The Greatest Classical Masterworks

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1CD: Johann Sebastian Bach
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1Toccata and Fugue in D minor, BWV 565
organ programming:
Richard Bower
producer:
Matthew Dilley
organ:
James Parsons (organist)
balance engineer:
Dick Lewzey
recorded at:
Oundle School Chapel in Oundle, Northamptonshire, England, United Kingdom
recording of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)
Johann Sebastian Bach9:33
2Cantata “Jauchzet Gott in allen Landen”, BWV 51: I. Jauchzet Gott in allen Landen (aria)
producer:
Matthew Dilley
soprano vocals:
Susan Bullock (British operatic soprano) (in 1997-03)
orchestra:
Royal Philharmonic Orchestra (in 1997-03)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1997-03)
balance engineer:
Dick Lewzey
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (in 1997-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach4:35
3Cantata “Wachet auf, ruft uns die stimme”, BWV 140: IV. Zion hört die Wächter singen (chorale)
producer:
Matthew Dilley
orchestra:
Royal Philharmonic Orchestra (in 1997-03)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1997-03)
balance engineer:
Dick Lewzey
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral “Zion hört die Wächter singen” (catch-all for arrangements) (in 1997-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
Johann Sebastian Bach5:09
4Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro
producer:
Matthew Dilley
orchestra:
Royal Philharmonic Orchestra (in 1997-03)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1997-03)
balance engineer:
Dick Lewzey
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (in 1997-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach7:08
5Orchestral Suite no. 3 in D major, BWV 1068: II. Air
producer:
Matthew Dilley
orchestra:
Royal Philharmonic Orchestra (in 1997-03)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1997-03)
balance engineer:
Dick Lewzey
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1997-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:59
6Keyboard Concerto no. 1 in D major, BWV 1052: I. Allegro
producer:
Matthew Dilley
orchestra:
Royal Philharmonic Orchestra (in 1997-03)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1997-03)
balance engineer:
Dick Lewzey
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Keyboard Concerto in D minor, BWV 1052: I. Allegro (in 1997-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Harpsichord Concerto No.1 in D minor, BWV 1052a: I. Allegro (early version of BWV 1052)
part of:
Keyboard Concerto in D minor, BWV 1052
Johann Sebastian Bach7:22
7Cantata “Was mir behagt, ist nur die muntre jagd”, BWV 208: IX. Schafe können sicher weiden (aria)
producer:
Matthew Dilley
orchestra:
Royal Philharmonic Orchestra (in 1997-03)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1997-03)
balance engineer:
Dick Lewzey
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (in 1997-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:56
8Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise
producer:
Matthew Dilley
orchestra:
Royal Philharmonic Orchestra (in 1997-03)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1997-03)
balance engineer:
Dick Lewzey
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double (Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double) (in 1997-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach3:06
9Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet
producer:
Matthew Dilley
orchestra:
Royal Philharmonic Orchestra (in 1997-03)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1997-03)
balance engineer:
Dick Lewzey
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (in 1997-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:19
10Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie
producer:
Matthew Dilley
orchestra:
Royal Philharmonic Orchestra (in 1997-03)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1997-03)
balance engineer:
Dick Lewzey
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1997-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:31
11Cantata “Herz und mund und tat und leben”, BWV 147: X. Jesus bleibet meine Freude (chorale)
producer:
Matthew Dilley
orchestra:
Royal Philharmonic Orchestra (, in 1997-03)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1997-03)
balance engineer:
Dick Lewzey
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (in 1997-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach7:44
12Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
producer:
Matthew Dilley
orchestra:
Royal Philharmonic Orchestra (in 1997-03)
conductor:
Jonathan Carney (violinist, conductor and concertmaster) (in 1997-03)
balance engineer:
Dick Lewzey
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1997-03)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (in 1997-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:48
2CD: Hector Berlioz
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1Le Carnaval Romain, op. 9
orchestra:
Royal Philharmonic Orchestra (in 1994-01)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1994-01)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Le Carnaval romain, ouverture pour orchestre, op. 9 (The Roman Carnival Overture for Orchestra, op. 9) (in 1994-01)
composer:
Hector Berlioz (French composer) (in 1843)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 95)
Hector Berlioz8:48
2Symphonie fantastique, op. 14: I. Rêveries. Passions: Largo. Allegro agitato e appassionato assai
orchestra:
Royal Philharmonic Orchestra (in 1994-01)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1994-01)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Symphonie fantastique, op. 14: I. Rêveries, passions (in 1994-01)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz14:34
3Symphonie fantastique, op. 14: II. Un bal: Allegretto non troppo
orchestra:
Royal Philharmonic Orchestra (in 1994-01)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1994-01)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Symphonie fantastique, op. 14: II. Un bal (in 1994-01)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:03
4Symphonie fantastique, op. 14: III. Scène aux champs: Adagio
orchestra:
Royal Philharmonic Orchestra (in 1994-01)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1994-01)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Symphonie fantastique, op. 14: III. Scène aux champs (in 1994-01)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz15:45
5Symphonie fantastique, op. 14: IV. Marche au supplice: Allegretto non troppo
orchestra:
Royal Philharmonic Orchestra (in 1994-01)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1994-01)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (in 1994-01)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:47
6Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat: Larghetto. Allegro
orchestra:
Royal Philharmonic Orchestra (in 1994-01)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1994-01)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (in 1994-01)
composer:
Hector Berlioz (French composer) (in 1830)
quotes music from:
Dies Irae (plainchant)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz9:50
3CD: Leonard Bernstein
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1Candide: Overture
orchestra:
Royal Philharmonic Orchestra (in 1996)
conductor:
Carl Davis (conductor and composer) (in 1996)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996)
recording of:
Candide: Overture (in 1996)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Candide
Leonard Bernstein4:18
2Fancy Free: Three Dance Variations: Variation I: Galop
orchestra:
Royal Philharmonic Orchestra (in 1996)
conductor:
Carl Davis (conductor and composer) (in 1996)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996)
recording of:
Fancy Free: VI. Three Dance Variations: Variation I: Galop (in 1996)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1944)
part of:
Fancy Free
Leonard Bernstein1:30
3Fancy Free: Three Dance Variations: Variation II: Waltz
orchestra:
Royal Philharmonic Orchestra (in 1996)
conductor:
Carl Davis (conductor and composer) (in 1996)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996)
recording of:
Fancy Free: VI. Three Dance Variations: Variation II: Waltz (in 1996)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1944)
part of:
Fancy Free
Leonard Bernstein2:34
4Fancy Free: Three Dance Variations: Variation III: Danzon
orchestra:
Royal Philharmonic Orchestra (in 1996)
conductor:
Carl Davis (conductor and composer) (in 1996)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996)
recording of:
Fancy Free: VI. Three Dance Variations: Variation III: Danzon (in 1996)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1944)
part of:
Fancy Free
Leonard Bernstein2:46
5West Side Story: Symphonic Dances: Prologue: Allegro moderato
orchestra:
Royal Philharmonic Orchestra (in 1996)
conductor:
Carl Davis (conductor and composer) (in 1996)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996)
recording of:
Symphonic Dances from West Side Story: I. Prologue. Allegro moderato (in 1996)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein4:12
6West Side Story: Symphonic Dances: Somewhere: adagio
orchestra:
Royal Philharmonic Orchestra (in 1996)
conductor:
Carl Davis (conductor and composer) (in 1996)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996)
recording of:
Symphonic Dances from West Side Story: II. “Somewhere”. Adagio (in 1996)
additional orchestrator:
Irwin Kostal and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein4:15
7West Side Story: Symphonic Dances: Scherzo: Vivace e leggiero
orchestra:
Royal Philharmonic Orchestra (in 1996)
conductor:
Carl Davis (conductor and composer) (in 1996)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996)
recording of:
Symphonic Dances from West Side Story: III. Scherzo. Vivace leggiero (in 1996)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein1:26
8West Side Story: Symphonic Dances: Mambo: Meno presto
orchestra:
Royal Philharmonic Orchestra (in 1996)
conductor:
Carl Davis (conductor and composer) (in 1996)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996)
recording of:
Symphonic Dances from West Side Story: IV. Mambo. Presto (in 1996)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein2:12
9West Side Story: Symphonic Dances: Cha-Cha: Andantino con grazia
orchestra:
Royal Philharmonic Orchestra (in 1996)
conductor:
Philip Ellis and Carl Davis (conductor and composer) (in 1996)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996)
recording of:
Symphonic Dances from West Side Story: V. Cha-Cha (“Maria”). Andantino con grazia (in 1996)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein1:05
10West Side Story: Symphonic Dances: Meeting Scene: Meno mosso
orchestra:
Royal Philharmonic Orchestra (in 1996)
conductor:
Carl Davis (conductor and composer) (in 1996)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996)
recording of:
Symphonic Dances from West Side Story: VI. Meeting Scene. Meno mosso (in 1996)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein0:47
11West Side Story: Symphonic Dances: Cool Fugue: Allegretto
orchestra:
Royal Philharmonic Orchestra (in 1996)
conductor:
Carl Davis (conductor and composer) (in 1996)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996)
recording of:
Symphonic Dances from West Side Story: VII. “Cool” Fugue. Allegretto (in 1996)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein3:43
12West Side Story: Symphonic Dances: Rumble: Molto allegro
orchestra:
Royal Philharmonic Orchestra (in 1996)
conductor:
Carl Davis (conductor and composer) (in 1996)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996)
recording of:
Symphonic Dances from West Side Story: VIII. Rumble. Molto allegro (in 1996)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein1:57
13West Side Story: Symphonic Dances: Finale: Adagio
orchestra:
Royal Philharmonic Orchestra (in 1996)
conductor:
Carl Davis (conductor and composer) (in 1996)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996)
recording of:
Symphonic Dances from West Side Story: IX. Finale. Adagio (in 1996)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein2:57
14On the Town: Three Dance Episodes: I. The Great Lover
orchestra:
Royal Philharmonic Orchestra (in 1996)
conductor:
Carl Davis (conductor and composer) (in 1996)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996)
recording of:
Three Dance Episodes from “On the Town”: I. The Great Lover (in 1996)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1945)
part of:
Three Dance Episodes from “On the Town” (symphonic suite for orchestra)
Leonard Bernstein1:45
15On the Town: Three Dance Episodes: II. Lonely Town: Pas de Deux
orchestra:
Royal Philharmonic Orchestra (in 1996)
conductor:
Carl Davis (conductor and composer) (in 1996)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996)
recording of:
Three Dance Episodes from “On the Town”: II. Lonely Town: Pas de deux (in 1996)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1945)
part of:
Three Dance Episodes from “On the Town” (symphonic suite for orchestra)
Leonard Bernstein2:46
16On the Town: Three Dance Episodes: III. Times Square: 1944
orchestra:
Royal Philharmonic Orchestra (in 1996)
conductor:
Carl Davis (conductor and composer) (in 1996)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996)
recording of:
Three Dance Episodes from “On the Town”: III. Times Square: 1944 (in 1996)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1945)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
part of:
Three Dance Episodes from “On the Town” (symphonic suite for orchestra)
Leonard Bernstein5:00
17On The Waterfront: Symphonic Suite
orchestra:
Royal Philharmonic Orchestra (in 1996)
conductor:
Carl Davis (conductor and composer) (in 1996)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1996)
recording of:
Symphonic Suite from On the Waterfront (in 1996)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1955)
is based on:
On the Waterfront (film score)
Leonard Bernstein19:34
4CD: Johannes Brahms
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1Symphony no. 2 in D major, op. 73: I. Allegro non troppo
orchestra:
Royal Philharmonic Orchestra (in 1994-11)
conductor:
James Judd (conductor) (in 1994-11)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: I. Allegro non troppo (in 1994-11)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms22:18
2Symphony no. 2 in D major, op. 73: II. Adagio non troppo
orchestra:
Royal Philharmonic Orchestra (in 1994-11)
conductor:
James Judd (conductor) (in 1994-11)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: II. Adagio non troppo (in 1994-11)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms9:37
3Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino)
orchestra:
Royal Philharmonic Orchestra (in 1994-11)
conductor:
James Judd (conductor) (in 1994-11)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: III. Allegretto grazioso (quasi andantino) (in 1994-11)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms5:15
4Symphony no. 2 in D major, op. 73: IV. Allegro con spirito
orchestra:
Royal Philharmonic Orchestra (in 1994-11)
conductor:
James Judd (conductor) (in 1994-11)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: IV. Allegro con spirito (in 1994-11)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms9:26
5Academic Festival Overture in C minor, op. 80
orchestra:
Royal Philharmonic Orchestra (in 1994-11)
conductor:
James Judd (conductor) (in 1994-11)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Akademische Fest‐Ouvertüre, op. 80 (Academic Festival Overture, op. 80) (in 1994-11)
composer:
Johannes Brahms (German composer) (in 1880)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 80)
Johannes Brahms10:23
5CD: Frédéric Chopin
#TitleArtistRatingLength
1Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso
piano:
Sequeira Costa (pianist) (in 1995-01)
orchestra:
Royal Philharmonic Orchestra (in 1995-01)
conductor:
Gilbert Varga (conductor) (in 1995-01)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso (in 1995-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Frédéric Chopin20:22
2Piano Concerto no. 1 in E minor, op. 11: II. Romance. Larghetto
piano:
Sequeira Costa (pianist) (in 1995-01)
orchestra:
Royal Philharmonic Orchestra (in 1995-01)
conductor:
Gilbert Varga (conductor) (in 1995-01)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto (in 1995-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Frédéric Chopin9:21
3Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace
piano:
Sequeira Costa (pianist) (in 1995-01)
orchestra:
Royal Philharmonic Orchestra (in 1995-01)
conductor:
Gilbert Varga (conductor) (in 1995-01)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace (in 1995-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Frédéric Chopin10:24
4Piano Concerto no. 2 in F minor, op. 21: I. Maestoso
piano:
Sequeira Costa (pianist) (in 1995-01)
orchestra:
Royal Philharmonic Orchestra (in 1995-01)
conductor:
Gilbert Varga (conductor) (in 1995-01)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: I. Maestoso (in 1995-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1830)
part of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21
Frédéric Chopin14:20
5Piano Concerto no. 2 in F minor, op. 21: II. Larghetto
piano:
Sequeira Costa (pianist) (in 1995-01)
orchestra:
Royal Philharmonic Orchestra (in 1995-01)
conductor:
Gilbert Varga (conductor) (in 1995-01)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto (in 1995-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1830)
part of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21
Frédéric Chopin9:21
6Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace
piano:
Sequeira Costa (pianist) (in 1995-01)
orchestra:
Royal Philharmonic Orchestra (in 1995-01)
conductor:
Gilbert Varga (conductor) (in 1995-01)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: III. Allegro vivace (in 1995-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1830)
part of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21
Frédéric Chopin9:05
6CD: Antonín Dvořák
#TitleArtistRatingLength
1Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio. Allegro molto
producer:
Alan Peters (producer, violinist)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Paavo Järvi (conductor) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto (Symphony No. 9 in E minor, Op. 95 “From the New World”: I. Adagio – Allegro molto) (in 1993-10)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák13:04
2Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo
producer:
Alan Peters (producer, violinist)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Paavo Järvi (conductor) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo) (in 1993-10)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák15:21
3Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace
producer:
Alan Peters (producer, violinist)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Paavo Järvi (conductor) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (Symphony No. 9 in E minor, Op. 95 “From the New World”: III. Scherzo. Molto vivace – Poco sostenuto) (in 1993-10)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák7:32
4Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco
producer:
Alan Peters (producer, violinist)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Paavo Järvi (conductor) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 “From the New World”: IV. Allegro con fuoco) (in 1993-10)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák11:12
5Carnival Overture, op. 92 (Concert Overture)
producer:
Alan Peters (producer, violinist)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Paavo Järvi (conductor) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Carnival Overture, op. 92, B. 169 (in 1993-10)
composer:
Antonín Dvořák (composer) (from 1891-07-28 until 1891-09-12)
premiered at:
[concert] (1892-04-28)
publisher:
N. Simrock (in 1894)
part of:
Works of Antonín Dvořák by opus number (number: op. 92) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 169)
Antonín Dvořák9:32
6Scherzo capriccioso, op. 66
producer:
Alan Peters (producer, violinist)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Paavo Järvi (conductor) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Scherzo capriccioso, op. 66, B. 131 (for orchestra) (in 1993-10)
composer:
Antonín Dvořák (composer) (from 1883-04-04 until 1883-05-02)
premiered at:
[concert] (1883-05-16)
publisher:
Bote & Bock (in 1884)
part of:
Works of Antonín Dvořák by opus number (number: op. 66) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 131)
Antonín Dvořák14:50
7CD: Edward Elgar
#TitleArtistRatingLength
1Variations on an Original Theme “Enigma”, op. 36: Theme: Andante
producer:
John H. West (classical engineer/producer)
orchestra:
Royal Philharmonic Orchestra (in 1994-05)
conductor:
Yehudi Menuhin (violinist) (in 1994-05)
balance engineer:
Dick Lewzey (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante) (in 1994-05)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:26
2Variations on an Original Theme “Enigma”, op. 36: I. C. A. E: Andante
producer:
John H. West (classical engineer/producer)
orchestra:
Royal Philharmonic Orchestra (in 1994-05)
conductor:
Yehudi Menuhin (violinist) (in 1994-05)
balance engineer:
Dick Lewzey (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo) (in 1994-05)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Caroline Alice Elgar (English author, married to Edward Elgar)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:56
3Variations on an Original Theme “Enigma”, op. 36: II. H. D. S-P: Allegro
producer:
John H. West (classical engineer/producer)
orchestra:
Royal Philharmonic Orchestra (in 1994-05)
conductor:
Yehudi Menuhin (violinist) (in 1994-05)
balance engineer:
Dick Lewzey (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro) (in 1994-05)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Hew David Steuart Powell
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:53
4Variations on an Original Theme “Enigma”, op. 36: III. R. B. T.: Allegretto
producer:
John H. West (classical engineer/producer)
orchestra:
Royal Philharmonic Orchestra (in 1994-05)
conductor:
Yehudi Menuhin (violinist) (in 1994-05)
balance engineer:
Dick Lewzey (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto) (in 1994-05)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Baxter Townshend
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:21
5Variations on an Original Theme “Enigma”, op. 36: IV. W. M. B.: Allegro di molto
producer:
John H. West (classical engineer/producer)
orchestra:
Royal Philharmonic Orchestra (in 1994-05)
conductor:
Yehudi Menuhin (violinist) (in 1994-05)
balance engineer:
Dick Lewzey (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto) (in 1994-05)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
William Meath Baker
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:34
6Variations on an Original Theme “Enigma”, op. 36: V. R.P.A.: Moderato
producer:
John H. West (classical engineer/producer)
orchestra:
Royal Philharmonic Orchestra (in 1994-05)
conductor:
Yehudi Menuhin (violinist) (in 1994-05)
balance engineer:
Dick Lewzey (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato) (in 1994-05)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Penrose Arnold
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:18
7Variations on an Original Theme “Enigma”, op. 36: VI. Ysobel: Andantino
producer:
John H. West (classical engineer/producer)
orchestra:
Royal Philharmonic Orchestra (in 1994-05)
conductor:
Yehudi Menuhin (violinist) (in 1994-05)
balance engineer:
Dick Lewzey (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino) (in 1994-05)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Isabel Fitton
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:18
8Variations on an Original Theme “Enigma”, op. 36: VII. Troyte: Presto
producer:
John H. West (classical engineer/producer)
orchestra:
Royal Philharmonic Orchestra (in 1994-05)
conductor:
Yehudi Menuhin (violinist) (in 1994-05)
balance engineer:
Dick Lewzey (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto) (in 1994-05)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Arthur Troyte Griffith
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:04
9Variations on an Original Theme “Enigma”, op. 36: VIII. W. N.: Allegretto
producer:
John H. West (classical engineer/producer)
orchestra:
Royal Philharmonic Orchestra (in 1994-05)
conductor:
Yehudi Menuhin (violinist) (in 1994-05)
balance engineer:
Dick Lewzey (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto) (in 1994-05)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Winifred Norbury
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:52
10Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod: Adagio
producer:
John H. West (classical engineer/producer)
orchestra:
Royal Philharmonic Orchestra (in 1985-07, in 1994-05)
conductor:
Yehudi Menuhin (violinist) (in 1985-07, in 1994-05)
balance engineer:
Dick Lewzey (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (in 1985-07)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (in 1994-05)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar44:02
11Variations on an Original Theme “Enigma”, op. 36: X. Intermezzo: Dorabella: Allegretto
producer:
John H. West (classical engineer/producer)
orchestra:
Royal Philharmonic Orchestra (in 1994-05)
conductor:
Yehudi Menuhin (violinist) (in 1994-05)
balance engineer:
Dick Lewzey (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto) (in 1994-05)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Dora Penny
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:54
12Variations on an Original Theme “Enigma”, op. 36: XI. G. R. S.: Allegro di molto
producer:
John H. West (classical engineer/producer)
orchestra:
Royal Philharmonic Orchestra (in 1994-05)
conductor:
Yehudi Menuhin (violinist) (in 1994-05)
balance engineer:
Dick Lewzey (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto) (in 1994-05)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
George Robertson Sinclair
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:03
13Variations on an Original Theme “Enigma”, op. 36: XII. B. G. N.: Andante
producer:
John H. West (classical engineer/producer)
orchestra:
Royal Philharmonic Orchestra (in 1994-05)
conductor:
Yehudi Menuhin (violinist) (in 1994-05)
balance engineer:
Dick Lewzey (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante) (in 1994-05)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Basil George Nevinson
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:33
14Variations on an Original Theme “Enigma”, op. 36: XIII. Romanza: Moderato
producer:
John H. West (classical engineer/producer)
orchestra:
Royal Philharmonic Orchestra (in 1994-05)
conductor:
Yehudi Menuhin (violinist) (in 1994-05)
balance engineer:
Dick Lewzey (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato) (in 1994-05)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Lady Mary Lygon
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:11
15Variations on an Original Theme “Enigma”, op. 36: XIV. Finale: E. D. U.: Allegro
producer:
John H. West (classical engineer/producer)
orchestra:
Royal Philharmonic Orchestra (in 1994-05)
conductor:
Yehudi Menuhin (violinist) (in 1994-05)
balance engineer:
Dick Lewzey (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (in 1994-05)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar5:38
16In the South (Alassio), op. 50
producer:
John H. West (classical engineer/producer)
orchestra:
Royal Philharmonic Orchestra (in 1994-05)
conductor:
Yehudi Menuhin (violinist) (in 1994-05)
balance engineer:
Dick Lewzey (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
In the South (Alassio), op. 50 (in 1994-05)
composer:
Edward Elgar (composer) (from 1903 until 1904)
dedicated to:
Frank Schuster
premiered at:
Royal Opera House (“Covent Garden”) in London (Greater London), England, United Kingdom (on 1904-03-16)
part of:
Works of Edward Elgar by opus number (number: op. 50)
Edward Elgar21:48
17Pomp and Circumstance, op. 39: March no. 4 in G major
producer:
John H. West (classical engineer/producer)
orchestra:
Royal Philharmonic Orchestra (in 1994-05)
conductor:
Yehudi Menuhin (violinist) (in 1994-05)
balance engineer:
Dick Lewzey (in 1994-05)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major (in 1994-05)
composer:
Edward Elgar (composer) (in 1907)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1907-08-24)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar5:02
8CD: Joseph Haydn
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1Symphony no. 100 in G major, Hob I:100 “Military”: I. Adagio. Allegro
orchestra:
Royal Philharmonic Orchestra (in 1994-06)
conductor:
Stefan Sanderling (conductor) (in 1994-06)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-06)
recording of:
Symphony no. 100 in G major, Hob. I:100 "Military": I. Adagio - Allegro (in 1994-06)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 100 in G major, Hob. I:100 "Military"
Joseph Haydn7:41
2Symphony no. 100 in G major, Hob I:100 “Military”: II. Allegretto
orchestra:
Royal Philharmonic Orchestra (in 1994-06)
conductor:
Stefan Sanderling (conductor) (in 1994-06)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-06)
recording of:
Symphony no. 100 in G major, Hob. I:100 "Military": II. Allegretto (in 1994-06)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 100 in G major, Hob. I:100 "Military"
Joseph Haydn6:11
3Symphony no. 100 in G major, Hob I:100 “Military”: III. Menuet: Moderato
orchestra:
Royal Philharmonic Orchestra (in 1994-06)
conductor:
Stefan Sanderling (conductor) (in 1994-06)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-06)
recording of:
Symphony no. 100 in G major, Hob. I:100 "Military": III. Menuetto & Trio. Moderato (in 1994-06)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 100 in G major, Hob. I:100 "Military"
Joseph Haydn5:05
4Symphony no. 100 in G major, Hob I:100 “Military”: IV. Finale: Presto
orchestra:
Royal Philharmonic Orchestra (in 1994-06)
conductor:
Stefan Sanderling (conductor) (in 1994-06)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-06)
recording of:
Symphony no. 100 in G major, Hob. I:100 "Military": IV. Finale. Presto (in 1994-06)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 100 in G major, Hob. I:100 "Military"
Joseph Haydn5:18
5Symphony no. 94 in G major, Hob I:94 “Surprise”: I. Adagio. Vivace assai
orchestra:
Royal Philharmonic Orchestra (in 1994-06)
conductor:
Stefan Sanderling (conductor) (in 1994-06)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-06)
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio cantabile. Vivace assai (in 1994-06)
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn7:54
6Symphony no. 94 in G major, Hob I:94 “Surprise”: II. Andante
orchestra:
Royal Philharmonic Orchestra (in 1994-06)
conductor:
Stefan Sanderling (conductor) (in 1994-06)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-06)
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante (in 1994-06)
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn5:57
7Symphony no. 94 in G major, Hob I:94 “Surprise”: III. Menuetto: Allegro molto
orchestra:
Royal Philharmonic Orchestra (in 1994-06)
conductor:
Stefan Sanderling (conductor) (in 1994-06)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-06)
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet. Allegro molto – Trio – Menuet (in 1994-06)
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn4:31
8Symphony no. 94 in G major, Hob I:94 “Surprise”: IV. Finale: Allegro di molto
orchestra:
Royal Philharmonic Orchestra (in 1994-06)
conductor:
Stefan Sanderling (conductor) (in 1994-06)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-06)
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale. Allegro di molto (in 1994-06)
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn3:59
9La fedeltà premiata, Hob XXVIII:10: Overture
orchestra:
Royal Philharmonic Orchestra (in 1994-06)
conductor:
Stefan Sanderling (conductor) (in 1994-06)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-06)
recording of:
La fedeltà premiata: Overture (in 1994-06)
composer:
Joseph Haydn (composer)
part of:
La fedeltà premiata
Joseph Haydn3:35
9CD: Gustav Holst
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1The Planets, op. 32: I. Mars, the Bringer of War
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Vernon Handley (conductor) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
The Planets, op. 32: I. Mars, the Bringer of War (in 1993-10)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:22
2The Planets, op. 32: II. Venus, the Bringer of Peace
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Vernon Handley (conductor) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
The Planets, op. 32: II. Venus, the Bringer of Peace (in 1993-10)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:36
3The Planets, op. 32: III. Mercury, the Winged Messenger
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Vernon Handley (conductor) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
The Planets, op. 32: III. Mercury, the Winged Messenger (in 1993-10)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: III. Mercury, the Winged Messenger (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst3:52
4The Planets, op. 32: IV. Jupiter, the Bringer of Jollity
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Vernon Handley (conductor) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (in 1993-10)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:59
5The Planets, op. 32: V. Saturn, the Bringer of Old Age
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Vernon Handley (conductor) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (in 1993-10)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:42
6The Planets, op. 32: VI. Uranus, the Magician
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Vernon Handley (conductor) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
The Planets, op. 32: VI. Uranus, the Magician (in 1993-10)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VI. Uranus, the Magician (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst5:44
7The Planets, op. 32: VII. Neptune, the Mystic
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1993-10)
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Vernon Handley (conductor) (in 1993-10)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
The Planets, op. 32: VII. Neptune, the Mystic (in 1993-10)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VII. Neptune, the Mystic (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst6:48
8St. Paul's Suite for Strings, op. 29 no. 2: I. Jig
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Vernon Handley (conductor) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2: I. Jig. Vivace (in 1993)
composer:
Gustav Holst (composer) (in 1912)
part of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2
Gustav Holst3:16
9St. Paul's Suite for Strings, op. 29 no. 2: II. Ostinato
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Vernon Handley (conductor) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2: II. Ostinato. Presto (in 1993)
composer:
Gustav Holst (composer) (in 1912)
part of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2
Gustav Holst1:47
10St. Paul's Suite for Strings, op. 29 no. 2: III. Intermezzo
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Vernon Handley (conductor) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2: III. Intermezzo. Andante con moto - Vivace (in 1993)
composer:
Gustav Holst (composer) (in 1912)
part of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2
Gustav Holst4:06
11St. Paul's Suite for Strings, op. 29 no. 2: IV. Finale: The Dargason
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Vernon Handley (conductor) (in 1993-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2: IV. Finale (The Dargason). Allegro (in 1993)
composer:
Gustav Holst (composer) (in 1912)
part of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2
Gustav Holst3:21
10CD: Gustav Mahler
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1Symphony no. 1 in D major: I. Langsam, schleppend. Im Anfang sehr gemächlich
orchestra:
Royal Philharmonic Orchestra (in 1994-06)
conductor:
Yuri Simonov (Soviet and Russian conductor) (in 1994-06)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-06)
recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (in 1994-06)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler16:40
2Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell
orchestra:
Royal Philharmonic Orchestra (in 1994-06)
conductor:
Yuri Simonov (Soviet and Russian conductor) (in 1994-06)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-06)
recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (in 1994-06)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler8:33
3Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
orchestra:
Royal Philharmonic Orchestra (in 1994-06)
conductor:
Yuri Simonov (Soviet and Russian conductor) (in 1994-06)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-06)
recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (in 1994-06)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler11:42
4Symphony no. 1 in D major: IV. Stürmisch bewegt
orchestra:
Royal Philharmonic Orchestra (in 1994-06)
conductor:
Yuri Simonov (Soviet and Russian conductor) (in 1994-06)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1994-06)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (in 1994-06)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler19:42
11CD: Felix Mendelssohn Bartholdy
12CD: Wolfgang Amadeus Mozart
13CD: Carl Orff
14CD: Sergey Prokofiev
15CD: Sergey Rachmaninov
16CD: Nicolay Rimsky-Korsakov
17CD: Joaquín Rodrigo
18CD: Gioacchino Rossini: Overtures
19CD: Dmitry Shostakovich
20CD: Jean Sibelius
21CD: Richard Strauss
22CD: The Strauss Family
23CD: Igor Stravinsky
24CD: Peter I. Tchaikovsky
25CD: Richard Wagner
26CD: Beethoven / Schubert
27CD: Bizet / Grieg
28CD: Gershwin / Ravel / Debussy
29CD: Mussorgsky / Ravel
30CD: Vivaldi / Pachelbel / Bach