Complete Symphonies, Tone Poems, Overtures, Requiem (Not the 6CD release "The Symphonies")

~ Release by Dvořák; London Symphony Orchestra, István Kertész (see all versions of this release, 3 available)

Annotation

Sometimes matches as this release which is incorrect: http://musicbrainz.org/release/2c172432-842a-4532-b7df-53668a210713

Annotation last modified on 2015-12-31 06:40 UTC.

Tracklist

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#TitleArtistRatingLength
1Requiem, op. 89: Sanctus
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu: Sanctus (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu (Requiem in B-flat minor, Op. 89, B. 165: Section II: V. Sanctus - Pie Jesu)
Antonín Dvořák5:56
2Requiem, op. 89: Pie Jesu
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu: Pie Jesu (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu (Requiem in B-flat minor, Op. 89, B. 165: Section II: V. Sanctus - Pie Jesu)
Antonín Dvořák5:12
3Requiem, op. 89: Agnus Dei
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: VI. Agnus Dei (Requiem in B-flat minor, Op. 89, B. 165: Section II: VI. Agnus Dei) (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl (Requiem in B-flat minor, Op. 89, B. 165: Section II)
Antonín Dvořák10:51
4Serenade for Wind in D minor, op. 44: Moderato, quasi marcia
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (from 1968-03-10 until 1968-03-11)
conductor:
István Kertész (conductor) (from 1968-03-10 until 1968-03-11)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-10 until 1968-03-11)
recording of:
Serenade for Winds and Strings in D minor, op. 44, B. 77: I. Moderato quasi marcia (from 1968-03-10 until 1968-03-11)
composer:
Antonín Dvořák (composer) (from 1878-01-04 until 1878-01-18)
part of:
Serenáda pro dechové nástroje, op. 44, B. 77 (Serenade in D minor, op. 44)
Antonín Dvořák3:23
5Serenade for Wind in D minor, op. 44: Minuetto (Tempo di minuetto)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (from 1968-03-10 until 1968-03-11)
conductor:
István Kertész (conductor) (from 1968-03-10 until 1968-03-11)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-10 until 1968-03-11)
recording of:
Serenade for Winds and Strings in D minor, op. 44, B. 77: II. Menuetto e Trio (from 1968-03-10 until 1968-03-11)
composer:
Antonín Dvořák (composer) (from 1878-01-04 until 1878-01-18)
part of:
Serenáda pro dechové nástroje, op. 44, B. 77 (Serenade in D minor, op. 44)
Antonín Dvořák6:13
6Serenade for Wind in D minor, op. 44: Andante con moto
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (from 1968-03-10 until 1968-03-11)
conductor:
István Kertész (conductor) (from 1968-03-10 until 1968-03-11)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-10 until 1968-03-11)
recording of:
Serenade for Winds and Strings in D minor, op. 44, B. 77: III. Andante con moto (from 1968-03-10 until 1968-03-11)
composer:
Antonín Dvořák (composer) (from 1878-01-04 until 1878-01-18)
part of:
Serenáda pro dechové nástroje, op. 44, B. 77 (Serenade in D minor, op. 44)
Antonín Dvořák8:31
7Serenade for Wind in D minor, op. 44: Finale (Allegro molto)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (from 1968-03-10 until 1968-03-11)
conductor:
István Kertész (conductor) (from 1968-03-10 until 1968-03-11)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-10 until 1968-03-11)
recording of:
Serenade for Winds and Strings in D minor, op. 44, B. 77: IV. Finale. Allegro molto (from 1968-03-10 until 1968-03-11)
composer:
Antonín Dvořák (composer) (from 1878-01-04 until 1878-01-18)
part of:
Serenáda pro dechové nástroje, op. 44, B. 77 (Serenade in D minor, op. 44)
Antonín Dvořák6:04
8Othello Overture, op. 93
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-12-01 until 1966-12-03)
conductor:
István Kertész (conductor) (from 1966-12-01 until 1966-12-03)
balance engineer:
Kenneth Wilkinson (engineer) (from 1966-12-01 until 1966-12-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-12-01 until 1966-12-03)
recording of:
Othello, op. 93, B. 174 (from 1966-12-01 until 1966-12-03)
composer:
Antonín Dvořák (composer) (from 1891-12-10 until 1892-01-18)
premiered at:
[concert] (1892-04-28)
publisher:
N. Simrock (in 1894)
part of:
Works of Antonín Dvořák by opus number (number: op. 93) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 174)
Antonín Dvořák14:51
9The Noon Witch, op. 108
recording engineer:
Stanley Goodall (engineer) (from 1970-06-29 until 1970-07-02), Peter van Biene (engineer) (from 1970-06-29 until 1970-07-02) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (from 1970-06-29 until 1970-07-02)
producer:
David Harvey (producer)
orchestra:
London Symphony Orchestra (from 1970-06-29 until 1970-07-02)
conductor:
István Kertész (conductor) (from 1970-06-29 until 1970-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-06-29 until 1970-07-02)
recording of:
Polednice, op. 108, B. 196 (The Noon Witch, op. 108, B. 196) (from 1970-06-29 until 1970-07-02)
premiered in:
London (Greater London), England, United Kingdom (on 1896-11-21)
composer:
Antonín Dvořák (composer) (from 1896-01-11 until 1896-02-27)
premiered at:
[private concert] (1896-06-03)
publisher:
N. Simrock (in 1896)
part of:
Works of Antonín Dvořák by opus number (number: op. 108) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 196)
Antonín Dvořák13:46

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