Baroque: The Essentials

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Water Music Suite, HWV 348–350: Arrival of the Queen of Sheba
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1984-03)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-03, in 1985)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1984-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-03)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (in 1984-03)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
George Frideric Handel3:11
2Concerto for Violin and Strings in E major, op. 8 no. 1, RV 269: “La Primavera”: I. Allegro
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer) (in 1981-10)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
violin:
Simon Standage (English violinist and conductor) (from 1981-10-20 until 1981-10-23)
orchestra:
The English Concert (from 1981-10-20 until 1981-10-23)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1981-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1981-10-20 until 1981-10-23)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1981-10-20 until 1981-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:20
3Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Wolfgang Mitlehner
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1986-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1986-06)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1986-06)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (in 1986-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:11
4Canon & Gigue in D, P.37
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
harpsichord:
Edward Brewer (harpsichordist) (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1989-04)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (in 1989-04)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel54:13
5Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Peter Czornyi and Charlotte Kriesch
producer:
Jörg Ritter (classical producer/engineer) and Josh Ritter (American singer-songwriter)
editor:
Jörg Ritter (classical producer/engineer)
flute:
Lisa Beznosiuk (flautist)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1993-07)
orchestra:
The English Concert (in 1993-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1993-07)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1993-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1993-07)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1993-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:23
6Serse, HWV 40: Act 1: “Ombra mai fu”
bass vocals and bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
vocals:
Bryn Terfel (bass‐baritone opera singer)
orchestra:
Scottish Chamber Orchestra
conductor:
Sir Charles Mackerras (Australian conductor)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:03
7Vespro della Beata Vergine, SV 206: Domine ad adiuvandum à 6
conductor:
Paul McCreesh (conductor) (in 2005-11)
performer:
Gabrieli Consort & Players (UK early music ensemble) (in 2005-11)
recorded at:
Chapel of St. Augustine in Tonbridge, Kent, England, United Kingdom (in 2005-11)
recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (in 2005-11)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi1:54
8Premier livre de pieces de clavecin (1735): Troisième Suite: Le coucou
recording engineer:
Eiji Yoshioka (engineer) (in 1983)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1983)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1984)
recorded at:
Ongaku No Tomo (in 1983)
recording of:
Premier livre de clavecin: Troisième suite: I. Le coucou. Rondeau. Vif (The Cuckoo) (in 1983)
composer:
Louis‐Claude Daquin
part of:
Premier livre de clavecin: Troisième suite
Louis-Claude Daquin2:02
9Come, Ye Sons of Art Away, Z. 323: Sound the trumpet, sound
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Paul Goodwin (conductor / oboist) (in 1988-07)
countertenor vocals [countertenor I]:
Michael Chance (British countertenor) (in 1988-07)
countertenor vocals [countertenor II]:
Timothy Wilson (countertenor) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: III. Sound the Trumpet (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:30
10Gloria in D major, RV589: I. Gloria in excelsis Deo
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr, Gerd Ploebsch (engineer)
guest oboe:
David Reichenberg (oboist) (in 1987-02)
guest trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1987-02)
choir vocals:
The English Concert Choir (in 1987-02)
orchestra:
The English Concert (in 1987-02)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1987-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1987-02)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 1987-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero) (in 1987-02)
lyricist:
Anonymous ([anonymous], special purpose artist)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
part of:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi2:26
11Adagio for Strings and Organ in G minor: Adagio
engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
organ:
Edward Brewer (harpsichordist) (in 1989-04)
violin:
Eriko Sato (violinist) (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1989-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, United States (from 1989-04 to present) and State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Adagio for Strings and Organ in G minor (in 1989-04)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni7:19
12Messiah, HWV 56, Pt. 2: “Hallelujah”
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:37
13Orchestral Suite no. 3 in D major, BWV 1068: II. Air
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Peter Czornyi and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1994-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:06
14Concerto for Violin and Strings in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer) (in 1981-10)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
violin:
Simon Standage (English violinist and conductor) (from 1981-10-20 until 1981-10-23)
orchestra:
The English Concert (from 1981-10-20 until 1981-10-23)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1981-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1981-10-20 until 1981-10-23)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto (in 1981-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:16
15Music for the Royal Fireworks, Suite, HWV 351: IV. La réjouissance
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr Gerd Ploebsch (engineer)
editor:
Gregor Zielinsky (Balance engineer)
orchestra:
The English Concert (in 1984-08)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-08)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
London, St. John's, Smith Square in London (Greater London), England, United Kingdom (in 1984-08)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (in 1984-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:11
16Tafelmusik: Banquet Music in Three Parts, Production 1: I. Ouverture – Suite in E minor: VI. Air. Un peu vivement
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
solo violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1988-04)
solo violin [violin II]:
Manfredo Kraemer (in 1988-04)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1988-04)
conductor:
Reinhard Goebel (violinist and conductor) (in 1988-04)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1988-04)
recording of:
Ouverture-Suite in E minor, TWV 55:e1: VI. Air. Un peu vivement (in 1988-04)
composer:
Georg Philipp Telemann (composer)
part of:
Ouverture-Suite in E minor, TWV 55:e1 (TWV 55:e1 is **not** the same as TWV 55:E1)
Georg Philipp Telemann4:53
17Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy of Man’s Desiring
engineer and balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
arranger:
Guillermo Figueroa
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
instrumental recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:24
186 Concerts transcrits en sextuor: 6e concert: I. La poule
orchestra:
Les Musiciens du Louvre (in 2003-06)
conductor:
Marc Minkowski (bassoonist and conductor) (in 2003-06)
recorded at:
Salle Molière in Poissy, Yvelines, Île-de-France, France (in 2003-06)
recording of:
6 Concerts Transcrits en Sextuor: VIe Concert: I. La Poule (in 2003-06)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
strings arranger:
[anonymous] (special purpose artist)
version of:
Nouvelles Suites de Pièces de Clavecin: La Poule
part of:
6 Concerts Transcrits en Sextuor: VIe Concert
Jean‐Philippe Rameau4:32
19Stabat Mater: I. Stabat Mater
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (in 1983-12)
alto vocals:
Lucia Valentini Terrani (mezzo soprano) (in 1983-12)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (in 1983-12)
orchestra:
London Symphony Orchestra (in 1983-12)
conductor:
Claudio Abbado (conductor) (in 1983-12)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1983-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-12)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa (in 1983-12)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:41
20Hippolyte et Aricie: Overture
recording engineer:
Jürgen Bulgrin (sound engineer) and Hans‐Rudolf Müller (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Arend Prohmann (producer / editor)
editor:
Mark Buecker (engineer of classical recordings)
orchestra:
Les Musiciens du Louvre
conductor:
Marc Minkowski (bassoonist and conductor)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Opéra royal du château de Versailles in Versailles, Yvelines, Île-de-France, France (in 1994-06)
recording of:
Hippolyte et Aricie: Ouverture
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Hippolyte et Aricie
Jean‐Philippe Rameau3:03
21Sonata in E major, K. 380
recording engineer:
Eiji Yoshioka (engineer) (in 1983)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1983)
recorded at:
Ongaku No Tomo (in 1983)
recording of:
Sonata in E major, K. 380, L. 23: Andante comodo (in 1983)
composer:
Domenico Scarlatti (composer)
part of:
Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 23) and Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 380)
Domenico Scarlatti4:48
22Coronation Anthem no. 1: Zadok the Priest, HWV 258
vocals:
Geraint Jones Singers
orchestra:
Geraint Jones Orchestra
conductor:
Geraint Jones (conductor, organist / harpsichordist)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258
composer:
George Frideric Handel (German‐British baroque composer) (in 1727)
premiered at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11)
part of:
Händel-Werke-Verzeichnis (number: HWV 258)
part of:
The Four Coronation Anthems
George Frideric Handel6:05
23Christmas Oratorio, BWV 248, Part Two: For The Second Day of Christmas: No. 10: Sinfonia
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:18
24Concerto grosso in G minor, op. 6 no. 8, MC 6.8 “Fatto per la Notte di Natale”: III. Adagio – Allegro – Adagio
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
cello:
Eric Bartlett (in 1989-04)
harpsichord:
Edward Brewer (harpsichordist) (in 1989-04)
violin:
Naoko Tanaka (violinist) (in 1989-04) and Eric Wyrick (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1989-04)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: III. Adagio - Allegro - Adagio (in 1989-04)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli3:02
25Miserere
choir vocals:
Choir of Westminster Abbey (in 1985-02)
conductor:
Simon Preston (organist, conductor, composer) (in 1985-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Miserere mei, Deus (in 1985-02)
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri311:50

Credits

Release group

part of:The Essentials (Deutsche Grammophon) (order: 16)