Classic Drive: The Very Best Of

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1The Doctor
co-producer:
Rodney Mills
producer:
Charlie Midnight and Eddie Schwartz
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
recording of:
The Doctor
writer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Charlie Midnight and Eddie Schwartz
publisher:
EMI Songs Ltd., High Frontier Music, Janiceps Music, Round Hill Works, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) and Windecor Publishing
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 大洋音楽 (Taiyō Music) and 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:48
2Save Tonight
phonographic copyright (℗) by:
Diesel Music AB (in 1998)
recording of:
Save Tonight
lyricist and composer:
Eagle‐Eye Cherry
publisher:
Diesel 2 Publishing and Warner Chapell
Eagle‐Eye Cherry4.13:54
3Gold
bass:
Brian Garofalo
drums (drum set):
Michael Botts
electric guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer) and John Stewart (singer-songwriter (Kingston Trio))
keyboard [keyboards]:
Joey Carbone
background vocals:
Stevie Nicks
lead vocals:
John Stewart (singer-songwriter (Kingston Trio))
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979)
recording of:
Gold
lyricist and composer:
John Stewart (singer-songwriter (Kingston Trio))
publisher:
Bugle Publishing and Unichappell (publisher)
John Stewart4:24
4Ride Like The Wind
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, solo guitar and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and piano:
Michael Omartian
percussion:
Lenny Castro
synthesizer:
Rob Meurer
background vocals:
Christopher Cross (US singer‐songwriter) and Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 1979) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Ride Like the Wind
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) and Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
Christopher Cross4.14:24
5Call It Love
engineer, producer and mixer:
David Cole (American recording engineer and producer)
lead vocals:
Rusty Young
phonographic copyright (℗) by:
BMG Music (in 1989)
recording of:
Call It Love
writer:
Billy Crain, Ronnie Guilbeau and Rick Lonow
publisher:
Atlantic Music Corp. (BMI), Frankly Scarlett Music, Songs of Universal, Inc. (BMI), Atlantic–Gibron Music (from 1988 to ????), Jasperilla Music Co. (from 1988 to present) and Storky Music (from 1988 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Poco4:19
6Auberge
recording of:
Auberge
lyricist and composer:
Chris Rea
Chris Rea4:45
7Gimme All Your Lovin'
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
drums (drum set) and percussion:
Frank Beard (ZZ Top drummer)
electric bass guitar:
Dusty Hill
electric guitar and lead vocals:
Billy Gibbons
vocals:
Dusty Hill
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Gimme All Your Lovin’
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Hamstein Music Company (publisher), Music of Stage Three and Songs of Mosaic
ZZ Top4.054:02
8It's Money That Matters
producer:
Mark Knopfler
mixer:
Frank Wolf (engineer at Skyline Recording)
guitar:
Mark Knopfler (from 1987 until 1988)
piano and lead vocals:
Randy Newman (American singer‐songwriter and score composer) (from 1987 until 1988)
synclavier:
Guy Fletcher (keyboardist) (from 1987 until 1988)
background vocals:
Dana Drum (from 1987 until 1988), Bob Hilburn, Jr. (from 1987 until 1988), Adrienne Howell (from 1987 until 1988), Nicole Jones (vocalist) (from 1987 until 1988), Jesse Kanner (backing vocalist, worked with Randy Newman) (from 1987 until 1988), Mark Knopfler (from 1987 until 1988), Jeff Lynne (from 1987 until 1988), Kevin Maloney (from 1987 until 1988), Deborah Neal (from 1987 until 1988), Randy Newman (American singer‐songwriter and score composer) (from 1987 until 1988), Jeannie Novak (from 1987 until 1988), Tom Petty (from 1987 until 1988), Twila Rice (from 1987 until 1988), Karen Verkoelen (from 1987 until 1988) and Frank Wolf (engineer at Skyline Recording) (from 1987 until 1988)
arranger:
Guy Fletcher (keyboardist), Mark Knopfler and Randy Newman (American singer‐songwriter and score composer)
phonographic copyright (℗) by:
Reprise Records (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
It’s Money That Matters (from 1987 until 1988)
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Twice as Nice Music (in 1988)
Randy Newman4:09
9Night Owls
recording of:
The Night Owls
lyricist and composer:
Graeham Goble
publisher:
American Ragtime Music, Colgems-EMI Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Music of the World (BMI publisher), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI) and Universal/MCA Music Publishing Pty Ltd
Little River Band3:56
10Rock 'n' Me
assistant engineer:
Win Kutz (engineer/producer)
engineer:
Mike Fusaro
executive producer:
John Palladino
producer:
Steve Miller (leader of Steve Miller Band)
mixer:
Jim Gaines
bass:
Lonnie Turner
drums (drum set):
Gary Mallaber
guitar and lead vocals [vocals]:
Steve Miller (leader of Steve Miller Band)
phonographic copyright (℗) by:
Sailor Records (Steve Miller label), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1976), Sailor Productions (in 2006) and Haworth Enterprises (in 2016)
recorded at:
CBS Studios (San Francisco) in San Francisco, California, United States
mixed at:
Kaye–Smith Studios in Seattle, Washington, United States
recording of:
Rock’n Me
lyricist and composer:
Steve Miller (leader of Steve Miller Band)
publisher:
P and P Songs Limited and Sailor Music
Steve Miller Band4.653:07
11The Way It Is
engineer:
Elliot Scheiner
producer:
Bruce Hornsby and Elliot Scheiner
drums (drum set) and percussion:
John Molo
piano and synthesizer:
Bruce Hornsby
vocals:
Bruce Hornsby
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Entertainment (in 1986), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1986) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
produced for:
Trackman, Inc.
recording of:
The Way It Is
lyricist and composer:
B.R. Hornsby
publisher:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Zappo Music (from 1986 to present)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby & the Range4.054:59
12The Passenger
engineer:
Eduard Meyer and Colin Thurston
producer:
Bewlay Bros.
bass guitar:
Tony Sales (from 1977-06-04 until 1977-06-18)
cowbell, drums (drum set), shakers and tambourine:
Hunt Sales (from 1977-06-04 until 1977-06-18)
guitar:
Carlos Alomar (from 1977-06-04 until 1977-06-18) and Ricky Gardiner (from 1977-06-04 until 1977-06-18)
piano:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18)
background vocals:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18), Hunt Sales (from 1977-06-04 until 1977-06-18) and Tony Sales (from 1977-06-04 until 1977-06-18)
lead vocals:
Iggy Pop (from 1977-06-04 until 1977-06-18)
phonographic copyright (℗) by:
Thousand Mile, Inc. (in 1977) and Virgin America (Virgin sublabel for EUROPEAN releases of artists signed by Virgin Records America, Inc.) (in 1990)
recorded at:
Hansa Studio III in Berlin, Germany (from 1977-06-04 until 1977-06-18)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 179)
recording of:
The Passenger (from 1977-06-04 until 1977-06-18)
lyricist:
Iggy Pop
composer:
Ricky Gardiner
publisher:
Ricky Gardiner Songs and Virgin Music (Publishers) Ltd.
Iggy Pop4.64:41
13And We Danced
recording engineer:
John Agnello (engineer & producer) and William Wittman
assistant engineer:
Carol Cafiero and Dan Nash
producer:
Rick Chertoff
mixer:
David Thoener
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
And We Danced
writer:
Eric Bazilian and Rob Hyman
publisher:
Dub Notes Music (publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!) and Human Boy Music
The Hooters3:50
14Midnight Blue
recording of:
Midnight Blue
composer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Bruce Turgon
publisher:
Colgems-EMI Music Inc. and Stray Notes Music
Lou Gramm3:33
15The One I Love
additional recording engineer:
Gary Laney
engineer:
Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
additional mixer:
Steve Catania
bass guitar:
Mike Mills (R.E.M. bass player)
drums (drum set):
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States
mixed at:
Master Control in Burbank, California, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 149)
recording of:
The One I Love
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music, Universal Music Publishing International Ltd., Universal Tunes and Universal/MCA Music Ltd. (not for release label use!)
R.E.M.4.253:17
2CD

Credits

Release group

part of:Classic Drive (Time Life Music) (order: 13)