100 Ballads

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Countries excluded (Spotify + Deezer)

(As of 2020-08-07).

  • Caribbean: 🇩🇴 Dominican Republic (do) 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai) 🇧🇧 Barbados (bb) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇰🇾 Cayman Islands (ky) 🇱🇨 Saint Lucia (lc) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇻🇬 Virgin Islands, British (vg)
  • Eastern Africa: 🇲🇬 Madagascar (mg)
  • Middle Africa: 🇨🇬 Congo (cg)
  • Western Asia: 🇧🇭 Bahrain (bh)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz) 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇹🇰 Tokelau (tk)
  • Melanesia: 🇸🇧 Solomon Islands (sb)
  • Micronesia: 🇰🇮 Kiribati (ki)
Annotation last modified on 2021-08-19 11:09 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Have I Told You Lately
producer:
Bernard Edwards (American bassist and record producer) and Rod Stewart
bass guitar:
Bernard Edwards (American bassist and record producer)
drums (drum set) [Drums]:
Rave Calmer (drummer)
guitar:
Jeff Golub
keyboard:
Chuck Kentis
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Rod Stewart
strings arranger:
Bruce Miller (US composer and arranger)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1991) and Warner Music International Inc. (not for release label use! Warner Music Group's global recorded music division managing over 50 countries) (in 1995)
cover recording of:
Have I Told You Lately
lyricist and composer:
Van Morrison
writer:
Scott Wiseman
publisher:
Barrule UK Ltd., BMG Platinum Songs US, Essential Music (logo subtitled "The music of your life"), Exile Publishing Ltd., Exile Publishing UK, Gallo Music Publishers, PolyGram Music Publishing, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and Intersong Music Ltd. (in 1989)
Rod Stewart4:02
2What’s Love Got to Do With It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
recording of:
What’s Love Got to Do With It (Kygo version)
writer:
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) and Graham Lyle
publisher:
Kobalt Music (publisher) (from 2020 to present) and WC Music Corp. (from 2020 to present)
is based on:
What’s Love Got to Do With It
Tina Turner4.053:47
3Kiss From a Rose
assistant producer:
Richard Lowe (UK producer/engineer)
producer:
Trevor Horn
assistant mixer:
Tom Elmhirst (mixing engineer)
mixer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
lead vocals:
Seal (English‐born singer and songwriter)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994), Warner Music Argentina S.A. (in 2009) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
recorded at and mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 308)
recording of:
Kiss From a Rose
lyricist and composer:
Seal (English‐born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) and SPZ Music Incorporated (BMI affiliated)
Seal3.754:48
4Is This Love
producer:
Keith Olsen (US producer and engineer) and Mike Stone (producer and engineer, 1960s–80s)
mixer:
Keith Olsen (US producer and engineer)
bass guitar:
Neil Murray (British bass guitar player)
drums (drum set) and percussion:
Aynsley Dunbar
guest keyboard:
Don Airey and Bill Cuomo
guitar and background vocals:
John Sykes
keyboard:
Don Airey
lead vocals:
David Coverdale
phonographic copyright (℗) by:
Whitesnake Productions (Overseas) Ltd. (in 1987, in 2008) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2008)
mixed at:
Goodnight LA Studios in Van Nuys, California, United States
recording of:
Is This Love (Whitesnake song)
writer:
David Coverdale and John Sykes
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB, WB Music Corp. (1929–2019), Whitesnake Music Ltd., Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake4.24:44
5Easy
additional producer:
Faith No More (in 1993) and Matt Wallace (US producer & engineer) (in 1993)
producer:
Faith No More (from 1992-01 until 1992-03) and Matt Wallace (US producer & engineer) (from 1992-01 until 1992-03)
additional keyboard:
Billy Gould (in 1993)
drums (drum set):
Mike Bordin (American drummer) (from 1992-01 until 1992-03)
electric bass guitar:
Billy Gould (from 1992-01 until 1992-03)
electric guitar:
Jim Martin (ex-Faith No More guitarist) (from 1992-01 until 1992-03)
keyboard:
Roddy Bottum (from 1992-01 until 1992-03)
lead vocals:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.) (from 1992-01 until 1992-03)
phonographic copyright (℗) by:
Slash Records (company, do not use as release label!)
remix of:
Easy (1992 first version – with spoken word intro) by Faith No More
music videos:
Easy by Faith No More
part of:
New York Post: 100 Greatest Covers (2007) (number: 9)
cover recording of:
Easy (from 1992-01 until 1993)
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Faith No More43:08
6I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott “Abada” Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.955:05
7Tell Laura I Love HerRicky Valance2:40
8Sara
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
BMG Music (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
recording of:
Sara (in 1985)
writer:
Ina Wolf and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Songs, Inc., Careers–BMG Music Publishing, Inc., Kikiko Music and Petwolf Music
Starship4.44:53
9Free (radio mix)
phonographic copyright (℗) by:
No Reserve (from 2008 to present)
part of:
Grammy Award: Best Country Performance by a Duo or Group nominees (number: 2011)
recording of:
Free
lyricist and composer:
Zac Brown (US country musician)
publisher:
Weimerhound Publishing
Zac Brown Band3:46
10Glory of Love
engineer and mixer:
Terry Christian (US recording and mixing engineer) and John Guess
producer:
Michael Omartian
guest background vocals:
Kenny Cetera
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) and Warner Music International (trademark of Warner Music International the company) (in 1986)
recorded at and mixed at:
Lion Share Studios in Los Angeles, California, United States
recording of:
Glory of Love
writer:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 59th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1986 nominee)
Peter Cetera4.24:18
11Could It Be I’m Falling in Love
recording engineer:
Joe Tarsia (engineer)
producer:
Thom Bell (keyboards, songwriter, producer)
bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
bass vocals:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
tenor vocals:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) and Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 221)
recording of:
Could It Be I’m Falling in Love (in 1973)
writer:
Melvin Steals and Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners54:12
12Power of Love
cover recording of:
The Power of Love (Jennifer Rush song)
writer:
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende and Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (until 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Laura Branigan5:25
13High Enough
recording of:
High Enough
writer:
Jack Blades (of Night Ranger), Ted Nugent and Tommy Shaw (of Styx)
Damn Yankees4:18
14I Only Have Eyes for You
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 21), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 98), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 157) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 175)
cover recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
The Flamingos4.253:20
15Almaz
producer:
Reggie Lucas
arranger:
Reggie Lucas
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1986)
produced for:
Kalisa, Inc.
recording of:
Almaz
orchestrator:
Wil Malone
writer:
Randy Crawford (US jazz/R&B singer Veronica Crawford)
Randy Crawford44:07
16Hunting High and Low
bass programming:
Magne Furuholmen
producer:
Tony Mansfield (producer & songwriter)
mixer:
John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
part of:
The Downloader’s Music Source Book (number: 276)
recording of:
Hunting High and Low
lyricist and composer:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. (in 1984)
a‐ha3.453:44
17Arthur’s Theme (Best That You Can Do)
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
Christopher Cross53:54
18When a Man Loves a Woman
producer:
Marlin Greene (’60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (’60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis, Percy Sledge and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:56
19I’ll Be
recording of:
I'll Be
composer:
Edwin McCain
Edwin McCain34:27
20Tears on My Pillow
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 30) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 478)
recording of:
Tears on My Pillow
lyricist:
Al Lewis (Tin Pan Alley era lyricist)
composer:
Sylvester Bradford
publisher:
Gladys Music (in 1958), Sovereign Music Co. (in 1958) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1989)
Little Anthony & the Imperials2.52:17
21When the Children Cry
assistant engineer:
Garth Richardson (Canadian music producer and engineer)
engineer, producer and mixer:
Michael Wagener
guitar:
Vito Bratta
lead vocals:
Mike Tramp
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987)
recording of:
When the Children Cry
lyricist and composer:
Vito Bratta
writer:
Mike Tramp
White Lion3.54:24
22True
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
performer:
Spandau Ballet
phonographic copyright (℗) by:
Chrysalis (in 1983) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
music videos:
True by Spandau Ballet
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
Spandau Ballet3.655:28
23Rough Boy
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
recording of:
Rough Boy
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Hamstein Music Ltd., Music of Stage Three, Songs of Mosaic and Hamstein Music Company (publisher) (in 1985)
ZZ Top3:50
24I Need You
recording of:
I Need You
lyricist and composer:
Eric Carmen
publisher:
C.A.M.-USA, Inc., Eric Carmen Music and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Frankie Valli3:29
25You’ll Never Walk Alone
performer:
Gerry and the Pacemakers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
cover recording of:
You’ll Never Walk Alone (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
Gerry & the Pacemakers2:40
26Bridge Over Troubled Water
cover recording of:
Bridge Over Troubled Water
lyricist:
Paul Simon (of Simon & Garfunkel)
composer:
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Cilla Black4:35
27Wishing on a Star
recording of:
Wishing on a Star
lyricist and composer:
Billie Calvin (Billie Rae Calvin)
publisher:
Warner/Chappell North America
Rose Royce54:53
28Unchained Melody
recording of:
Unchained Melody
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
Matt Monro3:15
29Wonderful World
cover recording of:
Wonderful World
writer:
Lou Adler, Herb Alpert and Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ardmore and Beechwood Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd. and 日本アブコ音楽出版 (ABKCO Japan Publishing)
The Flying Pickets2:48
30Desperado
engineer:
John Haeny
producer:
J.D. Souther
mixer:
Al Schmitt
bass:
Chris Ethridge
drums (drum set):
Dennis St. John
electric guitar:
J.D. Souther
piano:
Spooner Oldham
trombone:
Gail Martin
trumpet:
Darrell Leonard and Mac Johnson
background vocals:
Clydie King, Sherlie Matthews (US vocalist) and Marti McCall (session vocalist)
horn and strings arranger:
Jim Ed Norman
cover recording of:
Desperado
writer:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) and Don Henley
publisher:
Benchmark Music, Cass County Music, Kicking Bear, Neue Welt Musikverlag GmbH (2017 – present), Red Cloud Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Warner Bros. Music GmbH (publisher) (in 1981)
Linda Ronstadt3:32
31Both Sides Now
recording of:
Both Sides Now
lyricist and composer:
Joni Mitchell
arranger:
Benedikt Jahnel
publisher:
Crazy Crow Music, Essex Music of Australia Pty. Ltd., Siquomb Pub. Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Judy Collins43:16
32Nothing’s Gonna Change My Love for You
producer:
Michael Masser
mixer:
Bill Schnee
bass guitar:
Nathan East
drums (drum set):
Carlos Vega
guitar:
Dann Huff and Paul Jackson (jazz bassist)
keyboard:
Robbie Buchanan (Canadian producer)
solo guitar and lead vocals:
George Benson (jazz guitarist/singer)
background vocals:
Richard Marx and Deborah Thomas (soul/disco singer)
arranger:
Robbie Buchanan (Canadian producer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
recording of:
Nothing’s Gonna Change My Love for You
lyricist:
Gerald Goffin and Michael Masser
composer:
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI Music Publishing Germany (GmbH & Co. KG), Lauren Wesley Music (BMI-affiliated), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
George Benson4:01
33Rainy Night in Georgia
producer:
Arif Mardin
bass:
Harold Cowart (on 1969-09-11)
drums (drum set):
Ron Ziegler (drummer) (on 1969-09-11)
guitar:
Cornell Dupree (in 1969) and Jim O’Rourke (US musician & producer, b. 1969) (on 1969-09-11)
harmonica:
Toots Thielemans (in 1969)
instruments:
Cold Grits (in 1969)
organ:
Billy Carter (organ, jazz) (on 1969-09-11)
piano:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (on 1969-09-11)
background vocals:
The Sweet Inspirations (on 1969-09-11)
arranger:
Arif Mardin
recorded at:
Criteria Studios in Miami, Florida, United States (on 1969-09-11)
later releases:
Rainy Night in Georgia by Brook Benton
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 498)
cover recording of:
Rainy Night in Georgia (on 1969-09-11)
lyricist and composer:
Tony Joe White
publisher:
Combine Music Corp. and EMI Songs Limited
Brook Benton43:54
34To Know Him Is to Love Him
recording engineer and producer:
George Massenburg
mastering:
Doug Sax
assistant engineer:
Sharon Rice (Los Angeles sound engineer)
acoustic bass guitar:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
acoustic guitar:
Albert Lee (guitarist)
drums (drum set):
Russ Kunkel (session drummer)
guitar:
Ry Cooder
Hawaiian guitar and mandolin:
David Lindley
vocals:
Emmylou Harris, Dolly Parton and Linda Ronstadt
cover recording of:
To Know Him Is to Love Him (from 1986-01 until 1986-11)
lyricist and composer:
Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Bourne Music Ltd., Mother Bertha Music Inc. and Vogue Music
Dolly Parton, Linda Ronstadt & Emmylou Harris43:50
35Waterfalls (acoustic version)
Stooshe3:41
36Gloria
The Cadillacs2:54
37Goldfinger
engineer:
John Richards (engineer)
producer:
John Barry (English score composer) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) and United Artists Corporation (in 1964)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1964-07)
recording of:
Goldfinger (in 1964-07)
lyricist:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. and Sony/ATV Songs LLC
part of:
James Bond themes
part of:
Goldfinger
Shirley Bassey4.252:49
38Do Right Woman, Do Right Man
recording engineer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-01-24)
drums (drum set):
Roger Hawkins (on 1967-01-24)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-01-24)
organ:
Spooner Oldham (on 1967-01-24)
piano:
Aretha Franklin (from 1967-01-24 until 1967-01)
background vocals:
Carolyn Franklin (on 1967-01-24), Erma Franklin (on 1967-01-24) and Cissy Houston (on 1967-01-24)
vocals:
Aretha Franklin (from 1967-01-24 until 1967-01)
conductor:
Tom Dowd (on 1967-01-24)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1967-01) and Muscle Shoals Sound Studio in Sheffield, Alabama, United States (on 1967-01-24)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 473)
recording of:
Do Right Woman, Do Right Man (from 1967-01-24 until 1967-01)
writer:
Chips Moman and Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), TRO Essex Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Aretha Franklin53:17
39Where Do You Go To (My Lovely)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Where Do You Go To (My Lovely)?
lyricist and composer:
Peter Sarstedt
publisher:
EMI Catalogue Partnership
Peter Sarstedt54:45
40Only One Woman
cover recording of:
Only One Woman
lyricist and composer:
Barry Gibb, Maurice Gibb and Robin Gibb
Alien4:12
41Don’t Close Your Eyes
engineer:
Duane Baron
producer:
Tom Werman
mixer:
Duane Baron and John Purdell
bass guitar and keyboard:
Donnie Purnell
drums (drum set):
Jimmy Chalfant
guitar:
Brian Forsythe and Ronnie Younkins
background vocals:
Jimmy Chalfant and Donnie Purnell
lead vocals:
Steve Whiteman
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988)
recording of:
Don't Close Your Eyes
writer:
Bob Halligan, Jr. (founder of Ceili Rain), John Palumbo and Donnie Purnell
Kix54:17
42All I Have to Do Is Dream (single version)
recording of:
All I Have to Do Is Dream
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Acuff-Rose Publications, Inc. (BMI) (on 1958-04-21)
The Everly Brothers2:20
43Cats in the Cradle
recording of:
Cat’s in the Cradle
writer:
Sandra Campbell Chapin and Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin33:32
44Love Will Save the Day
lead vocals:
Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Mikey Graham and Shane Lynch
recording of:
Love Will Save the Day
writer:
Jez Ashurst and Viktoria Hansen
Boyzone3:13
45Bad Day
recording engineer:
David Boucher and Jeff Dawson
programming:
Jeff Dawson
producer:
Jeff Dawson and Mitchell Froom
mixer:
David Boucher
additional keyboard [keyboards]:
Mitchell Froom
bass:
Davey Faragher and Darren Parris
drums (drum set) [drums]:
Matt Chamberlain (American drummer), Brendan Ostrander and Pete Thomas (drummer)
guitar [guitars]:
Jeff Dawson and Val McCallum (guitarist & singer-songwriter)
keyboard [keyboards]:
Daniel Powter (Canadian singer-songwriter and pianist)
vocals:
Daniel Powter (Canadian singer-songwriter and pianist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at:
Area A. in Los Angeles, California, United States and Mushroom Studios in Vancouver, British Columbia, Canada
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
recording of:
Bad Day
lyricist and composer:
Daniel Powter (Canadian singer-songwriter and pianist)
publisher:
Song 6 Music
Daniel Powter3.33:55
46Twist in My Sobriety
phonographic copyright (℗) by:
Warner Music International (trademark of Warner Music International the company) and WEA Records Ltd. (holding company based in the UK) (in 1988)
recording of:
Twist in My Sobriety (in 1988)
lyricist and composer:
Tanita Tikaram
publisher:
Brogue Music, Warner Basart (publisher) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tanita Tikaram4.74:51
47I’ll Be Standing By
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2016)
Foghat45:52
48Night Calls
engineer:
Richard Dodd (mastering engineer, producer and engineer)
producer:
Jeff Lynne
drums (drum set):
Jim Keltner (in 1991)
guitar:
Mike Campbell (US funk guitarist for Change & M-Zee Band) (in 1991)
other instruments [all other instruments]:
Jeff Lynne (in 1991)
background vocals and background vocals [backing vocals]:
Cydney Davis (in 1991) and Maxine Sharp (in 1991)
lead vocals:
Joe Cocker (in 1991)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991)
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States (in 1991)
recording of:
Night Calls (in 1991)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc.
Joe Cocker3.653:28
49Open My Heart (extended version)
Yolanda Adams4:45
50Fly High Michelle
additional engineer:
Rich Denhart (producer/engineer)
assistant engineer:
Dave Kent (engineer) and Michael Koppelman (Minneapolis producer and engineer)
engineer:
Dan Harjung
co-producer:
Enuff Z’Nuff
producer:
Enuff Z’Nuff and Ron Fajerstein
mixer:
Paul Lani
drums (drum set):
Vic "Vikki" Foxx (US hard rock drummer)
electric bass guitar:
Chip Z’Nuff
electric guitar [lead guitar]:
Derek Frigo
lead vocals:
Donnie Vie (US vocalist, formerly of Enuff Z’Nuff)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at and mixed at:
Royal Recorders in Lake Geneva, Wisconsin, United States
music videos:
Fly High Michelle (music video) by Enuff Z’Nuff
recording of:
Fly High Michelle
lyricist and composer:
Donnie Vie (US vocalist, formerly of Enuff Z’Nuff)
publisher:
Enuff Z’Nuff Songs Inc., Fajerstein Music Inc. and Octa Music Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Enuff Z’Nuff34:16
51Will You Love Me Tomorrow
Helen Shapiro3:26
52Lonely Avenue
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone [baritone sax]:
Emmott Dennis (on 1956-05-16)
bass:
Roosevelt "Whiskey" Sheffield (on 1956-05-16)
drums (drum set):
William Peeples (on 1956-05-16)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1956-05-16)
solo tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1956-05-16)
trumpet:
Joe Bridgewater (on 1956-05-16) and John Hunt (trumpeter) (on 1956-05-16)
background vocals:
The Cookies (50s girl group) (on 1956-05-16)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1956-05-16)
arranger:
Ray Charles (soul musician, singer and songwriter)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-05-16)
recording of:
Lonely Avenue (on 1956-05-16)
lyricist and composer:
Doc Pomus
publisher:
Carlin Music Corporation, Great Moments in Music LLC, Pomus Songs Inc., Progressive Music (publisher), Spirit One Music, Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles2:36
53Blue Velvet
The Clovers2:38
54Just When I Needed You Most
producer:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1979) and Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
lyricist and composer:
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Randy VanWarmer4:02
55Baby, I Love Your Way
cover recording of:
Baby, I Love Your Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Big Mountain34:10
56Through the Fire
recording of:
Through the Fire
writer:
David Foster (Canadian music producer, arranger and composer), Tom Keane (keyboards, of The Keane Brothers) and Cynthia Weil
publisher:
Bravo and Encore Music, Dyad Music Ltd., Peermusic III, Ltd. (BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), TomJon Music Publishing Company, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Chaka Khan4:18
57Love Hurts
engineer and mixer:
Hugh Davies (US recording engineer)
producer:
Gram Parsons
acoustic guitar and lead vocals:
Gram Parsons (from 1973-05 until 1973-09)
bass:
Emory Gordy (from 1973-05 until 1973-09)
drums (drum set):
Ron Tutt (drummer) (from 1973-05 until 1973-09)
electric guitar:
James Burton (guitarist) (from 1973-05 until 1973-09)
guitar [rhythm guitar]:
Herb Pedersen (in 1973)
pedal steel guitar:
Al Perkins (Texas born guitarist esp. steel guitar) (from 1973-05 until 1973-09)
piano:
Glen D. Hardin (from 1973-05 until 1973-09)
vocals:
Emmylou Harris (from 1973-05 until 1973-09)
cover recording of:
Love Hurts (in 1973)
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Gram Parsons53:42
58Love Is
producer:
Alan Parsons (of The Alan Parsons Project)
recording of:
Love Is
lyricist and composer:
David Paton (of Pilot)
Pilot3:15
59Hold On
recording of:
Hold On
writer:
Kevin Savigar, Stephanie Tyrell, Steve Tyrell (American producer and vocalist) and Jamie Walters
Jamie Walters44:25
60Dream Lover
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1959)
recording of:
Dream Lover
lyricist and composer:
Bobby Darin
publisher:
Screen Gems–EMI Music Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Bobby Darin3.752:31
61Angel of MineEternal2.754:19
62Always
engineer:
Rory Young
producer:
David Lewis (member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
conductor:
Gene Page
arranger:
Gene Page
recording of:
Always
writer:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
Atlantic Starr4:48
63It Started With a Kiss
producer:
Mickie Most (English record producer)
lead vocals:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (in 1982)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2011)
music videos:
It Started With a Kiss by Hot Chocolate (70s and 80s British soul band)
recording of:
It Started With a Kiss (in 1982)
lyricist and composer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. and Universal Music Publishing MGB Australia
Hot Chocolate34:03
64Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) and Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
65Lover of Mine
producer:
David Tyson (Canadian producer/songwriter)
mixer:
Paul Lani
lead vocals:
Alannah Myles
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recording of:
Lover of Mine
writer:
Kit Johnson, Alannah Myles, David Tyson (Canadian producer/songwriter) and Christopher Ward (Canadian songwriter & veejay)
Alannah Myles44:37
66Please Don’t Go
producer:
Harry Wayne Casey and Richard Finch
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Please Don’t Go
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs and EMI Songs Ltd.
KC and the Sunshine Band43:50
67Think a Little Less
Michael Ray2:57
68Push
assistant recording engineer:
John Nielsen (engineer)
engineer:
Jeff Tomei
producer:
Matt Serletic
assistant mixer:
Malcolm Springer
mixer:
Greg Archilla and Matt Serletic
editor:
Don C. Tyler (mastering engineer, electronic music producer, graphic designer)
bass guitar [bass]:
Brian Yale
drums (drum set) [drums]:
Paul Doucette (member of Matchbox Twenty)
guitar [lead guitar]:
Kyle Cook (member of Matchbox Twenty)
guitar [rhythm guitar]:
Adam Gaynor
background vocals [BG’s]:
Kyle Cook (member of Matchbox Twenty) and Adam Gaynor
vocals:
Rob Thomas (Matchbox Twenty)
recorded at:
Triclops Recording in Atlanta, Georgia, United States
mixed at:
House of Blues Studios in Memphis, Tennessee, United States
recording of:
Push
writer:
Matt Serletic and Rob Thomas (Matchbox Twenty)
publisher:
EMI Blackwood Music Inc., Melusic and U Rule Music
Matchbox Twenty3.23:59
69The Price
recording engineer and mixer:
Geoff Workman
assistant engineer:
Gary McGachan
engineer:
John Agnello (engineer & producer) and Greg Laney
producer:
Tom Werman
bass guitar:
Mark Mendoza (Twisted Sister bassist)
drums (drum set):
A.J. Pero
electric guitar:
Jay Jay French and Eddie Ojeda
background vocals:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero and Dee Snider
lead vocals:
Dee Snider
arranger:
Twisted Sister and Tom Werman
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1984-02 until 1984-03)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
The Price
lyricist and composer:
Dee Snider
publisher:
Universal Tunes
Twisted Sister3.63:49
70After the Love Has Gone
cover recording of:
After the Love Has Gone
writer:
Bill Champlin, David Foster (Canadian music producer, arranger and composer) and Jay Graydon
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music (BMI), Irving Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Ninth Music and Noted for the Record
sub-publisher:
Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Damage4:35
71Everchanging Times (from “Baby Boom”)
Siedah Garrett4:35
72This Is Love
Dionne Warwick3:32
73If I Have to Wait
Toni Braxton43:57
74Love at First Sight
recording engineer and programming:
Martin Harrington, Ash Howes (British mixer, writer and musician) and Alvin Sweeney
producer:
Julian Gallagher (songwriter, producer) and Richard “Biff” Stannard
mixer:
Ash Howes (British mixer, writer and musician)
guitar:
Martin Harrington
keyboard:
Martin Harrington and Ash Howes (British mixer, writer and musician)
Rhodes piano:
Julian Gallagher (songwriter, producer)
background vocals:
Kylie Minogue and Richard “Biff” Stannard
lead vocals:
Kylie Minogue
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001) and Kaydeebee Pty Ltd (in 2001)
mixed at:
Biffco Studios (Dublin) in Dublin, County Dublin, Leinster, Ireland
recording of:
Love at First Sight
writer:
Julian Gallagher (songwriter, producer), Martin Harrington, Ash Howes (British mixer, writer and musician), Kylie Minogue and Richard “Biff” Stannard
publisher:
Biffco Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Mushroom Music International and Sony Music Publishing (1995–2020)
Kylie Minogue3.73:58
75The Power of Love
recording engineer:
David Kosten and Mike Spencer (UK producer)
co-producer:
Mike Spencer (UK producer)
producer:
David Kosten
mixer:
Mike Spencer (UK producer)
bass, drums (drum set), guitar, percussion and piano [additional piano]:
Mike Spencer (UK producer)
cello [cellos]:
Augusta Harris (cellist)
keyboard [keyboards]:
David Kosten and Mike Spencer (UK producer)
piano [pianos], background vocals and lead vocals:
Gabrielle Aplin
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2012)
cover recording of:
The Power of Love
writer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and Rubet Music Publishing, Inc.
Gabrielle Aplin3.54:05
76Letter to My DaughtersUncle Kracker33:08
77It’s Been Awhile
producer:
Josh Abraham
mixer:
Andy Wallace (engineer)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2001)
part of:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much (number: 2001), My VH1 Music Awards - Damn I Wish I Wrote That! (song of the year) Nominees (2001) and My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001)
recording of:
It's Been Awhile
writer:
Johnny April (bassist in Staind), Aaron Lewis (lead vocalist for Staind), Mike Mushok (lead guitarist in Staind) and Jon Wysocki (drummer)
Staind44:25
78Love Is on the Way
engineer and mixer:
Ronny Lahti (Swedish musician, songwriter)
producer:
Jason Bieler
bass guitar:
Tom DeFile (from 1992-02 until 1992-03)
drums (drum set) and percussion:
Phil Varone (from 1992-02 until 1992-03)
guitar and keyboard:
Jason Bieler (from 1992-02 until 1992-03)
vocals:
Jason Bieler (from 1992-02 until 1992-03) and Matt Kramer (from 1992-02 until 1992-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and Third Stone Records (in 1992)
recorded at and mixed at:
Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Sweden (from 1992-02 until 1992-03)
recording of:
Love Is on the Way (from 1992-02 until 1992-03)
lyricist and composer:
Jason Bieler
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Baron von Bielski Music, Love Tribe Music, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Saigon Kick34:24
79Nothing Compares 2 U
Anthony Ventura4:09
80Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:55
81When I Need YouBuck Owens3:19
82Everything I Own
lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
recording of:
Everything I Own
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. and Sony/ATV Music Publishing (UK) Ltd.
Bread4.353:07
83If You Needed Somebody
assistant recording engineer:
Derek McCartney
recording engineer:
Tony Harris (UK producer/engineer) and Andrew Scarth
producer:
Terry Thomas (Member of Charlie)
assistant mixer:
Karen Down
mixer:
Rafe McKenna and Terry Thomas (Member of Charlie)
bass guitar:
Felix Krish
drums (drum set):
Simon Kirke
guitar:
Mick Ralphs and Terry Thomas (Member of Charlie)
Hammond organ and percussion:
Terry Thomas (Member of Charlie)
background vocals:
Lea Hart, Terry Thomas (Member of Charlie) and Tina Egan (Member of If Only)
vocals:
Brian Howe
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1990) and WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1990)
recorded at:
The Farmyard Studios in Amersham, Buckinghamshire, England, United Kingdom
mixed at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
recording of:
If You Needed Somebody
writer:
Brian Howe and Terry Thomas (Member of Charlie)
publisher:
Phantom Music, Phantom Records, Inc. (Phantom Music Division), T.J.T. Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Bad Company54:21
84Missing You
Tyler Hilton3:36
85Only Women Bleed
producer:
Bob Ezrin
bass guitar:
Prakash John
clavinet:
Jozef Chirowski
drums (drum set):
Whitey Glan
guitar:
Steve Hunter (rock guitarist) and Dick Wagner
keyboard:
Jozef Chirowski and Bob Ezrin
background vocals:
Jozef Chirowski, David Ezrin, Michael Sherman, The Summerhill Children’s Choir and Dick Wagner
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
arranger:
Bob Ezrin and Allan MacMillan
phonographic copyright (℗) by:
Anchor Records Ltd. (in 1975), Atlantic (Warner Music imprint) (in 1975), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975) and Atlantic Records (do not use as release label, use “Atlantic” instead) (in 1975)
remix of:
Only Women Bleed by Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
edit of:
Only Women Bleed by Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
recording of:
Only Women Bleed
writer:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) and Dick Wagner
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Early Frost Music Corp. (, from 1975 to ????), EMI Blackwood Music Inc., Ezra Music, Mushroom Music Pty. Ltd., Primary Wave Music Publishing, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Sony/ATV Songs LLC, Spirit One Music, Universal Music Publishing Group, Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Ezra Music Corp. (from 1975 to present)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.53:30
86Save the Last Dance for Me
recording of:
Save the Last Dance for Me
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) and Trio Music (publisher) (in 1974)
The Drifters2:26
87I’ve Grown Accustomed to His Face
cover recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
Shelby Flint2:01
88How Deep Is Your Love
The Antonelli Orchestra3:46
89Crying in the Chapel
cover recording of:
Crying in the Chapel (on 1953-06-30)
lyricist and composer:
Artie Glenn (in 1953)
publisher:
Chappell & Co., Inc. (USA), Chappell Morris Ltd., Hill & Range Songs, Inc. (publisher) and Mijac Music
The Orioles3:02
90It Must Have Been Love
Sanne Salomonsen4:25
91Stay With MeLorraine Ellison3:30
92Falling
recording engineer:
Art Polhemus
co-producer:
Angelo Badalamenti (American score composer) and David Lynch (filmmaker)
producer:
Angelo Badalamenti (American score composer) and David Lynch (filmmaker)
mixer:
Jay Healy
clarinet and flute:
Eddie Daniels (US jazz/classical saxophonist, clarinetist & flutist) and Al Regni
drums (drum set):
Grady Tate
electric guitar:
Vinnie Bell and Eddie Dixon
piano:
Angelo Badalamenti (American score composer)
synthesizer:
Angelo Badalamenti (American score composer) and Kinny Landrum
tenor saxophone:
Al Regni
vocals:
Julee Cruise (US singer and actress)
arranger and orchestrator:
Angelo Badalamenti (American score composer)
phonographic copyright (℗) by:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1990)
recorded at:
Excalibur Sound in New York, New York, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
Falling (Twin Peaks theme song)
lyricist:
David Lynch (filmmaker)
composer:
Angelo Badalamenti (American score composer)
publisher:
Anlon Music Co. (Anlon Music Company), O.K. Paul Music and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
version of:
Theme from Twin Peaks
part of:
Twin Peaks (original soundtrack of the TV series)
Julee Cruise4.355:22
93Ever Since the World Began
Tommy Shaw4:09
94I Don’t Want to Wait
recording engineer and mixer:
Roger Moutenot
producer:
Paula Cole
vocals:
Paula Cole
recording of:
I Don’t Want to Wait
lyricist and composer:
Paula Cole
publisher:
Ensign Music Publishing (in 1996) and Hingface Music (in 1996)
Paula Cole3.255:20
95Rise to the Occasion
engineer:
John Gallen (UK music producer, recording & mix engineer.) and David Jacob
producer:
Climie Fisher and Stephen Hague
additional percussion:
Frank Ricotti (percussionist)
background vocals:
View From the Hill
recording of:
Rise to the Occasion
writer:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) and Dennis Morgan (US songwriter)
Climie Fisher24:46
96I Remember You
recording engineer, producer and mixer:
Michael Wagener
additional engineer:
Dave Kent (engineer)
bass guitar:
Rachel Bolan
drums (drum set):
Rob Affuso
guitar:
Scotti Hill and Dave “The Snake” Sabo
background vocals:
Rachel Bolan, Scotti Hill and Dave “The Snake” Sabo
lead vocals:
Sebastian Bach (Canadian metal singer)
recorded at:
Royal Recorders in Lake Geneva, Wisconsin, United States (in 1988)
recording of:
I Remember You
writer:
Rachel Bolan and Dave “The Snake” Sabo
Skid Row3.95:14
97If Love Don’t Come to Me
Freida Parton3:49
98Without You
phonographic copyright (℗) by:
Giant Records ("a division of Warner Music Sweden AB", not for release label use! use “Giant”) (in 1991)
cover recording of:
Without You
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Air Supply4:33
99(Everything I Do) I Do It for You
cover recording of:
(Everything I Do) I Do It for You
writer:
Bryan Adams (Canadian singer/songwriter) (on 1991-04-10), Michael Kamen (American score composer) (on 1991-04-10) and Robert John “Mutt” Lange (Robert John Lange) (on 1991-04-10)
publisher:
2855 Music, MCA Music Ltd., Out-of-Pocket Productions Ltd., Rondor Music (London) Ltd., WorkSongs Ltd., Zomba Enterprises Inc., Almo Music Corp. (USA, affiliated with ASCAP) (in 1991), Miracle Creek Music, Inc. (in 1991), Zachary Creek Music Inc. (in 1991) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 1991)
part of:
The 64th Academy Award for Best Original Song (number: 2)
Brandy44:10
100I Swear
producer:
David Foster (Canadian music producer, arranger and composer)
part of:
The Downloader’s Music Source Book (number: 389)
cover recording of:
I Swear
writer:
Gary Baker (songwriter) and Frank J. Meyers (country music singer, songwriter, record producer)
publisher:
MorganActive Songs, Inc. and Rick Hall Music, Inc.
All‐4‐One44:20