ベスト・クラシック100

~ Release by Various Artists (see all versions of this release, 7 available)

Annotation

white fatbox in cardboard slipcase

Annotation last modified on 2016-10-06 10:58 UTC.

Tracklist

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1▼CD: 元気がでるクラシック
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1シバの女王の入城 オラトリオ「ソロモン」より
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (from 1983-06-27 until 1983-06-28)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
ヘンデル42:51
2「四季」より協奏曲 第１番「春」第1楽章：アレグロ
harpsichord:
Paul Crocker (harpsichord) (in 1979-12)
violin:
Yehudi Menuhin (violinist) (in 1979-12)
orchestra:
Camerata Lysy Gstaad (in 1979-12)
conductor:
Alberto Lysy (violinist and conductor) (in 1979-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1979-12)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (in 1979-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
ヴィヴァルディ3:43
3トッカータとフーガ
organ:
Wayne Marshall (British pianist, organist and conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
J.S.バッハ3:24
4ホルン協奏曲 第４番 第３楽章：ロンド
engineer and balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
executive producer:
Christopher Bishop (conductor/producer)
producer:
Christopher Bishop (conductor/producer)
horn:
Barry Tuckwell (hornist / conductor) (from 1971-05-17 until 1971-05-21)
orchestra:
Academy of St Martin in the Fields (from 1971-05-17 until 1971-05-21)
conductor:
Neville Marriner (conductor) (from 1971-05-17 until 1971-05-21)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1971-05-17 until 1971-05-21)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (from 1971-05-17 until 1971-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
モーツァルト3:37
5交響曲 第５番「運命」より 第１楽章
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Kurt Sanderling (conductor) and Wolfgang Sawallisch (conductor)
phonographic copyright (℗) by:
World Investment Co. Ltd. (in 1981)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
ベートーヴェン6:36
6序曲「１８１２年」（終結部）
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic) (in 1987)
conductor:
Mariss Jansons (Latvian conductor) (in 1987)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
partial recording of:
The Year 1812, Festival Overture in E-flat major, op. 49 (in 1987)
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
チャイコフスキー3:35
7交響曲 第９番「合唱」より「喜びの歌」
bass-baritone vocals:
James Morris (operatic bass-baritone)
choir vocals:
Westminster Choir (Princeton, USA)
orchestra:
The Philadelphia Orchestra
conductor:
Sir Adrian Boult (conductor) and Riccardo Muti (conductor)
chorus master:
Joseph Flummerfelt (choir master) and James Morris (operatic bass-baritone)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
ベートーヴェン3:23
8ピアノ協奏曲 イ短調より 第１楽章（冒頭）
solo piano:
Cécile Ousset (French pianist)
orchestra:
London Symphony Orchestra
conductor:
Sir Neville Marriner (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985)
partial recording of:
Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderato
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
グリーグ4:28
9組曲「カレリア」より 行進曲風に
producer:
Christopher Bishop (conductor/producer)
orchestra:
Hallé Orchestra (from 1966-01-23 until 1966-01-24)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-01-23 until 1966-01-24)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-01-23 until 1966-01-24)
recording of:
Karelia-sarja, op. 11: III. Alla marcia (Karelia Suite, op. 11: III. Alla marcia, for orchestra) (from 1966-01-23 until 1966-01-24)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11 (Karelia Suite, op. 11)
シベリウス4:42
10惑星より「ジュピター」（終結部）
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Simon Rattle (conductor)
partial recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
ホルスト4:50
11ピアノ協奏曲 第１番 第１楽章
piano:
Horacio Gutiérrez (pianist)
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
partial recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
チャイコフスキー3:24
12フィンランディア
producer:
Christopher Bishop (conductor/producer)
orchestra:
Hallé Orchestra (from 1966-01-23 until 1966-01-24)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-01-23 until 1966-01-24)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-01-23 until 1966-01-24)
recording of:
Finlandia, op. 26 (for orchestra) (from 1966-01-23 until 1966-01-24)
premiered in:
Helsinki, Uusimaa, Finland (on 1900-07-02)
composer:
Jean Sibelius (Finnish composer) (in 1899)
revised by:
Jean Sibelius (Finnish composer) (in 1900)
premiered at:
Konsertti (1900-07-02)
publisher:
Breitkopf & Härtel (in 1905)
part of:
Works of Jean Sibelius by opus number (number: op. 26)
version of:
Sanomalehdistön päivien musiikki, op. 25/26: VII. Tableau 6. Finland Awakes
シベリウス8:29
13凱旋行進曲（歌劇「アイーダ」より）
choir vocals:
Chorus of the Royal Opera House, Covent Garden (from 1974-07-02 until 1974-07-11)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-11)
conductor:
Riccardo Muti (conductor) (from 1974-07-02 until 1974-07-11)
chorus master:
Douglas Robinson (chorus master) (from 1974-07-02 until 1974-07-11)
performer:
Chorus of the Royal Opera House, Covent Garden
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1974-07-02 until 1974-07-11)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (from 1974-07-02 until 1974-07-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
ヴェルディ4:35
14モンタギュー家とキャピュレット家（「ロメオとジュリエット」より）
orchestra:
The Philadelphia Orchestra (in 1982)
conductor:
Riccardo Muti (conductor) (in 1982)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: I. Montagues and Capulets (in 1982)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
プロコフィエフ1:54
15ラデツキー行進曲
orchestra:
Orquesta Johann Strauss de Viena (in 1978)
conductor:
Willi Boskovsky (violinist and conductor) (in 1978)
performer:
Willi Boskovsky (violinist and conductor)
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228) (in 1978)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
J.シュトラウスⅡ2:55
16行進曲「威風堂々」より 第１番（終結部）
choir vocals:
Royal Choral Society (The Royal Choral Society)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
partial recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
エルガー2:37
17ピアノ協奏曲 第３番より 第１楽章（冒頭）
solo piano:
Mikhail Rudy (pianist)
orchestra:
St. Petersburg Philharmonic Orchestra (founded in 1882; read the annotation to avoid incorrect use)
conductor:
Mariss Jansons (Latvian conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
partial recording of:
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto
composer:
Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer) (from 1909 until 1909-09-23)
part of:
Piano Concerto no. 3 in D minor, op. 30
ラフマニノフ2:54
18交響曲 第３番「オルガン付き」（終結部）
producer:
Étienne Collard
organ:
Matthias Eisenberg (organist, harpsichordist and church musician) (from 1995-07-07 until 1995-07-09)
orchestra:
Orchestra of the Capitole de Toulouse (from 1995-07-07 until 1995-07-09)
conductor:
Michel Plasson (conductor) (from 1995-07-07 until 1995-07-09)
balance engineer:
Daniel Michel (recording engineer) (from 1995-07-07 until 1995-07-09)
phonographic copyright (℗) by:
EMI Music France (1994–2013) (in 1997)
recorded at:
Basilique Notre-Dame de la Daurade in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1995-07-07 until 1995-07-09)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro (from 1995-07-07 until 1995-07-09)
composer:
Camille Saint‐Saëns (composer) (in 1886)
publisher:
Éditions Durand (1947–present)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
サン＝サーンス8:09
2▼CD: リラクシング・クラシックス
#TitleArtistRatingLength
1Ｇ線上のアリア
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1973-10-01 until 1973-10-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
J.S.バッハ3:35
2精霊の踊り（「オルフェオとエウリディーチェ」より）
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
part of:
Orpheus und Eurydike: Akt II (German version)
グルック2:16
3カノン
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (from 1973-10-01 until 1973-10-04)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
パッヘルベル5:02
4クラリネット協奏曲より 第２楽章：アダージョ
basset clarinet:
Sabine Meyer (clarinetist) (from 1990-06-06 until 1990-06-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1990-06-06 until 1990-06-08)
conductor:
Hans Vonk (conductor) (from 1990-06-06 until 1990-06-08)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1990)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1990-06-06 until 1990-06-08)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (from 1990-06-06 until 1990-06-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
モーツァルト6:39
5ゴルドベルク変奏曲より アリア
harp:
Julia Thornton
arranger:
Craig Leon (musician, arranger, composer and producer)
recording of:
Goldberg-Variationen, BWV 988: Aria (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1841)
arrangement of:
Goldberg-Variationen, BWV 988: Aria (opening)
part of:
Goldberg-Variationen, BWV 988 (catch-all for arrangements)
J.S.バッハ2:10
6アダージョ（抜粋）
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
partial recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
アルビノーニ5:53
7ピアノ・ソナタ 第１４番「月光」第１楽章（抜粋）
piano:
Dame Moura Lympany (British pianist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
partial recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
ベートーヴェン3:58
8フルートとハープのための協奏曲 第２楽章（抜粋）
flute:
James Galway (flautist)
harp:
Fritz Helmis (harpist)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
モーツァルト4:01
9ヴァイオリン協奏曲 第２楽章（抜粋）
violin:
Yehudi Menuhin (violinist)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Efrem Kurtz (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
partial recording of:
Violinkonzert in e-Moll, op. 64: II. Andante (Concerto for Violin and Orchestra in E minor, op. 64: II. Andante)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
メンデルスゾーン4:31
10ピアノ協奏曲 第２１番より 第２楽章
piano:
Stephen Hough (pianist) (in 1987-05)
orchestra:
Hallé Orchestra (in 1987-05)
conductor:
Bryden Thomson (conductor) (in 1987-05)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (in 1987-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1987-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
モーツァルト6:48
11交響曲 第９番「新世界より」第２楽章（冒頭）
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
ドヴォルザーク4:47
12ヴァイオリン協奏曲 第１番より 第２楽章（冒頭）
violin:
Yehudi Menuhin (violinist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Walter Süsskind (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
partial recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
ブルッフ4:26
13ニムロッド（「エニグマ変奏曲」より）
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1970-08-04 until 1970-08-06)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
エルガー3:58
14アランフェス協奏曲より 第２楽章（冒頭）
classical guitar and guitar:
Julian Bream
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
partial recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
ロドリーゴ54:48
15揚げひばり（終結部）
violin:
Nigel Kennedy (violinist)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
partial recording of:
The Lark Ascending (for violin and orchestra)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
ヴォーン＝ウィリアムス6:54
16交響曲 第５番 第４楽章：アダージェット（終結部）
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
partial recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
マーラー3:09
17パガニーニの主題による狂詩曲より 第１８変奏
producer:
John Fraser (UK producer) (from 1984-05-03 until 1984-05-04)
piano:
Cécile Ousset (French pianist) (from 1984-05-03 until 1984-05-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1984-05-03 until 1984-05-04)
conductor:
Simon Rattle (conductor) (from 1984-05-03 until 1984-05-04)
balance engineer:
Michael Sheady (engineer) (from 1984-05-03 until 1984-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1984-05-03 until 1984-05-04)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile (from 1984-05-03 until 1984-05-04)
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
ラフマニノフ2:57
3▼CD: ヴォーカル・クラシックス
#TitleArtistRatingLength
1聖なる神殿の中で（二重唱）（歌劇「真珠採り」より）
engineer:
Walther Ruhlmann
producer:
René Challan (French composer)
baritone vocals [Zurga]:
Ernest Blanc (baritone) (in 1961)
tenor vocals [Nadir]:
Nicolai Gedda (tenor) (in 1961)
orchestra:
Paris Opéra-Comique Orchestra (in 1961)
conductor:
Pierre Dervaux (French conductor and composer) (in 1961)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir) (in 1961)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
ビゼー5:26
2月に寄せる歌（歌劇「ルサルカ」より）
soprano vocals:
Lesley Garrett (soprano) and Lucia Popp (soprano)
soprano vocals [Rusalka]:
Lucia Popp (soprano)
orchestra:
Munich Radio Symphony Orchestra (The Munich Radio Orchestra) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Andrew Greenwood (conductor) and Stefan Soltész (conductor)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
composer:
Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
ドヴォルザーク35:56
3花の二重唱（歌劇「ラクメ」より）
mezzo-soprano vocals:
Danielle Millet (mezzo-soprano) (from 1970-09-17 until 1970-12-21)
soprano vocals:
Mady Mesplé (soprano) (from 1970-09-17 until 1970-12-21)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique (from 1970-09-17 until 1970-12-21)
conductor:
Alain Lombard (conductor) (from 1970-09-17 until 1970-12-21)
phonographic copyright (℗) by:
EMI France (in 1971)
edit of:
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) by Mady Mesplé (soprano), Danielle Millet (mezzo-soprano), Orchestre du Théâtre National de l’Opéra‐Comique, Alain Lombard (conductor)
partial recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (from 1970-09-17 until 1970-12-21)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
ドリーブ3:32
4花の歌（歌劇「カルメン」より）
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (French conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
ビゼー3:53
5エウリディーチェを失って（歌劇「オルフェオとエウリディーチェ」より）
harpsichord:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger)
mezzo-soprano vocals [Orfeo]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
グルック5:30
6清らかな女神よ（歌劇「ノルマ」より）
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
editor:
Jennifer Howells
choir vocals:
Coro del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12)
soprano vocals [Norma]:
Maria Callas (soprano) (from 1960-09-05 until 1960-09-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1960-09-05 until 1960-09-12)
conductor:
Tullio Serafin (conductor) (from 1960-09-05 until 1960-09-12)
chorus master:
Norberto Mola (chorus master) (from 1960-09-05 until 1960-09-12)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1960-09-05 until 1960-09-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (from 1960-09-05 until 1960-09-12)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
ベルリーニ5:36
7冷たい手を（歌劇「ラ・ボエーム」より）
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David Groves (classical music producer at EMI)
editor:
Bob Whitney (engineer)
tenor vocals [Rodolfo]:
Roberto Alagna (tenor) (from 1995-01 until 1995-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1995-01 until 1995-04)
conductor:
Richard Armstrong (conductor) (from 1995-01 until 1995-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-01 until 1995-04)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (from 1995-01 until 1995-04)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
プッチーニ4:53
8私のお父さん（歌劇「ジャンニ・スキッキ」より）
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) (from 1997-08-12 until 1997-08-15)
producer:
David Groves (classical music producer at EMI)
editor:
Caroline Haigh, Simon Kiln and Jørn Pedersen
soprano vocals:
Angela Gheorghiu (Romanian soprano) (in 1999)
soprano vocals [Lauretta]:
Angela Gheorghiu (Romanian soprano) (from 1997-08-12 until 1997-08-15)
vocals:
Angela Gheorghiu (Romanian soprano)
orchestra:
London Symphony Orchestra (from 1997-08-12 until 1997-08-15, in 1999)
conductor:
Antonio Pappano (conductor and pianist) (from 1997-08-12 until 1997-08-15, in 1999)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1999) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1999)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-08-12 until 1997-08-15)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1997-08-12 until 1997-08-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
プッチーニ2:09
9バイレロ〜オーヴェルニュの歌
soprano vocals:
Victoria de los Ángeles (Spanish soprano)
orchestra:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra)
conductor:
Jean‐Pierre Jacquillat (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
recording of:
Chants d'Auvergne: Première Série: No. 2. Baïlèro
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
part of:
Chants d'Auvergne: Première Série
伝承歌34:53
10可愛がって下さいね（歌劇「蝶々夫人」より）
choir vocals:
Coro del Teatro dell’Opera di Roma (from 1966-08-16 until 1966-08-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-08-16 until 1966-08-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-08-16 until 1966-08-27)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1966-08-16 until 1966-08-27)
conductor:
John Barbirolli (conductor and cellist) (from 1966-08-16 until 1966-08-27)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-08-16 until 1966-08-27)
compilation of:
Madama Butterfly: Atto I. “Vieni, vieni… Via dall’anima in pena” (Butterfly, Pinkerton) by Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli (conductor and cellist) and Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” (Butterfly, Pinkerton) by Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli (conductor and cellist)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (from 1966-08-16 until 1966-08-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
プッチーニ7:56
11行け、我が想いよ、黄金の翼にのって（歌劇「ナブッコ」より）
producer:
John Fraser (UK producer)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
chorus master:
Robin Stapleton (conductor)
balance engineer:
Michael Sheady (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
ヴェルディ5:30
12昔ある所にヴィリアという森の妖精が（喜歌劇「メリー・ウィドウ」より）
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lovro von Matačić (conductor)
recording of:
Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
part of:
Die lustige Witwe: Akt II
partial recording of:
Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
part of:
Die lustige Witwe: Akt II
レハール4:55
13オンブラ・マイ・フ（歌劇「セルセ」より）
harpsichord:
Valda Aveling (pianist, harpsichordist and clavichordist)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
arranger:
Ingfried Hoffmann
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
ヘンデル3:19
14アヴェ・マリア
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Gerald Moore (pianist)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto)
balance engineer:
Neville Boyling (engineer) and Christopher Parker (classical recording and balance engineer, active from 1950s)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
シューベルト6:45
15聖らに星すむ今宵
producer:
Étienne Collard
choir vocals:
Chœur du Capitole de Toulouse (from 1996-05-02 until 1996-05-06) and Petits chanteurs à la croix potencée (from 1996-05-02 until 1996-05-06)
tenor vocals:
Roberto Alagna (tenor) (from 1996-05-02 until 1996-05-06)
orchestra:
Orchestre national du Capitole de Toulouse (from 1996-05-02 until 1996-05-06)
conductor:
Michel Plasson (conductor) (from 1996-05-02 until 1996-05-06)
chorus master:
David Godefroid (chorus master) (in 1996-05) and Pierre Iodice (Chorus master) (in 1996-05)
arranger:
Alain Kremski (French composer, pianist and percussionist)
balance engineer:
Daniel Michel (recording engineer)
phonographic copyright (℗) by:
EMI Music France (1994–2013) (in 1996)
recorded at:
Basilique Notre-Dame de la Daurade in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1996-05-02 until 1996-05-06)
recording of:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”) (in 1996-05)
lyricist:
Placide Cappeau
composer:
Adolphe Adam (French composer) (in 1847)
is based on:
Minuit, chrétiens (Poem)
アダン5:00
16誰も寝てはならぬ（歌劇「トゥーランドット」より）
choir vocals:
Chœur de l'Opéra national du Rhin (Rhine Opera Chorus)
tenor vocals [Calaf]:
José Carreras (Spanish tenor)
orchestra:
Orchestre philharmonique de Strasbourg (Strasbourg Philharmonic Orchestra)
conductor:
Alain Lombard (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
プッチーニ4:10
4▼CD: ゴールデン・クラシックス
#TitleArtistRatingLength
1「フィガロの結婚」序曲
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
Le nozze di Figaro, K. 492: Sinfonia
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
モーツァルト4:21
2主よ、人の望みの喜びを
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
oboe:
Celia Nicklin (oboist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
arranger and orchestrator:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Jesu, Joy of Man’s Desiring (from 1983-06-27 until 1983-06-28)
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (from 1983-06-27 until 1983-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (from 1983-06-27 until 1983-06-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
J.S.バッハ5:15
3ピアノ協奏曲 第５番「皇帝」第１楽章（抜粋）
piano:
Emil Gilels (pianist)
orchestra:
Cleveland Orchestra
conductor:
George Szell (conductor, pianist, composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
partial recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
ベートーヴェン6:43
4トランペット・ヴォランタリー
organ:
Jane Parker‐Smith (organist) (in 1977-05)
trumpet:
Maurice André (French trumpeter) (in 1977-05)
arranger:
Jean‐Michel Defaye (French composer, conductor and pianist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Église protestante Saint-Pierre-le-Jeune in Strasbourg, Bas-Rhin, Grand Est (Great East), France (in 1977-05)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary” - catch-all for arrangements) (in 1977-05)
composer:
Jeremiah Clarke (English baroque composer and organist)
arrangement of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
composer:
Jeremiah Clarke (English baroque composer and organist) (in 1700)
クラーク2:55
5「審判」（オラトリオ「生と死」より）
orchestra:
Hallé Orchestra
conductor:
Maurice Handford (hornist/conductor)
recording of:
Mors et Vita: Pars secunda "Judicium": Judex: 4. Sedenti in Throno
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars secunda "Judicium"
グノー4:42
6「絹のはしご」序曲
recording of:
La scala di seta: Sinfonia
composer:
Gioachino Rossini (composer)
librettist:
Giuseppe Maria Foppa
part of:
La scala di seta
ロッシーニ5:24
7サラバンド
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 2002)
conductor:
Alex Briger (Australian conductor) (in 2002)
performer:
Alexander Briger (Australian conductor)
arranger:
Simon Hale
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande (catch-all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
ヘンデル3:27
8花のワルツ（「くるみ割り人形」より）
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
チャイコフスキー6:53
9トロイカ（「キージェ中尉」より）
producer:
John Willan (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1983-09-22 until 1983-09-26)
conductor:
Klaus Tennstedt (conductor) (from 1983-09-22 until 1983-09-26)
balance engineer:
Neville Boyling (engineer) (from 1983-09-22 until 1983-09-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-09-22 until 1983-09-26)
recording of:
Lieutenant Kijé Suite, op. 60: IV. Troika (from 1983-09-22 until 1983-09-26)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1933)
part of:
Lieutenant Kijé Suite, op. 60
プロコフィエフ2:55
10「グリーンスリーヴズ」幻想曲
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
arranger:
Ralph Greaves (in 1934)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Fantasia on “Greensleeves” (from 1962-05-10 until 1962-05-11)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
ヴォーン＝ウィリアムス4:42
11月の光
piano:
Dame Moura Lympany (British pianist) (in 1988)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
ドビュッシー4:58
12「白鳥の湖」より 情景
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato (from 1976-05-26 until 1976-06-10)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
チャイコフスキー2:51
13カヴァティーナ（映画『ディア・ハンター』より）
guitar:
Manuel Barrueco (guitarist) and Steve Morse (American guitarist)
recording of:
Cavatina (theme from The Deer Hunter, for guitar)
composer:
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. and Robbins Music Corp. Ltd.
マイヤース3:17
14ピアノ協奏曲 第１番 第２楽章（冒頭）
piano:
Garrick Ohlsson (pianist)
orchestra:
Polish National Symphony Orchestra (Polish National Radio Symphony Orchestra, revived in 1945 in Katowice)
conductor:
Jerzy Maksymiuk (conductor)
partial recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
ショパン4:07
15マイ・ハート・ウィル・ゴー・オン（映画『タイタニック』より）
violin:
David Abel (violinist/violist)
orchestra:
Shearman Orchestra
conductor:
David Abel (conductor)
arranger:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
instrumental recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1997 winner)
part of:
Titanic
ホーナー4:21
16タイム・トゥ・セイ・グッバイ（オーケストラ編）
violin:
David Abel (violinist/violist)
orchestra:
orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
instrumental recording of:
Time to Say Goodbye (version with predominantly Italian lyrics, except for the phrase “time to say goodbye”)
additional lyricist:
Frank Peterson
lyricist:
Lucio Quarantotto
composer:
Francesco Sartori
publisher:
Sugar Music MV and Sugar S.r.l. (company credits only; do NOT use as release label)
translated version of:
Con te partirò (completely Italian lyrics; no “time to say goodbye”)
クワラントット4:01
17美しく青きドナウ（抜粋）
orchestra:
Berlin Philharmonic Orchestra
conductor:
Herbert von Karajan (conductor)
partial recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
J.シュトラウスⅡ3:46
5▼CD: フェイヴァリット・クラシックス
#TitleArtistRatingLength
1インテルメッツォ（歌劇「カヴァリレア・ルスティカーナ」より）
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979)
conductor:
Riccardo Muti (conductor) (in 1979)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recording of:
Cavalleria rusticana: Intermezzo (in 1979)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
マスカーニ3:44
2ピアノ協奏曲 第２番 第２楽章（冒頭）
piano:
Cécile Ousset (French pianist)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
partial recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
ラフマニノフ4:32
3朝（「ペール・ギュント」より）
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1982-07-28 until 1982-07-30)
conductor:
Sir Neville Marriner (conductor) (from 1982-07-28 until 1982-07-30)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-07-28 until 1982-07-30)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 1982-07-28 until 1982-07-30)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
グリーグ4:17
4ロマンス（「馬あぶ」より）
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
piano:
Piers Lane (Australian classical pianist) (from 1991-07-30 until 1991-07-31)
violin:
Tasmin Little (violinist) (from 1991-07-30 until 1991-07-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
St Michael’s Church (Highgate) in Highgate, Camden (London Borough of Camden), Haringey, Islington, London (Greater London), England, United Kingdom (from 1991-07-30 until 1991-07-31)
recording of:
Romance from The Gadfly Suite (for violin and piano) (from 1991-07-30 until 1991-07-31)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
arrangement of:
The Gadfly Suite, op. 97a: VIII. Romance
recording of:
The Gadfly Suite, op. 97a: VIII. Romance
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1955)
arranger:
Левон Атовмьян (Lev Atovmyan, Russian composer, arranger, editor, and administrator)
part of:
The Gadfly Suite, op. 97a
ショスタコーヴィチ3:15
5弦楽のためのアダージョ
orchestra:
The Philadelphia Orchestra (in 1957, in 1985)
conductor:
Eugene Ormandy (conductor) (in 1957, in 1985)
recording of:
Adagio for Strings (in 1957)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
partial recording of:
Adagio for Strings
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
バーバー36:23
6「シェヘラザード」より カランダール王子の物語（冒頭）
orchestra:
The Philadelphia Orchestra
conductor:
Riccardo Muti (conductor)
partial recording of:
Scheherazade, op. 35: II. The Kalendar Prince
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
リムスキー＝コルサコフ3:53
7タイスの瞑想曲
producer:
Michel Glotz
solo violin:
Anne‐Sophie Mutter (violinist)
violin:
Anne‐Sophie Mutter (violinist) (from 1980-11-16 until 1980-11-17)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1980-11-16 until 1980-11-17)
conductor:
Herbert von Karajan (conductor) (from 1980-11-16 until 1980-11-17)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1980-11-16 until 1980-11-17)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1980-11-16 until 1980-11-17)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
マスネ6:48
8だったん人の踊り（「イーゴリ公」より）（冒頭）
choir vocals:
Beecham Choral Society
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
ボロディン3:52
9アダージョ（「スパルタクス」より）（抜粋）
orchestra:
Royal Philharmonic Orchestra
conductor:
Yuri Temirkanov (conductor)
partial recording of:
Spartacus: Adagio of Spartacus & Phrygia
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1955)
part of:
Spartacus, op. 82
ハチャトゥリアン4:46
10「ロメオとジュリエット」幻想序曲（抜粋）
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
partial recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
チャイコフスキー5:04
11交響曲 第７番 第２楽章（抜粋）
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Kurt Sanderling (conductor)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
ベートーヴェン3:57
12２つのヴァイオリンのための協奏曲 第２楽章
producer:
Peter Andry (producer)
violin:
Christian Ferras (violinist) (on 1959-07-08) and Yehudi Menuhin (violinist) (on 1959-07-08)
orchestra:
Bath Festival Orchestra (on 1959-07-08)
conductor:
Yehudi Menuhin (violinist) (on 1959-07-08)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1959-07-08)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (on 1959-07-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
J.S.バッハ7:44
13『シンドラーのリスト』のテーマ
violin:
Tasmin Little (violinist) (in 1994)
orchestra:
New World Philharmonic (in 1994)
conductor:
Iain Sutherland (British conductor) (in 1994)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recording of:
Main Theme (Schindler’s List) (in 1994)
composer:
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
ウィリアムス5:05
14あし笛の踊り（「くるみ割り人形」より）
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-05-01 until 1972-05-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-05-01 until 1972-05-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-05-01 until 1972-05-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-05-01 until 1972-05-04)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds) (from 1972-05-01 until 1972-05-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
チャイコフスキー2:21
15交響曲 第６番「田園」第５楽章
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
partial recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
ベートーヴェン6:41
6▼CD: スピリチュアル・クラシックス
#TitleArtistRatingLength
1司祭ザドク
choir vocals:
Royal Choral Society (The Royal Choral Society)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258
composer:
George Frideric Handel (German‐British baroque composer) (in 1727)
premiered at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11)
part of:
Händel-Werke-Verzeichnis (number: HWV 258)
part of:
The Four Coronation Anthems
ヘンデル6:05
2シオンは物見らの歌うのを聞いて（カンタータ１４０番）
choir vocals:
South German Madrigal Choir
tenor vocals:
Theo Altmeyer (German tenor) (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1967)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1967-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
J.S.バッハ4:49
3ミゼレーレ
baritone vocals, bass vocals [Cantor], bass-baritone vocals [cantor] and other vocals [cantor]:
Gerald Finley (bass-baritone)
choir vocals:
Choir of King’s College, Cambridge (in 1984)
treble vocals:
Timothy Beasley-Murray (treble vocalist) (in 1984)
vocals:
Gerald Finley (bass-baritone) (in 1984)
conductor:
Stephen Cleobury (organist, conductor)
chorus master:
Stephen Cleobury (organist, conductor) (in 1984)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
partial recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
アレグリ5:49
4ドイツ語ミサより サンクトゥス
organ:
Wolfgang Meyer (organist, harpsichordist)
choir vocals:
Choir Of St. Hedwig's, Berlin
orchestra:
Berlin Symphony Orchestra (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Karl Forster (chorus master/conductor)
recording of:
Deutsche Messe, D. 872: V. Zum Sanctus: Heilig, Heilig
lyricist:
Johann Philipp Neumann (poet)
composer:
Franz Schubert (composer)
part of:
Deutsche Messe, D. 872
シューベルト3:48
5パニス・アンジェリクス
choir vocals:
Hallé Choir
orchestra:
Hallé Orchestra
conductor and chorus master:
Maurice Handford (hornist/conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
フランク4:58
6羊飼いの聖家族への別れ（「キリストの幼時」より）
producer:
René Challan (French composer)
choir vocals:
Chœurs René Duclos (from 1965-09 until 1965-10)
orchestra:
Orchestre du Conservatoire de Paris and Paris Conservatoire Orchestra (from 1965-09 until 1965-10)
conductor:
André Cluytens (Belgian-born French conductor) (from 1965-09 until 1965-10)
chorus master:
Jean Laforge (choral conductor)
balance engineer:
Paul Vavasseur (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1965-09 until 1965-10)
recording of:
L'Enfance du Christ, op. 25 : Deuxième partie no. 8. Adieu des bergers à la sainte famille « Il s'en va loin de la terre » (Les bergers) (“The Shepherds' Farewell”) (from 1965-09 until 1965-10)
lyricist and composer:
Hector Berlioz (French composer)
part of:
L'Enfance du Christ : Deuxième partie « La Fuite en Égypte »
ベルリオーズ3:51
7聖チェチーリアのためのミサ・ソレムニスより サンクトゥス
organ:
Henriette Puig-Roget (French pianist, organist and composer)
bass vocals:
Franz Crass (operatic bass) (in 1963-06)
choir vocals:
Chœurs René Duclos (in 1963-06)
soprano vocals:
Pilar Lorengar (soprano) (in 1963-06)
tenor vocals:
Heinz Hoppe (tenor) (in 1963-06)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1963-06)
conductor:
Jean-Claude Hartemann (conductor) (in 1963-06)
recorded at:
Église Saint-Roch de Paris in Paris, Île-de-France, France (in 1963-06)
recording of:
Messe solennelle de Sainte Cécile : V. Sanctus
composer:
Charles Gounod (French composer)
part of:
Messe solennelle de Sainte Cécile, CG 56 (St. Cecilia Mass, en sol majeur pour solistes, chœur, orchestre et orgue)
グノー5:21
8イン・パラディスム（レクイエムより）
producer:
David Groves (classical music producer at EMI)
organ:
Peter Barley (from 1988-12-16 until 1988-12-19)
violin:
José‐Luis García (violinist & conductor) (from 1988-12-16 until 1988-12-19)
choir vocals:
Choir of King’s College, Cambridge (from 1988-12-16 until 1988-12-19)
orchestra:
English Chamber Orchestra (from 1988-12-16 until 1988-12-19)
conductor:
Stephen Cleobury (organist, conductor) (from 1988-12-16 until 1988-12-19)
balance engineer:
Neville Boyling (engineer) (from 1988-12-16 until 1988-12-19) and David Flower (engineer) (from 1988-12-16 until 1988-12-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Chapel of King’s College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1988-12-16 until 1988-12-19)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (from 1988-12-16 until 1988-12-19)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
フォーレ3:30
9ラウダーテ・ドミヌム（証聖者の荘厳な晩祷より）
producer:
Friedrich Welz (engineer/producer) and John Willan (producer)
baritone vocals:
Manfred Ackermann (baritone) (from 1976-07-07 until 1976-07-09)
choir vocals:
Bavarian Radio Chorus (Bavarian Radio Choir) (from 1976-07-07 until 1976-07-09) and Stuttgarter Hymnus-Chorknaben (Stuttgart Hymnus Boys' Choir) (from 1976-07-07 until 1976-07-09)
soprano vocals:
Edda Moser (soprano) (from 1976-07-07 until 1976-07-09)
tenor vocals:
Wolfgang Isenhardt (tenor) (from 1976-07-07 until 1976-07-09)
treble vocals:
Thomas Schulze (from 1976-07-07 until 1976-07-09)
orchestra:
Bavarian Radio Symphony Orchestra (from 1976-07-07 until 1976-07-09)
conductor:
Eugen Jochum (conductor) (from 1976-07-07 until 1976-07-09) and Gerhard Wilhelm (choir master) (from 1976-07-07 until 1976-07-09)
balance engineer:
Neville Boyling (engineer) and Martin Wöhr
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1977)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1976-07-07 until 1976-07-09)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (from 1976-07-07 until 1976-07-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
モーツァルト5:10
10ラシーヌ雅歌
choir vocals:
The Monks and Choirboys of Downside Abbey
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1997)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ)
lyricist:
Jean Racine (French dramatist)
composer:
Gabriel Fauré (French composer) (in 1865)
dedicated to:
César Franck (Belgian‐born French composer)
part of:
Works of Gabriel Fauré by opus number (number: op. 11)
フォーレ5:13
11我は嘆く（レクイエムより）
producer:
David Groves (classical music producer at EMI)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1987-06-26, on 1987-06-29)
solo tenor vocals:
Luciano Pavarotti (tenor) (on 1987-06-26, on 1987-06-29)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1987-06-26, on 1987-06-29)
conductor:
Riccardo Muti (conductor) (on 1987-06-26, on 1987-06-29)
chorus master:
Giulio Bertola (conductor and chorus master) (on 1987-06-26, on 1987-06-29)
balance engineer:
John Kurlander (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1987-06-26, on 1987-06-29)
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore) (from 1987-06-26 until 1987-06-29)
composer:
Giuseppe Verdi (Italian opera composer) (from 1873 until 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
ヴェルディ3:43
12アヴェ・ヴェルム・コルプス
instruments and orchestra:
Cambridge Classical Players (from 1987-12-11 until 1987-12-13)
organ:
Stephen Layton (English conductor) (from 1987-12-11 until 1987-12-13)
bass vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (from 1987-12-11 until 1987-12-13)
choir vocals:
Choir of King’s College, Cambridge (from 1987-12-11 until 1987-12-13)
countertenor vocals:
David James (countertenor) (from 1987-12-11 until 1987-12-13)
soprano vocals:
Lynne Dawson (soprano) (from 1987-12-11 until 1987-12-13)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1987-12-11 until 1987-12-13)
conductor:
Stephen Cleobury (organist, conductor) (from 1987-12-11 until 1987-12-13)
concertmaster:
Roy Goodman (conductor and violinist) (from 1987-12-11 until 1987-12-13)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1987-12-11 until 1987-12-13)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (from 1987-12-11 until 1987-12-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
モーツァルト3:06
13われは知る、わが主は生きたもうことを（メサイアより）
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Elizabeth Harwood (soprano) (from 1966-06-29 until 1966-08-09)
orchestra:
English Chamber Orchestra (from 1966-06-29 until 1966-08-09)
conductor:
Charles Mackerras (Australian conductor) (from 1966-06-29 until 1966-08-09)
balance engineer:
Neville Boyling (engineer) (from 1966-06-29 until 1966-08-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06-29 until 1966-08-09)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (from 1966-06-29 until 1966-08-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
ヘンデル6:43
14天は神の栄光を語り（天地創造より）
baritone vocals:
John Shirley‐Quirk (bass-baritone)
choir vocals:
Choir of King’s College, Cambridge
soprano vocals:
Heather Harper (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor) and Sir David Willcocks (UK composer, organist, choral conductor)
chorus master:
Sir David Willcocks (UK composer, organist, choral conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
ハイドン4:47
15ピエ・イエス（レクイエムより）
producer:
René Challan (French composer)
organ:
Henriette Puig-Roget (French pianist, organist and composer) (from 1962-02-14 until 1962-05-26)
choir vocals:
Chœurs Élisabeth Brasseur
soprano vocals:
Victoria de los Ángeles (Spanish soprano) (from 1962-02-14 until 1962-05-26)
orchestra:
Paris Conservatoire Orchestra (from 1962-02-14 until 1962-05-26)
conductor:
André Cluytens (Belgian-born French conductor) (from 1962-02-14 until 1962-05-26)
phonographic copyright (℗) by:
EMI Music France (1994–2013) (in 1963) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recorded at:
Église Saint-Roch de Paris in Paris, Île-de-France, France (from 1962-02-14 until 1962-05-26)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (from 1962-02-14 until 1962-05-26)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
フォーレ3:20
16ラクリモーサ（レクイエム ニ短調より）
recording engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1989-04)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (in 1989-04)
choir vocals:
London Philharmonic Choir (in 1989-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1989-04)
conductor:
Franz Welser‐Möst (conductor) (in 1989-04)
arranger:
Franz Beyer (violist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Requiem in D minor, K. 626: IIIf. Sequenz: “Lacrimosa” (Beyer/Kunzelmann Edition) (in 1989-04)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
モーツァルト2:59
17ハレルヤ・コーラス（メサイヤより）
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06-29 until 1966-08-09)
solo vocals:
Dame Janet Baker (mezzo‐soprano and alto), Paul Esswood (countertenor), Elizabeth Harwood (soprano), Raimund Herincx (bass-baritone) and Robert Tear (tenor)
soprano vocals:
Elizabeth Harwood (soprano)
orchestra:
English Chamber Orchestra (from 1966-06-29 until 1966-08-09)
conductor:
Sir Charles Mackerras (Australian conductor) (from 1966-06-29 until 1966-08-09)
arranger:
Basil Lam (English producer, harpsichordist)
balance engineer:
Neville Boyling (engineer) (from 1966-06-29 until 1966-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06-29 until 1966-08-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1966-06-29 until 1966-08-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
ヘンデル4:04

Credits

Release

transliterated/translated track listing of:Best Classics 100
ASIN:JP: B0007TFC8O [info]
discography entry:http://www.emimusic.jp/st/best100/classics/ [info] (until 2013-10-23)

Release group

part of:100 Best (EMI Classics) (order: 1)