Countdown: 40th Anniversary Continues…

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Countdown Theme
phonographic copyright (℗) by:
Australian Broadcasting Corporation (ABC for short, national public broadcaster, for copyrights/licensing use only) (in 1974)
recording of:
Countdown Theme
writer:
Brian May (Australian composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
[unknown]0:12
2Bohemian Rhapsody
additional sound engineer:
Gary Lyons (UK engineer & producer)
additional engineer:
Kris Fredriksson
executive engineer:
Mike Stone (producer and engineer, 1960s–80s)
executive producer:
Brian May (Queen guitarist) and Roger Taylor (Queen drummer)
producer:
Roy Thomas Baker (producer) and Queen (UK rock group)
bass guitar:
John Deacon (from 1975-08-24 until 1975-09-14)
drums (drum set), gong and timpani:
Roger Taylor (Queen drummer) (from 1975-08-24 until 1975-09-14)
guitar:
Brian May (Queen guitarist) (from 1975-08-24 until 1975-09-14)
piano and lead vocals and other vocals [operatic vocals]:
Freddie Mercury (from 1975-08-24 until 1975-09-14)
other vocals [operatic vocals]:
Brian May (Queen guitarist) (from 1975-08-24 until 1975-09-14) and Roger Taylor (Queen drummer) (from 1975-08-24 until 1975-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1975, in 2011)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom (from 1975-08-24 until 1975-09-14)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
music videos:
Bohemian Rhapsody by Queen (UK rock group)
part of:
SWR1 Hitparade 2006 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2013 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2018 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2019 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2020 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2021 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2022 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2023 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 2), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (number: 2), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (number: 2), SWR1 Hitparade 2007 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2010 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2011 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2012 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2014 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2015 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2016 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2017 (Baden-Württemberg) (number: 2), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 3), SWR1 Hitparade 2003 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (number: 3), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 17), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Spotify: Top Hits of 2019 (number: 65) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 163)
recording of:
Bohemian Rhapsody (from 1975-08-24 until 1975-09-14)
lyricist and composer:
Freddie Mercury
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen4.455:55
3Rocket Man
engineer:
Ken Scott (UK record producer & engineer)
producer:
Gus Dudgeon
bass guitar:
Dee Murray
drums (drum set):
Nigel Olsson
guitar:
Davey Johnstone
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
synthesizer:
David Hentschel
background vocals:
Davey Johnstone, Dee Murray and Nigel Olsson
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder) (in 1972)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 92), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 149) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 242)
recording of:
Rocket Man (I Think It’s Going to Be a Long, Long Time)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal–Songs of PolyGram International, Inc.
Elton John4.054:41
4Horror Movie
engineer:
John French (Australian producer/engineer)
producer:
Ross 'The Boss' Wilson (Australian singer-songwriter, guitarist and producer)
bass guitar:
Greg Macainsh (in 1974)
drums (drum set):
Fred Strauks (in 1974)
guitar:
Bob “Bongo” Starkie (in 1974) and Redmond Symons (in 1974)
lead vocals:
Graeme 'Shirley' Strachan (in 1974)
vocals:
Fred Strauks (in 1974), Greg Macainsh (in 1974), Bob “Bongo” Starkie (in 1974) and Redmond Symons (in 1974)
phonographic copyright (℗) by:
Mushroom Records Pty Limited (in 1990)
recorded at:
T.C.S. Studios in Richmond, Melbourne, Victoria, Australia (in 1974)
recording of:
Horror Movie (in 1974)
lyricist and composer:
Greg Macainsh
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Skyhooks3:49
5Take a Chance on Me
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
acoustic guitar:
Björn Ulvaeus (on 1977-08-15)
bass guitar:
Rutger Gunnarsson (on 1977-08-15, on 1977-08-17, on 1977-10-24)
drums (drum set) and tambourine:
Roger Palm (on 1977-08-17)
drums (drum set) and tambourine:
Roger Palm (on 1977-08-15)
electric guitar [lead guitar]:
Lasse Wellander (on 1977-08-15)
keyboard:
Benny Andersson (ABBA) (on 1977-08-15)
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music International AB (in 1977, in 1986) and Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1978)
recorded at:
Marcus Music Ab in Stockholm, Stockholms län (Stockholm county), Sweden (on 1977-08-15, on 1977-08-17) and Metronome Studio in Stockholm, Stockholms län (Stockholm county), Sweden (on 1977-10-24)
mixed at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (on 1977-11-01)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 32)
recording of:
Take a Chance on Me (in 1977)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Bocu Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group and Universal/Union Songs Musikförlag AB
part of:
Mamma Mia! (1999 musical)
ABBA4.154:02
6Summer Love
phonographic copyright (℗) by:
Sherbet (Australian rock band) (in 2006, in 2008)
recording of:
Summer Love
writer:
Garth Porter and Clive Shakespeare
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music and Universal Music Publishing MGB Australia
Sherbet3:37
7I Hate the Music
phonographic copyright (℗) by:
J. Albert & Son Pty. Ltd. (in 1976)
recording of:
I Hate the Music
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
John Paul Young3:55
8The Things We Do for Love
assistant engineer and assistant mixer:
Tony Spath
engineer, mixer and editor:
Eric Stewart
producer:
10cc, Graham Gouldman, Mastermix Music Limited and Eric Stewart
acoustic guitar, bass guitar, electric guitar, handclaps and tambourine:
Graham Gouldman (in 1976)
drums (drum set), gong, handclaps and tambourine:
Paul Burgess (UK rock drummer) (in 1976)
guitar, organ and piano and background vocals and lead vocals:
Eric Stewart (in 1976)
background vocals:
Graham (in 1976)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1976, in 1977, in 1997), Mercury Records Ltd. (London) (for copyrights use only) (in 1976), Phonogram Ltd. (not for release label use!) (in 1976, in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1977)
recorded at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom (in 1976)
music videos:
The Things We Do for Love by 10cc and The Things We Do for Love by 10cc
recording of:
The Things We Do for Love (in 1976)
writer:
Graham Gouldman and Eric Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), St. Anne’s Music Ltd. and Man-Ken Music Ltd. (in 1977)
10cc4.553:20
9Lido Shuffle
engineer:
Tom Perry (engineer)
producer:
Joe Wissert
bass guitar:
David Hungate (in 1975-09)
brass:
Dick Hyde (in 1975-09)
drums (drum set):
Jeff Porcaro (in 1975-09)
guitar:
Louie Shelton (in 1975-09) and Fred Tackett (in 1975-09)
horn:
Vincent DeRosa (in 1975-09)
Moog:
David Paich (in 1975-09)
trumpet:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) and Paul Hubinon (in 1975-09)
wind instruments:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Plas Johnson (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) and Bud Shank (in 1975-09)
lead vocals:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recording of:
Lido Shuffle (in 1975-09)
lyricist:
Boz Scaggs
composer:
David Paich and Boz Scaggs
publisher:
BMG Music Ltd., Boz Scaggs Music (publisher), Francis & Freedman Accountancy Corp., Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK) and Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs3.653:42
10Curiosity Killed the Cat
engineer and mixer:
Ross Cockle
producer:
Little River Band and Glenn Wheatley
bass:
Roger McLachlan
bongos, drums (drum set) and timbales:
Derek Pellicci
clarinet and clavinet:
Geoff Skewes
electric guitar:
Beeb Birtles, Graeham Goble and Riccardo Formosa
background vocals:
Beeb Birtles, Graeham Goble and Glenn Shorrock
lead vocals:
Glenn Shorrock
vocals arranger:
Graeham Goble
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1975), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1975), EMI Music Australia (defunct holding company, not for release label use!) (in 2002) and EMI Music Australia Pty. Limited (not for release label use!) (in 2002, in 2010)
produced for:
Tumbleweed Productions
recorded at and mixed at:
Armstrong Audio Visual (later renamed AAV Studios) in Melbourne, Victoria, Australia
recording of:
Curiosity Killed the Cat
written in:
London (Greater London), England, United Kingdom
writer:
Beeb Birtles
publisher:
Sunbury Music Ltd., Tumbleweed Music, Tumbleweed Music Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. and Wheatley Music Pty Ltd.
Little River Band23:44
11The Price of Love
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist) and Jon Walls
engineer:
Steve Nye (producer, engineer and pianist) and John Punter
producer:
Bryan Ferry and Chris Thomas (UK record producer / remixer)
bass:
John Wetton (from 1973 until 1976)
drums (drum set):
Paul Thompson (Roxy Music drummer) (from 1973 until 1976)
guitar:
Chris Spedding (from 1973 until 1976)
harmonica and keyboard:
Bryan Ferry (from 1973 until 1976)
percussion:
Morris Pert (from 1973 until 1976)
soprano saxophone:
Mel Collins (from 1973 until 1976)
synthesizer and violin:
Eddie Jobson (from 1973 until 1976)
tenor saxophone:
Chris Mercer (British saxophonist) (from 1973 until 1976)
trumpet:
Martin Drover (from 1973 until 1976)
choir vocals:
Vicki Brown (English pop, rock & contemporary classical singer) (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (vocals & songwriter) (from 1973 until 1976), Martha Walker (Vocalist) (from 1973 until 1976) and Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (from 1973 until 1976)
vocals:
Bryan Ferry (from 1973 until 1976)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom and Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1973 until 1976)
cover recording of:
The Price of Love (from 1973 until 1976)
writer:
Don Everly and Phil Everly
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Opryland Music Ltd., Sony/ATV Acuff Rose Music and Acuff-Rose (BMI) (in 1965)
recording of:
The Price of Love
writer:
Don Everly and Phil Everly
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Opryland Music Ltd., Sony/ATV Acuff Rose Music and Acuff-Rose (BMI) (in 1965)
Bryan Ferry3:27
12One Way or Another
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 298)
recording of:
One Way or Another (from 1978-06 until 1978-07)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
Blondie4.153:34
13The Jean Genie
engineer:
Mike Moran (keyboardist, songwriter, film and TV composer, producer), Mike Moran (American engineer, associated with RCA) and Ken Scott (UK record producer & engineer)
producer:
David Bowie (English singer‐songwriter) and Ken Scott (UK record producer & engineer)
mixer:
Mick Ronson (British guitarist) and Ken Scott (UK record producer & engineer)
bass:
Trevor Bolder (British bassist) (from 1972-10-04 until 1972-10-06)
drums (drum set):
Mick Woodmansey (British drummer) (from 1972-10-04 until 1972-10-06)
guitar:
David Bowie (English singer‐songwriter) (from 1972-10-04 until 1972-10-06) and Mick Ronson (British guitarist) (from 1972-10-04 until 1972-10-06)
harmonica and lead vocals:
David Bowie (English singer‐songwriter) (from 1972-10-04 until 1972-10-06)
arranger:
David Bowie (English singer‐songwriter) and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
Jones/Tintoretto Entertainment Company LLC (in 2014)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1972-10-04 until 1972-10-06)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1972-10-12)
recording of:
The Jean Genie (from 1972-10-04 until 1972-10-06)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music Pty. Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
David Bowie44:08
14This Time
recording of:
This Time (In the Right Direction)
writer:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono), Marc Hunter, Todd Hunter (Todd Stuart Hunter of Dragon), Neil Storey and Robert Taylor (Singer-songwriter and guitarist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
Dragon3:09
15Pump It Up
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
performer:
The Attractions (Elvis Costello) and Elvis Costello
phonographic copyright (℗) by:
Elvis Costello (in 1978)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 181)
recording of:
Pump It Up
lyricist and composer:
Elvis Costello
publisher:
BMG Music Publishing Ltd. and Universal Music Publishing MGB Australia
Elvis Costello & The Attractions4.63:17
16After the Rain
phonographic copyright (℗) by:
J. Albert & Son Pty. Ltd. (in 1978)
recording of:
After the Rain
writer:
John Brewster, Rick Brewster and Doc Neeson
publisher:
J. Albert & Son Pty. Ltd.
The Angels3:11
17Don’t Fall in Love
phonographic copyright (℗) by:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 2004)
recording of:
Don't Fall In Love
writer:
Ian Davis (The Ferrets) and Ken Firth
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
The Ferrets3:11
18Walk Right In
producer:
Ron Haffkine
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1977, in 2002)
cover recording of:
Walk Right In
composer:
Gus Cannon and Hosea Woods
publisher:
Southern Music (publisher), Southern Music Publ. Co. (A'Asia) and Southern Music Publishing Co. (publishing company)
Dr. Hook3:05
19Rich Girl
phonographic copyright (℗) by:
BMG Entertainment (in 1976), BMG Music (in 1976) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 14)
recording of:
Rich Girl
lyricist and composer:
Daryl Hall (in 1976)
publisher:
Unichappell Music, Inc. and Warner Chappell Music (publisher as Warner/Chappell Music)
Daryl Hall & John Oates4.152:25
20You Make Me Feel Like Dancing
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2006)
recording of:
You Make Me Feel Like Dancing
lyricist:
Leo Sayer
composer:
Vini Poncia
publisher:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music and Silverbird Songs Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer3.752:52
21You
phonographic copyright (℗) by:
Wizard (Australian rock) (in 1977)
recording of:
You
writer:
Tim Snow
publisher:
EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty. Limited (not for release label use!)
Marcia Hines3:16
22Two Out of Three Ain’t Bad
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
Two Out of Three Ain’t Bad
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Meat Loaf5:25
2CD
#TitleArtistRatingLength
1Countdown Theme
phonographic copyright (℗) by:
Australian Broadcasting Corporation (ABC for short, national public broadcaster, for copyrights/licensing use only) (in 1974)
recording of:
Countdown Theme
writer:
Brian May (Australian composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
[unknown]0:12
2Baggy Trousers
producer:
Clive Langer and Alan Winstanley (English record producer)
recorded at:
Hammersmith Palais (not to be confused with Hammersmith Apollo aka Hammersmith Odeon) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1981-12-19)
recording of:
Baggy Trousers
lyricist:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) and Daniel Woodgate
composer:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Carl Smyth, Lee “Kix” Thompson (Madness) and Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness42:29
3I Want to Be Straight
phonographic copyright (℗) by:
Templemill Music Ltd (in 1980)
recording of:
I Want to Be Straight (in 1980)
lyricist:
Ian Dury
composer:
Ian Dury and Mick Gallagher (UK hammond organ player)
publisher:
Blackhill Music Ltd.
Ian Dury & the Blockheads33:19
4Things Don’t Seem
engineer:
Dave Marett (engineer)
producer:
Peter Dawkins
acoustic guitar, electric guitar and slide guitar:
Simon Binks (from 1981-03 until 1981-04)
bass:
Paul Williams (bassist in 'Australian Crawl') (from 1981-03 until 1981-04)
drums (drum set) and percussion:
Bill McDonough (from 1981-03 until 1981-04)
guitar:
Guy McDonough (from 1981-03 until 1981-04) and Brad Robinson (from 1981-03 until 1981-04)
piano and lead vocals:
James Reyne (from 1981-03 until 1981-04)
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1981, in 1998) and Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 1981)
recorded at and mixed at:
Studios 301 (301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australia (from 1981-03 until 1981-04)
recording of:
Things Don't Seem (from 1981-03 until 1981-04)
composer:
Sean Higgins and Guy McDonough
publisher:
Warner/Chappell Pty. Ltd.
Australian Crawl3:56
5Siren
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983)
recording of:
Siren (Never Let You Go)
writer:
Bjarne Ohlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Divinyls2:32
6Private Idaho
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
recording of:
Private Idaho
composer:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland, Cindy Wilson and Ricky Wilson (The B‐52’s)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!) and Rondor Music (London) Ltd.
The B‐52s3:36
7Town Called Malice
producer:
The Jam (late 70s/early 80s UK punk/mod revival band) and Peter Wilson (UK Producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1981-12)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 151)
recording of:
Town Called Malice
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.82:53
8Cool for Cats
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1979)
part of:
TV Cream: Real 100 Best Singles Ever (number: 81)
recording of:
Cool for Cats
lyricist:
Chris Difford
composer:
Glenn Tilbrook
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Squeeze3.53:12
999 Luftballoons
producer:
Jay Faires, Tricia Holloway, Reinhold Heil (from 1982 until 1983) and Manne Praeker (from 1982 until 1983)
lead vocals:
Nena (the person, performing solo since 1987) (in 1983)
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1983), Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (in 1983) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983)
recorded at:
Spliff Studio in Berlin, Germany (from 1982 until 1983)
part of:
TV Cream: Real 100 Best Singles Ever (number: 64)
recording of:
99 Red Balloons (from 1982 until 1983)
lyricist:
Carlo Karges (in 1982)
composer:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
translator:
Kevin McAlea (in 1983)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Songs Ltd.
translated version of:
99 Luftballons
Nena3.83:52
10Too Many Times
phonographic copyright (℗) by:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1981)
recording of:
Too Many Times
writer:
Greedy Smith (Australian musician and songwriter with Mental As Anything)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Kobalt Music Publishing Australia Pty Ltd
Mental as Anything2:39
11You May Be Right
assistant engineer:
Bradshaw Leigh
engineer:
Jim Boyer (producer/engineer)
assistant producer:
Michele Slagter
producer:
Phil Ramone in association with Home Run
acoustic guitar:
David Brown (guitarist for Billy Joel) and Russell Javors
bass:
Doug Stegmeyer (bass player, aka Slug Douglas)
drums (drum set):
Liberty DeVitto (US drummer) (in 1979)
electric bass guitar:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1979)
electric guitar and guitar:
David Brown (guitarist for Billy Joel) (in 1979) and Russell Javors (in 1979)
flute, organ and saxophone and saxophone:
Richie Cannata (in 1979)
organ:
Richie Cannata
piano and lead vocals:
Billy Joel (American singer-songwriter and pianist) (in 1979)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
music videos:
You May Be Right by Billy Joel (American singer-songwriter and pianist)
recording of:
You May Be Right (in 1979)
lyricist and composer:
Billy Joel (American singer-songwriter and pianist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Joelsongs, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), April Music (from 1979 until 1980), Impulsive Music (from 1979 until 1980) and CBS Songs Ltd. (in 1980)
Billy Joel4.54:09
12Cool World
phonographic copyright (℗) by:
Mondo Rock Band (in 1981)
recording of:
Cool World
lyricist and composer:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
publisher:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd. and Mushroom Music Publishing
Mondo Rock3:34
13Drop the Pilot
assistant engineer:
Niko Bolas
engineer and producer:
Val Garay
bass:
Bryan Garofalo
drums (drum set):
Craig Krampf
guitar:
Joan Armatrading, Craig Hull and Tim Pierce (US session guitarist)
keyboard:
Steve Goldstein
percussion:
M. L. Benoit
vocals:
Joan Armatrading
phonographic copyright (℗) by:
A&M Records (in 1983) and A&M Records, Ltd. (in 1983)
recording of:
Drop the Pilot
composer:
Joan Armatrading
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Pty. Ltd. and Polygram Music
Joan Armatrading43:37
14Hungry Like the Wolf
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
Tritec Music Ltd. (publisher and copyrights holder) (from 1982 to present) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2009)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 3) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 196)
recording of:
Hungry Like the Wolf
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd. and Tritec Music Ltd. (publisher and copyrights holder)
adaptations:
Hungry Like a Pig
Duran Duran4.153:40
15Beautiful World
assistant engineer:
Karat Faye
engineer:
Larry Alexander (producer/engineer)
producer:
DEVO (new wave/rock band)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
recording of:
Beautiful World
writer:
Gerald Casale and Mark Mothersbaugh
publisher:
J. Albert & Son Pty. Ltd.
DEVO3:32
16Computer Games
phonographic copyright (℗) by:
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1980)
recording of:
Computer Games
lyricist:
Steve Gilpin and Kevin Stanton
composer:
Murray Burns and Kevin Stanton
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), BMG Music, BMG Music Ltd., BMG Music Publishing Australia Pty Ltd, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, EMI Songs Australia Pty. Ltd. and Universal Music Publishers MGB Australia Pty Ltd
Mi‐Sex4:01
17Who Can It Be Now?
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Colin Hay and Ron Strykert
saxophone:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
recording of:
Who Can It Be Now?
lyricist and composer:
Colin Hay
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Men at Work4.43:22
18Talking to a Stranger
phonographic copyright (℗) by:
Human Frailty Pty. Ltd. (in 1982)
recording of:
Talking to a Stranger
writer:
John Archer (guitarist in Hunters & Collectors), Geoff Crosby, Doug Falconer, Rob Miles (Hunters & Collectors art/design & live sound) and Greg Perano
publisher:
Mushroom Music Publishing
Hunters & Collectors3:54
19Don’t Tear It Down
recording of:
Don’t Tear It Down
writer:
v.Spy v.Spy (Australian rock band)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
v.Spy v.Spy4:05
20Our Lips Are Sealed
additional assistant recording engineer:
James Ball, Eric Kortee and Darroll Gustamachio
assistant recording engineer:
Ted Blechta and John Terelle
recording engineer and mixer:
Rob Freeman (engineer)
producer:
Rob Freeman (engineer) and Richard Gottehrer (American songwriter and music executive)
assistant mixer:
Gray Russell
bass guitar and guitar:
Kathy Valentine
drums (drum set) and percussion:
Gina Schock
guitar [lead guitar] and keyboard:
Charlotte Caffey
guitar [rhythm guitar]:
Jane Wiedlin
lead vocals:
Belinda Carlisle
vocals:
Charlotte Caffey and Jane Wiedlin
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) and I.R.S., Inc. (in 1981)
additionally recorded at:
Sound Mixers Studio in New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recorded at:
Pennylane Studios in New York, New York, United States
mixed at:
Sound Mixers Studio in New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 25), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 317) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 477)
recording of:
Our Lips Are Sealed
writer:
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall and Jane Wiedlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music and Plangent Visions Music
The Go‐Go’s4.52:46
21Funky Town
producer:
Mark Berry (producer, mixer, engineer and remixer from Brooklyn, New York)
mixer:
Mark Berry (producer, mixer, engineer and remixer from Brooklyn, New York) and Brian Canham (Australian singer ex. Pseudo Echo)
bass:
Pierre Gigliotti
drums (drum set):
Anthony Argiro
guitar:
Brian Canham (Australian singer ex. Pseudo Echo)
keyboard:
James Leigh (Pseudo Echo)
vocals:
Brian Canham (Australian singer ex. Pseudo Echo)
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!) (in 1986), EMI Music Australia Pty. Limited (not for release label use!) (in 1986), EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1986) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1987)
cover recording of:
Funkytown
lyricist and composer:
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Pseudo Echo54:54
22Locomotion
engineer:
Karen Hewitt, Mark McGuire (UK producer/engineer) and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
producer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
mixer:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographic copyright (℗) by:
Mushroom Records (from 1988 to present), PWL International Ltd. (in 1988) and KDB Pty Limited (in 1997)
cover recording of:
The Loco‐Motion (aka Locomotion)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1962 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
recording of:
The Loco‐Motion (aka Locomotion)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1962 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Kylie Minogue3.53:13
23You’re the Voice
recording engineer and mixer:
Doug Brady (engineer)
drum machine programming and synthesizer [Fairlight] programming:
Dave (Australian score composer), Jack and Ross
assistant engineer:
Michael Wickow (engineer)
producer:
Ross Fraser
fretless bass:
Roger McLachlan
guitar:
Brett Garsed
keyboard and synthesizer [Fairlight]:
David Hirschfelder (Australian score composer)
background vocals:
Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder (Australian score composer), Colin Setches, Mal Stainton and Sandy Weekes
lead vocals:
Whispering Jack
arranger:
John Farnham, Ross Fraser and David Hirschfelder (Australian score composer)
phonographic copyright (℗) by:
BMG Arista / Ariola Limited (not for release label use! manufacters and distributors operating in Australasia) (in 1986), BMG Australia Limited (not for release label use!) (in 1986), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1986), Wheatley Records Pty. Ltd. (in 1986) and RCA/Ariola (in 1987)
recorded at and mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 15)
recording of:
You’re the Voice
writer:
Andy Qunta, Keith Reid, Maggie Ryder and Chris Thompson (vocalist with Manfred Mann’s Earth Band)
publisher:
A&G Songs Ltd., Almo Music Corp. (USA, affiliated with ASCAP), Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. (Bucks Music Group), Concord Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing AB (Sweden)
John Farnham4.15:03

Credits

Release

manufactured in:Australia
distributed by and marketed by:Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22)
copyrighted (©) by:J. Albert & Son Pty. Ltd. (in 1976, in 1978)
Australian Broadcasting Corporation (ABC for short, national public broadcaster, for copyrights/licensing use only) (in 2015)
phonographic copyright (℗) by:Australian Broadcasting Corporation (ABC for short, national public broadcaster, for copyrights/licensing use only) (in 2015)
licensed from:Stirling Holdings Ltd.
licensed to:Liberation Music (Australian, big L logo or “Liberation” on one line)
Parlophone Records Ltd. (not for release label use! a Warner Music Group company)
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only)
Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.)
Discogs:https://www.discogs.com/release/9598358 [info]