Annotation

Other Identifiers
Matrix / Runout (Disc 1): B000073002A 1088714260
Mastering SID Code (Disc 1): IFPI L771
Mould SID Code (Disc 1): ifpi 2A40
Matrix / Runout (Disc 2): B000073002B 1088314250
Mastering SID Code (Disc 2): IFPI L771
Mould SID Code (Disc 2): ifpi 2A01
Matrix / Runout (Disc 3): B000073002C 1088414251
Mastering SID Code (Disc 3): IFPI L771
Mould SID Code (Disc 3): ifpi 2A19

Annotation last modified on 2025-08-07 08:59 UTC.

Tracklist

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1CD
#TitleArtistRatingLength
1Maybellene
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-05-21)
guitar and lead vocals:
Chuck Berry (on 1955-05-21)
maracas [possibly]:
Leonard Chess (on 1955-05-21) and Jerome Green (on 1955-05-21)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-05-21)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-05-21)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 102)
recording of:
Maybellene (on 1955-05-21)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Salee Music Company
Chuck Berry3.852:21
2Gettin' Lucky
Head East4:04
3Let It Ride
assistant engineer:
Marc Sterling
engineer:
Buzz Richmond
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
bass and lead vocals:
C.F. Turner (from 1973-09 until 1973-10)
drums (drum set):
Robbie Bachman (from 1973-09 until 1973-10)
guitar [lead guitar]:
Randy Bachman (Canadian guitarist, singer & songwriter) (from 1973-09 until 1973-10)
guitar [second lead guitar]:
Tim Bachman (from 1973-09 until 1973-10)
percussion:
Rob Bachman (from 1973-09 until 1973-10)
background vocals:
C.F. Turner (from 1973-09 until 1973-10), Randy Bachman (Canadian guitarist, singer & songwriter) (from 1973-09 until 1973-10) and Tim Bachman (from 1973-09 until 1973-10)
phonographic copyright (℗) by:
Phonogram, Inc. (in 1973), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1973) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1973)
recorded at:
Kaye–Smith Studios in Seattle, Washington, United States (from 1973-09 until 1973-10)
mixed at:
Kaye–Smith Studios in Seattle, Washington, United States
recording of:
Let It Ride (from 1973-09 until 1973-10)
writer:
C.F. Turner and R. Bachman (Canadian guitarist, singer & songwriter)
publisher:
Eventide Music (run by Kevin Kendle), Ranbach Music (publisher), Sony Songs Inc. and Top Soil Music (publisher)
Bachman–Turner Overdrive54:25
4Sneakin' Sally Through the Alley
cover recording of:
Sneakin’ Sally Thru the Alley
lyricist and composer:
Allen Toussaint
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Robert Palmer4:23
5Big City Nights
recorded in:
Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1984)
engineer:
Mike Beiriger, Dieter Dierks, David Hewitt (engineer) and Gerd Rautenbach
producer:
Dieter Dierks
mixer:
Mike Beiriger, Dieter Dierks and Scorpions (German rock band)
acoustic guitar and electric guitar:
Rudolf Schenker
bass guitar:
Francis Buchholz
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany)
electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs and Rudolf Schenker
slide guitar:
Matthias Jabs
background vocals:
Francis Buchholz, Matthias Jabs, Klaus Meine, Herman Rarebell (drummer, Germany) and Rudolf Schenker
lead vocals:
Klaus Meine
arranger:
Dieter Dierks
phonographic copyright (℗) by:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (in 1984, in 2018), Breeze Music (in 1984), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1984) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1984)
recorded at:
Dierks Studios in Pulheim, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1983 until 1984, in 1984)
recording of:
Big City Nights (in 1984)
lyricist:
Klaus Meine
composer:
Rudolf Schenker
publisher:
Arabella Musikverlag GmbH
live recording of:
Big City Nights
lyricist:
Klaus Meine
composer:
Rudolf Schenker
publisher:
Arabella Musikverlag GmbH
Scorpions44:08
6White Punks on Dope
recording of:
White Punks on Dope
writer:
Michael Evans (songwriter), Bill Spooner and Roger Steen
The Tubes46:47
7Gimme Three StepsLynyrd Skynyrd5:18
8Blue Collar Man
synthesizer programming:
Dennis DeYoung and Ed Walsh (US synthesizer player & programmer)
assistant engineer:
Harry Andronis and Gary Geppert (engineer)
engineer:
Rob Kingsland and Barry Mraz
assistant producer:
Barry Mraz
producer:
Styx (rock band from Chicago)
guitar [lead] and lead vocals:
Tommy Shaw (of Styx)
recording of:
Blue Collar Man (Long Nights)
lyricist and composer:
Tommy Shaw (of Styx)
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日音 Synch事業部 (NICHION, INC. Synch Division), Almo Music Corp. (USA, affiliated with ASCAP) (from 1978 to present) and Stygian Songs (publishing company for the rock band Styx) (from 1978 to present)
Styx44:06
9Boom Boom (Out Go the Lights)
cover recording of:
Boom, Boom, Out Goes the Lights
lyricist and composer:
Stan Lewis (well known 60s/70s US producer/songwriter)
Pat Travers Band5:02
10Hey Big BrotherRare Earth4:45
2CD
#TitleArtistRatingLength
1Hush
drums (drum set):
Ian Paice (on 1988-02-26)
electric bass guitar:
Roger Glover (on 1988-02-26)
electric guitar:
Ritchie Blackmore (on 1988-02-26)
Hammond organ and keyboard:
Jon Lord (on 1988-02-26)
lead vocals:
Ian Gillan (on 1988-02-26)
recorded at:
Hook End Studios (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom (until 1988-02-26)
live cover recording of:
Hush (South, Royal, Deep Purple) (on 1988-02-26)
lyricist and composer:
Joe South (until 1967)
publisher:
BMG Music Publishing Ltd., BMG Ufa (not for release label use! this is a music publisher), Lowery-Chappell Music and Sony/ATV Music Publishing Australia Pty Ltd.
Deep Purple53:31
2Never Enough
L.A. Guns4:14
3Mean Streak
Y & T4:07
4Looking for a Kiss
recording of:
Looking for a Kiss
writer:
David Johansen and Johnny Thunders (US punk guitarist & singer)
New York Dolls3.653:20
5Don't Be Afraid Of The Dark
producer:
Bruce Bromberg and Dennis Walker
guitar:
Robert Cray (blues guitarist, singer and songwriter)
vocals:
Robert Cray (blues guitarist, singer and songwriter)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
produced for:
Hightone Records
recording of:
Don’t Be Afraid of the Dark
lyricist and composer:
Dennis Walker
publisher:
Calhoun St. Music
Robert Cray43:47
6I'm Not Gonna Let it Bother me Tonight
associate producer:
Robert Nix
producer:
Buddy Buie
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1978)
recording of:
I’m Not Gonna Let It Bother Me Tonight
writer:
Buddy Buie, Dean Daughtry and Robert Nix
publisher:
Low‐Sal, Inc. and Lowery-Chappell Music Ltd.
Atlanta Rhythm Section4:08
7Nobody's Fool
assistant engineer:
David Glover (bass guitarist), Joe Hauserman (engineer), Mark McKenna (engineer), Nick Didia and Paul Wertheimer (engineer)
engineer and producer:
Andy Johns
bass guitar:
Eric Brittingham
drums (drum set):
Fred Coury
guest keyboard:
Jeff Paris
guitar:
Tom Keifer and Jeff LaBar
piano and lead vocals:
Tom Keifer
background vocals:
Eric Brittingham and Jeff LaBar
guest background vocals:
Tony Mills (former vocalist for TNT and Shy)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986)
recorded at:
Bearsville Studios in Bearsville, New York, United States, Kajem/Victory Studios (An American recording studio and production facility.) in Philadelphia, Pennsylvania, United States, Sigma Sound Studios in Philadelphia, Pennsylvania, United States, Sound Factory (1969–1980) in Los Angeles, California, United States and The Warehouse (Philadelphia, PA) in Philadelphia, Pennsylvania, United States
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Nobody’s Fool
lyricist and composer:
Tom Keifer
publisher:
Chappell & Co., Inc. (USA) and Eve Songs, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Cinderella44:47
8Slide It In
recording of:
Slide It In
lyricist and composer:
David Coverdale
publisher:
WB Music Corp. (1929–2019), Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake3:21
9Wind Me Up
Extreme3:42
10Magic Carpet Ride
producer:
Gabriel Mekler
recording of:
Magic Carpet Ride
writer:
John Kay (lead singer of Steppenwolf) and Rushton Moreve
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Music Pool, Inc., Trousdale Music Publishers, Inc., Universal Duchess Music Corp. and Universal/MCA Music Publishing Pty Ltd
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.454:23
3CD
#TitleArtistRatingLength
1Who Do You Love
drums (drum set):
Clifton James (on 1956-05-24)
guitar:
Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1956-05-24) and Jody Williams (blues guitarist/singer) (on 1956-05-24)
maracas:
Jerome Green (on 1956-05-24)
background vocals:
The Moonglows (1950s Cleveland R&B group)
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1956-05-24)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (from 1956 to present)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 132)
recording of:
Who Do You Love? (on 1956-05-24)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
Bo Diddley3.52:29
2All Night Long
recording engineer:
Leigh Mantle (in 1979-04) and Dr. Michael Palmer (engineer) (in 1979-04)
engineer:
Gary Edwards (producer, engineer)
producer:
Roger Glover
bass guitar:
Roger Glover (in 1979-04)
drums (drum set):
Cozy Powell (in 1979-04)
guitar:
Ritchie Blackmore (in 1979-04)
keyboard:
Don Airey (in 1979-04)
lead vocals:
Graham Bonnet (British rock vocalist) (in 1979-04)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) and Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1979)
recorded at:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes, France (in 1979-04) and Maison Rouge Mobile Studio (in 1979-04)
recording of:
All Night Long (in 1979-04)
writer:
Ritchie Blackmore and Roger Glover
publisher:
Blackmore Music and Thames Talent Publishing Ltd.
Rainbow43:50
3Easy Livin'
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
mixer:
Rafe McKenna
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze (in 1972), Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972), Legacy Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04) and Astoria Theatre (London) in Westminster, London (Greater London), England, United Kingdom (on 2003-11-08)
produced at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Easy Livin’ (from 1972-03 until 1972-04)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd., Sidney Bron Music (also spelled "Sydney") and Umble Tunes Ltd.
Uriah Heep4.252:37
4Every Picture Tells a Story
producer:
Rod Stewart
acoustic guitar:
Martell Brandy (in 1971-01), Martin Quittenton (guitarist for Steamhammer) (in 1971-01) and Rod Stewart (in 1971-01)
bass:
Andy Pyle (in 1971-01)
bass guitar, guitar and pedal steel guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971-01)
double bass:
Danny Thompson (English double bass player) (in 1971-01)
drums (drum set):
Micky Waller (in 1971-01)
organ:
Ian McLagan (in 1971-01)
piano:
Pete Sears (in 1971-01)
slide guitar:
Sam Mitchell (in 1971-01)
violin:
Dick Powell (Violinist and double-bass player) (in 1971-01)
lead vocals:
Rod Stewart (in 1971-01)
vocals:
Long John Baldry (in 1971-01), Madeline Bell (in 1971-01) and Mateus Rosé (in 1971-01)
recording of:
Every Picture Tells a Story (in 1971-01)
writer:
Rod Stewart and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
Unichappell Music and Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label)
Rod Stewart45:59
5(You Can Still) Rock in America
engineer:
John Van Nest
producer:
Pat Glasser
bass guitar:
Jack Blades (of Night Ranger)
drums (drum set):
Kelly Keagy
guitar:
Brad Gillis and Jeff Watson
keyboard and background vocals:
Alan Fitzgerald
lead vocals:
Jack Blades (of Night Ranger) and Kelly Keagy
vocals:
Alan Fitzgerald and Brad Gillis
recording of:
(You Can Still) Rock in America
writer:
Jack Blades (of Night Ranger) and Brad Gillis
publisher:
Figs. D Music and Rough Play Music
Night Ranger54:15
6Get It On
recording engineer:
Tim Crich and Bob Rock
producer:
Bob Rock and Lenny Wolf
mixer:
Bob Rock
bass guitar:
Johnny B. Frank (US bassist)
drums (drum set):
James Kottak
guitar [lead guitar]:
Danny Stag
guitar [rhythm guitar]:
Rick Steier
lead vocals:
Lenny Wolf
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Get It On
lyricist:
Lenny Wolf and Martin Wolff (co‐writer on “Living out of Touch” by Kingdom Come)
composer:
Lenny Wolf
publisher:
Blue Vision Music and Universal–Songs of PolyGram International, Inc.
Kingdom Come4:22
7Maybe Baby
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-09-29)
drums (drum set):
Jerry Allison (on 1957-09-29)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29) and Niki Sullivan (on 1957-09-29)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14) and John Pickering (vocalist and leader of The Picks) (from 1957-10-12 until 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, United States (on 1957-09-29) and Norman Petty Studios in Clovis, New Mexico, United States (from 1957-10-12 until 1957-10-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 14)
recording of:
Maybe Baby (from 1957-09-29 until 1957-10-14)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Pub and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
The Crickets3.752:03
8Walk Away
engineer:
Kenneth Hamann (engineer), Bill Szymczyk and Eddie Youngblood
producer:
James Gang (US rock group) and Bill Szymczyk
bass:
Dale Peters (in 1970)
drums (drum set):
Jim Fox (American percussionist) (in 1970)
guitar and lead vocals:
Joe Walsh (Eagles/James Gang) (in 1970)
recording of:
Walk Away (in 1970)
lyricist and composer:
Joe Walsh (Eagles/James Gang)
publisher:
Songs of Universal, Inc. (BMI) and Universal Duchess Music Corp.
James Gang23:34
9Struttin' My Stuff
Elvin Bishop34:11
1030 Days in the Hole
recording of:
30 Days in the Hole
lyricist and composer:
Steve Marriott (English musician and songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Notting Dale Songs, Inc. and United Artists Music Ltd.
sub-publisher:
EMI Catalogue Partnership France, Kobalt Music Publishing France and Universal Music Publishing France (not for release label use!)
Humble Pie4:05

Credits

Release

manufactured by, copyrighted (©) by and phonographic copyright (℗) by:Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.)
glass mastered at:Technicolor Universal Media Services in Pinckneyville, Illinois, United States
part of:20th Century Masters: The Millennium Collection (releases) (order: 90)
Discogs:https://www.discogs.com/release/6173297 [info]
ASIN:US: B00079VQYS [info]

Release group

part of:20th Century Masters: The Millennium Collection (release groups) (order: 142)