ray Brown (jazz bassist) (on 1955-11-01)
drums (drum set):
Buddy Rich (on 1955-11-01)
guitar:
Herb Ellis (jazz guitarist) (on 1955-11-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1955-11-01)
tenor saxophone:
Lester Young (saxophonist) (on 1955-11-01)
trumpet:
Harry “Sweets” Edison (on 1955-11-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-11-01)
recording of:
One O’Clock Jump (on 1955-11-01)
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
5:37
11It's the Talk of the Town
double bass:
Ray Brown (jazz bassist) (on 1955-11-01)
drums (drum set):
Buddy Rich (on 1955-11-01)
guitar:
Herb Ellis (jazz guitarist) (on 1955-11-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1955-11-01)
tenor saxophone:
Lester Young (saxophonist) (on 1955-11-01)
trumpet:
Harry “Sweets” Edison (on 1955-11-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-11-01)
instrumental recording of:
It’s the Talk of the Town (on 1955-11-01)
lyricist:
Al J. Neiburg (lyricist) and Marty Symes (lyricist)
composer:
Jerry Livingston (songwriter)
arranger:
Ib Glindemann
6:32
12I've Found a New Baby
double bass:
Ray Brown (jazz bassist) (on 1955-11-01)
drums (drum set):
Buddy Rich (on 1955-11-01)
guitar:
Herb Ellis (jazz guitarist) (on 1955-11-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1955-11-01)
tenor saxophone:
Lester Young (saxophonist) (on 1955-11-01)
trumpet:
Harry “Sweets” Edison (on 1955-11-01)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-11-01)
instrumental recording of:
I’ve Found a New Baby (on 1955-11-01)
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
6:01
13I Guess I'll Have to Change My Plan
double bass:
Gene Ramey (on 1956-01-12)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-12)
guitar:
Freddie Green (on 1956-01-12)
piano:
Teddy Wilson (on 1956-01-12)
tenor saxophone:
Lester Young (saxophonist) (on 1956-01-12)
trombone:
Vic Dickenson (on 1956-01-12)
trumpet:
Roy Eldridge (on 1956-01-12)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-01-12)
instrumental recording of:
I Guess I’ll Have to Change My Plan (on 1956-01-12)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
part of:
The Band Wagon (1953 film)
9:26
5▼CD
#TitleRatingLength
1I Didn't Know What Time It Was
double bass:
Gene Ramey (on 1956-01-12)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-12)
guitar:
Freddie Green (on 1956-01-12)
piano:
Teddy Wilson (on 1956-01-12)
tenor saxophone:
Lester Young (saxophonist) (on 1956-01-12)
trombone:
Vic Dickenson (on 1956-01-12)
trumpet:
Roy Eldridge (on 1956-01-12)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-01-12)
instrumental recording of:
I Didn’t Know What Time It Was (Pal Joey) (on 1956-01-12)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
10:02
2Gigantic Blues
double bass:
Gene Ramey (on 1956-01-12)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-12)
guitar:
Freddie Green (on 1956-01-12)
piano:
Teddy Wilson (on 1956-01-12)
tenor saxophone:
Lester Young (saxophonist) (on 1956-01-12)
trombone:
Vic Dickenson (on 1956-01-12)
trumpet:
Roy Eldridge (on 1956-01-12)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-01-12)
6:50
3This Year's Kisses
double bass:
Gene Ramey (on 1956-01-12)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-12)
guitar:
Freddie Green (on 1956-01-12)
piano:
Teddy Wilson (on 1956-01-12)
tenor saxophone:
Lester Young (saxophonist) (on 1956-01-12)
trombone:
Vic Dickenson (on 1956-01-12)
trumpet:
Roy Eldridge (on 1956-01-12)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-01-12)
recording of:
This Year’s Kisses (on 1956-01-12)
lyricist and composer:
Irving Berlin
6:45
4You Can Depend on Me
double bass:
Gene Ramey (on 1956-01-12)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-12)
guitar:
Freddie Green (on 1956-01-12)
piano:
Teddy Wilson (on 1956-01-12)
tenor saxophone:
Lester Young (saxophonist) (on 1956-01-12)
trombone:
Vic Dickenson (on 1956-01-12)
trumpet:
Roy Eldridge (on 1956-01-12)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-01-12)
instrumental recording of:
You Can Depend on Me (in 1956-01)
composer:
Charles Carpenter, Louis Dunlap and Earl Hines (jazz pianist and bandleader)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
9:04
5Pres Returns
double bass:
Gene Ramey (on 1956-01-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-13)
piano:
Teddy Wilson (on 1956-01-13)
tenor saxophone:
Lester Young (saxophonist) (on 1956-01-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-01-13)
recording of:
Pres Returns (on 1956-01-13)
writer:
Lester Young (saxophonist)
6:23
6Prisoner of Love
double bass:
Gene Ramey (on 1956-01-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-13)
piano:
Teddy Wilson (on 1956-01-13)
tenor saxophone:
Lester Young (saxophonist) (on 1956-01-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-01-13)
instrumental recording of:
Prisoner of Love (on 1956-01-13)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Russ Columbo (American singer, songwriter, violinist and actor) and Clarence Gaskill
publisher:
Colgems-EMI Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Music Sales Corporation (American copyright holder in both popular and classical music)
7:38
7Taking a Chance on Love
double bass:
Gene Ramey (on 1956-01-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-13)
piano:
Teddy Wilson (on 1956-01-13)
tenor saxophone:
Lester Young (saxophonist) (on 1956-01-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-01-13)
instrumental recording of:
Taking a Chance on Love (on 1956-01-13)
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
5:09
8All of Me
double bass:
Gene Ramey (on 1956-01-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-13)
piano:
Teddy Wilson (on 1956-01-13)
tenor saxophone:
Lester Young (saxophonist) (on 1956-01-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-01-13)
instrumental recording of:
All of Me (on 1956-01-13)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
5:08
9Louise
double bass:
Gene Ramey (on 1956-01-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-13)
piano:
Teddy Wilson (on 1956-01-13)
tenor saxophone:
Lester Young (saxophonist) (on 1956-01-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-01-13)
instrumental recording of:
Louise (from "Innocents of Paris") (on 1956-01-13)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Richard A. Whiting
5:16
10Love Is Here to Stay
double bass:
Gene Ramey (on 1956-01-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-13)
piano:
Teddy Wilson (on 1956-01-13)
tenor saxophone:
Lester Young (saxophonist) (on 1956-01-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-01-13)
instrumental recording of:
Love Is Here to Stay (on 1956-01-13)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
6:29
11Love Me or Leave Me
double bass:
Gene Ramey (on 1956-01-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-13)
piano:
Teddy Wilson (on 1956-01-13)
tenor saxophone:
Lester Young (saxophonist) (on 1956-01-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-01-13)
instrumental recording of:
Love Me or Leave Me (on 1956-01-13)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
6:45
6▼CD
#TitleRatingLength
1St. Tropez (alternate take)
clarinet:
Lester Young (saxophonist) (on 1957-07-31)
double bass:
Ray Brown (jazz bassist) (on 1957-07-31)
drums (drum set):
Louie Bellson (on 1957-07-31)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-31)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-31)
trumpet:
Harry “Sweets” Edison (on 1957-07-31)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-31)
7:29
2St. Tropez (master take)
clarinet:
Lester Young (saxophonist) (on 1957-07-31)
double bass:
Ray Brown (jazz bassist) (on 1957-07-31)
drums (drum set):
Louie Bellson (on 1957-07-31)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-31)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-31)
trumpet:
Harry “Sweets” Edison (on 1957-07-31)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-31)
10:38
3Flic
double bass:
Ray Brown (jazz bassist) (on 1957-07-31)
drums (drum set):
Louie Bellson (on 1957-07-31)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-31)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-31)
tenor saxophone:
Lester Young (saxophonist) (on 1957-07-31)
trumpet:
Harry “Sweets” Edison (on 1957-07-31)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-31)
6:32
4Ballad Medley: A Ghost of a Chance / I Cover the Waterfront
double bass:
Ray Brown (jazz bassist) (on 1957-07-31)
drums (drum set):
Louie Bellson (on 1957-07-31)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-31)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-31)
tenor saxophone:
Lester Young (saxophonist) (on 1957-07-31)
trumpet:
Harry “Sweets” Edison (on 1957-07-31)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-31)
medley including a instrumental recording of:
(I Don’t Stand) A Ghost of a Chance (on 1957-07-31)
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
medley including a instrumental recording of:
I Cover the Waterfront (on 1957-07-31)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music, Inc.
5:53
5Love Is Here to Stay
double bass:
Ray Brown (jazz bassist) (on 1957-07-31)
drums (drum set):
Louie Bellson (on 1957-07-31)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-31)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-31)
tenor saxophone:
Lester Young (saxophonist) (on 1957-07-31)
trumpet:
Harry “Sweets” Edison (on 1957-07-31)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-31)
instrumental recording of:
Love Is Here to Stay (on 1957-07-31)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
5:54
6Sunday (rejected version)
double bass:
Ray Brown (jazz bassist) (on 1957-07-31)
drums (drum set):
Louie Bellson (on 1957-07-31)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-31)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-31)
tenor saxophone:
Lester Young (saxophonist) (on 1957-07-31)
trumpet:
Harry “Sweets” Edison (on 1957-07-31)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-31)
5:40
7Perdido (incomplete take)
double bass:
Ray Brown (jazz bassist) (on 1957-07-31)
drums (drum set):
Louie Bellson (on 1957-07-31)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-31)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-31)
tenor saxophone:
Lester Young (saxophonist) (on 1957-07-31)
trumpet:
Harry “Sweets” Edison (on 1957-07-31)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-31)
partial recording of:
Perdido (original instrumental version) (on 1957-07-31)
composer:
Juan Tizol
6:37
8Waldorf Blues (alternate take)
double bass:
Ray Brown (jazz bassist) (on 1958-02-07)
drums (drum set):
Mickey Sheen (on 1958-02-07)
guitar:
Herb Ellis (jazz guitarist) (on 1958-02-07)
piano:
Harry “Sweets” Edison (on 1958-02-07) and Lou Stein (on 1958-02-07)
tenor saxophone:
Lester Young (saxophonist) (on 1958-02-07)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1958-02-07)
6:54
9Waldorf Blues (master take)
double bass:
Ray Brown (jazz bassist) (on 1958-02-07)
drums (drum set):
Mickey Sheen (on 1958-02-07)
guitar:
Herb Ellis (jazz guitarist) (on 1958-02-07)
piano:
Harry “Sweets” Edison (on 1958-02-07) and Lou Stein (on 1958-02-07)
tenor saxophone:
Lester Young (saxophonist) (on 1958-02-07)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1958-02-07)
8:37
10Sunday (master take)
double bass:
Ray Brown (jazz bassist) (on 1958-02-07)
drums (drum set):
Mickey Sheen (on 1958-02-07)
guitar:
Herb Ellis (jazz guitarist) (on 1958-02-07)
piano:
Harry “Sweets” Edison (on 1958-02-07) and Lou Stein (on 1958-02-07)
tenor saxophone:
Lester Young (saxophonist) (on 1958-02-07)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1958-02-07)
7:02
11You're Getting to Be a Habit With Me (alternate take)
double bass:
Ray Brown (jazz bassist) (on 1958-02-07)
drums (drum set):
Mickey Sheen (on 1958-02-07)
guitar:
Herb Ellis (jazz guitarist) (on 1958-02-07)
piano:
Harry “Sweets” Edison (on 1958-02-07) and Lou Stein (on 1958-02-07)
tenor saxophone:
Lester Young (saxophonist) (on 1958-02-07)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1958-02-07)
instrumental recording of:
You’re Getting to Be a Habit With Me (on 1958-02-07)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
7:39
7▶CD
8▶CD