| # | Title | Artist | Rating | Length |
|---|
| 1 | Living in America | James Brown | 3.35 | 4:44 |
| 2 | Take Me Home | Cher | | 6:42 |
| 3 | Farewell My Summer Love | Michael Jackson | 4 | 3:41 |
| 4 | Too Much Heaven- assistant engineer:
- John Blanche and Dennis Hetzendorfer
- engineer:
- Karl Richardson
- producer:
- Bee Gees, Albhy Galuten and Karl Richardson
- horn:
- Boneroo Horns (from 1978-03 until 1978-11), Neal Bonsanti (from 1978-03 until 1978-11), Ken Faulk (from 1978-03 until 1978-11), Peter Graves (from 1978-03 until 1978-11), Bill Purse (from 1978-03 until 1978-11), Whit Sidener (from 1978-03 until 1978-11) and Stan Webb (from 1978-03 until 1978-11)
- conductor:
- Albhy Galuten
- phonographic copyright (℗) by:
- Barry Gibb (in 1978, in 1979), Maurice Gibb (in 1978), Robin Gibb (in 1978) and Yvonne Gibb (in 1979)
- phonographic copyright (℗) by:
- PolyGram International Ltd. (in 1978), PolyGram International Music B.V. (in 1978), PolyGram Records, Inc. (in 1978), RSO Records, Inc. (in 1978) and The Estate of Robin Gibb (in 1979)
- recorded at:
- Criteria Studios in Miami, Florida, United States (from 1978-03 until 1978-11)
- recording of:
- Too Much Heaven (from 1978-03 until 1978-11)
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Chappell Music Ltd., Gibb Brothers Music, Music For Unicef, RSO Publishing Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music Ltd.
| Bee Gees | 4 | 4:56 |
| 5 | You’re the First, the Last, My Everything- producer:
- Barry White
- recording of:
- You’re the First, the Last, My Everything (in 1974)
- writer:
- Peter Sterling Radcliffe, Tony Sepe and Barry White
- publisher:
- Chappell & Co., Inc. , January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. and World Song Publishing Inc.
| Barry White | 4.4 | 4:32 |
| 6 | Nightshift- associate producer:
- Peter Wolfe and Jeremy Smith
- producer:
- Dennis Lambert
- arranger:
- Peter Wolfe
- phonographic copyright (℗) by:
- Motown Record Company, L.P. (in 1984)
- edit of:
- Nightshift by Commodores
- recording of:
- Nightshift
- writer:
- Franne Golde, Dennis Lambert and Walter Orange
- arranger:
- Peter Wolf
- publisher:
- BMG Platinum Songs US, Careers–BMG Music Publishing, Inc., Franne Golde Music, Reservoir Media Music, Rightsong Music Inc., Universal Music Careers, Warner–Tamerlane Publishing Corp. and Zomba Enterprises, Inc.
| Commodores | 4.35 | 4:20 |
| 7 | The Night They Drove Old Dixie Down | Joan Baez | 4.5 | 3:37 |
| 8 | Mercy Mercy Me (The Ecology) | Marvin Gaye | 4.7 | 3:13 |
| 9 | Reach Out, I’ll Be There (original version)- producer:
- Lamont Dozier and Brian Holland
- instruments:
- The Funk Brothers (in 1966)
- background vocals:
- The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
- lead vocals:
- Levi Stubbs (in 1966)
- phonographic copyright (℗) by:
- Motown Record Company (in 1966)
- recorded at:
- Hitsville in Detroit, Michigan, United States (in 1966)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone: 500 Greatest Songs of All Time (number: 206)
- recording of:
- Reach Out, I’ll Be There (in 1966)
- lyricist:
- Eddie Holland
- composer:
- Lamont Dozier and Brian Holland
- publisher:
- EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Four Tops | 4 | 3:00 |
| 10 | Papa Was a Rollin’ Stone | The Temptations | 4 | 6:53 |
| 11 | My Old Piano | Diana Ross | | 3:53 |
| 12 | Get Down on It | Kool & the Gang | | 4:51 |
| 13 | I Feel Love | Donna Summer | 4.5 | 3:21 |
| 14 | Don’t Be Afraid of the Dark | The Robert Cray Band | 4 | 3:48 |
| 15 | The Candy Man | Sammy Davis Jr. | | 3:12 |
| 16 | Yester‐Me, Yester‐You, Yesterday | Stevie Wonder | 5 | 3:03 |
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