Cantatas, Volume 16

~ Release by J.S. Bach; The Amsterdam Baroque Orchestra & Choir, Ton Koopman (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Cantata "Ich Habe Genug" BWV 82: I. Aria: "Ich Habe Genug"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2001-06)
orchestra:
Amsterdam Baroque Orchestra (in 2001-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-06)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-06)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (in 2001-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach8:05
2Cantata "Ich Habe Genug" BWV 82: II. Recitative: "Ich Habe Genug! Mein Trost Ist Nur Allein"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2001-06)
orchestra:
Amsterdam Baroque Orchestra (in 2001-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-06)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-06)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (in 2001-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:06
3Cantata "Ich Habe Genug" BWV 82: III. Aria: "Schlummert Ein, Ihr Matten Augen"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2001-06)
orchestra:
Amsterdam Baroque Orchestra (in 2001-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-06)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-06)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 2001-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach8:39
4Cantata "Ich Habe Genug" BWV 82: IV. Recitative: "Mein Gott! Wenn Kömmt Das Schöne: Nun!"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2001-06)
orchestra:
Amsterdam Baroque Orchestra (in 2001-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-06)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-06)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (in 2001-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:46
5Cantata "Ich Habe Genug" BWV 82: V. Aria: "Ich Freue Mich Auf Meinen Tod"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2001-06)
orchestra:
Amsterdam Baroque Orchestra (in 2001-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-06)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-06)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (in 2001-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach3:28
6Cantata "Wer Weiß, Wie Nahe Mir Mein Ende" BWV 27: I. Chorale And Recitative (S, A, T): "Wer Weiß, Wie Nahe Mir Mein Ende"
alto vocals:
Annette Markert (mezzo-soprano) (in 2003-02)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2003-02)
choir vocals:
Amsterdam Baroque Choir (in 2003-02)
soprano vocals:
Johannette Zomer (soprano) (in 2003-02)
tenor vocals:
James Gilchrist (British tenor) (in 2003-02)
orchestra:
Amsterdam Baroque Orchestra (in 2003-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2003-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": I. Choral e Recitativi (Soprano, Alto, Tenore, Basso) "Wer weiß, wie nahe mir mein Ende?" (in 2003-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1695)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach4:46
7Cantata "Wer Weiß, Wie Nahe Mir Mein Ende" BWV 27: II. Recitative (Tenor): "Mein Leben Hat Kein Ander Ziel"
tenor vocals:
James Gilchrist (British tenor) (in 2003-02)
orchestra:
Amsterdam Baroque Orchestra (in 2003-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2003-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": II. Recitativo (Tenore) "Mein Leben hat kein ander Ziel" (in 2003-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach0:45
8Cantata "Wer Weiß, Wie Nahe Mir Mein Ende" BWV 27: III. Aria (Alto): "Willkommen! Will Ich Sagen"
alto vocals:
Annette Markert (mezzo-soprano) (in 2003-02)
orchestra:
Amsterdam Baroque Orchestra (in 2003-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2003-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen" (in 2003-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Erdmann Neumeister
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach4:40
9Cantata "Wer Weiß, Wie Nahe Mir Mein Ende" BWV 27: IV. Recitative (Soprano): "Ach, Wer Doch Schon Im Himmel Wär!"
soprano vocals:
Johannette Zomer (soprano) (in 2003-02)
orchestra:
Amsterdam Baroque Orchestra (in 2003-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2003-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": IV. Recitativo (Soprano) "Ach, wer doch schon im Himmel wär!" (in 2003-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach0:53
10Cantata "Wer Weiß, Wie Nahe Mir Mein Ende" BWV 27: V. Aria (Bass): "Gute Nacht, Du Weltgetümmel!"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2003-02)
orchestra:
Amsterdam Baroque Orchestra (in 2003-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2003-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": V. Aria (Basso) "Gute Nacht, du Weltgetümmel!" (in 2003-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach3:12
11Cantata "Wer Weiß, Wie Nahe Mir Mein Ende" BWV 27: VI. Chorale: "Welt, Ade! Ich Bin Dein Müde"
choir vocals:
Amsterdam Baroque Choir (in 2003-02)
orchestra:
Amsterdam Baroque Orchestra (in 2003-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2003-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": VI. Choral "Welt, ade! ich bin dein müde" (in 2003-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Georg Albinus (in 1649)
part of:
Breitkopf 389 Choralgesänge (number: 350)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach1:16
12Cantata "Herr Gott, Dich Loben Wir" BWV 16: I. Chorus: "Herr Gott, Dich Loben Wir"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": I. Coro "Herr Gott, dich loben wir" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:33
13Cantata "Herr Gott, Dich Loben Wir" BWV 16: II. Recitative (Bass): "So Stimmen Wir Bei Dieser Frohen Zeit"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": II. Recitativo (Basso) "So stimmen wir bei dieser frohen Zeit" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:14
14Cantata "Herr Gott, Dich Loben Wir" BWV 16: III. Aria (Bass) And Chorus: "Laßt Uns Jauchzen"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2001-11)
choir vocals:
Amsterdam Baroque Choir (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": III. Aria (Basso) e Coro "Laßt uns jauchzen, lasst uns freuen" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach3:24
15Cantata "Herr Gott, Dich Loben Wir" BWV 16: IV. Recitative (Alto): "Ach Treuer Hort"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Bogna Bartosz (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": IV. Recitativo (Alto) "Ach treuer Hort" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:19
16Cantata "Herr Gott, Dich Loben Wir" BWV 16: V. Aria (Tenor): "Geliebter Jesu, Du Allein"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": V. Aria (Tenore) "Geliebter Jesu, du allein sollst meiner Seelen Reichtum sein" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach7:57
17Cantata "Herr Gott, Dich Loben Wir" BWV 16: VI. Chorale: "All Solch Dein Güt Wir Preisen"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": VI. Choral "All solch dein Güt wir preisen" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Paul Eber (in 1580)
part of:
Breitkopf 389 Choralgesänge (number: 125)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach0:53
18Cantata "Herr Gott, Dich Loben Wir" BWV 16 appendix: V. Aria (Tenor): "Geliebter Jesu, Du Allein"
tenor vocals:
Paul Agnew (tenor and conductor) (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 16 appendix "Herr Gott, dich loben wir": V. Aria (Tenore) "Geliebter Jesu, du allein sollst meiner Seelen Reichtum sein" (alternative version) (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 16 "Herr Gott, dich loben wir": V. Aria (Tenore) "Geliebter Jesu, du allein sollst meiner Seelen Reichtum sein"
Johann Sebastian Bach8:55
19Cantata "Ich Habe Genug" BWV 82 appendix: III. Aria: "Schlummert Ein, Ihr Matten Augen"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2001-06)
orchestra:
Amsterdam Baroque Orchestra (in 2001-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-06)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-06)
recording of:
Kantate, BWV 82 appendix "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (alternative version) (in 2001-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen"
Johann Sebastian Bach8:39
2▼CD
#TitleArtistRatingLength
1Cantata "Vergnügte Ruh, Beliebte Seelenlust" BWV 170: I. Aria: "Vergnügte Ruh, Beliebte Seelenlust"
alto vocals:
Bogna Bartosz (in 2003-10)
orchestra:
Amsterdam Baroque Orchestra (in 2003-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-10)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2003-10)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (in 2003-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach6:33
2Cantata "Vergnügte Ruh, Beliebte Seelenlust" BWV 170: II. Recitative: "Die Welt, Das Sündenhaus"
alto vocals:
Bogna Bartosz (in 2003-10)
orchestra:
Amsterdam Baroque Orchestra (in 2003-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-10)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2003-10)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": II. Recitativo (Alt) "Die Welt, das Sündenhaus" (in 2003-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:10
3Cantata "Vergnügte Ruh, Beliebte Seelenlust" BWV 170: III. Aria: "Wie Jammern Mich Doch Die Verkehrten Hezen"
alto vocals:
Bogna Bartosz (in 2003-10)
orchestra:
Amsterdam Baroque Orchestra (in 2003-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-10)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2003-10)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": III. Aria (Alt) "Wie jammern mich doch die verkehrten Herzen" (in 2003-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach7:12
4Cantata "Vergnügte Ruh, Beliebte Seelenlust" BWV 170: IV. Recitative: "Wer Sollte Sich Demnach"
alto vocals:
Bogna Bartosz (in 2003-10)
orchestra:
Amsterdam Baroque Orchestra (in 2003-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-10)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2003-10)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach" (in 2003-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:02
5Cantata "Vergnügte Ruh, Beliebte Seelenlust" BWV 170: V. Aria: "Mir Ekelt Mehr Zu Leben"
alto vocals:
Bogna Bartosz (in 2003-10)
orchestra:
Amsterdam Baroque Orchestra (in 2003-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-10)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2003-10)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" (in 2003-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach5:40
6Cantata "Herr, Deine Augen Sehen Nach Dem Glauben" BWV 102: I. Chorus: "Herr, Deine Augen Sehen Nach Dem Glauben"
choir vocals:
Amsterdam Baroque Choir (from 2002-10 until 2002-11)
orchestra:
Amsterdam Baroque Orchestra (from 2002-10 until 2002-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-10 until 2002-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-10 until 2002-11)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": I. Coro "Herr, deine Augen sehen nach dem Glauben" (from 2002-10 until 2002-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach5:56
7Cantata "Herr, Deine Augen Sehen Nach Dem Glauben" BWV 102: II. Recitative (Bass): "Wo Ist Das Ebenbild"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-10 until 2002-11)
orchestra:
Amsterdam Baroque Orchestra (from 2002-10 until 2002-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-10 until 2002-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-10 until 2002-11)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": II. Recitativo (Bass) "Wo ist das Ebenbild, das Gott uns eingepräget" (from 2002-10 until 2002-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach0:59
8Cantata "Herr, Deine Augen Sehen Nach Dem Glauben" BWV 102: III. Aria (Alto): "Weh Der Seele, Die Den Schaden Nicht Mehr Kennt"
alto vocals:
Bogna Bartosz (from 2002-10 until 2002-11)
orchestra:
Amsterdam Baroque Orchestra (from 2002-10 until 2002-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-10 until 2002-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-10 until 2002-11)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": III. Aria (Alt) "Weh der Seele, die den Schaden" (from 2002-10 until 2002-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach4:37
9Cantata "Herr, Deine Augen Sehen Nach Dem Glauben" BWV 102: IV. Arioso (Bass): "Verachtest Du Den Reichtum Seiner Gnade"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-10 until 2002-11)
orchestra:
Amsterdam Baroque Orchestra (from 2002-10 until 2002-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-10 until 2002-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-10 until 2002-11)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": IV. Arioso (Bass) "Verachtest du den Reichtum deiner Gnad" (from 2002-10 until 2002-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach3:03
10Cantata "Herr, Deine Augen Sehen Nach Dem Glauben" BWV 102: V. Aria (Tenor): "Erschrecke Doch, Du Allzu Sichre Seele"
tenor vocals:
James Gilchrist (British tenor) (from 2002-10 until 2002-11)
orchestra:
Amsterdam Baroque Orchestra (from 2002-10 until 2002-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-10 until 2002-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-10 until 2002-11)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (from 2002-10 until 2002-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
revision of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (for tenor, flauto traverso and continuo)
Johann Sebastian Bach3:20
11Cantata "Herr, Deine Augen Sehen Nach Dem Glauben" BWV 102: VI. Recitative (Alto): "Beim Warten Ist Gefahr"
alto vocals:
Bogna Bartosz (from 2002-10 until 2002-11)
orchestra:
Amsterdam Baroque Orchestra (from 2002-10 until 2002-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-10 until 2002-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-10 until 2002-11)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VI. Recitativo (Alt) "Beim Warten ist Gefahr" (from 2002-10 until 2002-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:07
12Cantata "Herr, Deine Augen Sehen Nach Dem Glauben" BWV 102: VII. Chorale: "Heut Lebst Du, Heut Bekehre Dich"
choir vocals:
Amsterdam Baroque Choir (from 2002-10 until 2002-11)
orchestra:
Amsterdam Baroque Orchestra (from 2002-10 until 2002-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-10 until 2002-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-10 until 2002-11)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VII. Choral "Heute lebst du, heut bekehre dich" (from 2002-10 until 2002-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 320)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:37
13Cantata "Gott Der Herr Ist Sonn Und Schild" BWV 79: I. Chorus: "Gott Der Herr Ist Sonn Und Schild"
choir vocals:
Amsterdam Baroque Choir (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": I. Coro "Gott der Herr ist Sonn und Schild" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach4:52
14Cantata "Gott Der Herr Ist Sonn Und Schild" BWV 79: II. Aria (Alto): "Gott Ist Unsre Sonn Und Schild!"
alto vocals:
Bogna Bartosz (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": II. Aria (Alt) "Gott ist unser Sonn und Schild!" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach3:08
15Cantata "Gott Der Herr Ist Sonn Und Schild" BWV 79: III. Chorale: "Nun Danket Alle Gott"
choir vocals:
Amsterdam Baroque Choir (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": III. Choral "Nun danket alle gott'" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Breitkopf 389 Choralgesänge (number: 259)
is based on:
Nun danket alle Gott (Lutheran choral)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach2:05
16Cantata "Gott Der Herr Ist Sonn Und Schild" BWV 79: IV. Recitative (Bass): "Gottlob, Wir Wissen Den Rechten Weg Zur Seligkeit"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": IV. Recitativo (Bass) "Gottlob, wir wissen den rechten Weg" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach0:56
17Cantata "Gott Der Herr Ist Sonn Und Schild" BWV 79: V. Aria (Soprano, Bass): "Gott, Ach Gott, Verlaß Die Deinen Nimmermehr"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2001-11)
soprano vocals:
Sandrine Piau (soprano) (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": V. Aria (Duetto Sopran, Bass) "Gott, ach Gott, verlaß die Deinen" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach2:49
18Cantata "Gott Der Herr Ist Sonn Und Schild" BWV 79: VI. Chorale: "Erhalt Uns In Der Wahrheit"
choir vocals:
Amsterdam Baroque Choir (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": VI. Choral "Erhalt uns in der Wahrheit" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ludwig Helmbold (in 1575)
part of:
Breitkopf 389 Choralgesänge (number: 267)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach0:42
3▼CD
#TitleArtistRatingLength
1Cantata "Ich Geh Und Suche Mit Verlangen" (Dialogus) BWV 49: I. Sinfonia
orchestra:
Amsterdam Baroque Orchestra (in 2001-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-06)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-06)
recording of:
Kantate, BWV 49 "Ich geh und suche mit Verlangen": I. Sinfonia (in 2001-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 49 “Ich geh und suche mit Verlangen”
Johann Sebastian Bach6:24
2Cantata "Ich Geh Und Suche Mit Verlangen" (Dialogus) BWV 49: II. Aria (Bass): "Ich Geh Und Suche Mit VerlCantata "Ich Geh Und Suche Mit Verlangen" (Dialogus) BWV 49: I. ngen"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2001-06)
orchestra:
Amsterdam Baroque Orchestra (in 2001-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-06)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-06)
recording of:
Kantate, BWV 49 "Ich geh und suche mit Verlangen": II. Aria (Basso) "Ich geh und suche mit Verlangen" (in 2001-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 49 “Ich geh und suche mit Verlangen”
Johann Sebastian Bach5:01
3Cantata "Ich Geh Und Suche Mit Verlangen" (Dialogus) BWV 49: III. Recitative (Soprano, Bass): "Mein Mahl Ist Zubereit"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2001-06)
soprano vocals:
Sibylla Rubens (soprano) (in 2001-06)
orchestra:
Amsterdam Baroque Orchestra (in 2001-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-06)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-06)
recording of:
Kantate, BWV 49 "Ich geh und suche mit Verlangen": IIIa. Récitatif. "Mein Mahl ist zu bereit't / IIIb. Arioso. "Komm, Schönste, komm und lass dich küssen (in 2001-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 49 “Ich geh und suche mit Verlangen”
Johann Sebastian Bach1:49
4Cantata "Ich Geh Und Suche Mit Verlangen" (Dialogus) BWV 49: IV. Aria (Soprano): "Ich Bin Herrlich, Ich Bin Schön"
soprano vocals:
Sibylla Rubens (soprano) (in 2001-06)
orchestra:
Amsterdam Baroque Orchestra (in 2001-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-06)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-06)
recording of:
Kantate, BWV 49 "Ich geh und suche mit Verlangen": IV. Aria (Soprano) "Ich bin herrlich, ich bin schön" (in 2001-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 49 “Ich geh und suche mit Verlangen”
Johann Sebastian Bach4:22
5Cantata "Ich Geh Und Suche Mit Verlangen" (Dialogus) BWV 49: V. Recitative (Soprano, Bass): "Mein Glaube Hat Mich Selbst So Angezogen"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2001-06)
soprano vocals:
Sibylla Rubens (soprano) (in 2001-06)
orchestra:
Amsterdam Baroque Orchestra (in 2001-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-06)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-06)
recording of:
Kantate, BWV 49 "Ich geh und suche mit Verlangen": V. Recitativo (Soprano, Basso) "Mein Glaube hat mich selbst so angezogen" (in 2001-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 49 “Ich geh und suche mit Verlangen”
Johann Sebastian Bach1:19
6Cantata "Ich Geh Und Suche Mit Verlangen" (Dialogus) BWV 49: VI. Aria And Chorale (Soprano, Bass): "Dich Hab Ich Je Und Je Geliebet"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2001-06)
soprano vocals:
Sibylla Rubens (soprano) (in 2001-06)
orchestra:
Amsterdam Baroque Orchestra (in 2001-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-06)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-06)
recording of:
Kantate, BWV 49 "Ich geh und suche mit Verlangen": VIa. Duetto. "Dich hab' ich je und je geliebet / VIb. Duetto. "Wie bin ich doch so herzlich froh (in 2001-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Philipp Nicolai (in 1599)
part of:
Kantate, BWV 49 “Ich geh und suche mit Verlangen”
Johann Sebastian Bach4:48
7Cantata "Gott Fähret Auf Mit Jauchzen" BWV 43: I. Chorus: "Gott Fähret Auf Mit Jauchzen"
choir vocals:
Amsterdam Baroque Choir (from 2002-02 until 2002-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02 until 2002-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02 until 2002-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02 until 2002-03)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil I, I. Coro "Gott fähret auf mit Jauchzen" (from 2002-02 until 2002-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach3:09
8Cantata "Gott Fähret Auf Mit Jauchzen" BWV 43: II. Recitative (Tenor): "Es Will Der Höchste Sich Ein Siegsgepräng Bereiten"
tenor vocals:
Christoph Prégardien (tenor) (from 2002-02 until 2002-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02 until 2002-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02 until 2002-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02 until 2002-03)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil I, II. Recitativo (Tenore) "Es will der Höchste sich ein Siegsgepräng bereiten" (from 2002-02 until 2002-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach0:41
9Cantata "Gott Fähret Auf Mit Jauchzen" BWV 43: III. Aria (Tenor): "Ja Tausend Mal Tausend Begleiten Den Wagen" 2:03Cantata "Gott Fähret Auf Mit Jauchzen" BWV 43: I.
tenor vocals:
Christoph Prégardien (tenor) (from 2002-02 until 2002-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02 until 2002-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02 until 2002-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02 until 2002-03)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil I, III. Aria (Tenore) "Ja tausend mal tausend begleiten den Wagen" (from 2002-02 until 2002-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach2:03
10Cantata "Gott Fähret Auf Mit Jauchzen" BWV 43: IV. Recitative (Soprano): "Und Der Herr, Nachdem Er Mit Ihnen Geredet Hatte"
soprano vocals:
Johannette Zomer (soprano) (from 2002-02 until 2002-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02 until 2002-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02 until 2002-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02 until 2002-03)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil I, IV. Recitativo (Soprano) "Und der Herr, nachdem er mit ihnen geredet hatte" (from 2002-02 until 2002-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach0:19
11Cantata "Gott Fähret Auf Mit Jauchzen" BWV 43: V. Aria (Soprano): "Mein Jesus Hat Nunmehr"
soprano vocals:
Johannette Zomer (soprano) (from 2002-02 until 2002-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02 until 2002-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02 until 2002-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02 until 2002-03)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil I, V. Aria (Soprano) "Mein Jesus hat nunmehr" (from 2002-02 until 2002-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach2:21
12Cantata "Gott Fähret Auf Mit Jauchzen" BWV 43: VI. Recitative (Bass): "Es Kommt Der Helden Held"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-02 until 2002-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02 until 2002-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02 until 2002-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02 until 2002-03)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, VI. Recitativo (Basso) "Es kommt der Helden Held" (from 2002-02 until 2002-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach0:38
13Cantata "Gott Fähret Auf Mit Jauchzen" BWV 43: VII. Aria (Bass): "Er Ists, Der Ganz Allein Die Kelter Hat Getreten"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-02 until 2002-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02 until 2002-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02 until 2002-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02 until 2002-03)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, VII. Aria (Basso) "Er ists, der ganz allein die Kelter hat getreten" (from 2002-02 until 2002-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach2:43
14Cantata "Gott Fähret Auf Mit Jauchzen" BWV 43: VIII. Recitative (Alto): "Der Vater Hat Ihm Ja Ein Ewig Reich Bestimmet"
alto vocals:
Bogna Bartosz (from 2002-02 until 2002-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02 until 2002-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02 until 2002-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02 until 2002-03)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, VIII. Recitativo (Alto) "Der Vater hat ihm ja ein ewig Reich bestimmet" (from 2002-02 until 2002-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach0:32
15Cantata "Gott Fähret Auf Mit Jauchzen" BWV 43: IX. Aria (Alto): "Ich Sehe Schon Im Geist"
alto vocals:
Bogna Bartosz (from 2002-02 until 2002-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02 until 2002-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02 until 2002-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02 until 2002-03)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, IX. Aria (Alto) "Ich sehe schon im Geist" (from 2002-02 until 2002-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach2:52
16Cantata "Gott Fähret Auf Mit Jauchzen" BWV 43: X. Recitative (Soprano): "Er Will Mir Neben Sich"
soprano vocals:
Johannette Zomer (soprano) (from 2002-02 until 2002-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02 until 2002-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02 until 2002-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02 until 2002-03)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, X. Recitativo (Soprano) "Er will mir neben sich die Wohnung zubereiten" (from 2002-02 until 2002-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach0:39
17Cantata "Gott Fähret Auf Mit Jauchzen" BWV 43: XI. Chorale: "Du Lebensfürst, Herr Jesu Christ"
choir vocals:
Amsterdam Baroque Choir (from 2002-02 until 2002-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02 until 2002-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02 until 2002-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02 until 2002-03)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, XI. Choral "Du Lebensfürst, Herr Jesu Christ" (from 2002-02 until 2002-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 81)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach1:40
18Cantata "Brich Dem Hungrigen Dein Brot" BWV 39: I. Chorus: "Brich Dem Hungrigen Dein Brot"
choir vocals:
Amsterdam Baroque Choir (from 2002-02 until 2002-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02 until 2002-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02 until 2002-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02 until 2002-03)
recording of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot": I. Coro "Brich dem Hungrigen dein Brot" (from 2002-02 until 2002-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot"
Johann Sebastian Bach7:10
19Cantata "Brich Dem Hungrigen Dein Brot" BWV 39: I. Recitative (Bass): "Der Reiche Gott Wirft Seinen Überfluß Auf Uns"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-02 until 2002-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02 until 2002-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02 until 2002-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02 until 2002-03)
recording of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot": II. Recitativo (Basso) "Der reiche Gott wirft seinen Überfluß" (from 2002-02 until 2002-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot"
Johann Sebastian Bach1:27
20Cantata "Brich Dem Hungrigen Dein Brot" BWV 39: I. Aria (Alto): "Seinem Schöpfer Noch Auf Erden"
alto vocals:
Bogna Bartosz (from 2002-02 until 2002-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02 until 2002-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02 until 2002-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02 until 2002-03)
recording of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot": III. Aria (Alto) "Seinem Schöpfer noch auf Erden" (from 2002-02 until 2002-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot"
Johann Sebastian Bach3:29
21Cantata "Brich Dem Hungrigen Dein Brot" BWV 39: I. Aria (Bass): "Wohlzutun Und Mitzuteilen"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-02 until 2002-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02 until 2002-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02 until 2002-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02 until 2002-03)
recording of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot": IV. Aria (Basso) "Wohlzutun und mitzuteilen vergesset nicht" (from 2002-02 until 2002-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot"
Johann Sebastian Bach2:27
22Cantata "Brich Dem Hungrigen Dein Brot" BWV 39: I. Aria (Soprano): "Höchster, Was Ich Habe"
soprano vocals:
Johannette Zomer (soprano) (from 2002-02 until 2002-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02 until 2002-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02 until 2002-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02 until 2002-03)
recording of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot": V. Aria (Soprano) "Höchster, was ich habe" (from 2002-02 until 2002-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot"
Johann Sebastian Bach2:59
23Cantata "Brich Dem Hungrigen Dein Brot" BWV 39: I. Recitative (Alto): "Wie Soll Ich Dir, O Herr, Denn Sattsamlich Vergelten"
alto vocals:
Bogna Bartosz (from 2002-02 until 2002-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02 until 2002-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02 until 2002-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02 until 2002-03)
recording of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot": VI. Recitativo (Alto) "Wie soll ich dir, o Herr, denn sattsamlich vergelten" (from 2002-02 until 2002-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot"
Johann Sebastian Bach1:35
24Cantata "Brich Dem Hungrigen Dein Brot" BWV 39: I. Chorale: "Selig Sind, Die Aus Erbarmen"
choir vocals:
Amsterdam Baroque Choir (from 2002-02 until 2002-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02 until 2002-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02 until 2002-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02 until 2002-03)
recording of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot": VII. Choral "Selig sind, die aus Erbarmen" (from 2002-02 until 2002-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
David Denicke (in 1648)
part of:
Breitkopf 389 Choralgesänge (number: 104)
part of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot"
Johann Sebastian Bach1:12
25Cantata "Gott Fähret Auf Mit Jauchzen" BWV 43 appendix: VII. Aria (Bass): "Er Ists, Der Ganz Allein"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-02 until 2002-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02 until 2002-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02 until 2002-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02 until 2002-03)
recording of:
Kantate, BWV 43 appendix "Gott fähret auf mit Jauchzen": Teil II, VII. Aria (Basso) "Er ists, der ganz allein die Kelter hat getreten" (alternative version) (from 2002-02 until 2002-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, VII. Aria (Basso) "Er ists, der ganz allein die Kelter hat getreten"
Johann Sebastian Bach2:33

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part of:Complete Cantatas (Ton Koopmans complete Bach Cantatas for Erato) (number: 16) (order: 15)