| # | Title | Artist | Rating | Length |
|---|
| 1 | What a Fool Believes | The Doobie Brothers | 4 | 3:43 |
| 2 | Ride Like the Wind- assistant engineer:
- Stuart Gitlin
- engineer and mixer:
- Chet Himes
- producer:
- Michael Omartian
- acoustic guitar, electric guitar, solo guitar and lead vocals:
- Christopher Cross
- bass guitar:
- Andy Salmon
- drums (drum set):
- Tommy Taylor
- electric piano and piano:
- Michael Omartian
- percussion:
- Lenny Castro
- synthesizer:
- Rob Meurer
- background vocals:
- Christopher Cross and Michael McDonald
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- phonographic copyright (℗) by:
- Warner Bros. (in 1979) and Warner Bros. Records Inc. (in 1979)
- produced for:
- Free Flow Productions
- recorded at:
- Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Ride Like the Wind
- lyricist and composer:
- Christopher Cross
- publisher:
- BMG Songs, Inc., Pop ’n’ Roll Music and Universal Music–MGB Songs
- sub-publisher:
- Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
| Christopher Cross | 4.1 | 4:27 |
| 3 | Evil Woman- engineer:
- Jimmy Iovine and Reinhold Mack
- producer:
- Jeff Lynne
- bass:
- Kelly Groucutt (from 1975-05 until 1975-06)
- cello:
- Melvyn Gale (from 1975-05 until 1975-06) and Hugh McDowell (from 1975-05 until 1975-06)
- clavinet, Moog and piano:
- Richard Tandy (from 1975-05 until 1975-06)
- drums (drum set) and percussion:
- Bev Bevan (from 1975-05 until 1975-06)
- guitar:
- Jeff Lynne (from 1975-05 until 1975-06) and Richard Tandy (from 1975-05 until 1975-06)
- violin:
- Mik Kaminski (from 1975-05 until 1975-06)
- background vocals:
- Susan Collins (from 1975-05 until 1975-06), Ellie Greenwich (from 1975-05 until 1975-06), Nancy O'Neill (from 1975-05 until 1975-06) and Margaret Raymond (from 1975-05 until 1975-06)
- lead vocals:
- Jeff Lynne (from 1975-05 until 1975-06)
- conductor:
- Louis Clark
- arranger:
- Louis Clark, Jeff Lynne and Richard Tandy
- phonographic copyright (℗) by:
- Sony Music Entertainment (in 1975, in 2005) and Sony Music Entertainment Inc. (in 1975)
- recorded at:
- De Lane Lea Studios in Soho, Westminster, London , England, United Kingdom (from 1975-05 until 1975-06), Musicland Studios in München , Bayern , Germany (from 1975-05 until 1975-06) and The Record Plant in Midtown Manhattan, New York, New York, United States (from 1975-05 until 1975-06: background vocals)
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- recording of:
- Evil Woman (from 1975-05 until 1975-06)
- lyricist and composer:
- Jeff Lynne
- publisher:
- EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd. and Polygon Publishing Ltd.
- sub-publisher:
- イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Electric Light Orchestra | 4.1 | 4:10 |
| 4 | Eye of the Tiger- assistant engineer:
- Hill Swimmer
- engineer:
- Phil Bonnano and Mike Clink
- producer:
- Jim Peterik and Frankie Sullivan
- phonographic copyright (℗) by:
- Scotti Bros. Industries Inc (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) and Sony Music Entertainment UK Limited (in 2016)
- recorded at:
- Rumbo Recorders in Canoga Park, Los Angeles, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 28) and VH1: 100 Greatest Hard Rock Songs (number: 63)
- recording of:
- Eye of the Tiger
- writer:
- Jim Peterik and Frankie Sullivan
- publisher:
- Copyright Control , Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music , Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited , Warner/Chappell North America Limited , WB Music Corp. (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division , Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
- part of:
- The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
| Survivor | 4.45 | 4:06 |
| 5 | I Knew You Were Waiting (For Me)- recording engineer:
- David Frazer (in 1986)
- percussion programming:
- Preston Glass (in 1986)
- synthesizer programming:
- Walter Afanasieff (in 1986)
- additional assistant engineer:
- Stuart Hirotsu, Mike Iacopelli , Gordon Lyon, Lennete Viegas and Jim Watts
- additional engineer:
- Dana Jon Chappelle and Maureen Droney
- producer:
- George Michael and Narada Michael Walden
- mixer:
- David Frazer and Serban Ghenea
- bass guitar:
- Randy Jackson (in 1986)
- drums (drum set):
- Narada Michael Walden (in 1986)
- electric guitar:
- Corrado Rustici (in 1986)
- percussion and tambourine:
- Greg “Gigi” Gonaway (in 1986)
- synthesizer:
- Walter Afanasieff (in 1986)
- additional vocals:
- Aretha Franklin (in 1986)
- background vocals:
- Kitty Beethoven (in 1986), Jim Gilstrap (in 1986), Jennifer Hall (in 1986), Myrna Matthews (in 1986) and Claytoven Richardson (in 1986)
- lead vocals:
- Aretha Franklin (in 1986) and George Michael (in 1986)
- vocals:
- Aretha Franklin (in 1986)
- strings arranger:
- Jerry Hey
- arranger:
- Narada Michael Walden
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1986), Arista Records, LLC (in 1986), CBS, Inc. (in 1986) and Sony Music Entertainment (UK) Ltd. (in 1986)
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- recording of:
- I Knew You Were Waiting (for Me) (in 1986)
- writer:
- Simon Climie and Dennis Morgan
- publisher:
- BMG Music Publishing Ltd., Chrysalis Music , Chrysalis Music Ltd. , Kobalt Music Publishing Ltd. , Kobalt Music Services Ltd. , Little Shop of Morgansongs , Rare Blue Music, Sony Music Publishing (Japan) Inc. , ヤマハミュージックEH(CM) , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Aretha Franklin & George Michael | 4 | 3:59 |
| 6 | Don't Look Any Further | Dennis Edwards | | 4:04 |
| 7 | I Want You Back- producer:
- The Corporation
- bass guitar:
- Wilton Felder (in 1969-07)
- drums (drum set):
- Gene Pello and Johnny Jackson (in 1969-07)
- guitar:
- Donald Peake, David T. Walker and Tito Jackson (in 1969-07)
- guitar [lead guitar]:
- Louis Shelton (in 1969-07)
- keyboard:
- Clarence McDonald and Ronnie Rancifer (in 1969-07)
- percussion:
- Sandra Crouch and Marlon Jackson (in 1969-07)
- piano:
- Fonce Mizell, Freddie Perren, Joe Sample and Ronnie Rancifer (in 1969-07)
- background vocals:
- Jackie Jackson , Michael Jackson , Keith Washington, Jermaine Jackson (in 1969-07), Marlon Jackson (in 1969-07) and Tito Jackson (in 1969-07)
- lead vocals:
- Michael Jackson (in 1969-07)
- vocals:
- Jackie Jackson (in 1969-07)
- arranger:
- The Corporation
- phonographic copyright (℗) by:
- Motown Record Corporation (in 1969)
- recorded at:
- The Sound Factory West in West Hollywood, California, United States (in 1969-07, from 1969-07 until 1969-09)
- music videos:
- I Want You Back by The Jackson 5
- part of:
- Billboard: The 500 Best Pop Songs (number: 23), Billboard Year-End Hot 100 singles of 1970 (number: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 104) and Rolling Stone: 500 Greatest Songs of All Time (number: 120)
- recording of:
- I Want You Back (in 1969-07)
- lyricist and composer:
- The Corporation
- publisher:
- EMI April Music Inc., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
- part of:
- MJ: The Musical
| The Jackson 5 | 4.15 | 2:57 |
| 8 | The Look of Love- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Mark Lickley
- keyboard:
- Mark White
- lead vocals:
- Martin Fry
- strings arranger:
- Anne Dudley
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1982), Mercury Records Ltd. (London) (in 1982), Phonogram Ltd. (in 1982) and Phonogram Ltd. (London) (in 1982)
- mixed at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom (in 1982)
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 4), The Downloader’s Music Source Book (number: 73) and VH1: 100 Greatest Songs of the 80’s (number: 43)
- partial recording of:
- The Look of Love
- writer:
- Martin Fry, David Palmer , Stephen Singleton and Mark White
- publisher:
- 10 Music Ltd., Copyright Control , Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc.
- part of:
- Mantrap
| ABC | 3.9 | 3:28 |
| 9 | Beast of Burden | Bette Midler | 4 | 3:46 |
| 10 | 5-7-0-5 | City Boy | 5 | 3:15 |
| 11 | Tainted Love- engineer:
- Paul Hardiman
- producer:
- Mike Thorne
- mixer:
- Harvey Goldberg
- electronic instruments and other instruments:
- Dave Ball
- saxophone:
- David Tofani
- background vocals:
- Vicious Pink
- vocals:
- Marc Almond
- phonographic copyright (℗) by:
- Mercury Records Ltd. (London) (in 1981)
- recorded at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom
- music videos:
- Tainted Love by Soft Cell
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (number: 33) and Billboard: The 500 Best Pop Songs (number: 46)
- cover recording of:
- Tainted Love
- lyricist and composer:
- Ed Cobb
- publisher:
- Burlington Music Co., Ltd. and Embassy Music Corporation
- sub-publisher:
- ミュージック・セールス
| Soft Cell | 3.95 | 2:41 |
| 12 | Never Gonna Give You Up- keyboard [Fairlight] programming:
- Ian Curnow (in 1986-10)
- additional engineer:
- Jamie Bromfield , Mike Duffy , Phil Harding and Karen Hewitt
- assistant engineer:
- Boky, Peter Day, Gordon Dennis , Jonathan King and Yoyo
- engineer:
- Mark McGuire
- producer:
- Aitken, Stock and Waterman
- mixer:
- Mixmasters Pete Hammond (on 1987-01-01)
- drums (drum set) [drums]:
- A Linn (in 1986-10)
- guitar [guitars]:
- Matt Aitken (in 1986-10)
- keyboard [keyboards]:
- Matt Aitken (in 1986-10) and Mike Stock (in 1986-10)
- background vocals [backing vocals]:
- Dee Lewis (in 1986-10), Shirley Lewis (in 1986-10), Mae McKenna (in 1986-10) and Suzanne Rhatigan (in 1986-10)
- lead vocals:
- Rick (in 1986-10)
- arranger:
- Gordon Jenkins
- phonographic copyright (℗) by:
- BMG Rights Management (UK) Ltd. (in 1987), Pete Waterman Ltd. (in 1987) and PWL (in 1987)
- miscellaneous support:
- PWL (task: original sound recordings made by)
- recorded at:
- PWL Studio 1 (in 1986-10), PWL Studio 2 (in 1986-10) and PWL Studios in London , England, United Kingdom (in 1986-10)
- mixed at:
- PWL Studio 1 (on 1987-01-01) and PWL Studio 2 (on 1987-01-01)
- music videos:
- Never Gonna Give You Up by Rick Astley
- part of:
- Cachitos Nochevieja 2022 (number: 48) and Billboard: The 500 Best Pop Songs (number: 244)
- recording of:
- Never Gonna Give You Up (in 1986-10)
- writer:
- Matt Aitken, Mike Stock and Pete Waterman
- publisher:
- All Boys Music Ltd., BMG Music, Copyright Control , Hammer Music , Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. , Universal Music Careers, Universal Music Publishers MGB Australia Pty Ltd, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント , ヤマハミュージックEH(CM) , ユニバーサル・ミュージック・パブリッシング Synch事業部 and Terrace Music (in 1987)
| Rick Astley | 4.4 | 3:32 |
| 13 | Love Games | Level 42 | | 4:28 |
| 14 | Somebody's Watching Me | Rockwell | 3.85 | 3:57 |
| 15 | St. Elmo's Fire | John Parr | 3.8 | 4:08 |
| 16 | Come On Eileen | Dexys Midnight Runners | 4.15 | 4:05 |
| 17 | Wake Me Up Before You Go Go | Wham! | 3.85 | 3:48 |
| 18 | Conga | Miami Sound Machine | | 4:15 |
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