Top 2000 Subtop: Editie 2009

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Time Seller
The Spencer Davis Group2:52
2Border Song
engineer:
Robin Geoffrey Cable
producer:
Gus Dudgeon
bass guitar:
Dave Richmond
drums (drum set):
Barry Morgan (English drummer)
guitar:
Colin Green and Clive Hicks
organ:
Brian Dee (UK jazz/rock piano/organ)
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
background vocals:
Madeline Bell, Tony Burrows, Roger Cook (US‐based British singer, songwriter and producer), Lesley Duncan, Kay Garner and Tony Hazzard (songwriter)
conductor:
Paul Buckmaster
chorus master:
Barbara Moore
arranger:
Paul Buckmaster
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Border Song
lyricist:
Elton John (English singer, songwriter, pianist, and composer) and Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Universal–Songs of PolyGram International, Inc.
Elton John43:24
3Could It Be Magic
cover recording of:
Could It Be Magic
lyricist:
Adrienne Anderson
additional composer:
Fryderyk Chopin (Frédéric Chopin, composer)
composer:
Barry Manilow
publisher:
Angeldust Music (ended), Kamikazee Music (ended), EMI Longitude Music and Universal Music Careers
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Prélude no. 20 in C minor, op. 28: Largo
version of:
Could It Be Magic (original Featherbed single version)
Donna Summer33:56
4I’ve Seen That Face Before
recording of:
I’ve Seen That Face Before (Libertango)
lyricist:
Nathalie Delon, Barry Reynolds and Dennis Wilkey
composer:
Astor Piazzolla (composer and bandoneón player)
is based on:
Libertango
Grace Jones4:31
5Woodstock
cover recording of:
Woodstock
lyricist and composer:
Joni Mitchell
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
Matthews’ Southern Comfort3.64:28
6Behind a Painted Smile
recording of:
Behind a Painted Smile
writer:
Ivy Jo Hunter and Beatrice Verdi
publisher:
EMI Music Publishing (do not use as a release label!)
The Isley Brothers2:49
7It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
producer:
Peter Sullivan (UK producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 393)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Leeds Music (ended), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.51:59
8Ain’t Nobody Home
recording of:
Ain’t Nobody Home
lyricist and composer:
Jerry Ragovoy
publisher:
Chappell & Co.
B.B. King3:30
9Kayuta Hill
recording of:
Kayuta Hill
lyricist and composer:
Ab van Goor
Partner33:12
10Escape (The Pina Colada Song)
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1979) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
part of:
TV Cream: Real 100 Best Singles Ever (number: 89)
recording of:
Escape (The Piña Colada Song)
lyricist and composer:
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes23:54
11Happy Ending
Joe Jackson feat. Elaine Caswell3:41
12I Should Have Known Better
recording of:
I Should Have Known Better (1984 song)
writer:
Jim Diamond (Scottish singer/songwriter/guitarist) and Graham Lyle
publisher:
Diamond Brothers Music, Goodsingle Ltd. (publisher), Hornall Music Ltd. (limited company) and Rondor Music (London) Ltd.
Jim Diamond3:52
13On and On
sound engineer:
Henry Lewy
assistant engineer:
Leslie Jones (recording engineer) and Helen Silvani
producer:
Stephen Bishop (American singer-songwriter) and Henry Lewy
acoustic guitar, background vocals and lead vocals:
Stephen Bishop (American singer-songwriter)
bass guitar:
Mac Cridlin (bass)
drums (drum set):
Larry Brown (US producer, engineer, drummer and percussionist)
electric guitar:
Andrew Gold
electric piano:
Barlow Jarvis (American pianist, keyboardist and songwriter)
marimba, percussion and vibraphone:
Victor Feldman (jazz musician)
steel guitar:
Michael Staton
phonographic copyright (℗) by:
ABC Records, Inc (in 1976), Geffen Records (in 1976) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States and ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States
recording of:
On and On
lyricist and composer:
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Downtown Music Publishing International Inc., Stephen Bishop Music Publishing and エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
Stephen Bishop3:03
14The Story in Your Eyes
assistant engineer:
David Baker (UK recording engineer) and Heather Jeans
engineer:
Derek Varnals
producer:
Tony Clarke (UK producer/guitarist)
recorded at:
Wessex Studios in Highbury, Islington, London (Greater London), England, United Kingdom
recording of:
The Story in Your Eyes
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Cheshire Music Inc. and Tyler Music Ltd.
The Moody Blues52:54
15Caravan of Love
engineer:
Phil Bodger (engineer)
producer:
John Williams (English A&R executive, producer, songwriter...)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1986, in 1987)
cover recording of:
Caravan of Love
writer:
Ernie Isley, Marvin Isley and Chris Jasper
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), IJI Publishing and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Housemartins4.53:41
16Cry
producer:
Godley & Creme and Trevor Horn
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1985) and Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1985)
recording of:
Cry
writer:
Lol Creme and Kevin Godley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and St. Anne’s Music Ltd. (in 1985)
Godley & Creme43:57
17I Saw Her Again
recording of:
I Saw Her Again Last Night
writer:
Denny Doherty and John Phillips (The Mamas & The Papas)
The Mamas & the Papas3.53:15
18I’d Like to Teach the World to Sing
producer:
David Mackay (Australian producer, arranger, musical director)
vocals:
Eve Graham
arranger:
David Mackay (Australian producer, arranger, musical director)
recording of:
I’d Like to Teach the World to Sing
writer:
Bill Backer, Roger Cook (US‐based British singer, songwriter and producer), Roquel Davis and Roger Greenaway
publisher:
PolyGram Music Publishing
version of:
I’d Like to Buy the World a Coke (original commercial jingle off which “I’d Like to Teach the World to Sing” was based)
The New Seekers3.652:22
19Bad, Bad Leroy Brown
vocals:
Jim Croce (on 1972-06-02)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1972-06-02)
recording of:
Bad, Bad Leroy Brown (on 1972-06-02)
lyricist and composer:
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., Denjac Music Co., DenJac Music Company, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Jim Croce53:01
20Let’s Dance
Wally Tax3:21
3▶CD

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (in 2009)
Discogs:https://www.discogs.com/release/7121759 [info]
ASIN:US: B003NQB3XG [info]
other databases:https://www.muziekweb.nl/Link/JK158185/ [info]