The Chronological Classics: Louis Armstrong, Volume 2: 1932–1940

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Tracklist

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1▼CD: 1932–1933
#TitleArtistRatingLength
1Medley: You Rascal You/When It's Sleepy Time Down South/ Nobodys Sweetheart
recorded in:
Camden, New Jersey, United States (on 1932-12-21)
alto saxophone:
Arthur Davey (US jazz saxophonist) (on 1932-12-21) and Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1932-12-21)
banjo, guitar and trombone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1932-12-21)
drums (drum set):
Benny Hill (US jazz drummer, active 1930s) (on 1932-12-21)
piano:
Wesley Robinson (US jazz pianist) (on 1932-12-21)
tenor saxophone:
Ellsworth Blake (US jazz saxophonist) (on 1932-12-21)
trumpet:
Louis Armstrong (on 1932-12-21) and Charlie Gaines (US jazz trumpeter) (on 1932-12-21)
tuba [brass bass]:
Ed Hayes (US jazz bassist/tuba player) (on 1932-12-21)
vocals:
Louis Armstrong (on 1932-12-21)
medley including a recording of:
I’ll Be Glad When You’re Dead, You Rascal You (on 1932-12-21)
lyricist and composer:
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
medley including a recording of:
Nobody’s Sweetheart (on 1932-12-21)
lyricist:
Ernie Erdman (Songwriter/composer and pianist) and Gus Kahn
composer:
Billy Meyers (US jazz songwriter) and Elmer Schoebel
medley including a recording of:
When It’s Sleepy Time Down South (on 1932-12-21)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
Louis Armstrong and His Orchestra4:24
2I've Got the World on a String
recorded in:
Chicago, Illinois, United States (on 1933-01-26)
alto saxophone:
Scoville Browne (on 1933-01-26) and George Oldham (on 1933-01-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-26)
clarinet:
Scoville Browne (on 1933-01-26), Budd Johnson (on 1933-01-26) and George Oldham (on 1933-01-26)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-26)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-26)
piano:
Teddy Wilson (on 1933-01-26)
tenor saxophone:
Budd Johnson (on 1933-01-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-26)
trumpet:
Louis Armstrong (on 1933-01-26), Zilner Randolph (on 1933-01-26) and Elmer Whitlock (US trumpet player) (on 1933-01-26)
vocals:
Louis Armstrong (on 1933-01-26)
recording of:
I’ve Got the World on a String (on 1933-01-26)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Louis Armstrong and His Orchestra3:18
3I Gotta Right to Song the Blues
recording of:
I Gotta Right to Sing the Blues (on 1933-01-26)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
Louis Armstrong and His Orchestra3:04
4Hustlin' and Bustlin' for Baby
recorded in:
Chicago, Illinois, United States (on 1933-01-26)
alto saxophone:
Scoville Browne (on 1933-01-26) and George Oldham (on 1933-01-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-26)
clarinet:
Scoville Browne (on 1933-01-26), Budd Johnson (on 1933-01-26) and George Oldham (on 1933-01-26)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-26)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-26)
piano:
Teddy Wilson (on 1933-01-26)
tenor saxophone:
Budd Johnson (on 1933-01-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-26)
trumpet:
Louis Armstrong (on 1933-01-26), Zilner Randolph (on 1933-01-26) and Elmer Whitlock (US trumpet player) (on 1933-01-26)
vocals:
Louis Armstrong (on 1933-01-26)
recording of:
Hustlin’ and Bustlin’ for Baby (on 1933-01-26)
writer:
Harry M. Woods (American 1920/30s songwriter)
Louis Armstrong and His Orchestra3:11
5Sittin' in the Dark
recorded in:
Chicago, Illinois, United States (on 1933-01-26)
alto saxophone:
Scoville Browne (on 1933-01-26) and George Oldham (on 1933-01-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-26)
clarinet:
Scoville Browne (on 1933-01-26), Budd Johnson (on 1933-01-26) and George Oldham (on 1933-01-26)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-26)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-26)
piano:
Teddy Wilson (on 1933-01-26)
tenor saxophone:
Budd Johnson (on 1933-01-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-26)
trumpet:
Louis Armstrong (on 1933-01-26), Zilner Randolph (on 1933-01-26) and Elmer Whitlock (US trumpet player) (on 1933-01-26)
vocals:
Louis Armstrong (on 1933-01-26)
recording of:
Sittin’ in the Dark (on 1933-01-26)
writer:
Harold Adamson and Jesse Greer
Louis Armstrong and His Orchestra3:03
6High Society
recorded in:
Chicago, Illinois, United States (on 1933-01-26)
alto saxophone:
Scoville Browne (on 1933-01-26) and George Oldham (on 1933-01-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-26)
clarinet:
Scoville Browne (on 1933-01-26), Budd Johnson (on 1933-01-26) and George Oldham (on 1933-01-26)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-26)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-26)
piano:
Teddy Wilson (on 1933-01-26)
tenor saxophone:
Budd Johnson (on 1933-01-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-26)
trumpet:
Louis Armstrong (on 1933-01-26), Zilner Randolph (on 1933-01-26) and Elmer Whitlock (US trumpet player) (on 1933-01-26)
recording of:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally) (on 1933-01-26)
lyricist:
Walter Melrose
composer:
Porter Steele (in 1901-04)
is based on:
High Society (march composed by Porter Steele in 1901)
Louis Armstrong and His Orchestra3:27
7He's a Son of the South
recorded in:
Chicago, Illinois, United States (on 1933-01-26)
alto saxophone:
Scoville Browne (on 1933-01-26) and George Oldham (on 1933-01-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-26)
clarinet:
Scoville Browne (on 1933-01-26), Budd Johnson (on 1933-01-26) and George Oldham (on 1933-01-26)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-26)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-26)
piano:
Teddy Wilson (on 1933-01-26)
tenor saxophone:
Budd Johnson (on 1933-01-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-26)
trumpet:
Louis Armstrong (on 1933-01-26), Zilner Randolph (on 1933-01-26) and Elmer Whitlock (US trumpet player) (on 1933-01-26)
vocals:
Louis Armstrong (on 1933-01-26)
recording of:
He’s a Son of the South (on 1933-01-26)
lyricist:
Joe Davis (US lyricist, producer, publisher & promoter)
composer:
Reginald Foresythe
Louis Armstrong and His Orchestra2:41
8Some Sweet Day
recorded in:
Chicago, Illinois, United States (on 1933-01-27)
alto saxophone:
Scoville Browne (on 1933-01-27) and George Oldham (on 1933-01-27)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-27)
clarinet:
Scoville Browne (on 1933-01-27), Budd Johnson (on 1933-01-27) and George Oldham (on 1933-01-27)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-27)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-27)
piano:
Teddy Wilson (on 1933-01-27)
tenor saxophone:
Budd Johnson (on 1933-01-27)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-27)
trumpet:
Louis Armstrong (on 1933-01-27), Zilner Randolph (on 1933-01-27) and Elmer Whitlock (US trumpet player) (on 1933-01-27)
vocals:
Louis Armstrong (on 1933-01-27)
recording of:
Some Sweet Day (on 1933-01-27)
lyricist:
Ed Rose (lyricist)
composer:
Tony Jackson (New Orleans ragtime pianist) and Abe Olman
recording of:
Some Sweet Day (in 1933)
lyricist:
Ed Rose (lyricist)
composer:
Tony Jackson (New Orleans ragtime pianist) and Abe Olman
Louis Armstrong and His Orchestra3:04
9Basin Street Blues
recorded in:
Chicago, Illinois, United States (on 1933-01-27)
alto saxophone:
Scoville Browne (on 1933-01-27) and George Oldham (on 1933-01-27)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-27)
clarinet:
Scoville Browne (on 1933-01-27), Budd Johnson (on 1933-01-27) and George Oldham (on 1933-01-27)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-27)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-27)
piano:
Teddy Wilson (on 1933-01-27)
tenor saxophone:
Budd Johnson (on 1933-01-27)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-27)
trumpet:
Louis Armstrong (on 1933-01-27), Zilner Randolph (on 1933-01-27) and Elmer Whitlock (US trumpet player) (on 1933-01-27)
vocals:
Louis Armstrong (on 1933-01-27)
cover recording of:
Basin Street Blues (on 1933-01-27)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Louis Armstrong and His Orchestra3:28
10Honey, Do!
recorded in:
Chicago, Illinois, United States (on 1933-01-27)
alto saxophone:
Scoville Browne (on 1933-01-27) and George Oldham (on 1933-01-27)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-27)
clarinet:
Scoville Browne (on 1933-01-27), Budd Johnson (on 1933-01-27) and George Oldham (on 1933-01-27)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-27)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-27)
piano:
Teddy Wilson (on 1933-01-27)
tenor saxophone:
Budd Johnson (on 1933-01-27)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-27)
trumpet:
Louis Armstrong (on 1933-01-27), Zilner Randolph (on 1933-01-27) and Elmer Whitlock (US trumpet player) (on 1933-01-27)
vocals:
Louis Armstrong (on 1933-01-27)
recording of:
Honey, Do (on 1933-01-27)
writer:
J.C. Johnson and Andy Razaf
Louis Armstrong and His Orchestra2:39
11Snowball
recorded in:
Chicago, Illinois, United States (on 1933-01-28)
alto saxophone:
Scoville Browne (on 1933-01-28) and George Oldham (on 1933-01-28)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-28)
clarinet:
Scoville Browne (on 1933-01-28), Budd Johnson (on 1933-01-28) and George Oldham (on 1933-01-28)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-28)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-28)
piano:
Teddy Wilson (on 1933-01-28)
tenor saxophone:
Budd Johnson (on 1933-01-28)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-28)
trumpet:
Louis Armstrong (on 1933-01-28), Zilner Randolph (on 1933-01-28) and Elmer Whitlock (US trumpet player) (on 1933-01-28)
vocals:
Louis Armstrong (on 1933-01-28)
recording of:
Snowball (on 1933-01-28)
writer:
Hoagy Carmichael
Louis Armstrong and His Orchestra3:12
12Mahogany Hall Stomp
recorded in:
Chicago, Illinois, United States (on 1933-01-28)
alto saxophone:
Scoville Browne (on 1933-01-28) and George Oldham (on 1933-01-28)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-28)
clarinet:
Scoville Browne (on 1933-01-28), Budd Johnson (on 1933-01-28) and George Oldham (on 1933-01-28)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-28)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-28)
piano:
Teddy Wilson (on 1933-01-28)
tenor saxophone:
Budd Johnson (on 1933-01-28)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-28)
trumpet:
Louis Armstrong (on 1933-01-28), Zilner Randolph (on 1933-01-28) and Elmer Whitlock (US trumpet player) (on 1933-01-28)
recording of:
Mahogany Hall Stomp (on 1933-01-28)
composer:
Spencer Williams (US jazz composer, pianist & singer)
Louis Armstrong and His Orchestra2:38
13Swing, You Cats
recorded in:
Chicago, Illinois, United States (on 1933-01-28)
alto saxophone:
Scoville Browne (on 1933-01-28) and George Oldham (on 1933-01-28)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-28)
clarinet:
Scoville Browne (on 1933-01-28), Budd Johnson (on 1933-01-28) and George Oldham (on 1933-01-28)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-28)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-28)
piano:
Teddy Wilson (on 1933-01-28)
tenor saxophone:
Budd Johnson (on 1933-01-28)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-28)
trumpet:
Louis Armstrong (on 1933-01-28), Zilner Randolph (on 1933-01-28) and Elmer Whitlock (US trumpet player) (on 1933-01-28)
recording of:
Swing, You Cats (on 1933-01-28)
writer:
Zilner Randolph
recording of:
Some Sweet Day
lyricist:
Ed Rose (lyricist)
composer:
Tony Jackson (New Orleans ragtime pianist) and Abe Olman
Louis Armstrong and His Orchestra2:40
14Honey, Don't You Love Me Anymore?
recorded in:
Chicago, Illinois, United States (on 1933-04-24)
alto saxophone:
Scoville Browne (on 1933-04-24) and George Oldham (on 1933-04-24)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-04-24)
clarinet:
Scoville Browne (on 1933-04-24), Budd Johnson (on 1933-04-24) and George Oldham (on 1933-04-24)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-04-24)
drums (drum set):
Sid Catlett (on 1933-04-24)
piano:
Charlie Beal (on 1933-04-24)
tenor saxophone:
Budd Johnson (on 1933-04-24)
trombone:
Keg Johnson (jazz trombonist) (on 1933-04-24)
trumpet:
Louis Armstrong (on 1933-04-24), Zilner Randolph (on 1933-04-24) and Elmer Whitlock (US trumpet player) (on 1933-04-24)
vocals:
Louis Armstrong (on 1933-04-24)
recording of:
Honey, Don’t You Love Me Anymore? (on 1933-04-24)
writer:
Fred Meadows and Terry Shand (jazz pianist/composer)
Louis Armstrong and His Orchestra3:02
15Mississippi Basin
recorded in:
Chicago, Illinois, United States (on 1933-04-24)
alto saxophone:
Scoville Browne (on 1933-04-24) and George Oldham (on 1933-04-24)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-04-24)
clarinet:
Scoville Browne (on 1933-04-24), Budd Johnson (on 1933-04-24) and George Oldham (on 1933-04-24)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-04-24)
drums (drum set):
Sid Catlett (on 1933-04-24)
piano:
Charlie Beal (on 1933-04-24)
tenor saxophone:
Budd Johnson (on 1933-04-24)
trombone:
Keg Johnson (jazz trombonist) (on 1933-04-24)
trumpet:
Louis Armstrong (on 1933-04-24), Zilner Randolph (on 1933-04-24) and Elmer Whitlock (US trumpet player) (on 1933-04-24)
vocals:
Louis Armstrong (on 1933-04-24)
recording of:
Mississippi Basin (on 1933-04-24)
lyricist:
Andy Razaf
composer:
Reginald Foresythe
Louis Armstrong and His Orchestra3:07
16Laughin' Louie
recorded in:
Chicago, Illinois, United States (on 1933-04-24)
alto saxophone:
Scoville Browne (on 1933-04-24) and George Oldham (on 1933-04-24)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-04-24)
clarinet:
Scoville Browne (on 1933-04-24), Budd Johnson (on 1933-04-24) and George Oldham (on 1933-04-24)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-04-24)
drums (drum set):
Sid Catlett (on 1933-04-24)
piano:
Charlie Beal (on 1933-04-24)
tenor saxophone:
Budd Johnson (on 1933-04-24)
trombone:
Keg Johnson (jazz trombonist) (on 1933-04-24)
trumpet:
Louis Armstrong (on 1933-04-24), Zilner Randolph (on 1933-04-24) and Elmer Whitlock (US trumpet player) (on 1933-04-24)
vocals:
Louis Armstrong (on 1933-04-24)
recording of:
Laughin' Louie (on 1933-04-24)
writer:
Clarence Gaskill
Louis Armstrong and His Orchestra3:29
17Tomorrow Night
recorded in:
Chicago, Illinois, United States (on 1933-04-24)
alto saxophone:
Scoville Browne (on 1933-04-24) and George Oldham (on 1933-04-24)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-04-24)
clarinet:
Scoville Browne (on 1933-04-24), Budd Johnson (on 1933-04-24) and George Oldham (on 1933-04-24)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-04-24)
drums (drum set):
Sid Catlett (on 1933-04-24)
piano:
Charlie Beal (on 1933-04-24)
tenor saxophone:
Budd Johnson (on 1933-04-24)
trombone:
Keg Johnson (jazz trombonist) (on 1933-04-24)
trumpet:
Louis Armstrong (on 1933-04-24), Zilner Randolph (on 1933-04-24) and Elmer Whitlock (US trumpet player) (on 1933-04-24)
vocals:
Louis Armstrong (on 1933-04-24)
recording of:
Tomorrow Night (on 1933-04-24)
writer:
Louis Armstrong, Ralph Matthews and Clarence Williams (US jazz pianist, composer, singer and bandleader)
Louis Armstrong and His Orchestra3:18
18Dusky Stevedore
recorded in:
Chicago, Illinois, United States (on 1933-04-24)
alto saxophone:
Scoville Browne (on 1933-04-24) and George Oldham (on 1933-04-24)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-04-24)
clarinet:
Scoville Browne (on 1933-04-24), Budd Johnson (on 1933-04-24) and George Oldham (on 1933-04-24)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-04-24)
drums (drum set):
Sid Catlett (on 1933-04-24)
piano:
Charlie Beal (on 1933-04-24)
tenor saxophone:
Budd Johnson (on 1933-04-24)
trombone:
Keg Johnson (jazz trombonist) (on 1933-04-24)
trumpet:
Louis Armstrong (on 1933-04-24), Zilner Randolph (on 1933-04-24) and Elmer Whitlock (US trumpet player) (on 1933-04-24)
vocals:
Louis Armstrong (on 1933-04-24)
recording of:
Dusky Stevedore (on 1933-04-24)
writer:
J. C. Johnson and Andy Razaf
Louis Armstrong and His Orchestra2:57
19There's a Cabin in the Pines
recorded in:
Chicago, Illinois, United States (on 1933-04-26)
alto saxophone:
Scoville Browne (on 1933-04-26) and George Oldham (on 1933-04-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-04-26)
clarinet:
Scoville Browne (on 1933-04-26), Budd Johnson (on 1933-04-26) and George Oldham (on 1933-04-26)
drums (drum set):
Harry Dial (on 1933-04-26)
piano:
Charlie Beal (on 1933-04-26)
tenor saxophone:
Budd Johnson (on 1933-04-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-04-26)
trumpet:
Louis Armstrong (on 1933-04-26), Zilner Randolph (on 1933-04-26) and Elmer Whitlock (US trumpet player) (on 1933-04-26)
tuba:
Bill Oldham (Double Bass Player) (on 1933-04-26)
vocals:
Louis Armstrong (on 1933-04-26)
recording of:
There's a Cabin in the Pines (on 1933-04-26)
lyricist and composer:
Billy Hill (US songwriter)
Louis Armstrong and His Orchestra3:21
20Mighty River
recorded in:
Chicago, Illinois, United States (on 1933-04-26)
alto saxophone:
Scoville Browne (on 1933-04-26) and George Oldham (on 1933-04-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-04-26)
clarinet:
Scoville Browne (on 1933-04-26), Budd Johnson (on 1933-04-26) and George Oldham (on 1933-04-26)
drums (drum set):
Harry Dial (on 1933-04-26)
piano:
Charlie Beal (on 1933-04-26)
tenor saxophone:
Budd Johnson (on 1933-04-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-04-26)
trumpet:
Louis Armstrong (on 1933-04-26), Zilner Randolph (on 1933-04-26) and Elmer Whitlock (US trumpet player) (on 1933-04-26)
tuba:
Bill Oldham (Double Bass Player) (on 1933-04-26)
vocals:
Louis Armstrong (on 1933-04-26)
recording of:
Mighty River (on 1933-04-26)
lyricist and composer:
Billy Baskette (US pianist & composer)
Louis Armstrong and His Orchestra2:41
21Sweet Sue, Just You
recorded in:
Chicago, Illinois, United States (on 1933-04-26)
alto saxophone:
Scoville Browne (on 1933-04-26) and George Oldham (on 1933-04-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-04-26)
clarinet:
Scoville Browne (on 1933-04-26), Budd Johnson (on 1933-04-26) and George Oldham (on 1933-04-26)
drums (drum set):
Harry Dial (on 1933-04-26)
piano:
Charlie Beal (on 1933-04-26)
tenor saxophone:
Budd Johnson (on 1933-04-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-04-26)
trumpet:
Louis Armstrong (on 1933-04-26), Zilner Randolph (on 1933-04-26) and Elmer Whitlock (US trumpet player) (on 1933-04-26)
tuba:
Bill Oldham (Double Bass Player) (on 1933-04-26)
vocals:
Louis Armstrong (on 1933-04-26) and Budd Johnson (on 1933-04-26)
recording of:
Sweet Sue, Just You (on 1933-04-26)
lyricist:
Will J. Harris (early 1900s songwriter/lyricist)
composer:
Will J. Harris (early 1900s songwriter/lyricist) and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
Louis Armstrong and His Orchestra2:48
22I Wonder Who
recorded in:
Chicago, Illinois, United States (on 1933-04-26)
alto saxophone:
Scoville Browne (on 1933-04-26) and George Oldham (on 1933-04-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-04-26)
clarinet:
Scoville Browne (on 1933-04-26), Budd Johnson (on 1933-04-26) and George Oldham (on 1933-04-26)
drums (drum set):
Harry Dial (on 1933-04-26)
piano:
Charlie Beal (on 1933-04-26)
tenor saxophone:
Budd Johnson (on 1933-04-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-04-26)
trumpet:
Louis Armstrong (on 1933-04-26), Zilner Randolph (on 1933-04-26) and Elmer Whitlock (US trumpet player) (on 1933-04-26)
tuba:
Bill Oldham (Double Bass Player) (on 1933-04-26)
vocals:
Louis Armstrong (on 1933-04-26)
orchestra:
Louis Armstrong and His Orchestra (in 1933)
recording of:
I Wonder Who (on 1933-04-26)
writer:
Paul Barbarin (jazz drummer from New Orleans)
Louis Armstrong and His Orchestra3:08
23St. Louis Blues
recorded in:
Chicago, Illinois, United States (on 1933-04-26)
alto saxophone:
Scoville Browne (on 1933-04-26) and George Oldham (on 1933-04-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-04-26)
clarinet:
Scoville Browne (on 1933-04-26), Budd Johnson (on 1933-04-26) and George Oldham (on 1933-04-26)
drums (drum set):
Harry Dial (on 1933-04-26)
piano:
Charlie Beal (on 1933-04-26)
tenor saxophone:
Budd Johnson (on 1933-04-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-04-26)
trumpet:
Louis Armstrong (on 1933-04-26), Zilner Randolph (on 1933-04-26) and Elmer Whitlock (US trumpet player) (on 1933-04-26)
tuba:
Bill Oldham (Double Bass Player) (on 1933-04-26)
recording of:
St. Louis Blues (on 1933-04-26)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Louis Armstrong and His Orchestra2:43
24Don't Play Me Cheap
recorded in:
Chicago, Illinois, United States (on 1933-04-26)
alto saxophone:
Scoville Browne (on 1933-04-26) and George Oldham (on 1933-04-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-04-26)
clarinet:
Scoville Browne (on 1933-04-26), Budd Johnson (on 1933-04-26) and George Oldham (on 1933-04-26)
drums (drum set):
Harry Dial (on 1933-04-26)
piano:
Charlie Beal (on 1933-04-26)
tenor saxophone:
Budd Johnson (on 1933-04-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-04-26)
trumpet:
Louis Armstrong (on 1933-04-26), Zilner Randolph (on 1933-04-26) and Elmer Whitlock (US trumpet player) (on 1933-04-26)
tuba:
Bill Oldham (Double Bass Player) (on 1933-04-26)
vocals:
Louis Armstrong (on 1933-04-26)
recording of:
Don’t Play Me Cheap (on 1933-04-26)
writer:
Harry Dial and Zilner Randolph
Louis Armstrong and His Orchestra2:54
2▼CD: 1934–1936
#TitleArtistRatingLength
1St. Louis Blues
alto saxophone:
Henry Tyree (in 1934-10)
alto saxophone and clarinet:
Peter du Congé (American jazz reedist) (in 1934-10)
double bass:
German Arago (in 1934-10)
drums (drum set):
Oliver Tines (drummer) (in 1934-10)
guitar:
Maceo Jefferson (in 1934-10)
piano:
Herman Chittison (in 1934-10)
tenor saxophone:
Alfred Pratt (in 1934-10)
trombone:
Lionel Guimarães (in 1934-10)
trumpet:
Louis Armstrong (in 1934-10), Jack Hamilton (jazz trumpeter) (in 1934-10) and Leslie Thompson (in 1934-10)
vocals:
Louis Armstrong (in 1934-10)
recording of:
St. Louis Blues (in 1934-10)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Louis Armstrong and His Orchestra2:43
2Tiger Rag
recorded in:
Paris, Île-de-France, France (in 1934-10)
alto saxophone:
Henry Tyree
alto saxophone and clarinet:
Peter du Congé (American jazz reedist)
double bass:
German Arago (in 1934-10)
drums (drum set):
Oliver Tines (drummer) (in 1934-10)
guitar:
Maceo Jefferson (in 1934-10)
piano:
Herman Chittison (in 1934-10)
saxophone:
Peter DuConge (American jazz reedist) (in 1934-10) and Henry Tyree (in 1934-10)
tenor saxophone:
Alfred Pratt (in 1934-10)
trombone:
Lionel Guimarães (in 1934-10)
trumpet:
Jack Hamilton (jazz trumpeter), Louis Armstrong (in 1934-10), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (in 1934-10) and Lesley Thompson (in 1934-10)
vocals:
Louis Armstrong (in 1934-10)
recording of:
Tiger Rag (original 1917 instrumental version) (in 1934-10)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
Louis Armstrong and His Orchestra3:07
3Will You, Wont You Be My Baby?
alto saxophone:
Henry Tyree (on 1934-11-07)
alto saxophone and clarinet:
Peter DuConge (American jazz reedist) (on 1934-11-07)
double bass:
German Arago (on 1934-11-07)
drums (drum set):
Oliver Tines (drummer) (on 1934-11-07)
guitar:
Maceo Jefferson (on 1934-11-07)
piano:
Herman Chittison (on 1934-11-07)
tenor saxophone:
Alfred Pratt (on 1934-11-07)
trombone:
Lionel Guimarães (on 1934-11-07)
trumpet:
Louis Armstrong (on 1934-11-07), Jack Hamilton (jazz trumpeter) (on 1934-11-07) and Leslie Thompson (on 1934-11-07)
vocals:
Louis Armstrong (on 1934-11-07)
recorded at:
Studio Polydor in Paris, Île-de-France, France (on 1934-11-07)
Louis Armstrong and His Orchestra2:49
4On the Sunny Side of the Street
compilation of:
On the Sunny Side of the Street, Part 1 (studio, 1934-11-07; Brunswick matrix # 1481 1/2 wpp) by Louis Armstrong and His Orchestra (on 1934-11-07) and On the Sunny Side of the Street, Part 2 (studio, 1934-11-07; Brunswick matrix # 1482 1/2 wpp) by Louis Armstrong and His Orchestra (on 1934-11-07)
recording of:
On the Sunny Side of the Street (on 1934-11-07)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Vydia Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
Louis Armstrong and His Orchestra6:02
5St. Louis Blues
alto saxophone:
Henry Tyree (in 1934-10)
alto saxophone and clarinet:
Peter du Congé (American jazz reedist) (in 1934-10)
double bass:
German Arago (in 1934-10)
drums (drum set):
Oliver Tines (drummer) (in 1934-10)
guitar:
Maceo Jefferson (in 1934-10)
piano:
Herman Chittison (in 1934-10)
tenor saxophone:
Alfred Pratt (in 1934-10)
trombone:
Lionel Guimarães (in 1934-10)
trumpet:
Louis Armstrong (in 1934-10), Jack Hamilton (jazz trumpeter) (in 1934-10) and Leslie Thompson (in 1934-10)
vocals:
Louis Armstrong (in 1934-10)
recording of:
St. Louis Blues (in 1934-10)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Louis Armstrong and His Orchestra3:07
6Song of the Vipers
alto saxophone:
Henry Tyree (on 1934-11-07)
alto saxophone and clarinet:
Peter DuConge (American jazz reedist) (on 1934-11-07)
double bass:
German Arago (on 1934-11-07)
drums (drum set):
Oliver Tines (drummer) (on 1934-11-07)
guitar:
Maceo Jefferson (on 1934-11-07)
piano:
Herman Chittison (on 1934-11-07)
tenor saxophone:
Alfred Pratt (on 1934-11-07)
trombone:
Lionel Guimarães (on 1934-11-07)
trumpet:
Louis Armstrong (on 1934-11-07), Jack Hamilton (jazz trumpeter) (on 1934-11-07) and Leslie Thompson (on 1934-11-07)
vocals:
Louis Armstrong (on 1934-11-07)
recorded at:
Studio Polydor in Paris, Île-de-France, France (on 1934-11-07)
recording of:
Song of the Vipers (on 1934-11-07)
composer:
Louis Armstrong
Louis Armstrong and His Orchestra2:54
7I'm in the Mood for Love
recorded in:
New York, New York, United States (on 1935-10-03)
bass:
George "Pops" Foster (on 1935-10-03)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-10-03)
guitar:
Lee Blair (on 1935-10-03)
piano:
Luis Russell (on 1935-10-03)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-10-03), Henry “Moon” Jones (swing era reeds) (on 1935-10-03) and Bingie Madison (on 1935-10-03)
tenor saxophone:
Greely Walton (on 1935-10-03)
trombone:
Jimmy Archey (on 1935-10-03) and Harry White (jazz trombonist) (on 1935-10-03)
trumpet:
Gus Aiken (on 1935-10-03), Louis Armstrong (on 1935-10-03), Louis Bacon (on 1935-10-03) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-10-03)
vocals:
Louis Armstrong (on 1935-10-03)
orchestra:
Louis Armstrong & His Orchestra (on 1935-10-03)
recording of:
I’m in the Mood for Love (on 1935-10-03)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
Louis Armstrong and His Orchestra43:13
8You Are My Lucky Star
recorded in:
New York, New York, United States (on 1935-10-03)
double bass:
George "Pops" Foster (on 1935-10-03)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-10-03)
guitar:
Lee Blair (on 1935-10-03)
piano:
Luis Russell (on 1935-10-03)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-10-03), Henry “Moon” Jones (swing era reeds) (on 1935-10-03) and Bingie Madison (on 1935-10-03)
tenor saxophone:
Greely Walton (on 1935-10-03)
trombone:
Jimmy Archey (on 1935-10-03) and Harry White (jazz trombonist) (on 1935-10-03)
trumpet:
Gus Aiken (on 1935-10-03), Louis Armstrong (on 1935-10-03), Louis Bacon (on 1935-10-03) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-10-03)
vocals:
Louis Armstrong (on 1935-10-03)
orchestra:
Louis Armstrong & His Orchestra (on 1935-10-03)
recording of:
You Are My Lucky Star (from 1935’s “Broadway Melody of 1936” and 1952’s “Singin’ in the Rain”) (on 1934-10-03)
lyricist:
Arthur Freed (until 1935-08-25)
composer:
Nacio Herb Brown (US songwriter) (until 1935-08-25)
publisher:
Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
Louis Armstrong and His Orchestra3:04
9La Cucaracha
recorded in:
New York, New York, United States (on 1935-10-03)
double bass:
George "Pops" Foster (on 1935-10-03)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-10-03)
guitar:
Lee Blair (on 1935-10-03)
piano:
Luis Russell (on 1935-10-03)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-10-03), Henry “Moon” Jones (swing era reeds) (on 1935-10-03) and Bingie Madison (on 1935-10-03)
tenor saxophone:
Greely Walton (on 1935-10-03)
trombone:
Jimmy Archey (on 1935-10-03) and Harry White (jazz trombonist) (on 1935-10-03)
trumpet:
Gus Aiken (on 1935-10-03), Louis Armstrong (on 1935-10-03), Louis Bacon (on 1935-10-03) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-10-03)
vocals:
Louis Armstrong (on 1935-10-03)
orchestra:
Louis Armstrong & His Orchestra (on 1935-10-03)
recording of:
La cucaracha (on 1934-10-03)
lyricist and composer:
[traditional] (special purpose artist)
Louis Armstrong and His Orchestra2:44
10Got a Bran' New Suit
recorded in:
New York, New York, United States (on 1935-10-03)
double bass:
George "Pops" Foster (on 1935-10-03)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-10-03)
guitar:
Lee Blair (on 1935-10-03)
piano:
Luis Russell (on 1935-10-03)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-10-03), Henry “Moon” Jones (swing era reeds) (on 1935-10-03) and Bingie Madison (on 1935-10-03)
tenor saxophone:
Greely Walton (on 1935-10-03)
trombone:
Jimmy Archey (on 1935-10-03) and Harry White (jazz trombonist) (on 1935-10-03)
trumpet:
Gus Aiken (on 1935-10-03), Louis Armstrong (on 1935-10-03), Louis Bacon (on 1935-10-03) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-10-03)
vocals:
Louis Armstrong (on 1935-10-03)
orchestra:
Louis Armstrong & His Orchestra (on 1935-10-03)
recording of:
Got a Bran’ New Suit (on 1935-10-03)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
part of:
The Band Wagon (1953 film)
Louis Armstrong and His Orchestra2:56
11I've Got My Fingers Crossed
recorded in:
New York, New York, United States (on 1935-11-21)
double bass:
George "Pops" Foster (on 1935-11-21)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-21)
guitar:
Lee Blair (on 1935-11-21)
piano:
Luis Russell (on 1935-11-21)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-21), Henry “Moon” Jones (swing era reeds) (on 1935-11-21) and Bingie Madison (on 1935-11-21)
tenor saxophone:
Greely Walton (on 1935-11-21)
trombone:
Jimmy Archey (on 1935-11-21) and Harry White (jazz trombonist) (on 1935-11-21)
trumpet:
Gus Aiken (on 1935-11-21), Louis Armstrong (on 1935-11-21), Louis Bacon (on 1935-11-21) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-11-21)
vocals:
Louis Armstrong (on 1935-11-21)
orchestra:
Louis Armstrong & His Orchestra (on 1935-11-21)
recording of:
I’ve Got My Fingers Crossed (on 1935-11-21)
lyricist:
Ted Koehler
composer:
Jimmy McHugh (songwriter)
Louis Armstrong and His Orchestra2:32
12Ol' Man Mose
recorded in:
New York, New York, United States (on 1935-11-22)
bass:
George "Pops" Foster (on 1935-11-22)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-22)
guitar:
Lee Blair (on 1935-11-22)
piano:
Luis Russell (on 1935-11-22)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-22), Henry “Moon” Jones (swing era reeds) (on 1935-11-22) and Bingie Madison (on 1935-11-22)
tenor saxophone:
Greely Walton (on 1935-11-22)
trombone:
Jimmy Archey (on 1935-11-22) and Harry White (jazz trombonist) (on 1935-11-22)
trumpet:
Gus Aiken (on 1935-11-22), Louis Armstrong (on 1935-11-22), Louis Bacon (on 1935-11-22) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-11-22)
orchestra:
Louis Armstrong & His Orchestra (on 1935-11-22)
recording of:
Ol’ Man Mose (on 1935-11-22)
writer:
Louis Armstrong and Zilner Randolph
Louis Armstrong and His Orchestra42:38
13I'm Shooting High
recorded in:
New York, New York, United States (on 1935-11-22)
double bass:
George "Pops" Foster (on 1935-11-22)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-22)
guitar:
Lee Blair (on 1935-11-22)
piano:
Luis Russell (on 1935-11-22)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-22), Henry “Moon” Jones (swing era reeds) (on 1935-11-22) and Bingie Madison (on 1935-11-22)
tenor saxophone:
Greely Walton (on 1935-11-22)
trombone:
Jimmy Archey (on 1935-11-22) and Harry White (jazz trombonist) (on 1935-11-22)
trumpet:
Gus Aiken (on 1935-11-22), Louis Armstrong (on 1935-11-22), Louis Bacon (on 1935-11-22) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-11-22)
vocals:
Louis Armstrong (on 1935-11-22)
orchestra:
Louis Armstrong & His Orchestra (on 1935-11-22)
recording of:
I’m Shooting High (on 1935-11-22)
writer:
Ted Koehler and Jimmy McHugh (songwriter)
Louis Armstrong and His Orchestra42:56
14Falling in Love With You
recorded in:
New York, New York, United States (on 1935-11-22)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-22) and Henry “Moon” Jones (swing era reeds) (on 1935-11-22)
clarinet:
Bingie Madison (on 1935-11-22)
double bass:
George "Pops" Foster (on 1935-11-22)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-22)
guitar:
Lee Blair (on 1935-11-22)
piano:
Luis Russell (on 1935-11-22)
tenor saxophone:
Greely Walton (on 1935-11-22)
trombone:
Jimmy Archey (on 1935-11-22) and Harry White (jazz trombonist) (on 1935-11-22)
trumpet:
Gus Aiken (on 1935-11-22), Louis Armstrong (on 1935-11-22), Louis Bacon (on 1935-11-22) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-11-22)
vocals:
Louis Armstrong (on 1935-11-22)
orchestra:
Louis Armstrong & His Orchestra (on 1935-11-22)
recording of:
(Was I to Blame for) Falling in Love With You (on 1935-11-22)
writer:
Chester Conn, Gus Kahn and Victor Young (American composer, arranger, violinist & conductor)
Louis Armstrong and His Orchestra3:12
15Red Sails in the Sunset
recorded in:
New York, New York, United States (on 1935-12-13)
double bass:
George "Pops" Foster (on 1935-12-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-13)
guitar:
Lee Blair (on 1935-12-13)
piano:
Luis Russell (on 1935-12-13)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-13), Henry “Moon” Jones (swing era reeds) (on 1935-12-13) and Bingie Madison (on 1935-12-13)
tenor saxophone:
Greely Walton (on 1935-12-13)
trombone:
Jimmy Archey (on 1935-12-13) and Harry White (jazz trombonist) (on 1935-12-13)
trumpet:
Gus Aiken (on 1935-12-13), Louis Armstrong (on 1935-12-13), Louis Bacon (on 1935-12-13) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-13)
vocals:
Louis Armstrong (on 1935-12-13)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-13)
recording of:
Red Sails in the Sunset (on 1935-12-13)
lyricist:
James B. Kennedy (Irish songwriter)
composer:
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
Louis Armstrong and His Orchestra3:04
16On Treasure Island
recorded in:
New York, New York, United States (on 1935-12-13)
double bass:
George "Pops" Foster (on 1935-12-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-13)
guitar:
Lee Blair (on 1935-12-13)
piano:
Luis Russell (on 1935-12-13)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-13), Henry “Moon” Jones (swing era reeds) (on 1935-12-13) and Bingie Madison (on 1935-12-13)
tenor saxophone:
Greely Walton (on 1935-12-13)
trombone:
Jimmy Archey (on 1935-12-13) and Harry White (jazz trombonist) (on 1935-12-13)
trumpet:
Gus Aiken (on 1935-12-13), Louis Armstrong (on 1935-12-13), Louis Bacon (on 1935-12-13) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-13)
vocals:
Louis Armstrong (on 1935-12-13)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-13)
recording of:
On Treasure Island (on 1935-12-13)
lyricist:
Edgar Leslie
composer:
Joe Burke (American composer)
Louis Armstrong and His Orchestra3:07
17Thanks a Million
recorded in:
New York, New York, United States (on 1935-12-19)
double bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19), Henry “Moon” Jones (swing era reeds) (on 1935-12-19) and Bingie Madison (on 1935-12-19)
tenor saxophone:
Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19), Louis Bacon (on 1935-12-19) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-19)
vocals:
Louis Armstrong (on 1935-12-19)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-19)
recording of:
Thanks a Million (on 1935-12-19)
lyricist:
Gus Kahn
composer:
Arthur Johnston (American composer and songwriter)
Louis Armstrong and His Orchestra2:39
18Shoe Shine Boy
recorded in:
New York, New York, United States (on 1935-12-19)
double bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19), Henry “Moon” Jones (swing era reeds) (on 1935-12-19) and Bingie Madison (on 1935-12-19)
tenor saxophone:
Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19), Louis Bacon (on 1935-12-19) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-19)
vocals:
Louis Armstrong (on 1935-12-19)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-19)
recording of:
Shoe Shine Boy (on 1934-12-19)
lyricist:
Sammy Cahn
composer:
Saul Chaplin
Louis Armstrong and His Orchestra3:20
19Solitude
recorded in:
New York, New York, United States (on 1935-12-19)
double bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19), Henry “Moon” Jones (swing era reeds) (on 1935-12-19) and Bingie Madison (on 1935-12-19)
tenor saxophone:
Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19), Louis Bacon (on 1935-12-19) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-19)
vocals:
Louis Armstrong (on 1935-12-19)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-19)
recording of:
(In My) Solitude (on 1935-12-19)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
Louis Armstrong and His Orchestra3:01
20I Hope Gabriel Likes My Music
recorded in:
New York, New York, United States (on 1935-12-19)
double bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19), Henry “Moon” Jones (swing era reeds) (on 1935-12-19) and Bingie Madison (on 1935-12-19)
tenor saxophone:
Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19), Louis Bacon (on 1935-12-19) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-19)
vocals:
Louis Armstrong (on 1935-12-19)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-19)
recording of:
I Hope Gabriel Likes My Music (on 1935-12-19)
composer:
Dave Franklin (Tin Pan Alley songwriter)
Louis Armstrong and His Orchestra3:19
21The Music Goes 'round and Around
recorded in:
New York, New York, United States (on 1936-01-18)
double bass:
George "Pops" Foster (on 1936-01-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-01-18)
guitar:
Lee Blair (on 1936-01-18)
piano:
Luis Russell (on 1936-01-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-01-18), Henry “Moon” Jones (swing era reeds) (on 1936-01-18) and Bingie Madison (on 1936-01-18)
tenor saxophone:
Greely Walton (on 1936-01-18)
trombone:
Jimmy Archey (on 1936-01-18) and Harry White (jazz trombonist) (on 1936-01-18)
trumpet:
Gus Aiken (on 1936-01-18), Louis Armstrong (on 1936-01-18), Louis Bacon (on 1936-01-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-01-18)
vocals:
Louis Armstrong (on 1936-01-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-01-18)
recording of:
The Music Goes Round and Round (by E. Farley, M. Riley, R. Hodgson) (on 1936-01-18)
lyricist:
Red Hodgson (in 1935)
composer:
Edward Farley (US trumpeter, multi-instrumentalist & composer) (in 1935) and Mike Riley (US jazz trombonist & songwriter) (in 1935)
Louis Armstrong and His Orchestra3:19
22Rhythm Saved the World
recorded in:
New York, New York, United States (on 1936-01-18)
bass:
George "Pops" Foster (on 1936-01-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-01-18)
guitar:
Lee Blair (on 1936-01-18)
piano:
Luis Russell (on 1936-01-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-01-18), Henry “Moon” Jones (swing era reeds) (on 1936-01-18) and Bingie Madison (on 1936-01-18)
tenor saxophone:
Greely Walton (on 1936-01-18)
trombone:
Jimmy Archey (on 1936-01-18) and Harry White (jazz trombonist) (on 1936-01-18)
trumpet:
Gus Aiken (on 1936-01-18), Louis Armstrong (on 1936-01-18), Louis Bacon (on 1936-01-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-01-18)
vocals:
Louis Armstrong (on 1936-01-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-01-18)
recording of:
Rhythm Saved the World (on 1936-01-18)
lyricist:
Sammy Cahn
composer:
Saul Chaplin
Louis Armstrong and His Orchestra3:06
23I'm Putting All My Eggs in One Basket
recorded in:
New York, New York, United States (on 1936-02-04)
alto saxophone:
Phil Waltzer (on 1936-02-04)
clarinet:
Sid Trucker (on 1936-02-04)
double bass:
Pete Peterson (jazz bassist) (on 1936-02-04)
drums (drum set):
Stan King (Big band-era drummer) (on 1936-02-04)
guitar:
Dave Barbour (on 1936-02-04)
piano:
Fulton McGrath (on 1936-02-04)
tenor saxophone:
Paul Ricci (on 1936-02-04)
trombone:
Al Philburn (on 1936-02-04)
trumpet:
Louis Armstrong (on 1936-02-04), Bunny Berigan (on 1936-02-04) and Bob Mayhew (on 1936-02-04)
vocals:
Louis Armstrong (on 1936-02-04)
orchestra:
Louis Armstrong & His Orchestra (on 1936-02-04)
recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”) (on 1936-02-04)
lyricist and composer:
Irving Berlin (in 1936)
Louis Armstrong and His Orchestra2:59
3▼CD: 1936–1937
#TitleArtistRatingLength
1Yes! Yes! My! My!
recorded in:
New York, New York, United States (on 1936-02-04)
alto saxophone:
Sid Trucker (on 1936-02-04) and Phil Waltzer (on 1936-02-04)
double bass:
Pete Peterson (jazz bassist) (on 1936-02-04)
drums (drum set):
Stan King (Big band-era drummer) (on 1936-02-04)
guitar:
Dave Barbour (on 1936-02-04)
piano:
Fulton McGrath (on 1936-02-04)
tenor saxophone:
Paul Ricci (on 1936-02-04)
trombone:
Al Philburn (on 1936-02-04)
trumpet:
Louis Armstrong (on 1936-02-04), Bunny Berigan (on 1936-02-04) and Bob Mayhew (on 1936-02-04)
vocals:
Louis Armstrong (on 1936-02-04)
Louis Armstrong and His Orchestra2:38
2Somebody Stole My Break
recorded in:
New York, New York, United States (on 1936-04-28)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-04-28) and Henry “Moon” Jones (swing era reeds) (on 1936-04-28)
double bass:
George "Pops" Foster (on 1936-04-28)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-04-28)
guitar:
Lee Blair (on 1936-04-28)
piano:
Luis Russell (on 1936-04-28)
tenor saxophone:
Bingie Madison (on 1936-04-28) and Greely Walton (on 1936-04-28)
trombone:
Jimmy Archey (on 1936-04-28) and Snub Mosley (on 1936-04-28)
trumpet:
Gus Aiken (on 1936-04-28), Louis Armstrong (on 1936-04-28), Louis Bacon (on 1936-04-28) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-04-28)
vocals:
Louis Armstrong (on 1936-04-28)
orchestra:
Louis Armstrong & His Orchestra (on 1936-04-28)
Louis Armstrong and His Orchestra2:48
3I Come From a Musical Family
recorded in:
New York, New York, United States (on 1936-04-28)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-04-28) and Henry “Moon” Jones (swing era reeds) (on 1936-04-28)
double bass:
George "Pops" Foster (on 1936-04-28)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-04-28)
guitar:
Lee Blair (on 1936-04-28)
piano:
Luis Russell (on 1936-04-28)
tenor saxophone:
Bingie Madison (on 1936-04-28) and Greely Walton (on 1936-04-28)
trombone:
Jimmy Archey (on 1936-04-28) and Snub Mosley (on 1936-04-28)
trumpet:
Gus Aiken (on 1936-04-28), Louis Armstrong (on 1936-04-28), Louis Bacon (on 1936-04-28) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-04-28)
vocals:
Louis Armstrong (on 1936-04-28)
orchestra:
Louis Armstrong & His Orchestra (on 1936-04-28)
Louis Armstrong and His Orchestra3:01
4If We Never Meet Again
recorded in:
New York, New York, United States (on 1936-04-29)
double bass:
George "Pops" Foster (on 1936-04-29)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-04-29)
guitar:
Lee Blair (on 1936-04-29)
piano:
Luis Russell (on 1936-04-29)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-04-29), Henry “Moon” Jones (swing era reeds) (on 1936-04-29) and Greely Walton (on 1936-04-29)
tenor saxophone:
Bingie Madison (on 1936-04-29)
trombone:
Jimmy Archey (on 1936-04-29) and Snub Mosley (on 1936-04-29)
trumpet:
Gus Aiken (on 1936-04-29), Louis Armstrong (on 1936-04-29), Louis Bacon (on 1936-04-29) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-04-29)
vocals:
Louis Armstrong (on 1936-04-29)
orchestra:
Louis Armstrong & His Orchestra (on 1936-04-29)
recording of:
If We Never Meet Again (on 1936-04-29)
writer:
Louis Armstrong and Horace Gerlach
Louis Armstrong and His Orchestra3:10
5Lyin' to Myself
recorded in:
New York, New York, United States (on 1936-05-18)
double bass:
George "Pops" Foster (on 1936-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-05-18)
guitar:
Lee Blair (on 1936-05-18)
piano:
Luis Russell (on 1936-05-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-05-18), Henry “Moon” Jones (swing era reeds) (on 1936-05-18) and Greely Walton (on 1936-05-18)
tenor saxophone:
Bingie Madison (on 1936-05-18)
trombone:
Jimmy Archey (on 1936-05-18) and Snub Mosley (on 1936-05-18)
trumpet:
Gus Aiken (on 1936-05-18), Louis Armstrong (on 1936-05-18), Louis Bacon (on 1936-05-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-05-18)
vocals:
Louis Armstrong (on 1936-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-05-18)
recording of:
Lyin' to Myself (on 1936-05-18)
writer:
Stanley Adams (US lyricist & songwriter) and Hoagy Carmichael
Louis Armstrong and His Orchestra3:11
6Ev'ntide
recorded in:
New York, New York, United States (on 1936-05-18)
double bass:
George "Pops" Foster (on 1936-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-05-18)
guitar:
Lee Blair (on 1936-05-18)
piano:
Luis Russell (on 1936-05-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-05-18), Henry “Moon” Jones (swing era reeds) (on 1936-05-18) and Greely Walton (on 1936-05-18)
tenor saxophone:
Bingie Madison (on 1936-05-18)
trombone:
Jimmy Archey (on 1936-05-18) and Snub Mosley (on 1936-05-18)
trumpet:
Gus Aiken (on 1936-05-18), Louis Armstrong (on 1936-05-18), Louis Bacon (on 1936-05-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-05-18)
vocals:
Louis Armstrong (on 1936-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-05-18)
recording of:
Ev'ntide (on 1936-05-18)
lyricist and composer:
Hoagy Carmichael
Louis Armstrong and His Orchestra2:53
7Swing That Music
recorded in:
New York, New York, United States (on 1936-05-18)
double bass:
George "Pops" Foster (on 1936-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-05-18)
guitar:
Lee Blair (on 1936-05-18)
piano:
Luis Russell (on 1936-05-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-05-18), Henry “Moon” Jones (swing era reeds) (on 1936-05-18) and Greely Walton (on 1936-05-18)
tenor saxophone:
Bingie Madison (on 1936-05-18)
trombone:
Jimmy Archey (on 1936-05-18) and Snub Mosley (on 1936-05-18)
trumpet:
Gus Aiken (on 1936-05-18), Louis Armstrong (on 1936-05-18), Louis Bacon (on 1936-05-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-05-18)
vocals:
Louis Armstrong (on 1936-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-05-18)
recording of:
Swing That Music (on 1936-05-18)
lyricist and composer:
Louis Armstrong and Horace Gerlach
Louis Armstrong and His Orchestra2:52
8Thankful
recorded in:
New York, New York, United States (on 1936-05-18)
double bass:
George "Pops" Foster (on 1936-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-05-18)
guitar:
Lee Blair (on 1936-05-18)
piano:
Luis Russell (on 1936-05-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-05-18), Henry “Moon” Jones (swing era reeds) (on 1936-05-18) and Greely Walton (on 1936-05-18)
tenor saxophone:
Bingie Madison (on 1936-05-18)
trombone:
Jimmy Archey (on 1936-05-18) and Snub Mosley (on 1936-05-18)
trumpet:
Gus Aiken (on 1936-05-18), Louis Armstrong (on 1936-05-18), Louis Bacon (on 1936-05-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-05-18)
vocals:
Louis Armstrong (on 1936-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-05-18)
recording of:
Thankful (on 1936-05-18)
writer:
Sammy Cahn and Saul Chaplin
Louis Armstrong and His Orchestra2:58
9Red Nose
recorded in:
New York, New York, United States (on 1936-05-18)
double bass:
George "Pops" Foster (on 1936-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-05-18)
guitar:
Lee Blair (on 1936-05-18)
piano:
Luis Russell (on 1936-05-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-05-18), Henry “Moon” Jones (swing era reeds) (on 1936-05-18) and Greely Walton (on 1936-05-18)
tenor saxophone:
Bingie Madison (on 1936-05-18)
trombone:
Jimmy Archey (on 1936-05-18) and Snub Mosley (on 1936-05-18)
trumpet:
Gus Aiken (on 1936-05-18), Louis Armstrong (on 1936-05-18), Louis Bacon (on 1936-05-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-05-18)
vocals:
Louis Armstrong (on 1936-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-05-18)
Louis Armstrong and His Orchestra3:04
10Mahogany Hall Stomp
recorded in:
New York, New York, United States (on 1936-05-18)
double bass:
George "Pops" Foster (on 1936-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-05-18)
guitar:
Lee Blair (on 1936-05-18)
piano:
Luis Russell (on 1936-05-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-05-18), Henry “Moon” Jones (swing era reeds) (on 1936-05-18) and Greely Walton (on 1936-05-18)
tenor saxophone:
Bingie Madison (on 1936-05-18)
trombone:
Jimmy Archey (on 1936-05-18) and Snub Mosley (on 1936-05-18)
trumpet:
Gus Aiken (on 1936-05-18), Louis Armstrong (on 1936-05-18), Louis Bacon (on 1936-05-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-05-18)
recording of:
Mahogany Hall Stomp (on 1936-05-18)
composer:
Spencer Williams (US jazz composer, pianist & singer)
Louis Armstrong and His Orchestra2:54
11The Skeleton in the Closet
recorded in:
Los Angeles, California, United States (on 1936-08-07)
double bass:
Slim Taft (on 1936-08-07)
drums (drum set):
Ray McKinley (on 1936-08-07)
guitar:
Roc Hillman (songwriter, arranger) (on 1936-08-07)
reeds:
Jimmy Dorsey (on 1936-08-07), Skeets Herfurt (on 1936-08-07), Fud Livingston (on 1936-08-07) and Jack Stacey (on 1936-08-07)
trombone:
Bobby Byrne (on 1936-08-07), Don Matteson (on 1936-08-07) and Joe Yukl (on 1936-08-07)
trumpet:
Louis Armstrong (on 1936-08-07), Tutti Camarata (on 1936-08-07) and George Thow (on 1936-08-07)
vocals:
Louis Armstrong (on 1936-08-07)
orchestra:
Jimmy Dorsey and His Orchestra (on 1936-08-07)
recording of:
Skeleton in the Closet (on 1936-08-07)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Arthur Johnston (American composer and songwriter)
Louis Armstrong with Jimmy Dorsey and His Orchestra3:07
12When Ruben Swings the Cuban
recorded in:
Los Angeles, California, United States (on 1936-08-07)
double bass:
Slim Taft (on 1936-08-07)
drums (drum set):
Ray McKinley (on 1936-08-07)
guitar:
Roc Hillman (songwriter, arranger) (on 1936-08-07)
reeds:
Jimmy Dorsey (on 1936-08-07), Skeets Herfurt (on 1936-08-07), Fud Livingston (on 1936-08-07) and Jack Stacey (on 1936-08-07)
trombone:
Bobby Byrne (on 1936-08-07), Don Matteson (on 1936-08-07) and Joe Yukl (on 1936-08-07)
trumpet:
Louis Armstrong (on 1936-08-07), Tutti Camarata (on 1936-08-07) and George Thow (on 1936-08-07)
vocals:
Louis Armstrong (on 1936-08-07)
orchestra:
Jimmy Dorsey and His Orchestra (on 1936-08-07)
Louis Armstrong with Jimmy Dorsey and His Orchestra2:38
13Hurdy-Gurdy Man
recorded in:
Los Angeles, California, United States (on 1936-08-07)
double bass:
Slim Taft (on 1936-08-07)
drums (drum set):
Ray McKinley (on 1936-08-07)
guitar:
Roc Hillman (songwriter, arranger) (on 1936-08-07)
reeds:
Jimmy Dorsey (on 1936-08-07), Skeets Herfurt (on 1936-08-07), Fud Livingston (on 1936-08-07) and Jack Stacey (on 1936-08-07)
trombone:
Bobby Byrne (on 1936-08-07), Don Matteson (on 1936-08-07) and Joe Yukl (on 1936-08-07)
trumpet:
Louis Armstrong (on 1936-08-07), Tutti Camarata (on 1936-08-07) and George Thow (on 1936-08-07)
vocals:
Louis Armstrong (on 1936-08-07)
orchestra:
Jimmy Dorsey and His Orchestra (on 1936-08-07)
recording of:
Hurdy-Gurdy Man (on 1936-08-07)
lyricist and composer:
Sammy Cahn and Saul Chaplin
Louis Armstrong with Jimmy Dorsey and His Orchestra2:59
14Dipper Mouth Blues
recorded in:
Los Angeles, California, United States (on 1936-08-07)
clarinet:
Jimmy Dorsey (on 1936-08-07)
double bass:
Slim Taft (on 1936-08-07)
drums (drum set):
Ray McKinley (on 1936-08-07)
guitar:
Roc Hillman (songwriter, arranger) (on 1936-08-07)
reeds:
Jimmy Dorsey (on 1936-08-07), Skeets Herfurt (on 1936-08-07), Fud Livingston (on 1936-08-07) and Jack Stacey (on 1936-08-07)
trombone:
Bobby Byrne (on 1936-08-07), Don Matteson (on 1936-08-07) and Joe Yukl (on 1936-08-07)
trumpet:
Louis Armstrong (on 1936-08-07), Tutti Camarata (on 1936-08-07) and George Thow (on 1936-08-07)
vocals:
Louis Armstrong (on 1936-08-07)
orchestra:
Jimmy Dorsey and His Orchestra (on 1936-08-07)
recording of:
Dippermouth Blues (on 1936-08-07)
composer:
Louis Armstrong and King Oliver (jazz cornetist)
Louis Armstrong with Jimmy Dorsey and His Orchestra2:45
15Swing That Music
recorded in:
Los Angeles, California, United States (on 1936-08-07)
double bass:
Slim Taft (on 1936-08-07)
drums (drum set):
Ray McKinley (on 1936-08-07)
guitar:
Roc Hillman (songwriter, arranger) (on 1936-08-07)
reeds:
Jimmy Dorsey (on 1936-08-07), Skeets Herfurt (on 1936-08-07), Fud Livingston (on 1936-08-07) and Jack Stacey (on 1936-08-07)
trombone:
Bobby Byrne (on 1936-08-07), Don Matteson (on 1936-08-07) and Joe Yukl (on 1936-08-07)
trumpet:
Louis Armstrong (on 1936-08-07), Tutti Camarata (on 1936-08-07) and George Thow (on 1936-08-07)
vocals:
Louis Armstrong (on 1936-08-07)
orchestra:
Jimmy Dorsey and His Orchestra (on 1936-08-07)
recording of:
Swing That Music (on 1936-08-07)
lyricist and composer:
Louis Armstrong and Horace Gerlach
Louis Armstrong with Jimmy Dorsey and His Orchestra2:51
16Pennies From Heaven Medley
recorded in:
Los Angeles, California, United States (on 1936-08-17)
double bass:
Slim Taft (on 1936-08-17)
drums (drum set):
Ray McKinley (on 1936-08-17)
guitar:
Roc Hillman (songwriter, arranger) (on 1936-08-17)
reeds:
Jimmy Dorsey (on 1936-08-17), Skeets Herfurt (on 1936-08-17), Fud Livingston (on 1936-08-17) and Jack Stacey (on 1936-08-17)
trombone:
Bobby Byrne (on 1936-08-17), Don Matteson (on 1936-08-17) and Joe Yukl (on 1936-08-17)
trumpet:
Louis Armstrong (on 1936-08-17), Tutti Camarata (on 1936-08-17) and George Thow (on 1936-08-17)
vocals:
Louis Armstrong (on 1936-08-17), Bing Crosby (on 1936-08-17) and Frances Langford (on 1936-08-17)
orchestra:
Jimmy Dorsey and His Orchestra (on 1936-08-17)
medley including a recording of:
Let’s Call a Heart a Heart (on 1936-08-17)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Arthur Johnston (American composer and songwriter)
medley including a recording of:
Skeleton in the Closet (on 1936-08-17)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Arthur Johnston (American composer and songwriter)
medley including a recording of:
So Do I (on 1936-08-17)
writer:
Johnny Burke (American lyricist, 1908–1964) and Arthur Johnston (American composer and songwriter)
Louis Armstrong with Bing Crosby and Frances Langford4:26
17Pennies From Heaven
recorded in:
Los Angeles, California, United States (on 1936-08-17)
double bass:
Slim Taft (on 1936-08-17)
drums (drum set):
Ray McKinley (on 1936-08-17)
guitar:
Roc Hillman (songwriter, arranger) (on 1936-08-17)
reeds:
Jimmy Dorsey (on 1936-08-17), Skeets Herfurt (on 1936-08-17), Fud Livingston (on 1936-08-17) and Jack Stacey (on 1936-08-17)
trombone:
Bobby Byrne (on 1936-08-17), Don Matteson (on 1936-08-17) and Joe Yukl (on 1936-08-17)
trumpet:
Louis Armstrong (on 1936-08-17), Tutti Camarata (on 1936-08-17) and George Thow (on 1936-08-17)
vocals:
Louis Armstrong (on 1936-08-17), Bing Crosby (on 1936-08-17) and Frances Langford (on 1936-08-17)
orchestra:
Jimmy Dorsey and His Orchestra (on 1936-08-17)
recording of:
Pennies From Heaven (on 1936-08-17)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
Louis Armstrong with Bing Crosby and Frances Langford4:20
18To You, Sweetheart, Aloha
recorded in:
Los Angeles, California, United States (on 1936-08-18)
double bass:
Joe Nawahi (on 1936-08-18)
drums (drum set) and vibraphone:
Lionel Hampton (on 1936-08-18)
guitar:
George Archer (French jazz guitarist & vocalist) (on 1936-08-18) and Harry Baty (on 1936-08-18)
steel guitar:
Sam Koki (on 1936-08-18)
trumpet:
Louis Armstrong (on 1936-08-18)
vocals:
George Archer (French jazz guitarist & vocalist) (on 1936-08-18), Louis Armstrong (on 1936-08-18), Harry Baty (on 1936-08-18) and Joe Nawahi (on 1936-08-18)
recording of:
To You Sweetheart, Aloha (on 1936-08-18)
lyricist and composer:
Harry Owens
Louis Armstrong with The Polynesians2:58
19On a Cocoanut Island
recorded in:
Los Angeles, California, United States (on 1936-08-18)
double bass:
Joe Nawahi (on 1936-08-18)
drums (drum set) and vibraphone:
Lionel Hampton (on 1936-08-18)
guitar:
George Archer (French jazz guitarist & vocalist) (on 1936-08-18) and Harry Baty (on 1936-08-18)
steel guitar:
Sam Koki (on 1936-08-18)
trumpet:
Louis Armstrong (on 1936-08-18)
vocals:
George Archer (French jazz guitarist & vocalist) (on 1936-08-18), Louis Armstrong (on 1936-08-18), Harry Baty (on 1936-08-18) and Joe Nawahi (on 1936-08-18)
recording of:
On a Coconut Island (on 1936-08-18)
lyricist:
Robert Alex Anderson
composer:
Robert Alex Anderson (in 1936)
Louis Armstrong with The Polynesians3:11
20On a Little Bamboo Bridge
recorded in:
New York, New York, United States (on 1937-03-24)
double bass:
Joe Nawahi (on 1937-03-24)
guitar:
George Archer (French jazz guitarist & vocalist) (on 1937-03-24) and Harry Baty (on 1937-03-24)
steel guitar:
Sam Koki (on 1937-03-24)
trumpet:
Louis Armstrong (on 1937-03-24)
ukulele:
Andy Iona (Hawaiian musician & songwriter) (on 1937-03-24)
vocals:
Louis Armstrong (on 1937-03-24)
performer:
Andy Iona and His Islanders (on 1937-03-24)
recording of:
On a Little Bamboo Bridge (on 1937-03-24)
Louis Armstrong with Andy Iona and His Islanders3:14
21Hawaiian Hospitality
recorded in:
New York, New York, United States (on 1937-03-24)
double bass:
Joe Nawahi (on 1937-03-24)
guitar:
George Archer (French jazz guitarist & vocalist) (on 1937-03-24) and Harry Baty (on 1937-03-24)
steel guitar:
Sam Koki (on 1937-03-24)
trumpet:
Louis Armstrong (on 1937-03-24)
ukulele:
Andy Iona (Hawaiian musician & songwriter) (on 1937-03-24)
vocals:
Louis Armstrong (on 1937-03-24)
performer:
Andy Iona and His Islanders (on 1937-03-24)
recording of:
Hawaiian Hospitality (on 1937-03-24)
Louis Armstrong with Andy Iona and His Islanders3:07
22Carry Me Back to Old Virginny
recorded in:
New York, New York, United States (on 1937-04-07)
guitar:
Bernard Addison (on 1937-04-07) and John Mills, Sr. (on 1937-04-07)
trumpet:
Louis Armstrong (on 1937-04-07)
baritone vocals:
Harry Mills (on 1937-04-07)
bass vocals:
John Mills, Sr. (on 1937-04-07)
tenor vocals:
Donald Mills (on 1937-04-07) and Herbert Mills (on 1937-04-07)
vocals:
Louis Armstrong (on 1937-04-07) and The Mills Brothers (on 1937-04-07)
recording of:
Carry Me Back to Old Virginny (on 1937-04-07)
composer:
James A. Bland
Louis Armstrong with The Mills Brothers3:02
23Darling Nelly Gray
recorded in:
New York, New York, United States (on 1937-04-07)
guitar:
Bernard Addison (on 1937-04-07) and John Mills, Sr. (on 1937-04-07)
trumpet:
Louis Armstrong (on 1937-04-07)
baritone vocals:
Harry Mills (on 1937-04-07)
bass vocals:
John Mills, Sr. (on 1937-04-07)
tenor vocals:
Donald Mills (on 1937-04-07) and Herbert Mills (on 1937-04-07)
vocals:
Louis Armstrong (on 1937-04-07) and The Mills Brothers (on 1937-04-07)
recording of:
Darling Nellie Gray (on 1937-04-07)
composer:
Benjamin R. Hanby
Louis Armstrong with The Mills Brothers2:43
4▼CD: 1937–1938
#TitleArtistRatingLength
1In the Shade of the Old Apple Tree
recorded in:
New York, New York, United States (on 1937-06-29)
guitar:
Bernard Addison (on 1937-06-29) and John Mills, Sr. (on 1937-06-29)
trumpet:
Louis Armstrong (on 1937-06-29)
baritone vocals:
Harry Mills (on 1937-06-29)
bass vocals:
John Mills, Sr. (on 1937-06-29)
tenor vocals:
Donald Mills (on 1937-06-29) and Herbert Mills (on 1937-06-29)
vocals:
Louis Armstrong (on 1937-06-29) and The Mills Brothers (on 1937-06-29)
recording of:
In the Shade of the Old Apple Tree (on 1937-06-29)
writer:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) and Egbert Van Alstyne (in 1905)
publisher:
Francis, Day & Hunter Ltd. and Redwood Music Ltd. (Carlin)
Louis Armstrong with The Mills Brothers2:19
2The Old Folks at Home
recorded in:
New York, New York, United States (on 1937-06-29)
guitar:
Bernard Addison (on 1937-06-29)
trumpet:
Louis Armstrong (on 1937-06-29)
vocals:
Louis Armstrong (on 1937-06-29), The Mills Brothers (on 1937-06-29), Donald Mills (on 1937-06-29), Harry Mills (on 1937-06-29), Herbert Mills (on 1937-06-29) and John Mills, Sr. (on 1937-06-29)
recording of:
Old Folks at Home (Swanee River) (on 1937-06-29)
anthem of:
Florida, United States (from 1935 to present)
lyricist and composer:
Stephen Foster (composer) (in 1851)
publisher:
Carlin Music Group
Louis Armstrong with The Mills Brothers2:24
3Public Melody Number One
recorded in:
New York, New York, United States (on 1937-07-02)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1937-07-02)
double bass:
George "Pops" Foster (on 1937-07-02)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-07-02)
guitar:
Lee Blair (on 1937-07-02)
piano:
Luis Russell (on 1937-07-02)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-07-02), Bingie Madison (on 1937-07-02) and Albert Nicholas (on 1937-07-02)
trombone:
J.C. Higginbotham (on 1937-07-02), George Matthews (trombone) (on 1937-07-02) and George Washington (jazz trombonist) (on 1937-07-02)
trumpet:
Henry “Red” Allen (jazz musician) (on 1937-07-02), Louis Armstrong (on 1937-07-02), Louis Bacon (on 1937-07-02) and Shelton "Scad" Hemphill (on 1937-07-02)
vocals:
Louis Armstrong (on 1937-07-02)
orchestra:
Louis Armstrong & His Orchestra (on 1937-07-02)
recording of:
Public Melody Number One (on 1937-07-02)
lyricist:
Ted Koehler
composer:
Harold Arlen
Louis Armstrong and His Orchestra3:10
4Yours and Mine
recorded in:
New York, New York, United States (on 1937-07-02)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1937-07-02) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-07-02)
double bass:
George "Pops" Foster (on 1937-07-02)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-07-02)
guitar:
Lee Blair (on 1937-07-02)
piano:
Luis Russell (on 1937-07-02)
tenor saxophone:
Bingie Madison (on 1937-07-02) and Albert Nicholas (on 1937-07-02)
trombone:
J.C. Higginbotham (on 1937-07-02), George Matthews (trombone) (on 1937-07-02) and George Washington (jazz trombonist) (on 1937-07-02)
trumpet:
Henry “Red” Allen (jazz musician) (on 1937-07-02), Louis Armstrong (on 1937-07-02), Louis Bacon (on 1937-07-02) and Shelton "Scad" Hemphill (on 1937-07-02)
vocals:
Louis Armstrong (on 1937-07-02)
edit of:
Yours and Mine (with pre-groove warm-up) by Louis Armstrong
recording of:
Yours and Mine (on 1937-07-02)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
Louis Armstrong and His Orchestra2:43
5Red Cap
recorded in:
New York, New York, United States (on 1937-07-02)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1937-07-02)
double bass:
George "Pops" Foster (on 1937-07-02)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-07-02)
guitar:
Lee Blair (on 1937-07-02)
piano:
Luis Russell (on 1937-07-02)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-07-02), Bingie Madison (on 1937-07-02) and Albert Nicholas (on 1937-07-02)
trombone:
J.C. Higginbotham (on 1937-07-02), George Matthews (trombone) (on 1937-07-02) and George Washington (jazz trombonist) (on 1937-07-02)
trumpet:
Henry “Red” Allen (jazz musician) (on 1937-07-02), Louis Armstrong (on 1937-07-02), Louis Bacon (on 1937-07-02) and Shelton "Scad" Hemphill (on 1937-07-02)
vocals:
Louis Armstrong (on 1937-07-02)
orchestra:
Louis Armstrong & His Orchestra (on 1937-07-02)
recording of:
Red Cap (on 1937-07-02)
Louis Armstrong and His Orchestra3:09
6She's the Daughter of a Planter From Havana
recorded in:
New York, New York, United States (on 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1937-07-07)
double bass:
George "Pops" Foster (on 1937-07-07)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-07-07)
guitar:
Lee Blair (on 1937-07-07)
piano:
Luis Russell (on 1937-07-07)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-07-07), Bingie Madison (on 1937-07-07) and Albert Nicholas (on 1937-07-07)
trombone:
J.C. Higginbotham (on 1937-07-07), George Matthews (trombone) (on 1937-07-07) and George Washington (jazz trombonist) (on 1937-07-07)
trumpet:
Henry “Red” Allen (jazz musician) (on 1937-07-07), Louis Armstrong (on 1937-07-07), Louis Bacon (on 1937-07-07) and Shelton "Scad" Hemphill (on 1937-07-07)
vocals:
Louis Armstrong (on 1937-07-07)
orchestra:
Louis Armstrong & His Orchestra (on 1937-07-07)
recording of:
She's the Daughter of a Planter From Havana (on 1937-07-07)
Louis Armstrong and His Orchestra3:19
7Alexander's Ragtime Band
recorded in:
New York, New York, United States (on 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1937-07-07)
double bass:
George "Pops" Foster (on 1937-07-07)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-07-07)
guitar:
Lee Blair (on 1937-07-07)
piano:
Luis Russell (on 1937-07-07)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-07-07), Bingie Madison (on 1937-07-07) and Albert Nicholas (on 1937-07-07)
trombone:
J.C. Higginbotham (on 1937-07-07), George Matthews (trombone) (on 1937-07-07) and George Washington (jazz trombonist) (on 1937-07-07)
trumpet:
Henry “Red” Allen (jazz musician) (on 1937-07-07), Louis Armstrong (on 1937-07-07), Louis Bacon (on 1937-07-07) and Shelton "Scad" Hemphill (on 1937-07-07)
vocals:
Louis Armstrong (on 1937-07-07)
orchestra:
Louis Armstrong & His Orchestra (on 1937-07-07)
recording of:
Alexander’s Ragtime Band (on 1937-07-07)
lyricist and composer:
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
Louis Armstrong and His Orchestra2:36
8Cuban Pete
recorded in:
New York, New York, United States (on 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1937-07-07)
double bass:
George "Pops" Foster (on 1937-07-07)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-07-07)
guitar:
Lee Blair (on 1937-07-07)
piano:
Luis Russell (on 1937-07-07)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-07-07), Bingie Madison (on 1937-07-07) and Albert Nicholas (on 1937-07-07)
trombone:
J.C. Higginbotham (on 1937-07-07), George Matthews (trombone) (on 1937-07-07) and George Washington (jazz trombonist) (on 1937-07-07)
trumpet:
Henry “Red” Allen (jazz musician) (on 1937-07-07), Louis Armstrong (on 1937-07-07), Louis Bacon (on 1937-07-07) and Shelton "Scad" Hemphill (on 1937-07-07)
vocals:
Louis Armstrong (on 1937-07-07)
orchestra:
Louis Armstrong & His Orchestra (on 1937-07-07)
recording of:
Cuban Pete (on 1937-07-07)
composer:
Jose Norman (composer / band leader)
Louis Armstrong and His Orchestra3:08
9I've Got a Heart Full of Rhythm
recorded in:
New York, New York, United States (on 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1937-07-07)
double bass:
George "Pops" Foster (on 1937-07-07)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-07-07)
guitar:
Lee Blair (on 1937-07-07)
piano:
Luis Russell (on 1937-07-07)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-07-07), Bingie Madison (on 1937-07-07) and Albert Nicholas (on 1937-07-07)
trombone:
J.C. Higginbotham (on 1937-07-07), George Matthews (trombone) (on 1937-07-07) and George Washington (jazz trombonist) (on 1937-07-07)
trumpet:
Henry “Red” Allen (jazz musician) (on 1937-07-07), Louis Armstrong (on 1937-07-07), Louis Bacon (on 1937-07-07) and Shelton "Scad" Hemphill (on 1937-07-07)
vocals:
Louis Armstrong (on 1937-07-07)
orchestra:
Louis Armstrong & His Orchestra (on 1937-07-07)
recording of:
I’ve Got a Heart Full of Rhythm (on 1937-07-07)
Louis Armstrong and His Orchestra3:09
10Sun Showers
recorded in:
New York, New York, United States (on 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1937-07-07)
double bass:
George "Pops" Foster (on 1937-07-07)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-07-07)
guitar:
Lee Blair (on 1937-07-07)
piano:
Luis Russell (on 1937-07-07)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-07-07), Bingie Madison (on 1937-07-07) and Albert Nicholas (on 1937-07-07)
trombone:
J.C. Higginbotham (on 1937-07-07), George Matthews (trombone) (on 1937-07-07) and George Washington (jazz trombonist) (on 1937-07-07)
trumpet:
Henry “Red” Allen (jazz musician) (on 1937-07-07), Louis Armstrong (on 1937-07-07), Louis Bacon (on 1937-07-07) and Shelton "Scad" Hemphill (on 1937-07-07)
vocals:
Louis Armstrong (on 1937-07-07)
orchestra:
Louis Armstrong & His Orchestra (on 1937-07-07)
recording of:
Sun Showers (on 1937-07-07)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
Louis Armstrong and His Orchestra2:42
11Once in a While
recorded in:
Los Angeles, California, United States (on 1937-11-15)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-11-15)
double bass:
Red Callender (on 1937-11-15)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-11-15)
guitar:
Lee Blair (on 1937-11-15)
piano:
Luis Russell (on 1937-11-15)
reeds:
Bingie Madison (on 1937-11-15)
trombone:
J.C. Higginbotham (on 1937-11-15)
trumpet:
Louis Armstrong (on 1937-11-15)
vocals:
Louis Armstrong (on 1937-11-15)
orchestra:
Louis Armstrong & His Orchestra (on 1937-11-15)
recording of:
Once in a While (on 1937-11-15)
lyricist:
Bud Green (in 1937)
composer:
Michael Edwards (in 1937)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc. and Miller Music Corp.
part of:
New York, New York (1977 musical film soundtrack)
Louis Armstrong and His Orchestra3:09
12On the Sunny Side of the Street
recorded in:
Los Angeles, California, United States (on 1937-11-15)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-11-15)
double bass:
Red Callender (on 1937-11-15)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-11-15)
guitar:
Lee Blair (on 1937-11-15)
piano:
Luis Russell (on 1937-11-15)
reeds:
Bingie Madison (on 1937-11-15)
trombone:
J.C. Higginbotham (on 1937-11-15)
trumpet:
Louis Armstrong (on 1937-11-15)
vocals:
Louis Armstrong (on 1937-11-15)
orchestra:
Louis Armstrong & His Orchestra (on 1937-11-15)
recording of:
On the Sunny Side of the Street (on 1937-11-15)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Vydia Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
Louis Armstrong and His Orchestra2:59
13Satchel Mouth Swing
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1938-01-12) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-12)
double bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (jazz trombonist) (on 1938-01-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
recording of:
Satchel Mouth Swing (on 1938-01-12)
writer:
Louis Armstrong and Mary Lou Williams (American jazz pianist and composer)
Louis Armstrong and His Orchestra2:36
14Jubilee
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1938-01-12) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-12)
double bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (jazz trombonist) (on 1938-01-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
recording of:
Jubilee (Hoagy Carmichael) (on 1938-01-12)
composer:
Hoagy Carmichael
Louis Armstrong and His Orchestra2:37
15Struttin' With Some Barbecue
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1938-01-12) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-12)
bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (jazz trombonist) (on 1938-01-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
arranger:
Chippie Willett
recording of:
Struttin’ With Some Barbecue (on 1938-01-12)
composer:
Lil Hardin Armstrong
Louis Armstrong and His Orchestra2:59
16The Trumpet Player's Lament
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1938-01-12) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-12)
double bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (jazz trombonist) (on 1938-01-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
recording of:
The Trumpet Player's Lament (on 1938-01-12)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
James V. Monaco
Louis Armstrong and His Orchestra2:55
17I Double Dare You
recorded in:
Los Angeles, California, United States (on 1938-01-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-13)
double bass:
George "Pops" Foster (on 1938-01-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-13)
guitar:
Lee Blair (on 1938-01-13)
piano:
Luis Russell (on 1938-01-13)
saxophone:
Bingie Madison (on 1938-01-13)
trombone:
J.C. Higginbotham (on 1938-01-13)
trumpet:
Louis Armstrong (on 1938-01-13)
vocals:
Louis Armstrong (on 1938-01-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-13)
recording of:
I Double Dare You (on 1938-01-13)
writer:
Jimmy Eaton (songwriter) and Terry Shand (jazz pianist/composer)
Louis Armstrong and His Orchestra2:58
18True Confession
recorded in:
Los Angeles, California, United States (on 1938-01-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-13)
bass and double bass:
George "Pops" Foster (on 1938-01-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-13)
guitar:
Lee Blair (on 1938-01-13)
piano:
Luis Russell (on 1938-01-13)
saxophone:
Bingie Madison (on 1938-01-13)
trombone:
J.C. Higginbotham (on 1938-01-13)
trumpet:
Louis Armstrong (on 1938-01-13)
vocals:
Louis Armstrong (on 1938-01-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-13)
recording of:
True Confession (on 1938-01-13)
composer:
Sam Coslow and Friedrich Hollaender
Louis Armstrong and His Orchestra3:06
19Let That Be a Lesson to You
recorded in:
Los Angeles, California, United States (on 1938-01-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-13)
double bass:
George "Pops" Foster (on 1938-01-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-13)
guitar:
Lee Blair (on 1938-01-13)
piano:
Luis Russell (on 1938-01-13)
saxophone:
Bingie Madison (on 1938-01-13)
trombone:
J.C. Higginbotham (on 1938-01-13)
trumpet:
Louis Armstrong (on 1938-01-13)
vocals:
Louis Armstrong (on 1938-01-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-13)
recording of:
Let That Be a Lesson to You (on 1938-01-13)
lyricist:
Johnny Mercer
composer:
Richard A. Whiting
Louis Armstrong and His Orchestra2:35
20Sweet as a Song
recorded in:
Los Angeles, California, United States (on 1938-01-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-13)
double bass:
George "Pops" Foster (on 1938-01-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-13)
guitar:
Lee Blair (on 1938-01-13)
piano:
Luis Russell (on 1938-01-13)
saxophone:
Bingie Madison (on 1938-01-13)
trombone:
J.C. Higginbotham (on 1938-01-13)
trumpet:
Louis Armstrong (on 1938-01-13)
vocals:
Louis Armstrong (on 1938-01-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-13)
recording of:
Sweet as a Song (on 1938-01-13)
composer:
Mack Gordon and Harry Revel (British-born American composer)
Louis Armstrong and His Orchestra3:06
21So Little Time (So Much to Do)
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
So Little Time (So Much to Do) (on 1938-05-13)
lyricist:
Billy Hill (US songwriter)
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
Louis Armstrong and His Orchestra2:44
22Mexican Swing
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
Mexican Swing (on 1938-05-13)
composer:
Terry Shand (jazz pianist/composer)
Louis Armstrong and His Orchestra2:39
23As Long as You Live, You'll Be Dead If You Die
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
As Long as You Live, You'll Be Dead If You Die (on 1938-05-13)
lyricist:
Johnny Mercer
composer:
Bernie Hanighen
Louis Armstrong and His Orchestra2:15
24When the Saints Go Marching In
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
When the Saints Go Marching In (Louis Armstrong’s version) (on 1938-05-13)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Louis Armstrong
version of:
When the Saints Go Marching In
Louis Armstrong and His Orchestra2:43
5▶CD: 1938–1939
6▶CD: 1939–1940

Credits

Release group

part of:The Chronological Classics (number: 62) (order: 3)
Allmusic:https://www.allmusic.com/album/mw0001037780 [info]