5 Complete Operas

~ Release by Gaetano Donizetti; Maria Callas, Tullio Serafin (see all versions of this release, 1 available)

Tracklist

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1▼CD: Lucia di Lammermoor: Atto I
#TitleArtistRatingLength
1Lucia di Lammermoor: Preludio
producer:
Dino Olivieri (Italian musician, conductor and composer)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:11
2Lucia di Lammermoor: Atto I, Scena 1. “Percorrete le spiagge vicine”
producer:
Dino Olivieri (Italian musician, conductor and composer)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Normanno]:
Gino Sarri (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:27
3Lucia di Lammermoor: Atto I, Scena 1. “Tu sei turbato !... E n'ho ben donde”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Normanno]:
Gino Sarri (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2a) “Tu sei turbato!” (Normanno, Enrico, Raimondo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2a) “Tu sei turbato!” (Normanno, Enrico, Raimondo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2a) “Tu sei turbato!” (Normanno, Enrico, Raimondo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti3:13
4Lucia di Lammermoor: Atto I, Scena 1. “Cruda, funesta smania”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Normanno]:
Gino Sarri (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2b) “Cruda, funesta smania” (Enrico, Normanno) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2b) “Cruda, funesta smania” (Enrico, Normanno) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2b) “Cruda, funesta smania” (Enrico, Normanno) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:22
5Lucia di Lammermoor: Atto I, Scena 1. “Il tuo dubbio è ormai certezza”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Normanno]:
Gino Sarri (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2c) “Il tuo dubbio è ormai certezza … Come vinti da stanchezza” (Coro, Normanno, Enrico, Raimondo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2c) “Il tuo dubbio è ormai certezza … Come vinti da stanchezza” (Coro, Normanno, Enrico, Raimondo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2c) “Il tuo dubbio è ormai certezza … Come vinti da stanchezza” (Coro, Normanno, Enrico, Raimondo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:10
6Lucia di Lammermoor: Atto I, Scena 1. “La pietade in suo favore”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2d) “La pietade in suo favore” (Enrico, Coro, Raimondo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2d) “La pietade in suo favore” (Enrico, Coro, Raimondo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2d) “La pietade in suo favore” (Enrico, Coro, Raimondo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti1:40
7Lucia di Lammermoor: Atto I, Scena 2. “Maestoso”
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. Intermezzo "Maestoso” (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:39
8Lucia di Lammermoor: Atto I, Scena 2. “Ancor non giunse ? ”
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (from 1953-01-29 until 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3a) Scena “Ancor non giunse!” (Lucia, Alisa) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti1:35
9Lucia di Lammermoor: Atto I, Scena 2. “Regnava nel silenzio”
producer:
Dino Olivieri (Italian musician, conductor and composer)
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti4:02
10Lucia di Lammermoor: Atto I, Scena 2. “Quando rapito in estasi”
producer:
Dino Olivieri (Italian musician, conductor and composer)
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (from 1953-01-29 until 1953-01-30)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (from 1953-02-03 until 1953-02-04)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (on 1953-02-06)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti4:02
11Lucia di Lammermoor: Atto I, Scena 2. “Egli s'avanza”
producer:
Dino Olivieri (Italian musician, conductor and composer)
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4a) “Egli s'avanza” (“Lucia perdona”) (Alisa, Edgardo, Lucia) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4a) “Egli s'avanza” (“Lucia perdona”) (Alisa, Edgardo, Lucia) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4a) “Egli s'avanza” (“Lucia perdona”) (Alisa, Edgardo, Lucia) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:39
12Lucia di Lammermoor: Atto I, Scena 2. “Sulla tomba che rinserra
producer:
Dino Olivieri (Italian musician, conductor and composer)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4b) Duetto "Sulla tomba che rinserra" (Edgardo, Lucia) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4b) Duetto "Sulla tomba che rinserra" (Edgardo, Lucia) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4b) Duetto "Sulla tomba che rinserra" (Edgardo, Lucia) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:57
13Lucia di Lammermoor: Atto I, Scena 2. “Qui di sposa eterna fede”
producer:
Dino Olivieri (Italian musician, conductor and composer)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti1:35
14Lucia di Lammermoor: Atto I, Scena 2. “Ah, talor del tuo pensiero”
producer:
Dino Olivieri (Italian musician, conductor and composer)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti0:46
15Lucia di Lammermoor: Atto I, Scena 2. “Verranno a te sull'aure”
producer:
Dino Olivieri (Italian musician, conductor and composer)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4d) “Verranno a te sull’aure” (Edgardo, Lucia) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4d) “Verranno a te sull’aure” (Edgardo, Lucia) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4d) “Verranno a te sull’aure” (Edgardo, Lucia) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti4:15
2▼CD: Lucia di Lammermoor: Atto II e III
#TitleArtistRatingLength
1Lucia di Lammermoor: Atto II, Scena 1. “Moderato … Lucia fra poco a te verrà”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Normanno]:
Gino Sarri (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 5) Scena “Lucia fra poco a te verrà” (Normanno, Enrico) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 5) Scena “Lucia fra poco a te verrà” (Normanno, Enrico) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 5) Scena “Lucia fra poco a te verrà” (Normanno, Enrico) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:14
2Lucia di Lammermoor: Atto II, Scena 1. “Appressati, Lucia”
baritone vocals and baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6a) Recitativo “Appressati, Lucia” (Enrico) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:12
3Lucia di Lammermoor: Atto II, Scena 1. “Il pallor funesto, orrendo … A ragion mi fe' spietato”
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6b) Duetto “Il pallor, funesto, orrendo” (Lucia, Enrico) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
partial recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6b) Duetto “Il pallor, funesto, orrendo” (Lucia, Enrico)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti2:43
4Lucia di Lammermoor: Atto II, Scena 1. “Nobil sposo … Cessa, cessa!”
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6b) Duetto “Il pallor, funesto, orrendo” (Lucia, Enrico) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:14
5Lucia di Lammermoor: Atto II, Scena 1. “Soffriva nel pianto”
recorded in:
Firenze (Florence), Firenze, Toscana (Tuscany), Italy
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals:
Maria Callas (soprano)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6c) Duetto “Soffriva nel pianto” (Lucia, Enrico) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6c) Duetto “Soffriva nel pianto” (Lucia, Enrico) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6c) Duetto “Soffriva nel pianto” (Lucia, Enrico) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:24
6Lucia di Lammermoor: Atto II, Scena 1. “Che fia ? … Suonar di giubilo”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6d) Duetto “Che fia“ (Lucia, Enrico) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6d) Duetto “Che fia“ (Lucia, Enrico) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6d) Duetto “Che fia“ (Lucia, Enrico) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:24
7Lucia di Lammermoor: Atto II, Scena 1. “Se tradirmi tu potrai”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6e) Duetto “Se tradirmi tu potrai“ (Enrico, Lucia) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6e) Duetto “Se tradirmi tu potrai“ (Enrico, Lucia) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6e) Duetto “Se tradirmi tu potrai“ (Enrico, Lucia) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:59
8Lucia di Lammermoor: Atto II, Scena 2. “Per te d'immenso giubilo … Per poco fra le tenebre”
producer:
Dino Olivieri (Italian musician, conductor and composer)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Arturo]:
Valiano Natali (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (No. 8) Coro e cavatina “Per te d’immenso giubilo… Per poco fra le tenebre” (Coro, Arturo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (No. 8) Coro e cavatina “Per te d’immenso giubilo… Per poco fra le tenebre” (Coro, Arturo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (No. 8) Coro e cavatina “Per te d’immenso giubilo… Per poco fra le tenebre” (Coro, Arturo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:41
9Lucia di Lammermoor: Atto II, Scena 2. “Dov'è Lucia ? … Qui giungere or la vedrem”
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
tenor vocals [Arturo]:
Valiano Natali (tenor) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9a) Scena “Dov'è Lucia?” – “Piange la madre estinta” (Arturo, Enrico, Coro) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:59
10Lucia di Lammermoor: Atto II, Scena 2. “Ecco il tuo sposo”
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-02-06)
tenor vocals [Arturo]:
Valiano Natali (tenor) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9b) Quartetto “Ecco il tuo sposo” (Enrico, Lucia, Arturo, Raimondo) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti2:13
11Lucia di Lammermoor: Atto II, Scena 2. “Chi mi frena in tal momento”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Arturo]:
Valiano Natali (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:35
12Lucia di Lammermoor: Atto II, Scena 2. “T'allontana, sciagurato … Rispettate in me di dio”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Arturo]:
Valiano Natali (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10a) Stretta del finale “T'allontana, sciagurato” (Enrico, Arturo, Edgardo, Lucia, Raimondo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10a) Stretta del finale “T'allontana, sciagurato” (Enrico, Arturo, Edgardo, Lucia, Raimondo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10a) Stretta del finale “T'allontana, sciagurato” (Enrico, Arturo, Edgardo, Lucia, Raimondo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:08
13Lucia di Lammermoor: Atto II, Scena 2. “Sconsigliato ! In queste porte chi ti guida ?”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10) Finale II “Maledetto sia l'istante” (Edgardo, Enrico, Arturo, Coro, Lucia, Raimondo, Alisa) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10) Finale II “Maledetto sia l'istante” (Edgardo, Enrico, Arturo, Coro, Lucia, Raimondo, Alisa) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10) Finale II “Maledetto sia l'istante” (Edgardo, Enrico, Arturo, Coro, Lucia, Raimondo, Alisa) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti2:09
14Lucia di Lammermoor: Atto II, Scena 2. “Esci, fuggi, il furor che m'accende”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Arturo]:
Valiano Natali (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10c) “Esci, fuggi, il furor che mi accende” (Arturo, Enrico, Coro, Raimondo, Lucia, Edgardo, Alisa) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10c) “Esci, fuggi, il furor che mi accende” (Arturo, Enrico, Coro, Raimondo, Lucia, Edgardo, Alisa) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10c) “Esci, fuggi, il furor che mi accende” (Arturo, Enrico, Coro, Raimondo, Lucia, Edgardo, Alisa) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:23
15Lucia di Lammermoor: Atto III, Scena 1. “D'immenso giubilo”
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. “D'immenso giubilo s'innalzi un grido” (Coro) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti1:46
16Lucia di Lammermoor: Atto III, Scena 1. “Ah ! … Deh, cessate quel contento ! … Dalle stanze ove Lucia”
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Deh, cessate quel contento” … “Dalle stanze ove Lucia” (Raimondo, Coro) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:22
17Lucia di Lammermoor: Atto III, Scena 1. “Oh ! Qual funesto avvenimento !”
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Oh! qual funesto avvenimento” (Coro, Raimondo) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti2:49
18Lucia di Lammermoor: Atto III, Scena 1. “Oh giusto cielo ! … Il dolce suono”
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:28
19Lucia di Lammermoor: Atto III, Scena 1. “Ohimè! Sorge il tremendo”
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:28
20Lucia di Lammermoor: Atto III, Scena 1. “Ardon gli incensi, splendon le sacre faci”
recorded in:
Firenze (Florence), Firenze, Toscana (Tuscany), Italy (in 1953)
bass vocals:
Raffaele Arié (operatic bass) (in 1953)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (in 1953, from 1953-01-29 until 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (in 1953)
soprano vocals:
Maria Callas (soprano) (in 1953)
soprano vocals [Lucia]:
Maria Callas (soprano) (in 1953, from 1953-01-29 until 1953-02-06)
tenor vocals:
Gino Sarri (tenor) (in 1953)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1953, from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (in 1953, from 1953-01-29 until 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (in 1953)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (in 1953, from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) (in 1953)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti5:26
21Lucia di Lammermoor: Atto III, Scena 1. “Spargi d'amaro pianto”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:52
22Lucia di Lammermoor: Atto III, Scena 2. “Maestoso … Tombe degli avi miei”
producer:
Dino Olivieri (Italian musician, conductor and composer)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:09
23Lucia di Lammermoor: Atto III, Scena 2. “Fra poco a me ricovero”
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:31
24Lucia di Lammermoor: Atto III, Scena 2. “Oh, meschina! Oh, fato orrendo!”
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Oh, meschina! O, fato orrendo” (Coro, Edgardo, Raimondo) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:03
25Lucia di Lammermoor: Atto III, Scena 2. “Dove corri, sventurato ?”
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Oh, meschina! O, fato orrendo” (Coro, Edgardo, Raimondo) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti1:06
26Lucia di Lammermoor: Atto III, Scena 2. “Tu che a dio spiegasti l'ali”
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti2:47
27Lucia di Lammermoor: Atto III, Scena 2. “Che facesti ?”
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti2:29
3▼CD: L'elisir d'amore: Atto I
#TitleArtistRatingLength
1L’elisir d’amore: Preludio
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto I. Preludio (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:17
2L’elisir d’amore: Atto I. “Bel conforto al mietitore”
choir vocals:
Coro del Teatro alla Scala di Milano (in 1958-08)
mezzo-soprano vocals [Giannetta]:
Angela Vercelli (Italian mezzo-soprano) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
chorus master:
Norberto Mola (chorus master) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto I. Coro d’Introduzione “Bel conforto al mietitore” (Giannetta, Coro) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti0:55
3L’elisir d’amore: Atto I. “Quanto è bella, quanto è cara!”
choir vocals:
Coro del Teatro alla Scala di Milano (in 1958-08)
mezzo-soprano vocals [Giannetta]:
Angela Vercelli (Italian mezzo-soprano) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
chorus master:
Norberto Mola (chorus master) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto I. “Quanto è bella, quanto è cara” (Nemorino, Giannetta, Coro) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:48
4L’elisir d’amore: Atto I. “Chi la mente mi rischiara?”
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto I. “Chi la mente mi rischiara?” (Nemorino, Adina) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti0:40
5L’elisir d’amore: Atto I. “Benedette queste carte!”
choir vocals:
Coro del Teatro alla Scala di Milano (in 1958-08)
mezzo-soprano vocals [Giannetta]:
Angela Vercelli (Italian mezzo-soprano) (in 1958-08)
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
chorus master:
Norberto Mola (chorus master) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto I. Scena e Cavatina “Benedette queste carte!” … “Della crudele Isotta” (Adina, Giannetta, Nemorino, Coro) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti0:36
6L’elisir d’amore: Atto I. “Della crudele Isotta”
choir vocals:
Coro del Teatro alla Scala di Milano (in 1958-08)
mezzo-soprano vocals [Giannetta]:
Angela Vercelli (Italian mezzo-soprano) (in 1958-08)
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
chorus master:
Norberto Mola (chorus master) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto I. Scena e Cavatina “Benedette queste carte!” … “Della crudele Isotta” (Adina, Giannetta, Nemorino, Coro) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti4:06
7L’elisir d’amore: Atto I. “Come Paride vezzoso”
baritone vocals [Belcore]:
Rolando Panerai (baritone) (in 1958-08)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1958-08)
mezzo-soprano vocals [Giannetta]:
Angela Vercelli (Italian mezzo-soprano) (in 1958-08)
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
chorus master:
Norberto Mola (chorus master) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto I. Cavatina “Come Paride vezzoso” (Belcore, Adina, Giannetta, Nemorino, Coro) (Cavatina) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti4:32
8L’elisir d’amore: Atto I. “Or se m'ami, com'io t'amo”
baritone vocals [Belcore]:
Rolando Panerai (baritone) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto I. “Or se m’ami, com’io t’amo” (Belcore) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:20
9L’elisir d’amore: Atto I. “Intanto, o mia ragazza”
baritone vocals [Belcore]:
Rolando Panerai (baritone) (in 1958-08)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1958-08)
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
chorus master:
Norberto Mola (chorus master) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto I. Recitativo “Intanto, o mia ragazza” (Belcore, Adina, Coro) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:12
10L’elisir d’amore: Atto I. “Chiedi all'aura lusinghiera”
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto I. Duetto “Chiedi all’aura lusinghiera” (Adina, Nemorino) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti6:24
11L’elisir d’amore: Atto I. “Che vuol dire codesta suonata?”
choir vocals:
Coro del Teatro alla Scala di Milano (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
chorus master:
Norberto Mola (chorus master) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto I. Coro “Che vuol dire cotesta suonata” (Coro) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti1:40
12L’elisir d’amore: Atto I. “Udite, udite, o rustici”
baritone vocals [Dulcamara]:
Giuseppe Taddei (baritone) (in 1958-08)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
chorus master:
Norberto Mola (chorus master) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto I. Cavatina “Udite, udite, o rustici” … “Così chiaro è come il sole” (Dulcamara, Coro) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti7:42
13L’elisir d’amore: Atto I. “Ardir! Ha forse il cielo”
baritone vocals [Dulcamara]:
Giuseppe Taddei (baritone) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto I. Recitativo “Ardir! Ha forse il cielo mandato” (Nemorino, Dulcamara) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti0:42
14L’elisir d’amore: Atto I. “Voglio dire …”
baritone vocals [Dulcamara]:
Giuseppe Taddei (baritone) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto I. Duetto “Voglio dire, lo stupendo elisir” … “Obbligato, ah! Sì obbligato!” (Nemorino, Dulcamara) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti6:18
15L’elisir d’amore: Atto I. “Caro elisir! Sei mio!”
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto I. Recitativo “Caro elisir! sei mio!” (Nemorino) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:21
16L’elisir d’amore: Atto I. “La ra, la ra... Non so se è finta o vera”
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto I. Scena e duetto “Lallarallara…Esulti pur la barbara” (Nemorino, Adina) (in 1958-08)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti5:41
17L’elisir d’amore: Atto I. “Tran tran, tran tran, tran tran. In guerra ed in amor …”
baritone vocals [Belcore]:
Rolando Panerai (baritone) (in 1958-08)
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto I. Terzetto “Tran, tran, tran...In guerra ed in amor” (Belcore, Adina, Nemorino) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:04
18L’elisir d’amore: Atto I. “Signor sargente”
baritone vocals [Belcore]:
Rolando Panerai (baritone) (in 1958-08)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1958-08)
mezzo-soprano vocals [Giannetta]:
Angela Vercelli (Italian mezzo-soprano) (in 1958-08)
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
chorus master:
Norberto Mola (chorus master) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto I. Scena e quartetto “Signor sargente, di voi richiede la vostra gente” (Giannetta, Belcore, Nemorino, Adina, Coro) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:37
19L’elisir d’amore: Atto I. “Adina, credimi, te ne scongiuro”
baritone vocals [Belcore]:
Rolando Panerai (baritone) (in 1958-08)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1958-08)
mezzo-soprano vocals [Giannetta]:
Angela Vercelli (Italian mezzo-soprano) (in 1958-08)
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
chorus master:
Norberto Mola (chorus master) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto I. Quartetto “Adina credimi, te ne scongiuro” (Nemorino, Belcore, Adina, Giannetta, Coro) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti4:31
20L’elisir d’amore: Atto I. “Andiam, Belcore”
baritone vocals [Belcore]:
Rolando Panerai (baritone) (in 1958-08)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1958-08)
mezzo-soprano vocals [Giannetta]:
Angela Vercelli (Italian mezzo-soprano) (in 1958-08)
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
chorus master:
Norberto Mola (chorus master) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto I. Quartetto “Andiam, Belcore” … “Fra lieti concenti, gioconda brigata” (Adina, Nemorino, Giannetta, Belcore, Coro) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:09
4▼CD: L'elisir d'amore: Atto II
#TitleArtistRatingLength
1L’elisir d’amore: Atto II. “Cantiamo, cantiam, cantiam”
baritone vocals [Belcore]:
Rolando Panerai (baritone) (in 1958-08)
baritone vocals [Dulcamara]:
Giuseppe Taddei (baritone) (in 1958-08)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1958-08)
mezzo-soprano vocals [Giannetta]:
Angela Vercelli (Italian mezzo-soprano) (in 1958-08)
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
chorus master:
Norberto Mola (chorus master) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto II. Coro d’introduzione “Cantiamo, facciam brindisi” (Belcore, Dulcamara, Giannetta, Adina, Coro) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:59
2L’elisir d’amore: Atto II. “Io son ricco, e tu sei bella”
baritone vocals [Dulcamara]:
Giuseppe Taddei (baritone) (in 1958-08)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1958-08)
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
chorus master:
Norberto Mola (chorus master) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto II. Barcaruola “Io son ricco e tu sei bella” (Dulcamara, Adina, Coro) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:03
3L’elisir d’amore: Atto II. “È qua il notaro”
baritone vocals [Belcore]:
Rolando Panerai (baritone) (in 1958-08)
baritone vocals [Dulcamara]:
Giuseppe Taddei (baritone) (in 1958-08)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1958-08)
mezzo-soprano vocals [Giannetta]:
Angela Vercelli (Italian mezzo-soprano) (in 1958-08)
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
chorus master:
Norberto Mola (chorus master) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto II. Recitativo “Silenzio! È qua il notaro”… “Cantiamo, facciam brindisi (reprise)” (Belcore, Dulcamara, Adina, Gianetta, Coro) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti1:40
4L’elisir d’amore: Atto II. “Le feste nuziali son piacevoli assai”
baritone vocals [Dulcamara]:
Giuseppe Taddei (baritone) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto II. Recitativo “Le feste nuziali” (Dulcamara, Nemorino) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti1:49
5L’elisir d’amore: Atto II. “La donna è un animale”
baritone vocals [Belcore]:
Rolando Panerai (baritone) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto II. Scena e Duetto “La donna è un animale stravagante” … “Venti scudi!” (Belcore, Nemorino) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:33
6L’elisir d’amore: Atto II. “Ai perigli della guerra”
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto II. “Ai perigli della guerra” (Nemorino) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti3:08
7L’elisir d’amore: Atto II. “Qua la mano, giovinotto”
baritone vocals [Belcore]:
Rolando Panerai (baritone) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto II. Recitativo “Qua la mano, giovinotto” (Belcore, Nemorino) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:02
8L’elisir d’amore: Atto II. “Saria possibile?”
choir vocals:
Coro del Teatro alla Scala di Milano (in 1958-08)
mezzo-soprano vocals [Giannetta]:
Angela Vercelli (Italian mezzo-soprano) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
chorus master:
Norberto Mola (chorus master) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto II. Coro “Saria possibile?” (Coro, Giannetta) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:03
9L’elisir d’amore: Atto II. “Dell'elisir mirabile”
baritone vocals [Dulcamara]:
Giuseppe Taddei (baritone) (in 1958-08)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1958-08)
mezzo-soprano vocals [Giannetta]:
Angela Vercelli (Italian mezzo-soprano) (in 1958-08)
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
chorus master:
Norberto Mola (chorus master) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto II. Quartetto “Dell’elisir mirabile” … “Io già m’immagino” (Nemorino, Giannetta, Adina, Dulcamara, Coro) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:21
10L’elisir d’amore: Atto II. “Come sen va contento!”
baritone vocals [Dulcamara]:
Giuseppe Taddei (baritone) (in 1958-08)
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto II. Recitativo “Come sen va contento!” (Adina, Dulcamara) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti1:26
11L’elisir d’amore: Atto II. “Quanto amore! Ed io, spietata”
baritone vocals [Dulcamara]:
Giuseppe Taddei (baritone) (in 1958-08)
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto II. Duetto “Quanto amore! Ed io, spietata!” (Adina, Dulcamara) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:05
12L’elisir d’amore: Atto II. “Bella Adina, qua un momento …”
baritone vocals [Dulcamara]:
Giuseppe Taddei (baritone) (in 1958-08)
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto II. “Bella Adina, qua un momento …” (Dulcamara, Adina) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:15
13L’elisir d’amore: Atto II. “Una tenera occhiatina”
baritone vocals [Dulcamara]:
Giuseppe Taddei (baritone) (in 1958-08)
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto II. “Una tenera occhiatina” (Adina, Dulcamara) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti1:33
14L’elisir d’amore: Atto II. “Una furtiva lagrima”
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti5:36
15L’elisir d’amore: Atto II. “Eccola... Oh! Qual le accresce”
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto II. Recitativo “Eccola. Oh! qual le accresce beltà” (Nemorino, Adina) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti1:11
16L’elisir d’amore: Atto II. “Prendi, per me sei libero”
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto II. Aria “Prendi, per me sei libero” (Adina, Nemorino) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:08
17L’elisir d’amore: Atto II. “Ebben, tenete. Poiché non sono amato”
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto II. “Ebben, tenete. Poiché non sono amato” (Nemorino, Adina) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti1:59
18L’elisir d’amore: Atto II. “Il mio rigor dimentica”
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto II. “Il mio rigor dimentica” (Adina, Nemorino) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti0:21
19L’elisir d’amore: Atto II. “Alto! Fronte! Che vedo?”
baritone vocals [Belcore]:
Rolando Panerai (baritone) (in 1958-08)
baritone vocals [Dulcamara]:
Giuseppe Taddei (baritone) (in 1958-08)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1958-08)
mezzo-soprano vocals [Giannetta]:
Angela Vercelli (Italian mezzo-soprano) (in 1958-08)
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
chorus master:
Norberto Mola (chorus master) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto II. Recitativo “Alto! Fronte! Che vedo?” (Belcore, Adina, Dulcamara, Nemorino, Giannetta, Coro) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti0:47
20L’elisir d’amore: Atto II. “Ei corregge ogni difetto”
baritone vocals [Belcore]:
Rolando Panerai (baritone) (in 1958-08)
baritone vocals [Dulcamara]:
Giuseppe Taddei (baritone) (in 1958-08)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1958-08)
soprano vocals [Adina]:
Rosanna Carteri (Italian soprano) (in 1958-08)
tenor vocals [Nemorino]:
Luigi Alva (tenor) (in 1958-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1958-08)
conductor:
Tullio Serafin (conductor) (in 1958-08)
chorus master:
Norberto Mola (chorus master) (in 1958-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1958-08)
recording of:
L’elisir d’amore: Atto II. Aria finale “Ei corregge ogni difetto” (Dulcamara, Adina, Nemorino, Belcore, Coro) (in 1958-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti1:34
5▶CD: Anna Bolena: Atto I
6▶CD: Anna Bolena: Atto II

Credits

Release group

includes:Anna Bolena (1957 live Milan recording) by Donizetti (Italian opera composer); Maria Callas (soprano), Giulietta Simionato (mezzo-soprano), Nicola Rossi‐Lemeni (operatic bass), Gianni Raimondi (Italian operatic tenor), Gabriella Carturan (mezzo-soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Gianandrea Gavazzeni (conductor)
L’elisir d’amore
Lucia di Lammermoor (1953 Florence Recording) by Gaetano Donizetti (Italian opera composer); Maria Callas (soprano), Tullio Serafin (conductor)