Jules Massenet Edition

~ Release by Jules Massenet (see all versions of this release, 1 available)

Tracklist

| |
1CD: Don Quichotte
#TitleRatingLength
1Don Quichotte : Acte I. « Alza ! Alza ! Olé ! »
baritone vocals [Juan]:
Jean-Marie Fremeau (Baritone) (in 1978-09)
choir vocals:
Chœur de la Radio Suisse Romande (in 1978-09)
soprano vocals [Dulcinée]:
Régine Crespin (soprano) (in 1978-09)
soprano vocals [Garcias]:
Annick Dutertre (soprano) (in 1978-09)
soprano vocals [Pedro]:
Michèle Command (soprano) (in 1978-09)
tenor vocals [Rodriguez]:
Peyo Garazzi (operatic tenor) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte I. « Alza ! Alza ! Olé ! » (Chœur, Pedro, Garcias, Rodriguez, Juan, Dulcinée) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte I
5:32
2Don Quichotte : Acte I. « Alza … Quand la femme a vingt ans »
choir vocals:
Chœur de la Radio Suisse Romande (in 1978-09)
soprano vocals [Dulcinée]:
Régine Crespin (soprano) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte I. « Quand la femme a vingt ans » (Dulcinée, chœur) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte I
4:04
3Don Quichotte : Acte I. « Dulcinée est certes jolie »
baritone vocals [Juan]:
Jean-Marie Fremeau (Baritone) (in 1978-09)
tenor vocals [Rodriguez]:
Peyo Garazzi (operatic tenor) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte I. « Dulcinée est certes jolie » (Rodriguez, Juan) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte I
2:06
4Don Quichotte : Acte I. « Allégresse ! Allégresse ! »
baritone vocals [Sancho]:
Gabriel Bacquier (French baritone) (in 1978-09)
bass vocals [Don Quichotte]:
Nicolaï Ghiaurov (operatic bass) (in 1978-09)
choir vocals:
Chœur de la Radio Suisse Romande (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte I. « Allégresse ! Allégresse ! » (Chœur) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte I
recording of:
Don Quichotte : Acte I. « C'est merveille de voir » (Don Quichotte, Sancho, chœur) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte I
5:37
5Don Quichotte : Acte I. « O Dulcinée ! … Ah ! vous allez ameuter alcade, régidor »
baritone vocals [Sancho]:
Gabriel Bacquier (French baritone) (in 1978-09)
bass vocals [Don Quichotte]:
Nicolaï Ghiaurov (operatic bass) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte I. « O Dulcinée ! » … « Ah !!! Vous allez ameuter alcade » (Don Quichotte, Sancho) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte I
1:27
6Don Quichotte : Acte I. « Quand apparaissent les étoiles »
baritone vocals [Juan]:
Jean-Marie Fremeau (Baritone) (in 1978-09)
bass vocals [Don Quichotte]:
Nicolaï Ghiaurov (operatic bass) (in 1978-09)
soprano vocals [Dulcinée]:
Régine Crespin (soprano) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte I. Sérénade « Quand apparaissent les étoiles » (Don Quichotte, Juan, Dulcinée) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte I
5:16
7Don Quichotte : Acte I. « Ah ! Ah ! C’est vous qui lanciez »
baritone vocals [Juan]:
Jean-Marie Fremeau (Baritone) (in 1978-09)
bass vocals [Don Quichotte]:
Nicolaï Ghiaurov (operatic bass) (in 1978-09)
soprano vocals [Dulcinée]:
Régine Crespin (soprano) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte I. « Ah ! Ah ! C'est vous qui lanciez » (Dulcinée, Don Quichotte, Juan) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte I
1:54
8Don Quichotte : Acte I. « Vous êtes, monseigneur »
baritone vocals [Juan]:
Jean-Marie Fremeau (Baritone) (in 1978-09)
bass vocals [Don Quichotte]:
Nicolaï Ghiaurov (operatic bass) (in 1978-09)
soprano vocals [Dulcinée]:
Régine Crespin (soprano) (in 1978-09)
soprano vocals [Garcias]:
Annick Dutertre (soprano) (in 1978-09)
soprano vocals [Pedro]:
Michèle Command (soprano) (in 1978-09)
tenor vocals [Rodriguez]:
Peyo Garazzi (operatic tenor) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte I. « Vous êtes monseigneur » (Dulcinée, Don Quichotte, Pedro, Garcias, Rodriguez, Juan) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte I
5:02
9Don Quichotte : Acte I. « Elle m’aime et va me revenir »
bass vocals [Don Quichotte]:
Nicolaï Ghiaurov (operatic bass) (in 1978-09)
soprano vocals [Dulcinée]:
Régine Crespin (soprano) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte I. « Elle m'aime et va me revenir » (Don Quichotte, Dulcinée) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte I
2:02
10Don Quichotte : Acte II. « C’est vers ton amour »
baritone vocals [Sancho]:
Gabriel Bacquier (French baritone) (in 1978-09)
bass vocals [Don Quichotte]:
Nicolaï Ghiaurov (operatic bass) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte II. Chanson « C'est vers ton amour » (Don Quichotte, Sancho) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte II
6:59
11Don Quichotte : Acte II. « Comment peut‐on penser du bien »
baritone vocals [Sancho]:
Gabriel Bacquier (French baritone) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte II. « Comment peut-on penser du bien » (Sancho) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte II
2:44
12Don Quichotte : Acte II. « Regarde ! Quoi ! Quoi ! »
baritone vocals [Sancho]:
Gabriel Bacquier (French baritone) (in 1978-09)
bass vocals [Don Quichotte]:
Nicolaï Ghiaurov (operatic bass) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte II. « Regarde ! Quoi, quoi ? » (Don Quichotte, Sancho) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte II
3:42
13Don Quichotte : Acte III. Entr’acte
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte III. Entr'acte (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte III
2:11
14Don Quichotte : Acte III. « C’est ici le chemin »
baritone vocals [Sancho]:
Gabriel Bacquier (French baritone) (in 1978-09)
bass vocals [Don Quichotte]:
Nicolaï Ghiaurov (operatic bass) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte III. « C'est ici le chemin » (Don Quichotte, Sancho) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte III
5:59
15Don Quichotte : Acte III. « Quand apparaissent les étoiles … o mes rêves divins ! »
baritone vocals [Sancho]:
Gabriel Bacquier (French baritone) (in 1978-09)
bass vocals [Don Quichotte]:
Nicolaï Ghiaurov (operatic bass) (in 1978-09)
choir vocals:
Chœur de la Radio Suisse Romande (in 1978-09)
spoken vocals [Premier bandit]:
James Amman (in 1978-09)
spoken vocals [Quatrième bandit]:
Charles Baron (singer/actor) (in 1978-09)
spoken vocals [Second bandit]:
Henri Fessart (in 1978-09)
spoken vocals [Troisième bandit]:
Pascal Beaujon (in 1978-09)
tenor vocals [Chef des bandits]:
Jacques Loreau (french tenor) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte III. « Quand apparaissent les étoiles … Ô mes rêves divins » (Don Quichotte, Le chef des bandits, quatre bandits, chœur) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte III
3:12
16Don Quichotte : Acte III. « Ah ! voir un corps long »
choir vocals:
Chœur de la Radio Suisse Romande (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte III. « Ah ! Voir un corps long » (Chœur des bandits) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte III
0:40
17Don Quichotte : Acte III. « Seigneur, reçois mon âme »
baritone vocals [Sancho]:
Gabriel Bacquier (French baritone) (in 1978-09)
bass vocals [Don Quichotte]:
Nicolaï Ghiaurov (operatic bass) (in 1978-09)
choir vocals:
Chœur de la Radio Suisse Romande (in 1978-09)
spoken vocals [Premier bandit]:
James Amman (in 1978-09)
tenor vocals [Chef des bandits]:
Jacques Loreau (french tenor) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte III. Prière « Seigneur, reçois mon âme » (Don Quichotte, Le chef des bandits, premier bandit, chœur) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte III
7:26
2CD: Don Quichotte – Fantasy for cello and orchestra – Arias – Méditation
#TitleRatingLength
1Don Quichotte : Acte IV. « Alors, traîtresse, je n’ai plus rien à espérer »
baritone vocals [Juan]:
Jean-Marie Fremeau (Baritone) (in 1978-09)
soprano vocals [Dulcinée]:
Régine Crespin (soprano) (in 1978-09)
soprano vocals [Garcias]:
Annick Dutertre (soprano) (in 1978-09)
soprano vocals [Pedro]:
Michèle Command (soprano) (in 1978-09)
tenor vocals [Rodriguez]:
Peyo Garazzi (operatic tenor) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte IV. « Alors, traîtresse » (Juan, Dulcinée, Rodriguez, Garcias, Pedro) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte IV
2:27
2Don Quichotte : Acte IV. « Lorsque le temps d’amour a fui »
soprano vocals [Dulcinée]:
Régine Crespin (soprano) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte IV. « Lorsque le temps d’amour a fui » (Dulcinée) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte IV
2:00
3Don Quichotte : Acte IV. « Par fortune ! Par fortune ! »
baritone vocals [Juan]:
Jean-Marie Fremeau (Baritone) (in 1978-09)
choir vocals:
Chœur de la Radio Suisse Romande (in 1978-09)
soprano vocals [Dulcinée]:
Régine Crespin (soprano) (in 1978-09)
soprano vocals [Garcias]:
Annick Dutertre (soprano) (in 1978-09)
soprano vocals [Pedro]:
Michèle Command (soprano) (in 1978-09)
tenor vocals [Rodriguez]:
Peyo Garazzi (operatic tenor) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte IV. « Ah ! J’ai en ce moment le désir d’autre chose » (Dulcinée, Juan, Rodriguez, Garcias, Pedro, chœur) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte IV
recording of:
Don Quichotte : Acte IV. « Par fortune, par fortune » (Rodriguez, Dulcinée, Juan) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte IV
2:38
4Don Quichotte : Acte IV. « Alza ! Alza ! Ne pensons qu’au plaisir d’aimer »
choir vocals:
Chœur de la Radio Suisse Romande (in 1978-09)
soprano vocals [Dulcinée]:
Régine Crespin (soprano) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
partial recording of:
Don Quichotte : Acte IV. « Alza ! Ne pensons qu’au plaisir d’aimer » (Dulcinée, chœur) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte IV
2:08
5Don Quichotte : Acte IV. « L’aube bientôt blanchira l’horizon »
choir vocals:
Chœur de la Radio Suisse Romande (in 1978-09)
soprano vocals [Dulcinée]:
Régine Crespin (soprano) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
partial recording of:
Don Quichotte : Acte IV. « Alza ! Ne pensons qu’au plaisir d’aimer » (Dulcinée, chœur) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte IV
1:21
6Don Quichotte : Acte IV. « Annonce le grand Don Quichotte »
baritone vocals [Sancho]:
Gabriel Bacquier (French baritone) (in 1978-09)
baritone vocals [Second valet]:
Marc Hutin (baritone) (in 1978-09)
bass vocals [Don Quichotte]:
Nicolaï Ghiaurov (operatic bass) (in 1978-09)
tenor vocals [Premier valet]:
Aron Gestner (operatic tenor) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte IV. « Annonce le grand Don Quichotte » (Sancho, deux valets, Don Quichotte) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte IV
3:57
7Don Quichotte : Acte IV. « L’aube bientôt blanchira … Mais voilà Dulcinée »
baritone vocals [Juan]:
Jean-Marie Fremeau (Baritone) (in 1978-09)
baritone vocals [Sancho]:
Gabriel Bacquier (French baritone) (in 1978-09)
bass vocals [Don Quichotte]:
Nicolaï Ghiaurov (operatic bass) (in 1978-09)
choir vocals:
Chœur de la Radio Suisse Romande (in 1978-09)
soprano vocals [Dulcinée]:
Régine Crespin (soprano) (in 1978-09)
soprano vocals [Garcias]:
Annick Dutertre (soprano) (in 1978-09)
soprano vocals [Pedro]:
Michèle Command (soprano) (in 1978-09)
tenor vocals [Rodriguez]:
Peyo Garazzi (operatic tenor) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte IV. « L’aube bientôt blanchira l’horizon » … « Mais voilà Dulcinée » (Chœur, Don Quichotte, Dulcinée) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte IV
recording of:
Don Quichotte : Acte IV. « Marchez dans mon chemin » (Don Quichotte) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte IV
recording of:
Don Quichotte : Acte IV. « Me marier, moi ! » (Dulcinée, Don Quichotte, chœur) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte IV
recording of:
Don Quichotte : Acte IV. « On ne s’explique pas » (Rodriguez, Juan, Pedro, Garcias, Sancho, Dulcinée, Don Quichotte, chœur) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte IV
6:00
8Don Quichotte : Acte IV. « Oui, je souffre votre tristesse »
bass vocals [Don Quichotte]:
Nicolaï Ghiaurov (operatic bass) (in 1978-09)
soprano vocals [Dulcinée]:
Régine Crespin (soprano) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte IV. « Oui, je souffre votre tristesse » (Dulcinée, Don Quichotte) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte IV
4:34
9Don Quichotte : Acte IV. « Enfin, te revoilà ! »
baritone vocals [Juan]:
Jean-Marie Fremeau (Baritone) (in 1978-09)
baritone vocals [Sancho]:
Gabriel Bacquier (French baritone) (in 1978-09)
choir vocals:
Chœur de la Radio Suisse Romande (in 1978-09)
soprano vocals [Dulcinée]:
Régine Crespin (soprano) (in 1978-09)
tenor vocals [Rodriguez]:
Peyo Garazzi (operatic tenor) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte IV. « Enfin, te revoilà ! » (Chœur, Dulcinée, Rodriguez, Juan, Sancho) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte IV
2:25
10Don Quichotte : Acte IV. « Riez, allez riez du pauvre idéologue »
baritone vocals [Sancho]:
Gabriel Bacquier (French baritone) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte IV. « Riez, allez riez du pauvre idéologue » (Sancho) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte IV
2:20
11Don Quichotte : Acte V. Entr’acte
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte V. Entr’acte (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte V
2:22
12Don Quichotte : Acte V. « O mon maître, o mon grand ! »
baritone vocals [Sancho]:
Gabriel Bacquier (French baritone) (in 1978-09)
bass vocals [Don Quichotte]:
Nicolaï Ghiaurov (operatic bass) (in 1978-09)
soprano vocals [Dulcinée]:
Régine Crespin (soprano) (in 1978-09)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1978-09)
conductor:
Kazimierz Kord (conductor) (in 1978-09)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1978-09)
recording of:
Don Quichotte : Acte V. « L’Étoile ! » (Don Quichotte, Dulcinée, Sancho) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte V
recording of:
Don Quichotte : Acte V. « Ô mon maître ! » (Sancho, Don Quichotte) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte V
recording of:
Don Quichotte : Acte V. « Oui ! Je fus le chef » (Don Quichotte, Sancho) (in 1978-09)
composer:
Jules Massenet (French Romantic composer)
librettist:
Henri Caïn (librettist)
part of:
Don Quichotte : Acte V
9:59
13Hérodiade : Acte I. « C’est sa tête que je réclame »
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
recording of:
Hérodiade : Acte I. « C’est sa tête que je réclame »
composer:
Jules Massenet (French Romantic composer)
librettist:
Georges Hartmann (librettist) and Paul Milliet (Librettist)
part of:
Hérodiade: Acte I
3:44
14Hérodiade : Acte I. « Il est doux, il est bon »
soprano vocals:
Angela Gheorghiu (Romanian soprano)
recording of:
Hérodiade : Acte I, scène 1. « Celui dont la parole efface toutes peines » … « Il est doux, il est bon » (Salomé)
composer:
Jules Massenet (French Romantic composer)
librettist:
Georges Hartmann (librettist) and Paul Milliet (Librettist)
part of:
Hérodiade: Acte I
4:57
15Le Cid : Acte III. « Pleurez, mes yeux »
soprano vocals:
Joan Sutherland (soprano)
recording of:
Le Cid : Acte III, scène 1. No. 10 Air « Pleurez ! pleurez mes yeux » (Chimène)
composer:
Jules Massenet (French Romantic composer) (from 1884 until 1885)
part of:
Le Cid : Acte III
5:35
16Fantasy for cello & orchestra: Animé – Modéré – Animé17:18
17Thaïs : Acte II. Méditation religieuse – Symphonie
performer:
Martti Talvela (operatic bass)
recording of:
Meditation from Thaïs (catch-all for arrangements)
composer:
Jules Massenet (French Romantic composer)
arrangement of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
5:41
3CD: Esclarmonde
#TitleRatingLength
1Esclarmonde : Prologue. « Dignitaires ! Guerriers ! »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
bass vocals [L'Empereur Phorcas]:
Clifford Grant (operatic bass and actor) (from 1975-07-02 until 1975-07-15)
choir vocals:
The John Alldis Choir (from 1975-07-02 until 1975-07-15) and Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07-02 until 1975-07-15) and John Andrewes (conductor and chorus master) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Prologue. « Dignitaires ! Guerriers ! » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde. Opéra romanesque en quatre actes
9:34
2Esclarmonde : Acte I. « Roland ! Roland ! Comme ce nom me trouble »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
choir vocals:
The John Alldis Choir
mezzo-soprano vocals [Parséis]:
Huguette Tourangeau (mezzo-soprano)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
tenor vocals:
Ryland Davies (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte I. « Roland ! Roland ! Comme ce nom me trouble » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte I
4:58
3Esclarmonde : Acte I. « Parséis » – « O ma sœur »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
choir vocals:
The John Alldis Choir
mezzo-soprano vocals [Parséis]:
Huguette Tourangeau (mezzo-soprano) (from 1975-07-02 until 1975-07-15)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
tenor vocals:
Ryland Davies (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte I. « Parséis » – « O ma sœur » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte I
4:02
4Esclarmonde : Acte I. « Ah ! trop malheureuse Esclarmonde ! »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
choir vocals:
The John Alldis Choir
mezzo-soprano vocals [Parséis]:
Huguette Tourangeau (mezzo-soprano) (from 1975-07-02 until 1975-07-15)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
tenor vocals:
Ryland Davies (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte I. « Ah ! trop malheureuse Esclarmonde ! » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte I
1:17
5Esclarmonde : Acte I. « On vient, ma sœur ! »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
choir vocals:
The John Alldis Choir
mezzo-soprano vocals [Parséis]:
Huguette Tourangeau (mezzo-soprano) (from 1975-07-02 until 1975-07-15)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
tenor vocals [Enéas]:
Ryland Davies (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte I. « On vient, ma sœur ! » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte I
5:29
6Esclarmonde : Acte I. « C’en est fait ! »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
choir vocals:
The John Alldis Choir (from 1975-07-02 until 1975-07-15) and Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1975-07-02 until 1975-07-15)
mezzo-soprano vocals [Parséis]:
Huguette Tourangeau (mezzo-soprano) (from 1975-07-02 until 1975-07-15)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
tenor vocals:
Ryland Davies (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07-02 until 1975-07-15) and John Andrewes (conductor and chorus master) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte I. « C’en est fait ! » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte I
3:39
7Esclarmonde : Acte I. « Esprits de l’air ! Esprits de onde ! »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
choir vocals:
The John Alldis Choir
mezzo-soprano vocals [Parséis]:
Huguette Tourangeau (mezzo-soprano) (from 1975-07-02 until 1975-07-15)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
tenor vocals:
Ryland Davies (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte I. « Esprits de l’air ! Esprits de onde ! » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte I
1:50
8Esclarmonde : Acte I. « Roland ! Roland ! Roland ! »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
choir vocals:
The John Alldis Choir (from 1975-07-02 until 1975-07-15) and Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1975-07-02 until 1975-07-15)
mezzo-soprano vocals [Parséis]:
Huguette Tourangeau (mezzo-soprano) (from 1975-07-02 until 1975-07-15)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
tenor vocals:
Ryland Davies (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07-02 until 1975-07-15) and John Andrewes (conductor and chorus master) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte I. « Roland ! Roland ! Roland ! » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte I
4:42
9Esclarmonde : Acte II. « Ah ! Ah ! »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
choir vocals:
The John Alldis Choir (from 1975-07-02 until 1975-07-15) and Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07-02 until 1975-07-15) and John Andrewes (conductor and chorus master) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte II, scène 1. « Ah ! Ah ! » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte II
3:56
10Esclarmonde : Acte II. « Où suis‐je ? »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
choir vocals:
The John Alldis Choir (from 1975-07-02 until 1975-07-15) and Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1975-07-02 until 1975-07-15)
tenor vocals [Roland]:
Giacomo Aragall (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07-02 until 1975-07-15) and John Andrewes (conductor and chorus master) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte II, scène 1. « Où suis‐je ? » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte II
4:20
11Esclarmonde : Acte II. « Sois bénie, ô magie »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
tenor vocals [Roland]:
Giacomo Aragall (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte II, scène 1. « Sois bénie, ô magie » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte II
6:02
12Esclarmonde : Acte II. « Voici le divin moment »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
choir vocals:
The John Alldis Choir (from 1975-07-02 until 1975-07-15) and Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1975-07-02 until 1975-07-15)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
vocals:
Giacomo Aragall (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07-02 until 1975-07-15) and John Andrewes (conductor and chorus master) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte II, scène 1. « Voici le divin moment » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte II
6:42
13Esclarmonde : Acte II. « Hélas ! Ma bien‐aimée ! »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
tenor vocals [Roland]:
Giacomo Aragall (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte II, scène 2. « Hélas ! Ma bien‐aimée ! » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte II
7:51
14Esclarmonde : Acte II. « Écoute encor ! »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
choir vocals:
The John Alldis Choir (from 1975-07-02 until 1975-07-15) and Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1975-07-02 until 1975-07-15)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07-02 until 1975-07-15) and John Andrewes (conductor and chorus master) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte II, scène 2. « Écoute encor ! » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte II
3:44
15Esclarmonde : Acte II. « O glaive, à ton aspect »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
choir vocals:
The John Alldis Choir (from 1975-07-02 until 1975-07-15) and Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1975-07-02 until 1975-07-15)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
tenor vocals [Roland]:
Giacomo Aragall (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07-02 until 1975-07-15) and John Andrewes (conductor and chorus master) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte II, scène 2. « O glaive, à ton aspect » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte II
3:20
4CD: Esclarmonde
#TitleRatingLength
1Esclarmonde : Acte III. « O Blois ! Misérable cité ! »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
bass vocals [Cléomer, Roi de France]:
Robert Lloyd (operatic bass) (from 1975-07-02 until 1975-07-15)
choir vocals:
The John Alldis Choir (from 1975-07-02 until 1975-07-15) and Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07-02 until 1975-07-15) and John Andrewes (conductor and chorus master) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte III, scène 1. « O Blois ! Misérable cité ! » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte III
3:05
2Esclarmonde : Acte III. « Kyrie eleison »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
baritone vocals [L'Evêque de Blois]:
Louis Quilico (baritone) (from 1975-07-02 until 1975-07-15)
bass vocals [Cléomer, Roi de France]:
Robert Lloyd (operatic bass) (from 1975-07-02 until 1975-07-15)
choir vocals:
The John Alldis Choir (from 1975-07-02 until 1975-07-15) and Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1975-07-02 until 1975-07-15)
tenor vocals [Roland]:
Giacomo Aragall (tenor) (from 1975-07-02 until 1975-07-15)
tenor vocals [Un envoyé sarrazin]:
Ian Caley (british operatic tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07-02 until 1975-07-15) and John Andrewes (conductor and chorus master) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte III, scène 1. « Kyrie eleison » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte III
5:54
3Esclarmonde : Acte III. « Dieu de miséricorde »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
baritone vocals [L'Evêque de Blois]:
Louis Quilico (baritone) (from 1975-07-02 until 1975-07-15)
choir vocals:
The John Alldis Choir (from 1975-07-02 until 1975-07-15) and Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07-02 until 1975-07-15) and John Andrewes (conductor and chorus master) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte III, scène 1. « Dieu de miséricorde » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte III
3:45
4Esclarmonde : Acte III. « Noble héros ! »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
baritone vocals [L'Evêque de Blois]:
Louis Quilico (baritone) (from 1975-07-02 until 1975-07-15)
bass vocals [Cléomer, Roi de France]:
Robert Lloyd (operatic bass) (from 1975-07-02 until 1975-07-15)
choir vocals:
The John Alldis Choir (from 1975-07-02 until 1975-07-15) and Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1975-07-02 until 1975-07-15)
vocals:
Giacomo Aragall (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07-02 until 1975-07-15) and John Andrewes (conductor and chorus master) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte III, scène 1. « Noble héros ! » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte III
3:04
5Esclarmonde : Acte III. « Gloire ! Chantons notre victoire ! À toi, Roland »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
choir vocals:
The John Alldis Choir (from 1975-07-02 until 1975-07-15) and Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1975-07-02 until 1975-07-15)
tenor vocals [Roland]:
Giacomo Aragall (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07-02 until 1975-07-15) and John Andrewes (conductor and chorus master) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte III, scène 1. « Gloire ! Chantons notre victoire ! À toi, Roland » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte III
4:21
6Esclarmonde : Acte III. « Gloire ! Chantons notre victoire ! Gloire à Roland ! »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
choir vocals:
The John Alldis Choir (from 1975-07-02 until 1975-07-15) and Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1975-07-02 until 1975-07-15)
tenor vocals [Roland]:
Giacomo Aragall (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07-02 until 1975-07-15) and John Andrewes (conductor and chorus master) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte III, scène 2. « Gloire ! Chantons notre victoire ! Gloire à Roland ! » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte III
1:34
7Esclarmonde : Acte III. « La nuit bientôt sera venue »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
vocals:
Giacomo Aragall (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte III, scène 2. « La nuit bientôt sera venue » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte III
2:12
8Esclarmonde : Acte III. « Mon fils, je te bénis ! »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
baritone vocals [L'Evêque de Blois]:
Louis Quilico (baritone) (from 1975-07-02 until 1975-07-15)
tenor vocals [Roland]:
Giacomo Aragall (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte III, scène 2. « Mon fils, je te bénis ! » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte III
3:36
9Esclarmonde : Acte III. « Je ne m’appartiens plus »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
baritone vocals [L'Evêque de Blois]:
Louis Quilico (baritone) (from 1975-07-02 until 1975-07-15)
tenor vocals [Roland]:
Giacomo Aragall (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte III, scène 2. « Je ne m’appartiens plus » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte III
2:52
10Esclarmonde : Acte III. « À genoux ! »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
baritone vocals [L'Evêque de Blois]:
Louis Quilico (baritone) (from 1975-07-02 until 1975-07-15)
tenor vocals [Roland]:
Giacomo Aragall (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte III, scène 2. « À genoux ! » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte III
2:24
11Esclarmonde : Acte III. « Ah ! Roland ! »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
baritone vocals [L'Evêque de Blois]:
Louis Quilico (baritone) (from 1975-07-02 until 1975-07-15)
choir vocals:
The John Alldis Choir (from 1975-07-02 until 1975-07-15) and Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1975-07-02 until 1975-07-15)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
tenor vocals [Roland]:
Giacomo Aragall (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07-02 until 1975-07-15) and John Andrewes (conductor and chorus master) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte III, scène 2. « Ah ! Roland ! » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte III
5:40
12Esclarmonde : Acte III. « Regarde‐les, ces yeux plus purs »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte III, scène 2. « Regarde‐les, ces yeux plus purs » (Esclarmonde) (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte III
2:41
13Esclarmonde : Acte III. « Non ! Tu ne seras pas à mes transports ravie ! »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
baritone vocals [L'Evêque de Blois]:
Louis Quilico (baritone) (from 1975-07-02 until 1975-07-15)
choir vocals:
The John Alldis Choir (from 1975-07-02 until 1975-07-15) and Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1975-07-02 until 1975-07-15)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
tenor vocals [Roland]:
Giacomo Aragall (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07-02 until 1975-07-15) and John Andrewes (conductor and chorus master) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte III, scène 2. « Non ! Tu ne seras pas à mes transports ravie ! » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte III
2:07
5CD: Esclarmonde
#TitleRatingLength
1Esclarmonde : Acte IV. « Entendez tous »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
tenor vocals [Un hérault]:
Graham Clark (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte IV. « Entendez tous » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte IV
4:11
2Esclarmonde : Acte IV. « Oui, le délai marqué s’avance »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
mezzo-soprano vocals [Parséis]:
Huguette Tourangeau (mezzo-soprano) (from 1975-07-02 until 1975-07-15)
tenor vocals [Enéas]:
Ryland Davies (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte IV. « Oui, le délai marqué s’avance » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte IV
3:17
3Esclarmonde : Acte IV. « Les temps vont s’accomplir »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
bass vocals [L'Empereur Phorcas]:
Clifford Grant (operatic bass and actor) (from 1975-07-02 until 1975-07-15)
mezzo-soprano vocals [Parséis]:
Huguette Tourangeau (mezzo-soprano) (from 1975-07-02 until 1975-07-15)
tenor vocals [Enéas]:
Ryland Davies (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte IV. « Les temps vont s’accomplir » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte IV
3:26
4Esclarmonde : Acte IV. « Elle a voulu choisir »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
bass vocals [L'Empereur Phorcas]:
Clifford Grant (operatic bass and actor) (from 1975-07-02 until 1975-07-15)
mezzo-soprano vocals [Parséis]:
Huguette Tourangeau (mezzo-soprano) (from 1975-07-02 until 1975-07-15)
tenor vocals [Enéas]:
Ryland Davies (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte IV. « Elle a voulu choisir » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte IV
3:11
5Esclarmonde : Acte IV. « D’une longue torpeur »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte IV. « D’une longue torpeur » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte IV
3:58
6Esclarmonde : Acte IV. « Où suis‐je maintenant ? »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
bass vocals [L'Empereur Phorcas]:
Clifford Grant (operatic bass and actor) (from 1975-07-02 until 1975-07-15)
choir vocals:
The John Alldis Choir (from 1975-07-02 until 1975-07-15) and Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1975-07-02 until 1975-07-15)
mezzo-soprano vocals [Parséis]:
Huguette Tourangeau (mezzo-soprano) (from 1975-07-02 until 1975-07-15)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
tenor vocals [Enéas]:
Ryland Davies (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07-02 until 1975-07-15) and John Andrewes (conductor and chorus master) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte IV. « Où suis‐je maintenant ? » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte IV
2:42
7Esclarmonde : Acte IV. « Donc, pour sauver la vie »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
bass vocals [L'Empereur Phorcas]:
Clifford Grant (operatic bass and actor) (from 1975-07-02 until 1975-07-15)
mezzo-soprano vocals [Parséis]:
Huguette Tourangeau (mezzo-soprano) (from 1975-07-02 until 1975-07-15)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
tenor vocals [Enéas]:
Ryland Davies (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte IV. « Donc, pour sauver la vie » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte IV
2:29
8Esclarmonde : Acte IV. « Il vient ! Ah ! quel supplice ! »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
tenor vocals [Roland]:
Giacomo Aragall (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte IV. « Il vient ! Ah ! quel supplice ! » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte IV
2:43
9Esclarmonde : Acte IV. « Ne plus te voir ! »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
bass vocals [L'Empereur Phorcas]:
Clifford Grant (operatic bass and actor) (from 1975-07-02 until 1975-07-15)
choir vocals:
The John Alldis Choir (from 1975-07-02 until 1975-07-15) and Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1975-07-02 until 1975-07-15)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
tenor vocals [Roland]:
Giacomo Aragall (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07-02 until 1975-07-15) and John Andrewes (conductor and chorus master) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Acte IV. « Ne plus te voir ! » (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde : Acte IV
5:11
10Esclarmonde : Épilogue: « Dignitaires ! Guerriers ! Sous ces augustes voûtes »
art direction:
Paul Rollo
engineer:
James Lock (James Locke, engineer) and Philip Wade (engineer)
producer:
Michael Woolcock (producer)
bass vocals [L'Empereur Phorcas]:
Clifford Grant (operatic bass and actor) (from 1975-07-02 until 1975-07-15)
choir vocals:
The John Alldis Choir (from 1975-07-02 until 1975-07-15) and Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1975-07-02 until 1975-07-15)
mezzo-soprano vocals [Parséis]:
Huguette Tourangeau (mezzo-soprano) (from 1975-07-02 until 1975-07-15)
soprano vocals [Esclarmonde, Impératrice de Byzance]:
Joan Sutherland (soprano) (from 1975-07-02 until 1975-07-15)
tenor vocals [Enéas]:
Ryland Davies (tenor) (from 1975-07-02 until 1975-07-15)
tenor vocals [Roland]:
Giacomo Aragall (tenor) (from 1975-07-02 until 1975-07-15)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1975-07-02 until 1975-07-15)
conductor:
Richard Bonynge (conductor and pianist) (from 1975-07-02 until 1975-07-15)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-07-02 until 1975-07-15) and John Andrewes (conductor and chorus master) (from 1975-07-02 until 1975-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-07-02 until 1975-07-15)
recording of:
Esclarmonde : Épilogue. "Dignitaires! Guerriers!" (from 1975-07-02 until 1975-07-15)
composer:
Jules Massenet (French Romantic composer)
librettist:
Alfred Blau and Louis de Gramont (French writer and librettist)
part of:
Esclarmonde. Opéra romanesque en quatre actes
9:32
6CD: Le Jongleur de Notre‐Dame
#TitleRatingLength
1Le jongleur de Notre-Dame, Acte I: Prélude et scène 1
orchestra:
Opéra Orchestre national Montpellier Occitanie/Pyrénées-Méditerranée (National Orchestra of Montpellier)
conductor:
Enrique Arturo Diemecke
partial recording of:
Le Jongleur de Notre-Dame : Acte I
composer:
Jules Massenet (French Romantic composer)
librettist:
Maurice Léna
part of:
Le Jongleur de Notre-Dame
5:31
2Le jongleur de Notre-Dame, Acte I: Scène 2 et début scène 3
orchestra:
Opéra Orchestre national Montpellier Occitanie/Pyrénées-Méditerranée (National Orchestra of Montpellier)
conductor:
Enrique Arturo Diemecke
partial recording of:
Le Jongleur de Notre-Dame : Acte I
composer:
Jules Massenet (French Romantic composer)
librettist:
Maurice Léna
part of:
Le Jongleur de Notre-Dame
11:27
3Le jongleur de Notre-Dame, Acte I: Scène 3
orchestra:
Opéra Orchestre national Montpellier Occitanie/Pyrénées-Méditerranée (National Orchestra of Montpellier)
conductor:
Enrique Arturo Diemecke
partial recording of:
Le Jongleur de Notre-Dame : Acte I
composer:
Jules Massenet (French Romantic composer)
librettist:
Maurice Léna
part of:
Le Jongleur de Notre-Dame
9:56
4Le jongleur de Notre-Dame, Acte I: Scène 4
orchestra:
Opéra Orchestre national Montpellier Occitanie/Pyrénées-Méditerranée (National Orchestra of Montpellier)
conductor:
Enrique Arturo Diemecke
partial recording of:
Le Jongleur de Notre-Dame : Acte I
composer:
Jules Massenet (French Romantic composer)
librettist:
Maurice Léna
part of:
Le Jongleur de Notre-Dame
6:41
5Le jongleur de Notre-Dame, Acte II: Prélude et début scène 1
orchestra:
Opéra Orchestre national Montpellier Occitanie/Pyrénées-Méditerranée (National Orchestra of Montpellier)
conductor:
Enrique Arturo Diemecke
partial recording of:
Le Jongleur de Notre-Dame : Acte II
composer:
Jules Massenet (French Romantic composer)
librettist:
Maurice Léna
part of:
Le Jongleur de Notre-Dame
4:16
6Le jongleur de Notre-Dame, Acte II: Scène 1
orchestra:
Opéra Orchestre national Montpellier Occitanie/Pyrénées-Méditerranée (National Orchestra of Montpellier)
conductor:
Enrique Arturo Diemecke
partial recording of:
Le Jongleur de Notre-Dame : Acte II
composer:
Jules Massenet (French Romantic composer)
librettist:
Maurice Léna
part of:
Le Jongleur de Notre-Dame
7:21
7Le jongleur de Notre-Dame, Acte II: Scène 1, fin
orchestra:
Opéra Orchestre national Montpellier Occitanie/Pyrénées-Méditerranée (National Orchestra of Montpellier)
conductor:
Enrique Arturo Diemecke
partial recording of:
Le Jongleur de Notre-Dame : Acte II
composer:
Jules Massenet (French Romantic composer)
librettist:
Maurice Léna
part of:
Le Jongleur de Notre-Dame
7:59
8Le jongleur de Notre-Dame, Acte II: Scène 2
orchestra:
Opéra Orchestre national Montpellier Occitanie/Pyrénées-Méditerranée (National Orchestra of Montpellier)
conductor:
Enrique Arturo Diemecke
partial recording of:
Le Jongleur de Notre-Dame : Acte II
composer:
Jules Massenet (French Romantic composer)
librettist:
Maurice Léna
part of:
Le Jongleur de Notre-Dame
5:16
9Le jongleur de Notre-Dame, Acte II: Scène 2, fin
orchestra:
Opéra Orchestre national Montpellier Occitanie/Pyrénées-Méditerranée (National Orchestra of Montpellier)
conductor:
Enrique Arturo Diemecke
partial recording of:
Le Jongleur de Notre-Dame : Acte II
composer:
Jules Massenet (French Romantic composer)
librettist:
Maurice Léna
part of:
Le Jongleur de Notre-Dame
5:17
10Le jongleur de Notre-Dame, Acte II: Scène 3
orchestra:
Opéra Orchestre national Montpellier Occitanie/Pyrénées-Méditerranée (National Orchestra of Montpellier)
conductor:
Enrique Arturo Diemecke
partial recording of:
Le Jongleur de Notre-Dame : Acte II
composer:
Jules Massenet (French Romantic composer)
librettist:
Maurice Léna
part of:
Le Jongleur de Notre-Dame
3:43
7CD: Le Jongleur de Notre‐Dame
#TitleRatingLength
1Le jongleur de Notre-Dame, Acte III: Pastorale mystique, scène 1
orchestra:
Opéra Orchestre national Montpellier Occitanie/Pyrénées-Méditerranée (National Orchestra of Montpellier)
conductor:
Enrique Arturo Diemecke
partial recording of:
Le Jongleur de Notre-Dame : Acte III
composer:
Jules Massenet (French Romantic composer)
librettist:
Maurice Léna
part of:
Le Jongleur de Notre-Dame
6:42
2Le jongleur de Notre-Dame, Acte III: Scène 2
orchestra:
Opéra Orchestre national Montpellier Occitanie/Pyrénées-Méditerranée (National Orchestra of Montpellier)
conductor:
Enrique Arturo Diemecke
partial recording of:
Le Jongleur de Notre-Dame : Acte III
composer:
Jules Massenet (French Romantic composer)
librettist:
Maurice Léna
part of:
Le Jongleur de Notre-Dame
3:36
3Le jongleur de Notre-Dame, Acte III: Scène 2
orchestra:
Opéra Orchestre national Montpellier Occitanie/Pyrénées-Méditerranée (National Orchestra of Montpellier)
conductor:
Enrique Arturo Diemecke
partial recording of:
Le Jongleur de Notre-Dame : Acte III
composer:
Jules Massenet (French Romantic composer)
librettist:
Maurice Léna
part of:
Le Jongleur de Notre-Dame
5:25
4Le jongleur de Notre-Dame, Acte III: Scène 3
orchestra:
Opéra Orchestre national Montpellier Occitanie/Pyrénées-Méditerranée (National Orchestra of Montpellier)
conductor:
Enrique Arturo Diemecke
partial recording of:
Le Jongleur de Notre-Dame : Acte III
composer:
Jules Massenet (French Romantic composer)
librettist:
Maurice Léna
part of:
Le Jongleur de Notre-Dame
14:21
8CD: Manon
#TitleRatingLength
1Manon : Acte I. Prélude
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (classical music producer) (in 1970-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
instrumental recording of:
Manon : Acte I. Prélude (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
part of:
Manon : Acte I
4:03
2Manon : Acte I. « Holà ! Hé ! Monsieur l’hôtelier ? »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (classical music producer) (in 1970-07)
baritone vocals:
Michel Trempont (Belgian operatic baritone) (in 1970-07)
mezzo-soprano vocals:
Patricia Kern (mezzo-soprano) (in 1970-07)
soprano vocals:
Michele Raynaud (opera singer) (in 1970-07) and Helia T'Hezan (soprano) (in 1970-07)
tenor vocals:
Nico Castel (tenor) (in 1970-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon : Acte I. « Holà ! Hé ! Monsieur l’hôtelier ? » (Poussette, Javotte, Rosette, Guillot, Brétigny, l’Hôtelier) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte I
2:32
3Manon : Acte I. « Hors d’œuvre de choix ! »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (classical music producer) (in 1970-07)
baritone vocals:
Michel Trempont (Belgian operatic baritone) (in 1970-07)
mezzo-soprano vocals:
Patricia Kern (mezzo-soprano) (in 1970-07)
soprano vocals:
Michele Raynaud (opera singer) (in 1970-07) and Helia T'Hezan (soprano) (in 1970-07)
tenor vocals:
Nico Castel (tenor) (in 1970-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon : Acte I. « Hors d’œuvre de choix ! » (L'Hôtelier, Poussette, Javotte, Rosette, Guillot, Brétigny) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte I
2:21
4Manon : Acte I. « Entendez‐vous la cloche » … « Allez à l’auberge voisine »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (classical music producer) (in 1970-07)
baritone vocals:
Gérard Souzay (baritone) (in 1970-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1970-07)
soprano vocals:
Beverly Sills (soprano) (in 1970-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon : Acte I. « Allez à l’auberge voisine » (Lescaut, Chœur) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte I
recording of:
Manon : Acte I. « Entendez-vous la cloche » (Chœur, Lescaut) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte I
recording of:
Manon : Acte I. « Les voilà !… » … « Eh ! J’imagine » (Chœur, Lescaut, Manon) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte I
5:14
5Manon : Acte I. « Je suis encore tout étourdie »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (classical music producer) (in 1970-07)
soprano vocals:
Beverly Sills (soprano) (in 1970-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon : Acte I. « Je suis encore tout étourdie » (Manon) (Air d'entrée de Manon) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte I
3:38
6Manon : Acte I. « Partez ! On sonne »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (classical music producer) (in 1970-07)
baritone vocals:
Gérard Souzay (baritone) (in 1970-07) and Michel Trempont (Belgian operatic baritone) (in 1970-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1970-07)
mezzo-soprano vocals:
Patricia Kern (mezzo-soprano) (in 1970-07)
soprano vocals:
Michele Raynaud (opera singer) (in 1970-07) and Helia T'Hezan (soprano) (in 1970-07)
tenor vocals:
Nico Castel (tenor) (in 1970-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon : Acte I. « Partez ! On sonne ! » (Chœur, Lescaut, Guillot, Manon, Brétigny, Poussette, Javotte, Rosette) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte I
recording of:
Manon : Acte I. « Revenez, Guillot, revenez ! » (Poussette, Javotte, Rosette, Brétigny, Guillot, Lescaut) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte I
4:30
7Manon : Acte I. « Il vous parlait, Manon ? » … « Regardez‐moi bien dans les yeux »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (classical music producer) (in 1970-07)
baritone vocals:
Gérard Souzay (baritone) (in 1970-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1970-07)
soprano vocals:
Beverly Sills (soprano) (in 1970-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon : Acte I. « Il vous parlait, Manon ? » (Lescaut, Manon, Chœur) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte I
recording of:
Manon : Acte I. « Regardez-moi bien dans les yeux ! » (Lescaut) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte I
3:41
8Manon : Acte I. « Restons ici » … « Voyons, Manon, plus de chimères ! »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (classical music producer) (in 1970-07)
soprano vocals:
Beverly Sills (soprano) (in 1970-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon : Acte I. « Restons ici, puisqu’il le faut » (Manon) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte I
recording of:
Manon : Acte I. « Voyons, Manon, plus de chiméres ! » (Manon) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte I
4:09
9Manon : Acte I. « Quelqu’un » …« J’ai marqué l’heure » …« Et je sais votre nom »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (classical music producer) (in 1970-07)
soprano vocals:
Beverly Sills (soprano) (in 1970-07)
tenor vocals:
Nicolai Gedda (tenor) (in 1970-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon : Acte I. « Et je sais votre nom » (Manon, des Grieux) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte I
recording of:
Manon : Acte I. « Par aventure… » (Manon, des Grieux) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte I
recording of:
Manon : Acte I. Dialogue « Quelqu’un » … « J’ai marqué l’heure du départ » (Manon, des Grieux) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte I
7:50
10Manon : Acte I. « Nous vivrons à Paris tous les deux ! » … « Plus un sou ! »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (classical music producer) (in 1970-07)
baritone vocals:
Gérard Souzay (baritone) (in 1970-07) and Michel Trempont (Belgian operatic baritone) (in 1970-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1970-07)
mezzo-soprano vocals:
Patricia Kern (mezzo-soprano) (in 1970-07)
soprano vocals:
Michele Raynaud (opera singer) (in 1970-07), Beverly Sills (soprano) (in 1970-07) and Helia T'Hezan (soprano) (in 1970-07)
tenor vocals:
Nicolai Gedda (tenor) (in 1970-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon : Acte I. « Nous vivrons à Paris tous les deux ! » (des Grieux, Manon, Poussette, Javotte, Rosette, Lescaut) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte I
recording of:
Manon : Acte I. « Plus un sou ! Le tour est très plaisant ! » (Lescaut, Guillot, Brétigny, l'Hôtelier, Poussette, Javotte, Rosette, Chœur) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte I
5:53
11Manon : Acte II. Prélude – « Manon ! Avez‐vous peur que mon visage »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (classical music producer) (in 1970-07)
soprano vocals:
Beverly Sills (soprano) (in 1970-07)
tenor vocals:
Nicolai Gedda (tenor) (in 1970-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon : Acte II. « Manon ! Avez-vous peur que mon visage » (des Grieux, Manon) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
recording of:
Manon : Acte II. « On l’appelle Manon » (Manon, des Grieux) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
recording of:
Manon : Acte II. Prélude (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
part of:
Manon : Acte II
7:25
12Manon : Acte II. « Enfin les amoureux »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (classical music producer) (in 1970-07)
baritone vocals:
Gérard Souzay (baritone) (in 1970-07) and Michel Trempont (Belgian operatic baritone) (in 1970-07)
soprano vocals:
Beverly Sills (soprano) (in 1970-07)
tenor vocals:
Nicolai Gedda (tenor) (in 1970-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon : Acte II. « Enfin, les amoureux » (Lescaut, Brétigny, des Grieux, Manon) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
9:31
13Manon : Acte II. « Allons, il le faut » … « Adieu, notre petite table »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (classical music producer) (in 1970-07)
soprano vocals:
Beverly Sills (soprano) (in 1970-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon : Acte II. « Adieu, notre petite table » (Manon) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
recording of:
Manon : Acte II. « Allons ! Il le faut ! Pour lui-même » (Manon) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
4:38
14Manon : Acte II. « C’est lui … Instant charmant … En fermant les yeux »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (classical music producer) (in 1970-07)
soprano vocals:
Beverly Sills (soprano) (in 1970-07)
tenor vocals:
Nicolai Gedda (tenor) (in 1970-07)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-07-15 until 1970-07-29)
recording of:
Manon : Acte II. « C’est lui ! » … « Instant charmant » (Manon, des Grieux) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
recording of:
Manon : Acte II. « Instant charmant » … « En fermant les yeux » (des Grieux) (le rêve de Des Grieux) (in 1970-07)
composer:
Jules Massenet (French Romantic composer) (in 1884)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
recording of:
Manon : Acte II. « Oh ! Ciel ! déjà ! » (Manon, des Grieux) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
6:40
9CD: Manon
10CD: Manon
11CD: Le Roi de Lahore
12CD: Le Roi de Lahore
13CD: Thaïs
14CD: Thaïs
15CD: Thérèse
16CD: Werther
17CD: Werther
18CD: Songs
19CD: Manon ballet
20CD: Manon ballet
21CD: Scènes alsaciennes – Scènes dramatiques – Orchestral Music from Le Cid, Le Rois de Lahore, Thaïs & Cendrillon
22CD: Le Carillon – Cigale
23CD: Rarities & Historic Recordings

Credits

Release

ASIN:US: B007NUP7Y4 [info]

Release group

includes:Don Quichotte
Esclarmonde by Massenet (Jules Massenet, French Romantic composer); Sutherland (soprano), Tourangeau (mezzo-soprano), Aragall (tenor), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Bonynge (conductor and pianist)
Songs by Jules Massenet (French Romantic composer); Huguette Tourangeau (mezzo-soprano), Richard Bonynge (conductor and pianist)
Werther by Massenet (Jules Massenet, French Romantic composer); José Carreras (Spanish tenor), Frederica von Stade (mezzo-soprano), Thomas Allen (baritone), Isobel Buchanan (soprano), Robert Lloyd (operatic bass), Orchestra of the Royal Opera House, Covent Garden, Colin Davis (Sir Colin Davis, English conductor)