Tidenes Beste Klassiske Barneplate

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1De Fire Årstidene, Nr. 1 "Allegro"
producer:
John Mordler (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
harpsichord:
Igor Kipnis (in 1972-07)
violin:
Konstanty Andrzej Kulka (violinist) (from 1972-07-20 until 1972-07-21)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07-20 until 1972-07-21)
conductor:
Karl Münchinger (German conductor) (from 1972-07-20 until 1972-07-21)
balance engineer:
Martin Fouqué (from 1972-07-20 until 1972-07-21) and James Lock (James Locke, engineer) (from 1972-07-20 until 1972-07-21)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1972-07-20 until 1972-07-21)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1972-07-20 until 1972-07-21)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:13
2Pianosonate "Alla Turca"
producer:
Erik Smith (British producer, pianist and harpsichordist)
piano:
Mitsuko Uchida (pianist) (in 1983-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1983-10)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (in 1983-10)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart3:31
3Norsk Dans Nr. 2
Edvard Grieg2:17
4Bojarenes Inntogsmars
orchestra:
Bergen Philharmonic Orchestra
conductor:
Karsten Andersen
recording of:
Bojarenes inntogsmarsj (Entry March of the Boyars)
composer:
Johan Halvorsen (Norwegian composer) (in 1895)
Johan Halvorsen4:08
5Peter og Ulven (Utdrag)
Сергей Сергеевич Прокофьев0:55
6Svanesjøen "Scene"
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1965-03-15 until 1965-03-19)
conductor:
Herbert von Karajan (conductor) (from 1965-03-15 until 1965-03-19)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1965-03-15 until 1965-03-19) and Gordon Parry (engineer) (from 1965-03-15 until 1965-03-19)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1965-03-15 until 1965-03-19)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight) (from 1965-03-15 until 1965-03-19)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский2:35
7Dyrenes Karneval "Fossilene"
piano:
Cristina Ortiz (Brazilian pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : XII. Fossiles (The Carnival of the Animals: XII. Fossils, strings, two pianos, clarinet, and xylophone) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:21
8Dyrenes Karneval "Finale"
piano:
Cristina Ortiz (Brazilian pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : XIV. Finale (The Carnival of the Animals: XIV. Finale, full ensemble) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:53
9På Den Vakre Blåe Donau, Op. 314
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic)
conductor:
Willi Boskovsky (violinist and conductor)
phonographic copyright (℗) by:
Decca Music Group Ltd. (not for release label use, for ℗ & © rights holder use only) (in 1960) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss9:12
10Til Elise
producer:
Andrew Cornall (engineer / producer) (from 1984-05 to present)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1984-05)
balance engineer:
Colin Moorfoot (engineer) (in 1984-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1984-05)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59) (in 1984-05)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven2:58
11Humlens Flukt
engineer:
Roy Wallace (recording engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1957-05-11)
conductor:
Ernest Ansermet (conductor) (on 1957-05-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1957-04, on 1957-05-11)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan) (on 1957-05-11)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
Николай Андреевич Римский‐Корсаков1:39
12Sonate for 2 Pianoer
Wolfgang Amadeus Mozart9:23
13Barnas Hjørne: Busemannens Negerdans
recording engineer:
Colin Moorfoot (engineer) (on 1979-09-20)
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (on 1979-09-20)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1979-09-20)
recording of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk (original piano version) (on 1979-09-20)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:54
14Peer Gynt "Anitras Dans"
orchestra:
London Symphony Orchestra
conductor:
Per Dreier (Norwegian conductor)
Edvard Grieg3:32
15Prinsessen Kom Ridende På Bjørnen
Johan Halvorsen3:10
16Måneskinnsonaten, Nr. 14
recording engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
producer:
Michael Woolcock (producer)
piano:
Radu Lupu (Romanian concert pianist) (from 1972-06-13 until 1972-06-16)
solo piano:
Radu Lupu (Romanian concert pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1972-06-13 until 1972-06-16)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (from 1972-06-13 until 1972-06-16)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven7:02
2▼CD
#TitleArtistRatingLength
1Peer Gynt "Dovregubbens Hall"
Edvard Grieg2:23
2Syv Spring
[unknown]1:36
3Peer Gynt "Morgenstemning"
Edvard Grieg3:52
4Orkestersuite Nr. 2 "Badinerie"
flute:
William Bennett (flautist) (in 1970-12)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
orchestra:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:26
5Eine kleine Nacthmusik "Allegro"
orchestra:
Academy of St Martin in the Fields (in 1970-10)
conductor:
Neville Marriner (conductor) (in 1970-10)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (in 1970-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:50
6Rinaldo "Marsj og Slag"
orchestra:
English Chamber Orchestra
conductor:
Richard Bonynge (conductor and pianist)
partial recording of:
Rinaldo, HWV 7b (1731 revised version)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Giacomo Rossi
premiered at:
King’s Theatre (Haymarket, London) in London (Greater London), England, United Kingdom (on 1731-04-06)
part of:
Händel-Werke-Verzeichnis (number: HWV 7b)
revision of:
Rinaldo, HWV 7a (1717 revised version)
George Frideric Handel2:36
7Jesu Joy of Man's Desire
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Lucien Cailliet and Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1977-10)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (in 1977-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:02
8Grand Vals Briljant, Vals Nr. 1
piano:
Claudio Arrau (pianist) (in 1979-03)
recording of:
Waltz no. 1 in E‐flat major, op. 18 “Grande Valse brillante” (in 1979-03)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1833)
dedicated to:
Laura Harsford
part of:
Works of Fryderyk Chopin by opus number (number: op. 18)
Fryderyk Chopin6:06
912 variasjoner i C-dur "Twinkle, Twinkle, Little Star"
piano:
Ingrid Haebler (pianist) (in 1975-12)
recording of:
12 Variations on French Traditional: "Ah, vous dirai-je, Maman" for Piano in C major, K. 300e/265 (in 1975-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1781 until 1782)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 265) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 300e)
arrangement of:
Twinkle, Twinkle, Little Star
is based on:
Ah ! Vous dirai‐je, maman
Wolfgang Amadeus Mozart13:13
10Musikk for det kongelige fyrverkeri "La Réjoussance"
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:01
11Pianokonsert Nr. 17
recording engineer:
Hans Lauterslager
producer:
Erik Smith (British producer, pianist and harpsichordist)
piano:
Alfred Brendel (Austrian pianist) (from 1970-09-26 until 1970-09-29)
orchestra:
Academy of St Martin in the Fields (from 1970-09-26 until 1970-09-29)
conductor:
Sir Neville Marriner (conductor) (from 1970-09-26 until 1970-09-29)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1970-09-26 until 1970-09-29)
recording of:
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto (from 1970-09-26 until 1970-09-29)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1784)
part of:
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer"
Wolfgang Amadeus Mozart7:36
12Minuttvalsen, Vals Nr. 1
piano:
Claudio Arrau (pianist) (in 1979-03)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” (in 1979-03)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Fryderyk Chopin2:25
13Orkestersuite Nr. 3 i D-dur "Air"
producer:
Michael Bremner (producer/engineer)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1970-12)
conductor:
Neville Marriner (conductor) (in 1970-12)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:12
14Goldberg variasjonene "Arie"
engineer:
Simon Eadon (classical music engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1982-04-13 until 1982-04-15)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-04-13 until 1982-04-15)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (from 1982-04-13 until 1982-04-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:47
15Pathétique, Nr. 8
recording engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
producer:
Michael Woolcock (producer)
piano:
Radu Lupu (Romanian concert pianist) (from 1972-06-13 until 1972-06-16)
solo piano:
Radu Lupu (Romanian concert pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1972-06-13 until 1972-06-16)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (from 1972-06-13 until 1972-06-16)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven7:04
16Voggesang
harp:
Marisa Robles (Spanish harpist)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch‐all for arrangements)
composer:
Johannes Brahms (German composer)
arrangement of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
Johannes Brahms2:28