We Remember Mildrey Bailey

~ Release by Mavis Rivers & Red Norvo (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Easy to Love
producer:
Lee Young (40s-60s US jazz drummer, then producer/A&R)
bass:
Wyatt Ruther (from 1964-12-08 until 1964-12-09)
drums (drum set):
J.C. Heard (from 1964-12-08 until 1964-12-09)
piano:
Don Abney (US jazz pianist) (from 1964-12-08 until 1964-12-09)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-12-08 until 1964-12-09)
trombone:
Bill Harris (jazz trombonist) (from 1964-12-08 until 1964-12-09)
trumpet:
Harry “Sweets” Edison (from 1964-12-08 until 1964-12-09)
vibraphone:
Red Norvo (from 1964-12-08 until 1964-12-09)
vocals:
Mavis Rivers (from 1964-12-08 until 1964-12-09)
recorded at:
United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (from 1964-12-08 until 1964-12-09)
recording of:
Easy to Love (in 1964-12)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
2:53
2Georgia on My Mind
producer:
Lee Young (40s-60s US jazz drummer, then producer/A&R)
bass:
Wyatt Ruther (from 1964-12-08 until 1964-12-09)
drums (drum set):
J.C. Heard (from 1964-12-08 until 1964-12-09)
piano:
Don Abney (US jazz pianist) (from 1964-12-08 until 1964-12-09)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-12-08 until 1964-12-09)
trombone:
Bill Harris (jazz trombonist) (from 1964-12-08 until 1964-12-09)
trumpet:
Harry “Sweets” Edison (from 1964-12-08 until 1964-12-09)
vibraphone:
Red Norvo (from 1964-12-08 until 1964-12-09)
vocals:
Mavis Rivers (from 1964-12-08 until 1964-12-09)
recorded at:
United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (from 1964-12-08 until 1964-12-09)
recording of:
Georgia on My Mind (in 1964-12)
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
3:59
3I Let a Song Go Out of My Heart
producer:
Lee Young (40s-60s US jazz drummer, then producer/A&R)
bass:
Wyatt Ruther (from 1964-12-08 until 1964-12-09)
drums (drum set):
J.C. Heard (from 1964-12-08 until 1964-12-09)
piano:
Don Abney (US jazz pianist) (from 1964-12-08 until 1964-12-09)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-12-08 until 1964-12-09)
trombone:
Bill Harris (jazz trombonist) (from 1964-12-08 until 1964-12-09)
trumpet:
Harry “Sweets” Edison (from 1964-12-08 until 1964-12-09)
vibraphone:
Red Norvo (from 1964-12-08 until 1964-12-09)
vocals:
Mavis Rivers (from 1964-12-08 until 1964-12-09)
recorded at:
United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (from 1964-12-08 until 1964-12-09)
recording of:
I Let a Song Go Out of My Heart (in 1964-12)
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (House vocalist) (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:45
4I'm Confessin' That I Love You
producer:
Lee Young (40s-60s US jazz drummer, then producer/A&R)
bass:
Wyatt Ruther (from 1964-12-08 until 1964-12-09)
drums (drum set):
J.C. Heard (from 1964-12-08 until 1964-12-09)
piano:
Don Abney (US jazz pianist) (from 1964-12-08 until 1964-12-09)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-12-08 until 1964-12-09)
trombone:
Bill Harris (jazz trombonist) (from 1964-12-08 until 1964-12-09)
trumpet:
Harry “Sweets” Edison (from 1964-12-08 until 1964-12-09)
vibraphone:
Red Norvo (from 1964-12-08 until 1964-12-09)
vocals:
Mavis Rivers (from 1964-12-08 until 1964-12-09)
recorded at:
United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (from 1964-12-08 until 1964-12-09)
recording of:
I’m Confessin’ (That I Love You) (in 1964-12)
lyricist:
Al J. Neiburg (lyricist) (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
2:17
5Please Be Kind
producer:
Lee Young (40s-60s US jazz drummer, then producer/A&R)
bass:
Wyatt Ruther (from 1964-12-08 until 1964-12-09)
drums (drum set):
J.C. Heard (from 1964-12-08 until 1964-12-09)
piano:
Don Abney (US jazz pianist) (from 1964-12-08 until 1964-12-09)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-12-08 until 1964-12-09)
trombone:
Bill Harris (jazz trombonist) (from 1964-12-08 until 1964-12-09)
trumpet:
Harry “Sweets” Edison (from 1964-12-08 until 1964-12-09)
vibraphone:
Red Norvo (from 1964-12-08 until 1964-12-09)
vocals:
Mavis Rivers (from 1964-12-08 until 1964-12-09)
recorded at:
United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (from 1964-12-08 until 1964-12-09)
recording of:
Please Be Kind (in 1964-12)
lyricist:
Sammy Cahn (in 1938)
composer:
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
4:06
6Lover Come Back to Me
producer:
Lee Young (40s-60s US jazz drummer, then producer/A&R)
bass:
Wyatt Ruther (from 1964-12-08 until 1964-12-09)
drums (drum set):
J.C. Heard (from 1964-12-08 until 1964-12-09)
piano:
Don Abney (US jazz pianist) (from 1964-12-08 until 1964-12-09)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-12-08 until 1964-12-09)
trombone:
Bill Harris (jazz trombonist) (from 1964-12-08 until 1964-12-09)
trumpet:
Harry “Sweets” Edison (from 1964-12-08 until 1964-12-09)
vibraphone:
Red Norvo (from 1964-12-08 until 1964-12-09)
vocals:
Mavis Rivers (from 1964-12-08 until 1964-12-09)
recorded at:
United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (from 1964-12-08 until 1964-12-09)
recording of:
Lover, Come Back to Me (from "The New Moon") (in 1964-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
2:33
7Rockin' Chair
producer:
Lee Young (40s-60s US jazz drummer, then producer/A&R)
bass:
Wyatt Ruther (from 1964-12-08 until 1964-12-09)
drums (drum set):
J.C. Heard (from 1964-12-08 until 1964-12-09)
piano:
Don Abney (US jazz pianist) (from 1964-12-08 until 1964-12-09)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-12-08 until 1964-12-09)
trombone:
Bill Harris (jazz trombonist) (from 1964-12-08 until 1964-12-09)
trumpet:
Harry “Sweets” Edison (from 1964-12-08 until 1964-12-09)
vibraphone:
Red Norvo (from 1964-12-08 until 1964-12-09)
vocals:
Mavis Rivers (from 1964-12-08 until 1964-12-09)
recorded at:
United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (from 1964-12-08 until 1964-12-09)
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song) (in 1964-12)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
2:13
8Seems Like Old Times
producer:
Lee Young (40s-60s US jazz drummer, then producer/A&R)
bass:
Wyatt Ruther (from 1964-12-08 until 1964-12-09)
drums (drum set):
J.C. Heard (from 1964-12-08 until 1964-12-09)
piano:
Don Abney (US jazz pianist) (from 1964-12-08 until 1964-12-09)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-12-08 until 1964-12-09)
trombone:
Bill Harris (jazz trombonist) (from 1964-12-08 until 1964-12-09)
trumpet:
Harry “Sweets” Edison (from 1964-12-08 until 1964-12-09)
vibraphone:
Red Norvo (from 1964-12-08 until 1964-12-09)
vocals:
Mavis Rivers (from 1964-12-08 until 1964-12-09)
recorded at:
United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (from 1964-12-08 until 1964-12-09)
recording of:
Seems Like Old Times (in 1964-12)
writer:
John Jacob Loeb and Carmen Lombardo
1:46
9My Last Affair
producer:
Lee Young (40s-60s US jazz drummer, then producer/A&R)
bass:
Wyatt Ruther (from 1964-12-08 until 1964-12-09)
drums (drum set):
J.C. Heard (from 1964-12-08 until 1964-12-09)
piano:
Don Abney (US jazz pianist) (from 1964-12-08 until 1964-12-09)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-12-08 until 1964-12-09)
trombone:
Bill Harris (jazz trombonist) (from 1964-12-08 until 1964-12-09)
trumpet:
Harry “Sweets” Edison (from 1964-12-08 until 1964-12-09)
vibraphone:
Red Norvo (from 1964-12-08 until 1964-12-09)
vocals:
Mavis Rivers (from 1964-12-08 until 1964-12-09)
recorded at:
United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (from 1964-12-08 until 1964-12-09)
recording of:
My Last Affair (in 1964-12)
lyricist and composer:
Haven A. Johnson
3:01
10Someday Sweetheart
producer:
Lee Young (40s-60s US jazz drummer, then producer/A&R)
bass:
Wyatt Ruther (from 1964-12-08 until 1964-12-09)
drums (drum set):
J.C. Heard (from 1964-12-08 until 1964-12-09)
piano:
Don Abney (US jazz pianist) (from 1964-12-08 until 1964-12-09)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-12-08 until 1964-12-09)
trombone:
Bill Harris (jazz trombonist) (from 1964-12-08 until 1964-12-09)
trumpet:
Harry “Sweets” Edison (from 1964-12-08 until 1964-12-09)
vibraphone:
Red Norvo (from 1964-12-08 until 1964-12-09)
vocals:
Mavis Rivers (from 1964-12-08 until 1964-12-09)
recorded at:
United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (from 1964-12-08 until 1964-12-09)
recording of:
Someday Sweetheart (in 1964-12)
lyricist and composer:
Benjamin Franklin Spikes (Benjamin Franklin "Reb" Spikes) and John Curry Spikes
publisher:
Spikes Bros. and Carter Music House (on 1919-12-26)
2:51
11Ghost of a Chance
producer:
Lee Young (40s-60s US jazz drummer, then producer/A&R)
bass:
Wyatt Ruther (from 1964-12-08 until 1964-12-09)
drums (drum set):
J.C. Heard (from 1964-12-08 until 1964-12-09)
piano:
Don Abney (US jazz pianist) (from 1964-12-08 until 1964-12-09)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-12-08 until 1964-12-09)
trombone:
Bill Harris (jazz trombonist) (from 1964-12-08 until 1964-12-09)
trumpet:
Harry “Sweets” Edison (from 1964-12-08 until 1964-12-09)
vibraphone:
Red Norvo (from 1964-12-08 until 1964-12-09)
vocals:
Mavis Rivers (from 1964-12-08 until 1964-12-09)
recorded at:
United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (from 1964-12-08 until 1964-12-09)
recording of:
(I Don’t Stand) A Ghost of a Chance (in 1964-12)
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
2:16
12There'll Be Some Changes Made
producer:
Lee Young (40s-60s US jazz drummer, then producer/A&R)
bass:
Wyatt Ruther (from 1964-12-08 until 1964-12-09)
drums (drum set):
J.C. Heard (from 1964-12-08 until 1964-12-09)
piano:
Don Abney (US jazz pianist) (from 1964-12-08 until 1964-12-09)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-12-08 until 1964-12-09)
trombone:
Bill Harris (jazz trombonist) (from 1964-12-08 until 1964-12-09)
trumpet:
Harry “Sweets” Edison (from 1964-12-08 until 1964-12-09)
vibraphone:
Red Norvo (from 1964-12-08 until 1964-12-09)
vocals:
Mavis Rivers (from 1964-12-08 until 1964-12-09)
recorded at:
United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (from 1964-12-08 until 1964-12-09)
recording of:
There’ll Be Some Changes Made (in 1964-12)
publisher:
Harry H. Pace (in 1921)
lyricist:
Billy Higgins (1920s composer and singer)
composer:
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
3:37