Annotation

Individual cat#s / barcodes:

CD 1: BX996852 / 0724389968521
CD 2: BX996862 / 0724389968620
CD 3: BX996872 / 0724389968729

Annotation last modified on 2017-02-24 13:59 UTC.

Tracklist

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1CD
#TitleArtistRatingLength
1The House of the Rising Sun
producer:
Mickie Most (English record producer)
bass guitar:
Chas Chandler
drums (drum set):
John Steel (English musician)
electric guitar:
Hilton Valentine
organ:
Alan Price
lead vocals:
Eric Burdon
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 122), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. and Universal/MCA Music Ltd. (not for release label use!)
arrangement of:
House of the Rising Sun
The Animals4.254:31
2The Carnival Is OverThe Seekers3:10
35‐4‐3‐2‐1
producer:
John Burgess (British record producer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-12-17)
recording of:
5-4-3-2-1
composer:
Mike Hugg (drummer & founding member of Manfred Mann), Paul Jones (singer, formerly of Manfred Mann, The Blues Band, was also in musical theatre) and Manfred Mann (the person)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Keith Prowse Music Publishing Ltd.
Manfred Mann4.52:00
4Telstar
recording of:
Telstar (in 1974)
composer:
Joe Meek
publisher:
Ivy Music Ltd.
The Tornados3:17
5Itchycoo Park
recording of:
Itchycoo Park
writer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
publisher:
EMI United Partnership Ltd. (ended) and EMI Catalogue Partnership
Small Faces2:47
6F.B.I.
recording of:
F.B.I. (in 1961)
composer:
Peter Gormley, Hank Marvin (lead guitarist of The Shadows, songwriter) and Bruce Welch (English guitarist, singer, songwriter and producer)
publisher:
Carlin Music Corporation and Shadows Music Ltd.
The Shadows2:20
7For Your Love
producer:
Giorgio Gomelsky
bass:
Paul Samwell-Smith (on 1965-02-01)
bass [bowed bass]:
Ron Prentice (on 1965-02-01)
bongos:
Denny Piercey (on 1965-02-01)
drums (drum set):
Jim McCarty (UK drummer, Yardbirds member) (on 1965-02-01)
guitar:
Eric Clapton (on 1965-02-01) and Chris Dreja (on 1965-02-01)
harpsichord:
Brian Auger (on 1965-02-01)
vocals:
Keith Relf (on 1965-02-01)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1965)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (on 1965-02-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 22)
recording of:
For Your Love (on 1965-02-01)
lyricist and composer:
Graham Gouldman
publisher:
EMI Blackwood Music Inc., Francis, Day & Hunter, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Screen Gems–EMI Music Ltd.
The Yardbirds4.552:31
8Build Me Up Buttercup
recording of:
Build Me Up Buttercup
writer:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) and Tony Macaulay
publisher:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. and Welbeck Music (publisher)
The Foundations2:58
9Step Inside Love
recording of:
Step Inside Love
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Harrisongs Ltd., Northern Songs and Startling Music Ltd.
Cilla Black2:22
10Carrie Anne
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967) and The Hollies Ltd. (in 1967)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-01)
recording of:
Carrie Anne (on 1967-05-01)
lyricist and composer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
publisher:
PolyGram Music Publishing and Universal Music Publishing (use ONLY if no country‐specific information is available)
The Hollies4.52:55
11I Like It
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recording of:
I Like It (in 1963)
lyricist and composer:
Mitch Murray
Gerry & the Pacemakers22:15
12Silence Is Golden
producer:
Mike Smith (60’s & 70’s UK Producer)
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1967) and CBS Records (manufacturer/distributor, not for release label use!) (in 1967)
cover recording of:
Silence Is Golden
writer:
Bob Crewe and Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), Gavadima Music Inc., Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc. and Windswept Pacific Music Ltd.
The Tremeloes3.653:09
13There’s a Kind of Hush
engineer:
Dave Siddle (engineer)
producer:
Mickie Most (English record producer)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (on 1966-12-07)
cover recording of:
There’s a Kind of Hush (on 1966-12-07)
lyricist and composer:
Les Reed and Geoff Stephens
publisher:
Donna Music Ltd. (publisher), Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Herman’s Hermits4.52:35
14When You Walk in the Room
The Searchers2:16
15Up on the Roof
cover recording of:
Up on the Roof
lyricist:
Gerry Goffin and Carole King
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Kenny Lynch2:39
16Puppet on a String
vocals:
Sandie Shaw (in 1967)
part of:
United Kingdom in the Eurovision Song Contest (number: 1967) and Winners of the Eurovision Song Contest (number: 1967)
recording of:
Puppet on a String (in 1967)
writer:
Phil Coulter and Bill Martin (Scottish songwriter & producer)
Sandie Shaw2:23
2CD
#TitleArtistRatingLength
1Dyna‐Mite
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
recording of:
Dyna-Mite
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
Mud52:59
2Lay Your Love on Me
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), RAK Records (copyrights holder) (in 1978) and RAK (in 1979)
recording of:
Lay Your Love on Me
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music and Universal Music Publishing MGB Australia
Racey3:14
3Magic
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 41)
recording of:
Magic
writer:
Billy Lyall and David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Robbins Music Corp. Ltd.
Pilot4.753:04
4The Bump
recording of:
The Bump
writer:
Phil Coulter and Bill Martin (Scottish songwriter & producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kenny3.52:35
5You Make Me Feel Like Dancing
recording engineer:
Bill Schnee
assistant engineer:
Dana Latham
producer:
Richard Perry (producer)
bass:
Chuck Rainey (American bassist)
clavinet:
John Barns
drums (drum set):
Steve Gadd (drummer)
guitar:
Larry Carlton and Ray Parker Jr.
background vocals:
Clydie King, Becky Louis and Sherlie Matthews (US vocalist)
vocals:
Leo Sayer
conductor:
Gene Page
strings arranger:
Gene Page
phonographic copyright (℗) by:
Chrysalis (in 1976) and Silverbird Ltd. (in 1976)
recording of:
You Make Me Feel Like Dancing
lyricist:
Leo Sayer
composer:
Vini Poncia
publisher:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music and Silverbird Songs Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer53:36
6Angel Fingers
recording of:
Angel Fingers
lyricist and composer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
Wizzard54:33
7Showdown
engineer:
Denny Bridges and John Middleton (engineer)
producer:
Jeff Lynne
bass and background vocals:
Michael d’Albuquerque (in 1973-04)
cello:
Mike Edwards (English Cellist that was a member of ELO) (in 1973-04) and Colin Walker (English Cellist that was a member of ELO) (in 1973-04)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (in 1973-04)
guitar and lead vocals:
Jeff Lynne (in 1973-04)
Moog and piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1973-04)
violin:
Wilfred Gibson (UK violinist) (in 1973-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973, in 2005, in 2011), Jet Records (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1973-04)
recording of:
Showdown (in 1973-04)
written in:
Birmingham, West Midlands, England, United Kingdom
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra4.54:10
8Every 1’s a Winner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and Infinity Records Inc. (in 1978)
recording of:
Every 1’s a Winner
lyricist and composer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated) and RAK Music Publishing Ltd.
Hot Chocolate4.154:02
9Here Comes the Sun
cover recording of:
Here Comes the Sun
lyricist and composer:
George Harrison (The Beatles)
publisher:
Harrisongs Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
part of:
Reprise
Steve Harley & Cockney Rebel3.652:59
10All Around My Hat
producer:
Mike Batt
bass:
Rick Kemp
drums (drum set):
Nigel Pegrum
fiddle and mandolin:
Peter Knight (Steeleye Span fiddler)
guitar:
Tim Hart (UK folk singer and multi-instrumentalist) and Bob Johnson (British guitarist and Steeleye Span member)
background vocals:
Tim Hart (UK folk singer and multi-instrumentalist), Bob Johnson (British guitarist and Steeleye Span member) and Peter Knight (Steeleye Span fiddler)
vocals:
Maddy Prior
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1975)
recording of:
All Around My Hat (in 1975)
writer:
Tim Hart (UK folk singer and multi-instrumentalist), Bob Johnson (British guitarist and Steeleye Span member), Rick Kemp, Peter Knight (Steeleye Span fiddler) and Maddy Prior
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Peermusic (UK) Limited and Steeleye Span Music Ltd.
is based on:
Farewell He (Farewell She / Fare Thee Well, Cold Winter / All Smiles Tonight)
is based on:
The Nobleman’s Wedding
Steeleye Span54:08
11The Wall Street Shuffle10cc3.73:52
12Baker Street
recording engineer:
Barry Hammond
producer:
Hugh Murphy (UK producer, engineer) and Gerry Rafferty
mixer:
Declan O’Doherty
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
drums (drum set):
Henry Spinetti
electric guitar:
Hugh Burns and Nigel Jenkins
Moog and keyboard:
Tommy Eyre
percussion:
Glen LeFleur
saxophone:
Raphael Ravenscroft
lead vocals:
Gerry Rafferty
strings arranger:
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1978), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 26)
recording of:
Baker Street
lyricist and composer:
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) and Universal–Songs of PolyGram International, Inc.
Gerry Rafferty3.656:06
13Silver Machine
producer:
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) and Hawkwind
additional bass guitar and additional guitar:
Guy Pratt (on 1972-02-13)
bass guitar and lead vocals:
Lemmy Kilmister (“Lemmy” from Motörhead) (on 1972-02-13)
drums (drum set):
Simon King (drummer) (on 1972-02-13)
flute and saxophone:
Nik Turner (on 1972-02-13)
guitar:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (on 1972-02-13)
synthesizer:
Dik Mik Davies (on 1972-02-13) and Del Dettmar (on 1972-02-13)
vocals:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (on 1972-02-13), Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind) (on 1972-02-13) and Nik Turner (on 1972-02-13)
remixer:
The Scourge of the Earth
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
Roundhouse in Camden Town, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1972-02-13)
mixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
edit of:
Silver Machine (12″ mix) by Hawkwind infected by The Scourge of the Earth
live recording of:
Silver Machine (on 1972-02-13)
lyricist:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
composer:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music and United Partnership Ltd.
recording of:
Silver Machine
lyricist:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
composer:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music and United Partnership Ltd.
Hawkwind3.654:39
14Smoke on the Water
engineer:
Martin Birch
producer:
Deep Purple
mixer:
Roger Glover and Ian Paice
drums (drum set):
Ian Paice (on 1972-08-15)
electric bass guitar:
Roger Glover (on 1972-08-15)
electric guitar:
Ritchie Blackmore (on 1972-08-15)
Hammond organ:
Jon Lord (on 1972-08-15)
lead vocals:
Ian Gillan (on 1972-08-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Festival Hall (1st incarnation, 1958–2008) in Nakanoshima, Osaka (Osaka City), Osaka (Osaka Prefecture), Japan (on 1972-08-15)
live recording of:
Smoke on the Water (on 1972-08-15)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music and Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Deep Purple6:47
15Gangsters
producer:
The Specials AKA (ska band)
recording of:
Gangsters
writer:
John Bradbury (UK drummer for The Specials/General Public), Roderick James Byers, Jerry Dammers, Lynval Golding, Terry Hall, Horace Panter and Neville Staple
arranger:
Jerry Dammers
version of:
Al Capone
The Special A.K.A.4.252:48
16On My Radio
producer:
Roger Lomas
recording of:
On My Radio
lyricist and composer:
Neol Davies (British musician and founder of The Selecter)
publisher:
Fairwood Music Ltd.
The Selecter3:17
3CD
#TitleArtistRatingLength
1Rio
engineer and producer:
Colin Thurston
saxophone:
Andrew Kevin Hamilton (British saxophonist, composer and producer)
phonographic copyright (℗) by:
Tritec Music Ltd. (publisher and copyrights holder) (from 1982 to present)
recording of:
Rio
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran4.755:36
2Karma Chameleon
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
harmonica:
Judd Lander (in 1983)
background vocals:
Helen Terry (UK singer) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Karma Chameleon by Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club3.754:01
3Love Action (I Believe in Love)
producer:
The Human League and Martin Rushent
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1981)
music videos:
Love Action (I Believe In Love) by The Human League
recording of:
Love Action (I Believe in Love)
lyricist and composer:
Ian Burden and Philip Oakey
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), April Musikverlag GmbH (publisher) (in 1981), Dinsong Ltd. (in 1981), Sound Diagrams (publisher) (in 1981) and Virgin Music (Publishers) Ltd. (in 1981)
The Human League33:52
4Chequered Love
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Ricky Wilde
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981)
drums (drum set):
Chris North (UK drummer of The Enid) (from 1980 until 1981)
guitar:
Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
Ricky Wilde (from 1980 until 1981)
lead vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996, in 2001) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
RAK Studios in London (Greater London), England, United Kingdom
recording of:
Chequered Love (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
Kim Wilde53:22
5Come Live With Me
engineer:
Greg Walsh (producer and engineer)
producer:
B.E.F. and Greg Walsh (producer and engineer)
recording of:
Come Live With Me
writer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
Heaven 173:36
6Love Like Blood
producer:
Chris Kimsey
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Love Like Blood
writer:
Jaz Coleman, Paul Ferguson, Paul Raven (UK bassist) and Geordie Walker
publisher:
BMG Africa Music Publishing, BMG Songs Ltd. and E.G. Music Ltd. (publisher)
Killing Joke3.654:25
7Everything I Own
producer:
Stewart Levine (record producer and saxophonist)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
cover recording of:
Everything I Own
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. and Sony/ATV Music Publishing (UK) Ltd.
recording of:
Everything I Own
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. and Sony/ATV Music Publishing (UK) Ltd.
Boy George2.83:57
8If I Was
producer:
Midge Ure
guest performer:
Mark King (bass guitarist and vocalist)
arranger:
Midge Ure
phonographic copyright (℗) by:
Chrysalis (in 1985)
recording of:
If I Was
writer:
Danny Mitchell (Scottish songwriter and member of Messengers) and Midge Ure
Midge Ure45:22
9A New England
producer:
Steve Lillywhite
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1985)
music videos:
A New England by Kirsty MacColl
cover recording of:
A New England
lyricist and composer:
Billy Bragg
publisher:
BMG Music Publishing Ltd. and Chappell Music Ltd.
Kirsty MacColl43:51
10In Private
recording of:
In Private
writer:
Chris Lowe (1/2 of Pet Shop Boys) and Neil Tennant
Dusty Springfield4:21
11Free Nelson Mandela
producer:
Elvis Costello
bass:
Gary McManus (bassist)
drums (drum set):
John Bradbury (UK drummer for The Specials/General Public)
flute:
David Heath (British composer and flautist)
guitar:
John Shipley
organ:
Jerry Dammers
saxophone:
Andy Aderinto (saxophonist)
tin whistle [penny whistle]:
Paul Speare
trumpet:
Dick Cuthell
background vocals:
Afrodiziak
lead vocals:
Stan Campbell
vocals:
Rhoda Dakar (British singer and musician, of The Bodysnatchers)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1984)
music videos:
Nelson Mandela (music video) by The Special A.K.A. (ska band)
recording of:
Free Nelson Mandela
lyricist and composer:
Jerry Dammers
publisher:
Plangent Visions Music Ltd. (in 1984)
The Special A.K.A.2.754:11
12It Ain’t What You Do It’s the Way That You Do ItFun Boy Three & Bananarama2:49
13Dancing With Tears in My EyesUltravox44:06
14Lavender
recording engineer:
Thomas Stiehler (from 1985-03 until 1985-05)
producer:
Chris Kimsey
mixer:
Mark Freegard and Chris Kimsey
bass guitar:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (from 1985-03 until 1985-05)
drums (drum set) and percussion:
Ian Mosley (from 1985-03 until 1985-05)
guitar:
Steve Rothery (from 1985-03 until 1985-05)
keyboard:
Mark Kelly (Marillion keyboardist) (from 1985-03 until 1985-05)
lead vocals:
Fish (Derek William Dick, ex‐Marillion frontman) (from 1985-03 until 1985-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Hansa Studios in Berlin, Germany (in 1985-03)
recording of:
Lavender (from 1985-03 until 1985-05)
lyricist:
Derek William Dick
composer:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Marillion Music and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985)
is based on:
Lavender’s Blue (late 17th c. English folk song)
Marillion2.53:40
15Sense Working Overtime
assistant engineer:
Howard Gray (UK producer, engineer, and electronic musician)
engineer:
Hugh Padgham
producer:
Hugh Padgham and XTC (English rock band)
12 string guitar and percussion:
Dave Gregory (XTC)
acoustic guitar and background vocals and lead vocals:
Andy Partridge
bass, fretless bass and background vocals:
Colin Moulding
drum machine and drums (drum set) and drums (drum set):
Terry Chambers
guitar:
Dave Gregory (XTC) and Andy Partridge
vocals:
Colin Moulding and Andy Partridge
recorded at:
The Manor in Oxfordshire, England, United Kingdom
part of:
TV Cream: Real 100 Best Singles Ever (number: 35) and Indie 88: Top 500 Indie Rock Songs (number: 339)
recording of:
Senses Working Overtime
lyricist and composer:
Andy Partridge
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
XTC54:48
16Here I Go Again
producer:
Kevin Elson, Keith Olsen (US producer and engineer) and Mike Stone (producer and engineer, 1960s–80s)
mixer:
Keith Olsen (US producer and engineer)
drums (drum set) and percussion:
Aynsley Dunbar
electric bass guitar:
Neil Murray (British bass guitar player)
electric guitar and background vocals:
John Sykes
guest keyboard and keyboard:
Don Airey and Bill Cuomo
solo electric guitar:
Adrian Vandenberg
lead vocals:
David Coverdale
phonographic copyright (℗) by:
Geffen Records (in 1987) and Whitesnake Productions (Overseas) Ltd. (in 1987)
mixed at:
Goodnight LA Studios in Van Nuys, California, United States
music videos:
Here I Go Again ’87 by Whitesnake
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 17)
recording of:
Here I Go Again
writer:
David Coverdale and Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (ended), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Whitesnake4.054:35

Credits

Release

ASIN:UK: B00005AA6B [info]