The Spirit of the 60s: 1966: The Beat Goes On

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Wild Thing
producer:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
drums (drum set):
Ronnie Bond (The Troggs) (in 1966)
electric guitar:
Chris Britton (The Troggs) (in 1966)
ocarina and lead vocals:
Reg Presley (in 1966)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 257)
cover recording of:
Wild Thing (in 1966)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH and April Music (in 1981)
The Troggs4.42:38
2High Time
recording of:
High Time
writer:
Charles Mills (songwriter/lyricist, co-composed with Mike Leander) and Mike Leander
publisher:
Dean Street Music Co.
Paul Jones2:15
3Hold Tight
recording of:
Hold Tight (in 1966)
lyricist:
Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
composer:
Alan Blaikley and Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
Dave Dee, Dozy, Beaky, Mick & Tich32:49
4Tomorrow
recording of:
Tomorrow
lyricist and composer:
Chris Andrews (UK singer-songwriter)
Sandie Shaw2:55
5Stop Stop Stop
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1966-08-17)
recording of:
Stop Stop Stop (on 1966-08-17)
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
publisher:
Gralto Music Ltd.
The Hollies3.52:51
6Got to Get You Into My Life
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963, in 1966)
cover recording of:
Got to Get You Into My Life
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Cliff Bennett & the Rebel Rousers2:33
7Monday Monday
engineer:
Bones Howe
producer:
Lou Adler
performer:
The Mamas & the Papas (American folk rock vocal group) (on 1965-12-16)
phonographic copyright (℗) by:
Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1965-12-16)
recording of:
Monday, Monday (on 1965-12-16)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music and Universal/MCA Music Ltd. (not for release label use!)
The Mamas & the Papas4.13:23
8Summer in the City
additional electric piano:
Artie Schroeck
lead vocals:
John Sebastian
conductor:
Michael Kamen (American score composer)
phonographic copyright (℗) by:
Buddah Records (revived/renamed in 1998 as Buddha Records) (in 1966), Kama Sutra (in 1966), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1966) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 393)
recording of:
Summer in the City
writer:
Steve Boone, John Sebastian and Mark Sebastian
publisher:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., Trio Music (publisher) and Trio Music Co., Inc.
The Lovin’ Spoonful4.82:41
9Lightnin’ Strikes
recording of:
Lightnin’ Strikes
writer:
Lou Christie and Twyla Herbert
publisher:
Lightning Strikes Music, Songs of Universal, Inc. (BMI) and Spirit One Music
Lou Christie3:02
10Backstage
recording of:
Backstage
writer and composer:
Fred Anisfield and Willie Denson
Gene Pitney2:37
11In the Country
recording of:
In the Country
composer:
Brian Bennett (Shadows drummer), Hank Marvin (lead guitarist of The Shadows, songwriter), John Rostill and Bruce Welch (English guitarist, singer, songwriter and producer)
Cliff Richard2:39
12Too Soon to Know
recorded in:
Nashville, Tennessee, United States (on 1966-06-01)
producer:
Wesley Rose (producer, label executive) and Jim Vienneau
cover recording of:
Too Soon to Know (on 1966-06-01)
lyricist and composer:
Don Gibson (US songwriter and country musician)
recording of:
Too Soon to Know
lyricist and composer:
Don Gibson (US songwriter and country musician)
Roy Orbison4.52:49
13Dedicated Follower of Fashion
engineer:
Alan McKenzie (engineer) and Alan O’Duffy
producer:
Shel Talmy
phonographic copyright (℗) by:
Castle Communications (primary imprint of Castle Communications PLC) (in 1966)
produced for:
Shel Talmy Productions
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (from 1966-02-07 until 1966-02-10)
recording of:
Dedicated Follower of Fashion (from 1966-02-07 until 1966-02-10)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Davray Music (publisher) and Rightsong Music Inc.
The Kinks43:03
14Winchester Cathedral
producer:
Geoff Stephens
bass:
Neil Korner
guitar:
Mick Wilsher
percussion [drums, washboard, spoons]:
Henry Harrison (drums, percussion)
piano:
Stan Haywood (piano)
trombone:
"Shuggy" Watts
trumpet:
'Pops' Kerr
vocals:
Tristram, The Seventh Earl of Cricklewood
recording of:
Winchester Cathedral
lyricist and composer:
Geoff Stephens
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
New Vaudeville Band4.252:27
15Mirror Mirror
Pinkerton’s Assorted Colours2:03
16Love’s Just a Broken Heart
recording of:
Love’s Just a Broken Heart
composer:
Kenny Lynch (English singer, songwriter, entertainer & actor), Mort Shuman (US singer, pianist & songwriter) and Michèle Vendôme
Cilla Black2:32
17Save Me
Dave Dee, Dozy, Beaky, Mick & Tich3:01
18Sha La La La Lee
recording of:
Sha-La-La-La-Lee
writer:
Kenny Lynch (English singer, songwriter, entertainer & actor) and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation
Small Faces2:58
19When a Man Loves a Woman
producer:
Marlin Greene (’60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (’60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis, Percy Sledge and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:54
20Little Man
recording of:
Little Man (Sonny & Cher)
lyricist and composer:
Sonny Bono
publisher:
Chris Marc Music
Sonny & Cher3:20
21I Saw Her Again
recording of:
I Saw Her Again Last Night
writer:
Denny Doherty and John Phillips (The Mamas & The Papas)
The Mamas & the Papas3.53:15
22I Couldn’t Live Without Your Love
recording of:
I Couldn’t Live Without Your Love
lyricist:
Jackie Trent (English singer‐songwriter and actress)
composer:
Tony Hatch
publisher:
Welbeck Music Ltd.
Petula Clark2:57
23Friday on My Mind
producer:
Shel Talmy
phonographic copyright (℗) by:
Albert Productions (in 1966, in 1967)
produced for:
Albert Productions
recording of:
Friday on My Mind
writer:
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. and Unart Music Corporation (in 1973)
The Easybeats3.52:44
24Elusive Butterfly
recording of:
Elusive Butterfly
lyricist and composer:
Bob Lind
publisher:
Metric Music Ltd.
Bob Lind2:49

Credits

Release group

part of:The Spirit of the 60s (Time-Life Music) (number: 12) (order: 12)