Sarah Vaughan Sings the Standards

~ Release by Sarah Vaughan (see all versions of this release, 1 available)

Tracklist

1▼Medium
#TitleRatingLength
1Fly Me to the Moon (In Other Words)
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
2:55
2All I Do Is Dream of You
producer:
Teddy Reig
bass:
Joe Comfort
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
All I Do Is Dream of You (Singin’ in the Rain) (in 1962-08)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI United Partnership Ltd.
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
2:57
3Falling in Love With Love
alto saxophone:
Bill Green (woodwind) (on 1962-08-13) and Paul Horn (on 1962-08-13)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-13)
bass:
Joe Comfort (on 1962-08-13)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-13)
drums (drum set):
Earl Palmer (on 1962-08-13)
guitar:
Ulysses Livingston (on 1962-08-13)
piano:
Lou Levy (on 1962-08-13)
tenor saxophone:
Buddy Collette (on 1962-08-13) and Plas Johnson (on 1962-08-13)
trombone:
Lou Blackburn (on 1962-08-13), Ed Kusby (on 1962-08-13) and Tommy Shepard (trombonist) (on 1962-08-13)
trumpet:
Carmell Jones (on 1962-08-13), Reunald Jones (on 1962-08-13), Al Porcino (on 1962-08-13) and Shorty Sherock (on 1962-08-13)
tuba:
Red Callender (on 1962-08-13)
vocals:
Sarah Vaughan (on 1962-08-13)
conductor:
Benny Carter (on 1962-08-13)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-13)
cover recording of:
Falling in Love With Love (on 1962-08-13)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
2:31
4My Favourite Things
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1961-07-18)
cover recording of:
My Favorite Things (The Sound of Music) (on 1961-07-18)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
2:46
5’Round Midnight
double bass:
Al McKibbon (double bassist) (on 1963-05-29)
drums (drum set):
Milt Turner (on 1963-05-29)
guitar:
John Collins (US jazz guitarist) (on 1963-05-29)
organ:
Ernie Freeman (on 1963-05-29)
tenor saxophone:
Teddy Edwards (jazz saxophonist) (on 1963-05-29)
trumpet:
Carmell Jones (on 1963-05-29)
vocals:
Sarah Vaughan (on 1963-05-29)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1963-05-29)
cover recording of:
’Round Midnight (on 1963-05-29)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
3:35
6The Very Thought of You
cover recording of:
The Very Thought of You
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
4:15
7As Long as He Needs Me
vocals:
Sarah Vaughan (on 1963-03-05)
conductor:
Marty Manning (on 1963-03-05)
arranger:
Marty Manning
recorded at:
Bell Sound Studios in New York, New York, United States (on 1963-03-05)
cover recording of:
As Long as He Needs Me (Oliver!) (on 1963-03-05)
lyricist and composer:
Lionel Bart
publisher:
Lakeview Music Publishing Company Ltd. and TRO-Hollis, Inc.
part of:
Oliver! (Lionel Bart musical)
3:15
8Call Me Irreposnsible
vocals:
Sarah Vaughan (on 1963-02-13)
conductor:
Marty Manning (on 1963-02-13)
arranger:
Marty Manning
recorded at:
Bell Sound Studios in New York, New York, United States (on 1963-02-13)
cover recording of:
Call Me Irresponsible (on 1963-02-13)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Paramount Music Corporation
part of:
The 36th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1963 winner)
2:40
9Baby Won’t You Please Come Home
double bass:
Al McKibbon (double bassist) (on 1963-06-10)
drums (drum set):
Earl Palmer (on 1963-06-10)
guitar:
John Collins (US jazz guitarist) (on 1963-06-10)
organ:
Jack Wilson (jazz pianist) (on 1963-06-10)
tenor saxophone:
Teddy Edwards (jazz saxophonist) (on 1963-06-10)
trumpet:
Carmell Jones (on 1963-06-10)
vocals:
Sarah Vaughan (on 1963-06-10)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1963-06-10)
cover recording of:
Baby Won’t You Please Come Home (on 1963-06-10)
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
3:09
10The Man I Love
conductor:
Benny Carter
cover recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
4:05
11Moonglow
cover recording of:
Moonglow
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
2:29
12The More I See You
drums (drum set):
Percy Brice (in 1960-04)
guitar:
Barry Galbraith (in 1960-04)
harp:
Janet Soyer (in 1960-04)
trumpet:
Harry “Sweets” Edison (in 1960-04)
vocals:
Sarah Vaughan (in 1960-04)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1960-04)
cover recording of:
The More I See You (in 1960-04)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music International Ltd.
translated version of:
The More I See You (Valli’s version with french lyrics)
3:08
13Always on My Mind
bass:
Joe Comfort (on 1963-06-12)
drums (drum set):
Alvin Stoller (on 1963-06-12)
French horn:
Jack Cave (on 1963-06-12), Vincent DeRosa (on 1963-06-12), Dick Perissi (on 1963-06-12) and William Hinshaw (American horn player) (on 1963-06-12)
guitar:
Barney Kessel (on 1963-06-12)
piano:
Jimmy Rowles (on 1963-06-12)
tuba:
Red Callender (on 1963-06-12)
vocals:
Sarah Vaughan (on 1963-06-12)
conductor:
Benny Carter (on 1963-06-12)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1963-06-12)
recording of:
Always on My Mind (on 1963-06-12)
lyricist:
Norman Newell
composer:
Philip Green (British conductor, composer and instrumentalist)
3:03
14Have You Met Miss Jones
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1960-10-19)
vocals:
Sarah Vaughan (on 1960-10-19)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-10-19)
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1960-10-19)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
2:21
15Goodnight Sweetheart
producer:
Teddy Reig
bass:
Joe Comfort
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
recording of:
Goodnight, Sweetheart
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ray Noble
translator:
Rudy Vallée
publisher:
Campbell Connelly Inc. (ASCAP affiliated) and EMI Robbins Catalog Inc. (ASCAP)
part of:
1941
3:37
16I Got Rhythm
vocals:
Sarah Vaughan (in 1963-06)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (in 1963-06)
cover recording of:
I Got Rhythm
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
1:54
17Guess I’ll Hang My Tears Out to Dry
double bass:
Al McKibbon (double bassist) (on 1963-05-29)
drums (drum set):
Milt Turner (on 1963-05-29)
guitar:
John Collins (US jazz guitarist) (on 1963-05-29)
organ:
Ernie Freeman (on 1963-05-29)
tenor saxophone:
Teddy Edwards (jazz saxophonist) (on 1963-05-29)
trumpet:
Carmell Jones (on 1963-05-29)
vocals:
Sarah Vaughan (on 1963-05-29)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1963-05-29)
cover recording of:
Guess I’ll Hang My Tears Out to Dry (on 1963-05-29)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA) and Chappell Music (UK)
4:09
18The Trolley Song
alto saxophone:
Paul Horn (on 1962-09-09) and Wilbur Schwartz (on 1962-09-09)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-09-09)
bass:
Joe Comfort (on 1962-09-09)
bass trombone:
Ken Shroyer (trombonist)
drums (drum set):
Earl Palmer (on 1962-09-09)
guitar:
Ulysses Livingston (on 1962-09-09)
piano:
Lou Levy (on 1962-09-09)
tenor saxophone:
Buddy Collette (on 1962-09-09), Plas Johnson (on 1962-09-09) and Dave Pell (on 1962-09-09)
trombone:
Lou Blackburn (on 1962-09-09), Ed Kusby (on 1962-09-09) and Tommy Shepard (trombonist) (on 1962-09-09)
trumpet:
Don Fagerquist (on 1962-09-09), Carmell Jones (on 1962-09-09), Al Porcino (on 1962-09-09) and Shorty Sherock (on 1962-09-09)
tuba:
Red Callender (on 1962-09-09)
vocals:
Sarah Vaughan (on 1962-09-09)
conductor:
Benny Carter (on 1962-09-09)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-09-09)
cover recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (on 1962-09-09)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc., EMI United Partnership Ltd. and United Partnership Ltd.
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
2:39
19You’re Driving Me Crazy
bass:
Joe Comfort (on 1963-06-12)
drums (drum set):
Alvin Stoller (on 1963-06-12)
French horn:
Jack Cave (on 1963-06-12), Vincent DeRosa (on 1963-06-12), Dick Perissi (on 1963-06-12) and William Hinshaw (American horn player) (on 1963-06-12)
guitar:
Barney Kessel (on 1963-06-12)
piano:
Jimmy Rowles (on 1963-06-12)
tuba:
Red Callender (on 1963-06-12)
vocals:
Sarah Vaughan (on 1963-06-12)
conductor:
Benny Carter (on 1963-06-12)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1963-06-12)
cover recording of:
You’re Driving Me Crazy (on 1963-06-12)
lyricist:
Walter Donaldson
composer:
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
3:02
20These Foolish Things (Remind Me of You)
cover recording of:
These Foolish Things (Remind Me of You)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
3:47
21Stormy Weather
cover recording of:
Stormy Weather
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
3:30
22Ev’ry Time We Say Goodbye
bass:
George Duvivier (on 1961-07-18)
guitar:
Mundell Lowe (on 1961-07-18)
vocals:
Sarah Vaughan (on 1961-07-18)
recorded at:
RKO-Pathé Studios in New York, New York, United States (on 1961-07-18)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (on 1961-07-18)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:26

Credits

Release

ASIN:DE: B0000AEKBG [info]