| # | Title | Artist | Rating | Length |
|---|
| 1 | Born to Be Wild- producer:
- Gabriel Mekler
- phonographic copyright (℗) by:
- Geffen Records (in 1968), MCA Records, Inc. (in 1968) and UMG Recordings, Inc. (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (number: 129)
- recording of:
- Born to Be Wild
- lyricist and composer:
- Mars Bonfire
- publisher:
- Duchess Music Corporation , Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Steppenwolf | 4.35 | 3:30 |
| 2 | Evil Ways- engineer:
- Bob Breault and Eric Prestidge
- producer:
- Brent Dangerfield and Santana
- bass guitar:
- David Brown (on 1969-05-12)
- congas and percussion:
- Michael Carabello (on 1969-05-12)
- congas, percussion and timbales:
- José “Chepito” Áreas (on 1969-05-12)
- drums (drum set):
- Michael Shrieve (on 1969-05-12)
- guitar:
- Carlos Santana (on 1969-05-12)
- organ and piano:
- Gregg Rolie (on 1969-05-12)
- vocals:
- Gregg Rolie (on 1969-05-12) and Carlos Santana (on 1969-05-12)
- arranger:
- Alberto Gianquinto
- phonographic copyright (℗) by:
- CBS, Inc. (in 1969), Sony BMG Music Entertainment (in 1969) and Sony Music Entertainment Inc. (in 1969)
- recorded at:
- Pacific Recording Studio in San Mateo, California, United States (on 1969-05-12)
- mixed at:
- Pacific Recording Studio in San Mateo, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 69)
- cover recording of:
- Evil Ways (on 1969-05-12)
- lyricist and composer:
- Clarence “Sonny” Henry
- publisher:
- EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music and Universal–Songs of PolyGram International, Inc.
| Santana | 4.2 | 3:58 |
| 3 | American Woman- producer:
- Nimbus 9 and Jack Richardson
- phonographic copyright (℗) by:
- RCA (in 1970) and Sony Music Entertainment (in 1972)
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 3) and Huffington Post: 100 Best Canadian Songs Ever (number: 4)
- recording of:
- American Woman (from 1969-08 until 1969-11)
- writer:
- Randy Bachman , Burton Cummings, Jim Kale and Garry Peterson
- publisher:
- BMG Rights Management (UK) Ltd. , Bug Music , Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control , Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music and Unichappell Music, Inc.
| Guess Who | 4.1 | 5:07 |
| 4 | All Right Now- engineer:
- Roy Thomas Baker
- additional producer:
- John Kelly
- producer:
- Free
- bass:
- Andy Fraser (in 1970)
- drums (drum set):
- Simon Kirke (in 1970)
- electric bass guitar and piano:
- Andy Fraser
- guitar:
- Paul Kossoff (in 1970)
- lead vocals:
- Paul Rodgers (in 1970)
- vocals:
- Paul Rodgers
- phonographic copyright (℗) by:
- Free (in 1970)
- phonographic copyright (℗) by:
- Island Records (in 1970) and Island Records Ltd. (in 1970)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1970) and Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1970)
- music videos:
- All Right Now by Free
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 27)
- recording of:
- All Right Now (in 1970)
- writer:
- Andy Fraser and Paul Rodgers
- publisher:
- Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control , Irving Music, Inc., Kobalt Music Publishing Ltd. , Polygram Music and Universal Music Publishing
| Free | 4.15 | 5:31 |
| 5 | Locomotive Breath- engineer:
- John Burns
- executive producer:
- Terry Ellis
- producer:
- Ian Anderson and Terry Ellis
- acoustic guitar and flute and lead vocals:
- Ian Anderson (on 1971-02-12)
- bass guitar and treble recorder / alto recorder:
- Jeffrey Hammond Hammond (on 1971-02-12)
- drums (drum set) and percussion:
- Clive Bunker (on 1971-02-12)
- electric guitar and soprano recorder:
- Martin Barre (on 1971-02-12)
- Hammond organ, piano, piano accordion and synthesizer and mellotron, organ and piano:
- John Evan (on 1971-02-12)
- conductor:
- Dee Palmer (on 1971-02-12)
- remixer:
- Robin Black
- orchestrator:
- Dee Palmer
- phonographic copyright (℗) by:
- Chrysalis Records Ltd. (in 1971)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (on 1971-02-12)
- remixed at:
- Morgan Studios in Willesden, Brent , London , England, United Kingdom
- recording of:
- Locomotive Breath (on 1971-02-12)
- lyricist and composer:
- Ian Anderson
| Jethro Tull | 4.45 | 4:24 |
| 6 | Walk Away | The James Gang | 2 | 3:35 |
| 7 | Maggie May- producer:
- Rod Stewart
- acoustic guitar:
- Martell Brandy (in 1971-01), Martin Quittenton (in 1971-01) and Rod Stewart (in 1971-01)
- bass:
- Andy Pyle (in 1971-01)
- bass guitar, guitar and pedal steel guitar:
- Ronnie Wood (in 1971-01)
- double bass:
- Danny Thompson (in 1971-01)
- drums (drum set):
- Micky Waller (in 1971-01)
- organ:
- Ian McLagan (in 1971-01)
- piano:
- Pete Sears (in 1971-01)
- slide guitar:
- Sam Mitchell (in 1971-01)
- violin:
- Dick Powell (in 1971-01)
- lead vocals:
- Rod Stewart (in 1971-01)
- vocals:
- Madeline Bell (in 1971-01)
- compilation of:
- Henry by Rod Stewart and Maggie May by Rod Stewart
- music videos:
- Maggie May by Rod Stewart
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 130) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 141)
- recording of:
- Henry (in 1971-01)
- composer:
- Martin Quittenton
- recording of:
- Maggie May (in 1971-01)
- publisher:
- Rod Stewart
- writer:
- Mike Peters, Martin Quittenton and Rod Stewart
- publisher:
- Chappell Music Ltd., Copyright Control , EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing , EMI Music Publishing Ltd. , H. G. Music Inc, Mushroom Music , Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music
| Rod Stewart | 4.15 | 5:46 |
| 8 | I’d Love to Change the World | Ten Years After | 4.55 | 3:44 |
| 9 | Long Cool Woman (in a Black Dress) | The Hollies | 4.2 | 3:17 |
| 10 | Frankenstein | The Edgar Winter Group | 4 | 4:46 |
| 11 | Saturday Night’s Alright for Fighting | Elton John | 4.1 | 4:55 |
| 12 | We’re an American Band | Grand Funk | 4.15 | 3:26 |
| 13 | Rocky Mountain Way | Joe Walsh | 4 | 5:16 |
| 14 | China Grove- engineer:
- Donn Landee
- producer:
- Ted Templeman
- congas, cymbal and timbales:
- Michael Hossack
- guest synthesizer:
- Malcolm Cecil and Robert Margouleff
- guitar:
- Jeff “Skunk” Baxter, Tom Johnston and Patrick Simmons
- harmonica:
- Tom Johnston
- keyboard, organ and piano:
- Bill Payne
- membranophone:
- John Hartman and Michael Hossack
- percussion:
- John Hartman and Ted Templeman
- steel guitar:
- Jeff “Skunk” Baxter
- synthesizer:
- Tom Johnston and Patrick Simmons
- vocals:
- John Hartman , Tom Johnston , Tiran Porter and Patrick Simmons
- bass arranger:
- Tiran Porter
- strings arranger:
- Nick de Caro
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (, in 1973) and WEA International Inc. (in 1973)
- recorded at:
- Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
- recording of:
- China Grove
- lyricist and composer:
- Tom Johnston
- publisher:
- Copyright Control and Warner–Tamerlane Publishing Corp.
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| The Doobie Brothers | 4.65 | 3:16 |
| 15 | Radar Love- recording engineer:
- Pieter Nieboer
- executive producer:
- Fred Haayen
- producer:
- Golden Earring
- mixer:
- Damon Lyon-Shaw
- acoustic guitar and electric guitar:
- George Kooymans
- drums (drum set) and percussion:
- Cesar Zuiderwijk
- electric bass guitar and keyboard:
- Rinus Gerritsen
- slide guitar:
- Eelco Gelling
- vocals:
- Barry Hay and George Kooymans
- arranger:
- Golden Earring
- phonographic copyright (℗) by:
- Dutch Record Company (in 1973), Polydor B.V. (in 1973), Red Bullet Productions B.V. (in 1973), Track Records Ltd. (in 1973) and Geffen Records (in 1974)
- produced for:
- Red Bullet Productions
- recorded at:
- Phonogram Studios in Hilversum, Noord-Holland , Netherlands, Kingdom of the Netherlands
- mixed at:
- IBC Studios in London , England, United Kingdom
- recording of:
- Radar Love
- lyricist:
- Barry Hay
- composer:
- George Kooymans
- publisher:
- Dayglow Music , Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music and Sony/ATV Music Publishing
| Golden Earring | 4.3 | 6:25 |
| 16 | Sweet Home Alabama- miscellaneous support:
- Ronnie Van Zant
- engineer and producer:
- Al Kooper
- drums (drum set):
- Bob Burns (in 1973-07)
- electric bass guitar:
- Leon Wilkeson (in 1973-07)
- electric guitar:
- Allen Collins (in 1973-07), Ed King (in 1973-07) and Gary Rossington (in 1973-07)
- keyboard:
- Billy Powell (in 1973-07)
- background vocals:
- Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
- lead vocals:
- Ronnie Van Zant (in 1973-07)
- phonographic copyright (℗) by:
- Geffen Records (in 1974), MCA Records (in 1974), MCA Records Ltd. (in 1974), MCA Records, Inc. (in 1974), UMG Recordings, Inc. (in 1974) and Universal Music (in 1974)
- produced for:
- Sounds of the South Productions
- recorded at:
- Studio One in Doraville, Georgia, United States (in 1973-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 398)
- recording of:
- Sweet Home Alabama (in 1973-07)
- miscellaneous support:
- Ronnie Van Zant
- writer:
- Ed King , Gary Rossington and Ronnie Van Zant
- publisher:
- Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
| Lynyrd Skynyrd | 4.15 | 4:41 |
| 17 | You Ain’t Seen Nothing Yet | Bachman Turner Overdrive | 4.65 | 3:52 |
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