Dreams and Daggers

~ Release by Cécile McLorin Salvant (see all versions of this release, 3 available)

Annotation

Available in 96kHz/24‐bit

Annotation last modified on 2025-05-14 17:14 UTC.

Tracklist

| |
1▼Digital Media
#TitleRatingLength
1And Yet
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
strings:
Catalyst Quartet
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
1:06
2Devil May Care
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
6:56
3Mad About the Boy
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
cover recording of:
Mad About the Boy
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
6:53
4Sam Jones’ Blues
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
3:00
5More
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
strings:
Catalyst Quartet
vocals:
Cécile McLorin Salvant (jazz vocalist)
arranger:
Paul Sikivie (bassist, educator)
mixed at:
ValveTone Studios in New York, New York, United States
3:33
6Never Will I Marry
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
recording of:
Never Will I Marry (from “Green Willow”)
orchestrator:
Don Walker (orchestrator)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
4:03
7Somehow I Never Could Believe
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
recording of:
Street Scene: Act I. No. 5b Aria "Somehow I could never believe" (Mrs. Maurrant)
lyricist:
Langston Hughes
composer:
Kurt Weill (composer)
librettist:
Elmer Rice
part of:
Street Scene: Act I.
9:56
8If a Girl Isn’t Pretty
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
cover recording of:
If a Girl Isn’t Pretty
lyricist:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
composer:
Jule Styne
publisher:
Broadway Tunes LLC dba Songs of Funny Girl and Chappell & Co., Inc. (USA)
2:55
9Red Instead
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
strings:
Catalyst Quartet
vocals:
Cécile McLorin Salvant (jazz vocalist)
arranger:
Paul Sikivie (bassist, educator)
mixed at:
ValveTone Studios in New York, New York, United States
0:35
10Runnin’ Wild
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
recording of:
Runnin’ Wild
lyricist:
Joe Grey (in 1922) and Leo Wood (American songwriter & lyricist; 1882—1929) (in 1922)
composer:
Arthur Harrington Gibbs (in 1922)
1:39
11The Best Thing for You (Would Be Me)
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
recording of:
The Best Thing for You (Would Be Me)
lyricist and composer:
Irving Berlin (in 1950)
7:13
2▼Digital Media
#TitleRatingLength
12You’re My Thrill
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
strings:
Catalyst Quartet
vocals:
Cécile McLorin Salvant (jazz vocalist)
arranger:
Paul Sikivie (bassist, educator)
mixed at:
ValveTone Studios in New York, New York, United States
recording of:
You’re My Thrill
lyricist:
Sidney Clare
composer:
Jay Gorney
publisher:
Bourne Co. (not for release label use, this is a music publisher), Gorney Music Publisher, Next Decade Entertainment, Productions et Éditions Cinématographiques Françaises, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:34
13I Didn’t Know What Time It Was
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
recording of:
I Didn’t Know What Time It Was (Pal Joey)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
6:30
14Tell Me What They’re Saying Can’t Be True
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
5:29
15Nothing Like You
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
3:50
16You’ve Got to Give Me Some
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Sullivan Fortner
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
recording of:
You've Got to Give Me Some
writer:
Spencer Williams (US jazz composer, pianist & singer)
6:11
17The Worm
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
strings:
Catalyst Quartet
vocals:
Cécile McLorin Salvant (jazz vocalist)
arranger:
Paul Sikivie (bassist, educator)
mixed at:
ValveTone Studios in New York, New York, United States
1:03
18My Man’s Gone Now
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (1929–2019) (until 2019-05-28)
version of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
6:27
19Let’s Face the Music and Dance
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
6:55
20Si j’étais blanche
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
recording of:
Si j'étais blanche
lyricist:
Léo Lelièvre (père) and Henri Varna (French lyricist)
composer:
Bobby Falk
5:15
21Fascination
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
strings:
Catalyst Quartet
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
1:28
22Wild Women Don’t Have the Blues
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
recording of:
Wild Women Don’t Have the Blues
writer:
Ida Cox
6:51
23You’re Getting to Be a Habit With Me
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
recording of:
You’re Getting to Be a Habit With Me
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
9:53